100 books like The Red Wind Howls

I’ve read a bunch of English-language memoirs written by Tibetans living in exile. My Tibetan Childhood is different. Originally written in Tibetan and published by an underground press in China, Naktsang Nulo’s remarkable memoir of growing up in the grasslands of Amdo during the 1950s is meant to preserve for younger generations of Tibetans the traumatic story of their homeland’s incorporation into the Chinese state. 

The first half offers a nostalgic but unflinching portrayal of life before the coming of the Chinese. Unlike much of the exile literature, this is not an idealized Tibet but one filled with violence and injustice as well as community and faith. The second half describes in harrowing detail the events of 1958 when Nakstang’s chiefdom was destroyed, his father shot and killed, and he and his brother were left to survive prison camps and then horrific famine. All told through the eyes of a… show more.

Get this book first for the extraordinary collection of 300 black-and-white photographs of the Cultural Revolution in Lhasa, which is also one of the largest troves of Cultural Revolution-era photographs from anywhere in China. The remarkable photos, which depict the destruction of temples, the humiliation of lamas and members of the old nobility, and more, were taken by Tsering Dorje, a Tibetan officer in the People’s Liberation Army. 

Then read the accompanying essays and interviews by Tsering Dorje’s daughter, the prominent Tibetan poet, writer, and public intellectual Tsering Woeser, which not only chronicle the events of the Cultural Revolution but meditate on Tibetan participation in the assaults on Tibet’s cultural heritage and, like the two books above, serve as powerful reminders of the ways communal memory continues to hamper state efforts to fully integrate Tibetans and other non-Han communities into the Chinese nation.

This is Robert Barnett’s beautifully written, highly imaginative rumination on the city that for centuries has served as the spiritual, political, and historical center of the Tibetan-Buddhist world. Lhasa, however, has also been an object—sometimes obsession—of generations of outsiders seeking adventure, trade, or enlightenment. 

In recent years, Lhasa has been transformed into a Chinese provincial capital, replete with wide avenues, hair salons of questionable reputation, and the white-tiled, blue-tinted-windowed buildings that have become ubiquitous across China’s ‘second and third-tier’ cities. 

Barnett, a journalist-turned-scholar of modern Tibet, both juxtaposes and layers all of these Lhasas—along with his own memories of a city he first visited in 1987 and which is now under threat from the relentless pressures of state-capitalist development and Han Chinese settlement.

In this book, Emily Yeh has managed to do one of the hardest things in academic writing. She has produced an erudite, creative, and deeply researched study of contemporary Tibet that is also eminently readable, even for a general audience.

Yeh demonstrates ways that “development” in Tibet, pitched by the state as avenues to better the material lives of Tibetans—for example, through infrastructure projects and the expansion of markets and education—often serves to increase state control while further disempowering Tibetans.

This helps explain why in 2008—in spite of rising economic indicators—demonstrations broke out across the Tibetan plateau and why, in years since, more than 160 Tibetans have self-immolated in protest against the Chinese state.

I must have read dozens of books on China but Colin Thubron’s elegiac account comfortably takes the crown. Behind the Wall captures a unique moment in China’s history when foreigners were first allowed to travel around the country but the nation was yet to be influenced by the outside world. Having learnt to speak Mandarin in advance of travelling, the author probes deep into the rural areas and distant desert outposts of a closed communist empire still recovering from the ravages of the Cultural Revolution.

Demick is a master at showcasing the true drama of ordinary people living ordinary lives. In this saga of Tibetan royalty, resistance, and renaissance, she knits these personal stories into a sweeping epic covering the last 60 years of Tibetan history. The characters may at first glance seem innocuous: a long-lost daughter; a shopkeeper; a monk. But together, their stories paint a frightening and vivid picture of the everyday repression and fear under the largest and most sophisticated authoritarian regime on the planet. Throughout, Demick’s narrative displays a profound sense of place, plopping the reader onto the frigid Tibetan plateau, making us feel present to the resistance movement on the rooftop of the world. 

I was fortunate to have met Da Chen when he was keynote speaker for our high school’s annual teen writer’s conference. I had read and recommended to my AP World History students his riveting Colors of the Mountain. 

He was warm with students and staff, regaling my class with stories of life in post-Mao China. Da Chen’s interest in people is evident in his engaging Colors of the Mountain. A tale of triumph against all odds, Da Chen’s memoir chronicles how he and his family survived China’s Cultural Revolution (1966-1976).

Despite the harshness of the times, Da Chen tells his story with uncommon grace and humor. I return to his work time and again, not just for preparation in teaching 20th-century China, but also for personal inspiration.

I always like reading anything about day-to-day living in China. In this book, I loved the descriptions of what life is like in rural China, eg making their own reed shoes and building their own roofs. On the surface, this book is about the idyllic life in the countryside. However, it is set during the cultural revolution but so subtly described in the back-drop that it is perfect for the target audience. We often read about the people banished to the countryside, and this book tells me what happens to them when they arrive.

I also enjoyed it as it is a translated text, so there is a sense that this is authentic.

Set in China’s southwestern mountainous rainforest borderland of Xishuangbanna, this novella is based on the author’s time as a “sent-down youth” during the Cultural Revolution. Politics take a backseat to the intimate friendships forged during those years, alongside the heedless degradation of the country’s lushest lands. The famed director Chen Kaige—who had served two mountains away from the author—made a faithful film adaptation.

This instant classic was the first to draw deeply on a wide range of previously inaccessible sources about the Cultural Revolution of 1966 to 1976. Highly readable and authoritative, it provides extensive insight into Mao’s actions and those of his subordinates and victims and documents the destructive impact of these conflicts all across China from the initial salvos at Peking University in May 1966 to the immediate aftermath of Mao’s death, which led to the arrest of Mao’s most ardent radical followers, the “Gang of Four”.