10 books like Annals of the Famine in Ireland, in 1847, 1848, and 1849

Although set in such a terrible place this book tells the story of one young man’s hope and resilience. The tattooist’s true life experience is sympathetically used by the author as a base for the storyline and it makes for a very unsettling but compulsive read. I like that there isn’t too much description and yet I still felt the bleakness of the camp and the desperation of its prisoners. The love story running throughout the book helped to show the strength of the human spirit in spite of inhumane conditions.

McEwan is a modern master, one of the few we have. And like most true masters, he’s often flawed. Not every sentence is perfect, his plots sometimes have potholes, and he’s been accused, at times, of borrowing without attribution. But I’ve been reading him for forty years and I think Atonement has a fair claim to be his masterpiece. The novel takes place in three time periods – 1935, the Second World War, and 1999 – and traces the implications of child’s misapprehension in witnessing a sexual encounter. The novel was published in 2001 and I suspect that some ideologically-minded contemporary readers might protest its inclusion on a best of list. But for those who still have a taste for nuance and ambiguity, It’s a devastating story about families, class, and literature. 

I first read this book in my teens and it profoundly affected me. The storyline is set in Dublin from 1907 to 1914, when a third of the city’s residents were destitute. Large families lived in single rooms in the dilapidated former homes of wealthy landlords. The author weaves the lives of his fictional characters into the workers’ revolt and great lockout of 1913, a tragic time for the ordinary people of Dublin. In spite of this, there are wonderful scenes of kindness and self-sacrifice that a close-knit community will often provide. I feel this book greatly influenced my own writing decades after first reading it. 

This is the first book in a trilogy that follows multiple generations of a fictional Irish family. Set in the mid-1600s, Cromwell’s soldiers leave a trail of destruction behind as they attack towns and villages throughout the country. After his wife is killed in the massacre of Drogheda Dominick McMahon and his two children, along with a wounded priest, set out to find a safer place to live. The story is compelling and, although part of a trilogy, can be read as a stand-alone novel. It has everything I like about historical fiction – captivating characters woven into a series of major events that pull the reader into a bygone era.

Set over three generations of the one family, this is the story of their fight for survival. What I love here is not just the prose, because there is no one finer than O’Callaghan, but also because it touches on the depopulation of Ireland’s small islands during the famine and the small island to which he refers has a very significant family connection for me. Partly based on O’Callaghan’s own family, Life Sentences tells an epic story of working-class life in Ireland from famine right through to modern-day. It is an unforgettable tale of love, abandonment, and reconciliation.

I’m a bit of a Celtophile but hadn’t heard of the Irish Land Wars of the early 1800s before encountering this book. In short: after The Great Famine, poor crop yields forced tenant farmers into a desperate fight to stay on farmland owned by absentee owners. Anna, the book’s protagonist, isn’t a typical mighty-girl heroine, but has a fierce love for her family, and the farm that was theirs long before their landlord claimed it. The author offers her story in perfect verse, weaving in bits of her family’s own history and historic photos as well. Anna’s a girl who knew what she wanted and never stopped believing it could and should be hers until it was. That’s a lesson all children, including this grown one, can really, really use.

Throughout history – and into the present – hunger is always profoundly gendered, women being disproportionately impacted upon than men. The point has been remarkably little studied so it’s a good thing that the most prolific writer on the Great Famine of Ireland, Christine Kinealy alongside two other fine famine scholars, have finally addressed this. The book is a series of essays exploring the roles that women (and children) played during the famine. Timely and powerful and a useful reminder that when it comes to writing the history of hunger we’ve only just started.

When this book was released in 1962, it landed like a bomb, becoming an immediate, worldwide best seller. Woodham-Smith did not "invent" the famine as a topic -- every historian of the period was well aware of this tragedy, and its implications for the future of Ireland (mass emigration, smoldering indignation in the Irish diaspora, seeds for future rebellion) -- but many readers were unaware of the governmental machinations in London that so contributed to this humanitarian disaster. Some of Woodham-Smith's conclusions, and judgments, have been questioned by succeeding historians, but her narrative here is compelling, well researched, beautifully written, and germane to the troubles which afflicted the island well into the twentieth century and beyond.

First published in 1839 this is a fascinating history of Ireland from an outsider’s perspective. De Beaumont, a Frenchman, was a grandson of Lafayette and a lifelong friend of Alexis de Tocqueville, the author of Democracy in America. He visited Ireland in 1835 and two years later L’Irlande appeared in two volumes, with an English translation later that year. An intellectual tour de force, the book was an immediate bestseller and remained popular for decades. His contemptuous howl of outrage directed at the British administration in Ireland reverberated down the nineteenth century.

Even professional historians need to slow down and read fiction sometimes! And Joseph O’Connor’s Star of the Sea his is one of my all-time favorites. Set on an emigrant sailing ship during Ireland’s Great Famine, this dark thriller skillfully interweaves the stories of a number of different passengers, one of whom happens to be a murderer. O’Connor, one of Ireland’s leading novelists, finds that perfect balance between “historical” and “fiction.”