100 books like Behind the Wall

I think of myself as an adventurous traveler, but Dervla Murphy travels in a way that I would never even consider.

So, it’s a pleasure to sit in a comfortable chair and read about places I’ll never visit and people who I’d love to meet, but never will. Murphy writes so vividly I feel as though I am right beside her as she fends off wolves, struggles to drag a bicycle uphill through mountain snow, and shares tea with nomads.

This was her first book and every book that follows is equally compelling.

This journey is simultaneously a descent into fear and chaos and an ascent into manhood. An excitable young man on his first solo journey deliberately throwing himself way out of his depth in the Orinoco basin. Allen’s aim to learn how to survive in the jungle from the indigenous peoples who’ve thrived there for centuries is a pattern he came to repeat throughout his career and one that many explorers should learn from. Things take a turn when he overhears a plot on his life and he makes a solo one-month escape from the jungle with only the clothes on his back.

Among my favourite great women explorers of the past, her intrepid streak brings wild adventures which she handles with earthy common sense and humour – her writing makes me smile. I recommend it because it’s a superb escape into the once-real world of a woman explorer in the 1890s.

I particularly loved her voyage by dugout canoe downriver in the Ogowe rapids, and her bartering of lacy shirts with Fang tribesmen when her trade goods ran out. It all seemed so normal. It taught me not to fear the outside world, and that the wildest rainforests are safe compared to our big city jungles. As a woman alone, one is more of a novelty than a threat.

Throwim Way Leg is an otherworldly account of a country I’ve come to know well in recent years. Biologist Tim Flannery travelled far and wide in this land of mountains and jungle throughout the 80s, when ancient and unsavoury practices were still widespread, or at least existed in very recent memory. The book is a hilarious, non-judgemental, and open-minded account of New Guinean tribal life. Everything from cannibalism to courtship is related alongside a fascinating look at the mammalian life inhabiting some of the world’s deepest recesses of jungle.

Get this book first for the extraordinary collection of 300 black-and-white photographs of the Cultural Revolution in Lhasa, which is also one of the largest troves of Cultural Revolution-era photographs from anywhere in China. The remarkable photos, which depict the destruction of temples, the humiliation of lamas and members of the old nobility, and more, were taken by Tsering Dorje, a Tibetan officer in the People’s Liberation Army. 

Then read the accompanying essays and interviews by Tsering Dorje’s daughter, the prominent Tibetan poet, writer, and public intellectual Tsering Woeser, which not only chronicle the events of the Cultural Revolution but meditate on Tibetan participation in the assaults on Tibet’s cultural heritage and, like the two books above, serve as powerful reminders of the ways communal memory continues to hamper state efforts to fully integrate Tibetans and other non-Han communities into the Chinese nation.

Tsering Döndrup, known for his cuttingly satirical, frequently unflattering, and often hilarious critiques of Tibetan and Chinese society, is one of the most celebrated writers of fiction in contemporary Tibet. And this is certainly his most audacious and courageous novel. 

Based on extensive interviews and archival sources, The Red Wind Howls essentially begins where Naktsang’s memoir ends: the 1958 Amdo Rebellion and its brutal pacification by the Chinese state. Although moving seamlessly between the protagonist’s childhood, the Cultural Revolution, and the beginning of Deng Xiaoping’s Reform era, much of the story takes place in the labor camps where tens of thousands of Amdo Tibetans were sent in the aftermath of the 1958 rebellion.

Yet Dhöndrup tells this story with his characteristic iconoclasm and dark humor that frequently had me laughing in spite of the seriousness of the subject matter.

I was fortunate to have met Da Chen when he was keynote speaker for our high school’s annual teen writer’s conference. I had read and recommended to my AP World History students his riveting Colors of the Mountain. 

He was warm with students and staff, regaling my class with stories of life in post-Mao China. Da Chen’s interest in people is evident in his engaging Colors of the Mountain. A tale of triumph against all odds, Da Chen’s memoir chronicles how he and his family survived China’s Cultural Revolution (1966-1976).

Despite the harshness of the times, Da Chen tells his story with uncommon grace and humor. I return to his work time and again, not just for preparation in teaching 20th-century China, but also for personal inspiration.

The godmother – the empress dowager, if you will – of all naughty Chinese authoresses is the inimitable Anchee Min. Her debut memoir, Red Azalea, was published half-a-decade before Shanghai Baby, and takes place half-a-century prior, at the outset of the Cultural Revolution. The first half of her story is set in a countryside labor camp, where teenaged Min and another young woman carry out a secret affair, with regrettable consequences. The second half of Min’s memoir finds her returning to her native Shanghai, now as the star of a movie production about Madam Mao, while carrying out yet another forbidden relationship, with one of Mao’s advisers. Min published seven subsequent books, all to critical acclaim, but Red Azalea is her at her most fearless.

I first read the book when I was at college in China, and over the years, I’ve read it several times. In China, Yu Hua is one of the few leading writers known as both a literary master and a popular writer with huge commercial success. His charm is well demonstrated in To Live, which has become a classic in modern Chinese literature. It’s a story of a common Chinese man named Fugui living through one after another social and political changes. The story is dramatic, sad, humorous, and sarcastic at times yet never sentimental and judgmental, and it draws you in with a simple but compelling question: after you lose everything dear to you, can you still go on to live? 

This book was published after the demonstration at Tiananmen Square, Beijing which ended in bloodshed. With this book, I felt finally somebody was giving an honest account of life in China in the 20th Century and  under the Chinese Communist Party.

But this is no regular history book; it is Jung Chang’s personal account following the lives of three generations of women in her own family: Jung Chang herself, her mother, and her grandmother. They endured so much, but I was struck by how united and loving they remained. They managed in the face of adversity to keep their humanity, inner strength, and incredible courage.

I felt empowered by these women, from the grandmother who had endured the torture of having her feet bound as a young girl to the author who showed admirable courage to tell us exactly what China was like right up and through the dark years… show more.