99 books like Southernmost

First off, it’s set in the 80s. This is my generation. No smartphones. No social media. Just pure teenage angst.

Mostly, I love the back-and-forth conversation and inner thoughts of Eleanor and Park. Rowell nails the authenticity of teens. Their strange humor and insecurities. I want to throw my arms around them and shelter them from the cruel bullies haunting them.

Rowell sucks you into their lives, and it feels so real and raw that you remember the wonder and horror of your own teenage years. The dialogue is rich in its realness, and the tender little moments between Eleanor and Park are precious.

I love historical fiction, especially when authors throw in a touch of crime. So, that’s what first drew me to this book.

What kept me reading and what made me rank this novel so highly is the gradual unlayering of the main character as the story progresses. Sure, Kya is a victim and a survivor, but she is so much more, and she is capable of more than I could have anticipated. As in some of my other favorite novels, it’s that loyalty to human nature, the understanding that circumstances can make good choices wrong and poor choices right, that pulled me in.

If I had known the ending when I started the book, I might not have believed it possible, but Delia Owens made it work.

Through the Waters and the Wild really impacted me because it asks the timeless and relatable questions—“Where shall I go now?” and “What shall I do?” Focused on questions we all ask at some point in life, this wonderfully crafted novel answers that question in a unique way. Moving through the time period of the Irish Civil War, Fields is able to tell the story of a young boy finding his way all the while creating a setting in which is almost unbelievably described. I love this book because it seems as if Fields truly used a time machine, and as the reader, I felt as if I was on the streets in Ireland seeing the story take place. 

The Weight of this World is one of my absolute favorite additions to southern literature. I enjoyed this book, and honestly all of David Joy’s books, because it is crafted in a way to show darkness while at the same time showing glimmers of hope within the characters. This novel is real, raw, and a wonderful read that I would recommend to anyone who is looking to read a book that you can’t put down because of the action, the moments of self-discovery, and the depiction of the roughness within the world.

This book has a provenance that’s almost like a prison sentence: released in 1953 under the title Cast the First Stone, it would have been Himes’ first novel, but its frankness about homosexual relationships in prison and the fact that a Black writer had written white main characters, made publishers shit their pants and doctor the life out of it to make it conform to 50s market expectations. Of course, in the process, they ruined it.

But in 1998, Old School Books released Himes’ "director’s cut,” a much different, more beautiful, raw, and thoughtful book that’s as much about prison life as it is about the prison of masculinity. Paradoxically, prison seems to be a place where people indulge homosexual desires, though the atmosphere somehow remains homophobic.

Reading this book could foster more compassion for queer desires, whether those of prisoners who identify as LGBTQIA+, or those who claim… show more.

This has a quite classic theme of good versus bad. I was really rooting for Zacriah from the start. He was more of your “has hidden magic” hero, but he came from humble beginnings. I do like an underdog, but more than that I like everyday people (or elves!) and seeing how they rise against adversity. Maybe because, especially in the current climate, it feels like we need to do this more and more. Zacriah is an everyday hero. Hadrian, the other protagonist is, however, a prince. The writing is such though that I was rooting for him too. Maybe because it was obvious that he cared for Zac from the start and I’m a sucker for a love story. 

An M/M ("male and male") romance novella that upends traditional romance tropes. There are no aristocratic major characters, and no heroine. Instead two hero/es, Martin St. Vincent, a freed Caribbean ex-slave, and Theo Swann, a failed curate-to-be now running a "marriage mart" rag and as "Mrs. Swann," writing Gothic novels, play out the original Georgette Heyer trope of a Foolish Young Female character's thwarted elopement. Their literally bruising There and Back coach journey retrieves the female, but also develops their own attraction, and brings them through emotional or financial liberations to the threshold of a "new world." The diversity of race and sexuality is thoroughly modern, but content warning: as per usual for the sub-genre, there's plentiful sex.

The tagline for this book is “Agatha Christie but make it gay.” But Cat Sebastian does something better than that; although like Christie, everyone is concealing a secret, in Hither, Page almost everyone’s secret is being kept for a good reason—to prevent hurting someone they care about. In this book, Leo, a jaded, world-weary spy, is sent to investigate a murder in a small village. It's just after the end of WWII, and everyone is exhausted and wishes life would just get back to normal already, none more so than James, a local doctor with a touch of PTSD who needs nothing less than to get involved with espionage and smuggling. And then he meets Leo. (Spoiler: things go better than you'd think for the two of them.)

Reading this book is like someone you care about bringing you a bowl of tomato soup on a rainy day.

Part manifesto, part archive of a fascinating and alluring sub-culture, Geoff Mains's book explores the possibilities of extreme encounters through pain/pleasure, BDSM, and role play in the leather community.

It’s not sensationalist although it examines ideas around sensation. It celebrates performance whilst honoring intimacy. It’s a book that would offer a reader of every sexuality an insight into some of their own fantasies and how to access them safely, and meaningfully.

I read it like I would read an exhaustive and tempting menu – picking out items I might like to taste myself and learning a great deal in the process. 

I was taken down a rabbit hole, exploring other aspects of 19th and 20th-century Irish and British gay culture.

This very comprehensive biography of Ireland’s leading playwright whose many amusing quotes are now part of everyday language deals predominantly with his sexuality, going into considerable detail in parts. Wilde was, as per his name, pretty wild!

His life was a true roller-coaster, from the height of his fame with many books, poetry, and stage productions making him a household name worldwide. Yet he was a troubled soul and the author of the biography has researched his subject intensively and has delivered possibly the ultimate work about this notable gay icon.