100 books like Spider Eaters

I still vividly remember the first time I read this book in my teenage years in Tehran. Its powerful rhythm, its vivid political imagery, and its sweeping vision shook me. It caught me right then and has never quite let go.

Not only has it remained relevant throughout the years, but it still reads like the literary masterpiece that it is. 

Hobsbawm was both one of the most influential professional historians of the twentieth century and a lifelong communist. As a historian, Hobsbawm had no illusions about the failures of twentieth-century communist regimes. His life story illustrates how a commitment to communism entailed far more than an endorsement of Stalin or the Soviet Union. A schoolboy in Berlin when the Nazis came to power, Hobsbawm, associated communism with antifascism. In his autobiography, he offers not a confession or a justification for his membership in the communist party, but an effort to explain what he calls the “wars of secular religion” that devastated so much of the twentieth century.

In 1968, Margaret Randall, an American radical fleeing political repression in Mexico, moved to Cuba with her children. She remained there until 1980. Her memoir of her years in Cuba provides insight into the lived experience of revolutionary change. She charts her everyday life and struggles and offers a compelling picture of the broader political and economic context. A pioneering feminist, oral historian, and photographer, Randall, with the permission of the Cuban government, interviewed women throughout the country about how the revolution shaped their lives. Acknowledging the revolution’s failures, blind spots, and shortcomings, she remains committed to changing the world.

The Communist Experience is a vast and kaleidoscopic collection of primary sources that range from a fragment of the memoir of a Russian worker who became a Bolshevik before the 1917 revolution to letters from Spanish children evacuated to the USSR during the Spanish Civil War to the manifesto of the Gay and Lesbian Association of Cuba. Young organizes the collection around themes that cross-national and temporal borders, such as “children of the revolution” “state violence and repression,” and “leisure, entertainment sports, and travel.” The book can be read from cover to cover, but also rewards readers who dip into sections or personal stories according to their interests.

How do you tell stories about the people who don’t show up in history’s official records?

That’s the question Vaness Hua explores in Forbidden City, which was inspired by a couple of lines Hua read about Chairman Mao Zedong’s love of ballroom dancing. Party officials would bring young women to the Forbidden Palace to dance with Mao and his party faithful. 

Any more detail about the lives of these young women is lost to history, but recreated with astonishing insight and beauty by Hua in Forbidden City. The main character, Mei Xiang, has to navigate the dangerous world of politics during the beginnings of the brutal and violent Cultural Revolution in China.

I love the questions this book raises about all the unknown women and girls whose stories of survival have been lost to time.

I always like reading anything about day-to-day living in China. In this book, I loved the descriptions of what life is like in rural China, eg making their own reed shoes and building their own roofs. On the surface, this book is about the idyllic life in the countryside. However, it is set during the cultural revolution but so subtly described in the back-drop that it is perfect for the target audience. We often read about the people banished to the countryside, and this book tells me what happens to them when they arrive.

I also enjoyed it as it is a translated text, so there is a sense that this is authentic.

Perspectives on one of the most bewildering and turbulent periods in modern Chinese history – the Great Proletariat Cultural Revolution, in the decade from 1966, by one of contemporary China’s foremost historians. Yang, who has worked on the era of the great famines in China prior to this, is well served by two excellent translators. A book that brings the vastness of this revolution down to the stories of specific people and places, including those who were most involved in creating and directing this seminal event.

In elegant prose, Nien Cheng, a Shell Oil Company in 1966, recounts her life in Shanghai in 1966, when Chairman Mao launched the Great Proletarian Cultural Revolution.

Mao’s Red Guards ransacked Cheng and her husband’s bourgeois home and then delivered her to No. 1 Detention House in Shanghai where she was held in solitary confinement of 7 years until her rehabilitation and release after several struggle trials.

Her work is prescient as the United States in under attack by a radical woke ideology. Many Americans have been cancelled or have been made to attend struggle sessions.  

Nein Chen is a heroic woman, a brilliant writer, and an example of how one courageous woman can stand up to a totalitarian regime. 

Set in China’s southwestern mountainous rainforest borderland of Xishuangbanna, this novella is based on the author’s time as a “sent-down youth” during the Cultural Revolution. Politics take a backseat to the intimate friendships forged during those years, alongside the heedless degradation of the country’s lushest lands. The famed director Chen Kaige—who had served two mountains away from the author—made a faithful film adaptation.

The godmother – the empress dowager, if you will – of all naughty Chinese authoresses is the inimitable Anchee Min. Her debut memoir, Red Azalea, was published half-a-decade before Shanghai Baby, and takes place half-a-century prior, at the outset of the Cultural Revolution. The first half of her story is set in a countryside labor camp, where teenaged Min and another young woman carry out a secret affair, with regrettable consequences. The second half of Min’s memoir finds her returning to her native Shanghai, now as the star of a movie production about Madam Mao, while carrying out yet another forbidden relationship, with one of Mao’s advisers. Min published seven subsequent books, all to critical acclaim, but Red Azalea is her at her most fearless.