Here are 100 books that Somewhere Out There fans have personally recommended if you like
Somewhere Out There.
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I have lived in Gettysburg, PA, all of my life, so I’m drawn to historical fiction, especially the Civil War era. The 1860s is the perfect setting for the enemies-to-lovers trope, and I am lucky enough to be surrounded by history all of the time. In doing lots of research, I have found that enemies fell in love more often than you might think during the Civil War. I hope you enjoy this list of books that got me interested in reading and continue to keep my attention to this day.
This is a beloved book for many, but I love it so much because both of the characters are so unlikeable—yet you fall in love with them. I also love the conflict and the dueling, strong personalities of Scarlet and Rhett.
The plot is full of emotion and passion, and yet there are no sex scenes, which is another reason why I like it so much.
I wrote this book to give my mother an alternate life. She was a mother at age fifteen, mother of five by twenty-seven, and a grandmother by thirty-three. Being a parent defined her life, but she did not enjoy motherhood and was very frank on the subject. Thanks, Universe is my way of giving Mom her freedom and even though she never read anything I wrote, I like to think she would have approved of Pauline and the choices she made.
I adore sweeping family sagas with strong women characters and with tragedy, romance, and heartache set in Australia, The Thorn Birds is a beautiful example of the genre.
Meggie is rebellious and headstrong and makes questionable choices, but we empathize and root for her. All the well-rounded characters each come with their own secrets that will keep you turning pages.
A phenomenal worldwide bestseller since 1977 THE THORN BIRDS is a robust, romantic saga of three generations. It begins in the early years of this century when Paddy Cleary moves his wife and seven children to Drogheda, an Australian sheep station, owned by his autocratic and childless older sister. For more than half a century we follow their fates, particularly those of Meggie, the only Cleary daughter, and the one man she truly loves, Ralph de Bricassart - stunningly handsome, ambitious, and a priest. As background to the Cleary family's lives there is the land itself: relentless in its demands,…
I’ve been a stay-at-home mom and author for the past decade, and during that time, I went through the stillbirth of my second baby. Grief taught me a lot about compassion, including the importance of being able to see the nuance of difficult subject matters. I learned it’s easy to theorize what to do in a situation until you're in that situation. For that reason, I love books in all sorts of genres that are layered with characters’ past griefs, impossible scenarios, and tensions regarding the choices they make. I picked five of my favorite books with a heart-ripping plot that sparks interesting discussion and leaves readers pondering, "What would I have done?"
This book is a split-time masterpiece, and I was equally invested in both timelines. It also taught me about historical, harrowing events surrounding the adoption industry in the United States that I didn’t know about before.
While the characters in this story face impossible scenarios, it’s also a lesson on the kind of grief that comes from horrific choices being made for a person that can’t be undone.
THE BLOCKBUSTER HIT—Over two million copies sold! A New York Times, USA Today, Wall Street Journal, and Publishers Weekly Bestseller
“Poignant, engrossing.”—People • “Lisa Wingate takes an almost unthinkable chapter in our nation’s history and weaves a tale of enduring power.”—Paula McLain
Memphis, 1939. Twelve-year-old Rill Foss and her four younger siblings live a magical life aboard their family’s Mississippi River shantyboat. But when their father must rush their mother to the hospital one stormy night, Rill is left in charge—until strangers arrive in force. Wrenched from all that is familiar and thrown into a Tennessee Children’s Home Society orphanage,…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I wrote this book to give my mother an alternate life. She was a mother at age fifteen, mother of five by twenty-seven, and a grandmother by thirty-three. Being a parent defined her life, but she did not enjoy motherhood and was very frank on the subject. Thanks, Universe is my way of giving Mom her freedom and even though she never read anything I wrote, I like to think she would have approved of Pauline and the choices she made.
If you enjoy ‘quieter’ family sagas, I recommend everything by Anne Tyler, but this book in particular resonates with me.
Abby Whitshank’s character blossoms and unfolds through the pages as she shows readers astonishing layers and unwavering strength. She is not who she seems at first glance and is absolutely the fierce, loyal, and loving mama any child wants on their side.
**Shortlisted for the Baileys Women's Prize for Fiction 2015**
**Sunday Times bestseller**
'It was a beautiful, breezy, yellow-and-green afternoon...'
This is the way Abby Whitshank always begins the story of how she and Red fell in love that day in July 1959. The whole family on the porch, relaxed, half-listening as their mother tells the same tale they have heard so many times before.
And yet this gathering is different. Abby and Red are getting older, and decisions must be made about how best to look after them and their beloved family home.…
All my life, I’ve struggled with accepting who I am. It’s no secret that the Vietnam War was unpopular in America; as such, I spent my adolescence hiding who I was. Literature like this didn’t exist when I was a kid. If it had, I think I would’ve seen myself differently. As a writer, I explore similar themes in my work and highlight the importance of discussing how our childhood experiences (good and bad) shape us. Uniformity is a destroyer of identity; my mission is to show how loving what makes us different allows us to love the differences we see in others.
This book is powerful. When three biological siblings find one another they’re all at different stages.
Grace, at sixteen, has just given birth. Joaquin, the older brother, has bounced around foster care homes. And the youngest, Maya, searches for traces of herself in her new bio siblings. I imagine all kids who are adopted, at some point, struggle with why they were given up. These three are no different, but they are so dynamic and lovable, and despite Joaquin’s struggles, he shines as an older brother who wants nothing but the best for his sisters.
Watching these kids love each other is, in a way, watching them learn to love themselves, and it’s so darn beautiful.
WINNER OF THE U.S. NATIONAL BOOK AWARD 2017 FOR YOUNG PEOPLE'S LITERATURE!
'Sometimes, family hurts each other. But after that's done you bandage each other up, and you move on. Together. So you can go and think that you're some lone wolf, but you're not. You've got us now, like it or not, and we've got you.'
When 16 year-old Grace gives up her baby for adoption, she decides that the time has come to find out more about her own biological mother. Although her biological mum proves elusive, her search leads her to two half-siblings she never knew existed.…
I’m fascinated by our connections to animals, our similarities and differences, and how we communicate. Large mammals have always been my favorites, but like many people, I started noticing birds in my backyard during the pandemic lockdowns. As an author of middle-grade novels, my stories have been inspired by something interesting I’ve learned about a particular animal. I started writing my novel after learning that whooping cranes had nested in Texas for the first time in over a century. I knew I had to give that momentous nest sighting to a bird-loving girl who’d appreciate the visitation by these rare and majestic birds!
This book has so many of my favorite things—laughter and tears on the same page, a character with a strong connection to an animal, and a funny, caring, resilient kid who’s wrestling with a difficult decision.
I enjoy seeing characters who cause their own problems, like Coop does when he derails his basketball plans by climbing a tree to check out a bird's nest! I also love it when antagonists aren’t villains; Coop and his family might be at odds about what he should do with his mockingbird, but they’re loving parents and grandparents.
I cheered for Coop to discover where he fits in, and he's a character I’ll remember long after closing the book.
Coretta Scott King Honor winner Brenda Woods's poignant, heartfelt story of an adopted boy and the bird he rescues
Everyone expects Coop to be musical like his beloved parents, but he's not. That's one of the few things he finds awkward about being adopted-well, that and the fact that he sometimes wonders why his birth mother didn't love him enough to keep him. This summer, he's stuck at home with a broken arm after falling out of a tree trying to get a closer peek at a mockingbird nest. Later, when the eggs in the nest have hatched and the…
Ava Winston likes her life of routine in Lexington, Kentucky. Then a tornado blows it away. Ava is safe in the basement, but when she emerges, only one corner of her home stands. Rather than crumbling under the loss, she feels a load lifted. Maybe something beyond the familiar is…
Peter Pan was the first book I remember being read to me when I was four. At the age of thirty-two, I discovered the real J.M. Barrie. I read everything I could of Barrie’s and even wrote a one-person play about him. This led me to discover R.L. Stevenson, Treasure Island, and the world of (fictional) pirates. On a visit my wife and I made to Robinson Crusoe Island, I came to believe (through deductive logic and vivid imagination) that this was the three-dimensional embodiment of Neverland. Barrie always envisioned himself as Hook, and though I longed to be Peter, I fear that my soul was a pirate’s soul. Hence Hook’s Tale.
Okay, this isn’t exactly about pirates, but it is about children who play at pirating and whose summer adventures with an author named Barrie inspired him to write his play Peter Pan. The children were George, Jack, Peter (and later Michael and Nico) Llewelyn-Davis, and they became the center of Barrie’s creative life. “I have no recollection of having written Peter Pan,” he later wrote. “He belongs rather to the five without whom he never would have existed and the play is streaky with them still. I suppose I made him by rubbing the five of them violently together, as savages with two sticks produce a flame. That is all he is, the spark I got from my boys.”
When I first read this book I had to put it down at the end of nearly every chapter – because I was sobbing and my tears made it impossible…
An enchanting biography of J. M. Barrie, the man who created Peter Pan and his Lost Boys
"For an insightful exploration of Barrie and the boys who inspired him, nothing rivals [this book]."-Norman Allen, Smithsonian Magazine
J. M. Barrie, Victorian novelist, playwright, and author of Peter Pan, or The Boy Who Wouldn't Grow Up, led a life almost as magical and interesting as as his famous creation. Childless in his marriage, Barrie grew close to the five young boys of the Llewelyn Davies family, ultimately becoming their guardian and devoted surrogate father when they were orphaned. Andrew Birkin draws extensively…
As a Korean transracial adoptee, it seems like I’ve always been thinking about family, or even if I didn’t want to, other people’s intrusive questions about my family makeup forced me to. More than solely thinking about my own family–whether my Korean biological family or my white adoptive family–it led me to be curious about the broader systems, policies, and practices behind something that seems so personal and private. It’s no surprise that I formalized my inquiry into the social world by becoming a sociologist and professor. As a sociologist, my primary research interests are race, identity, and belonging, and yes, Korean transnational transracial adoption is part of that focus.
I vaguely remember hearing about the tragedy of the Hart children–six Black and mixed-race children who were adopted out of foster care and killed by their two white adoptive mothers. I wasn’t aware of all of the intricate details of their case or the foster care system that allowed this to happen.
I am in awe of Roxanna’s investigative journalism and the nuance and empathy in which she tells this story. While it is the Hart story that’s at the center of this book, I learned so much more about the child welfare system overall and how it’s set up to promote child separation. Heartbreaking.
“A riveting indictment of the child welfare system . . . [A] bracing gut punch of a book.” ―Robert Kolker, The Washington Post
“[A] moving and superbly reported book.” ―Jessica Winter, The New Yorker
“A harrowing account . . . [and] a powerful critique of [the] foster care system . . . We Were Once a Family is a wrenching book.” ―Jennifer Szalai, The New York Times
A New York Times Book Review Editors’ Choice
The shocking, deeply reported story of a murder-suicide that claimed the lives of six children―and a searing indictment of the American foster care system.
After I was sent for a breast biopsy in 2008, my twin sister and I began the very real work of researching our closed adoption. My health, my sister’s, and our collective six children depended upon it. For nearly five decades, I had placed my adoption in an internal lockbox, one I had promised myself I would get to “one day.” At 48, that day had finally come. Concurrent with my search, I absorbed many of the books I mention here. These works became foundational in how I came to view my adoption, and they provided the support I needed during the search and reunion process.
When I finished Verrier’s work–long considered a classic in adoption literature–I felt understood in a deep and powerful way. The author affirmed the feelings of confusion, sadness, and loss that I have often experienced when considering the adoption of my twin sister and me. Because we had been raised in a loving adoptive family, I had not considered our adoption as a trauma.
But of course, any time a meaningful bond is ruptured or abruptly severed, trauma is the result. I also found validity in Verrier’s position that adoption and the subsequent loss of knowledge and contact with birth mothers impact an adoptee’s future relationships.
The Primal Wound is a seminal work which revolutionizes the way we think about adoption. It describes and clarifies the effects of separating babies from their birth mothers as a primal loss which affects the relationships of the adopted person throughout life.. It is a book about pre-and perinatal psychology, attachment, bonding, and loss. It gives adoptees, whose pain has long been unacknowledged or misunderstood, validation for their feelings, as well as explanations for their behavior. It lists the coping mechanisms which adoptees use to be able to attach and live in a family to whom they are not related…
On the run from her abusive husband, Kyra Smith hits the road. Destination unknown. With a dog she rescued in tow, she lands in the peaceful California mountain town of Gold Creek and is immediately befriended by an openhearted group of women who call themselves the Tattooed Ladies. They’re there…
I’m fascinated by these themes – love, France, mystery, women’s lives, war, and peace. My parents took me to France when I was 12 and I’ve spent years there in between and go back whenever I can. I started reading in French when sent to be an au pair in Switzerland when I was 17. My own novel, The Lost Love Letters Of Henri Fournier was absorbing to write as it contains all of the above. I found an unpublished novel of Fournier’s in a village in rural France a few years ago and decided I had to write about him and his lover, Pauline, who was a famous French actress.
Although it begins in California, this novel develops into a story set in France. Two sisters, separated by their father after a violent incident, search for each other and eventually connect via a French recluse, whose life one sister is researching. I love Michael Ondaatje’s writing and this book in particular for its daring sweep of geographical and emotional territory.
It is the 1970s in Northern California. A farmer and his teenage daughters, Anna and Claire, work the land with the help of Coop, the enigmatic young man who lives with them. Theirs' is a makeshift family, until they are riven by an incident of violence - of both hand and heart - that 'sets fire to the rest of their lives'. This is a story of possession and loss, about the often discordant demands of family, love, and memory. Written in the sensuous prose for which Michael Ondaatje's fiction is celebrated, "Divisadero" is the work of a master story-teller.
