Here are 100 books that Somewhere Out There fans have personally recommended if you like
Somewhere Out There.
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I write romantic historical fiction and am a lifelong lover of the works of Jane Austen. I am English, love historical novels but dislike books that give you “great lumps of facts” that slow up the storyline. I like stories and characters that capture your attention and your heart. Plots and backgrounds that make you think about what it might really have been like to live in those times.
Well, I couldn’t leave out one of the greatest historical romances ever written!
Yes, the book does have battles and American politics but they are part of the storyline and only enhance the conflicted relationship between Scarlett and Rhett. In no way do they overpower the romance.
I wrote this book to give my mother an alternate life. She was a mother at age fifteen, mother of five by twenty-seven, and a grandmother by thirty-three. Being a parent defined her life, but she did not enjoy motherhood and was very frank on the subject. Thanks, Universe is my way of giving Mom her freedom and even though she never read anything I wrote, I like to think she would have approved of Pauline and the choices she made.
I adore sweeping family sagas with strong women characters and with tragedy, romance, and heartache set in Australia, The Thorn Birds is a beautiful example of the genre.
Meggie is rebellious and headstrong and makes questionable choices, but we empathize and root for her. All the well-rounded characters each come with their own secrets that will keep you turning pages.
A phenomenal worldwide bestseller since 1977 THE THORN BIRDS is a robust, romantic saga of three generations. It begins in the early years of this century when Paddy Cleary moves his wife and seven children to Drogheda, an Australian sheep station, owned by his autocratic and childless older sister. For more than half a century we follow their fates, particularly those of Meggie, the only Cleary daughter, and the one man she truly loves, Ralph de Bricassart - stunningly handsome, ambitious, and a priest. As background to the Cleary family's lives there is the land itself: relentless in its demands,…
I’ve been a stay-at-home mom and author for the past decade, and during that time, I went through the stillbirth of my second baby. Grief taught me a lot about compassion, including the importance of being able to see the nuance of difficult subject matters. I learned it’s easy to theorize what to do in a situation until you're in that situation. For that reason, I love books in all sorts of genres that are layered with characters’ past griefs, impossible scenarios, and tensions regarding the choices they make. I picked five of my favorite books with a heart-ripping plot that sparks interesting discussion and leaves readers pondering, "What would I have done?"
This book is a split-time masterpiece, and I was equally invested in both timelines. It also taught me about historical, harrowing events surrounding the adoption industry in the United States that I didn’t know about before.
While the characters in this story face impossible scenarios, it’s also a lesson on the kind of grief that comes from horrific choices being made for a person that can’t be undone.
THE BLOCKBUSTER HIT—Over two million copies sold! A New York Times, USA Today, Wall Street Journal, and Publishers Weekly Bestseller
“Poignant, engrossing.”—People • “Lisa Wingate takes an almost unthinkable chapter in our nation’s history and weaves a tale of enduring power.”—Paula McLain
Memphis, 1939. Twelve-year-old Rill Foss and her four younger siblings live a magical life aboard their family’s Mississippi River shantyboat. But when their father must rush their mother to the hospital one stormy night, Rill is left in charge—until strangers arrive in force. Wrenched from all that is familiar and thrown into a Tennessee Children’s Home Society orphanage,…
I wrote this book to give my mother an alternate life. She was a mother at age fifteen, mother of five by twenty-seven, and a grandmother by thirty-three. Being a parent defined her life, but she did not enjoy motherhood and was very frank on the subject. Thanks, Universe is my way of giving Mom her freedom and even though she never read anything I wrote, I like to think she would have approved of Pauline and the choices she made.
If you enjoy ‘quieter’ family sagas, I recommend everything by Anne Tyler, but this book in particular resonates with me.
Abby Whitshank’s character blossoms and unfolds through the pages as she shows readers astonishing layers and unwavering strength. She is not who she seems at first glance and is absolutely the fierce, loyal, and loving mama any child wants on their side.
**Shortlisted for the Baileys Women's Prize for Fiction 2015**
**Sunday Times bestseller**
'It was a beautiful, breezy, yellow-and-green afternoon...'
This is the way Abby Whitshank always begins the story of how she and Red fell in love that day in July 1959. The whole family on the porch, relaxed, half-listening as their mother tells the same tale they have heard so many times before.
And yet this gathering is different. Abby and Red are getting older, and decisions must be made about how best to look after them and their beloved family home.…
All my life, I’ve struggled with accepting who I am. It’s no secret that the Vietnam War was unpopular in America; as such, I spent my adolescence hiding who I was. Literature like this didn’t exist when I was a kid. If it had, I think I would’ve seen myself differently. As a writer, I explore similar themes in my work and highlight the importance of discussing how our childhood experiences (good and bad) shape us. Uniformity is a destroyer of identity; my mission is to show how loving what makes us different allows us to love the differences we see in others.
This book is powerful. When three biological siblings find one another they’re all at different stages.
Grace, at sixteen, has just given birth. Joaquin, the older brother, has bounced around foster care homes. And the youngest, Maya, searches for traces of herself in her new bio siblings. I imagine all kids who are adopted, at some point, struggle with why they were given up. These three are no different, but they are so dynamic and lovable, and despite Joaquin’s struggles, he shines as an older brother who wants nothing but the best for his sisters.
Watching these kids love each other is, in a way, watching them learn to love themselves, and it’s so darn beautiful.
WINNER OF THE U.S. NATIONAL BOOK AWARD 2017 FOR YOUNG PEOPLE'S LITERATURE!
'Sometimes, family hurts each other. But after that's done you bandage each other up, and you move on. Together. So you can go and think that you're some lone wolf, but you're not. You've got us now, like it or not, and we've got you.'
When 16 year-old Grace gives up her baby for adoption, she decides that the time has come to find out more about her own biological mother. Although her biological mum proves elusive, her search leads her to two half-siblings she never knew existed.…
Peter Pan was the first book I remember being read to me when I was four. At the age of thirty-two, I discovered the real J.M. Barrie. I read everything I could of Barrie’s and even wrote a one-person play about him. This led me to discover R.L. Stevenson, Treasure Island, and the world of (fictional) pirates. On a visit my wife and I made to Robinson Crusoe Island, I came to believe (through deductive logic and vivid imagination) that this was the three-dimensional embodiment of Neverland. Barrie always envisioned himself as Hook, and though I longed to be Peter, I fear that my soul was a pirate’s soul. Hence Hook’s Tale.
Okay, this isn’t exactly about pirates, but it is about children who play at pirating and whose summer adventures with an author named Barrie inspired him to write his play Peter Pan. The children were George, Jack, Peter (and later Michael and Nico) Llewelyn-Davis, and they became the center of Barrie’s creative life. “I have no recollection of having written Peter Pan,” he later wrote. “He belongs rather to the five without whom he never would have existed and the play is streaky with them still. I suppose I made him by rubbing the five of them violently together, as savages with two sticks produce a flame. That is all he is, the spark I got from my boys.”
When I first read this book I had to put it down at the end of nearly every chapter – because I was sobbing and my tears made it impossible…
An enchanting biography of J. M. Barrie, the man who created Peter Pan and his Lost Boys
"For an insightful exploration of Barrie and the boys who inspired him, nothing rivals [this book]."-Norman Allen, Smithsonian Magazine
J. M. Barrie, Victorian novelist, playwright, and author of Peter Pan, or The Boy Who Wouldn't Grow Up, led a life almost as magical and interesting as as his famous creation. Childless in his marriage, Barrie grew close to the five young boys of the Llewelyn Davies family, ultimately becoming their guardian and devoted surrogate father when they were orphaned. Andrew Birkin draws extensively…
I am adopted. I am a birth mother and also a mother through adoption. I have lived through all ‘three faces’ of adoption and know how each ‘face’ affects millions of people's lives all over the world. I am passionate that conversations around adoption need to come out of the closet and the secrecy surrounding the subject must disappear. By writing my books, I am on a mission to support adoptees, birth mothers, and adoptive parents and help them realise they are not alone. After publication of my first book in the Survival Without Roots trilogy, I am humbled that people are reaching out to say that reading Book One has helped them so much.
I recommend this book as it explains what to take into consideration when trying to understand the adopted child. I am adopted and did not realise that a lot of the lifelong trauma I have felt was related to adoption. It is a must-read for adopted people, adoptive families, birth parents, and adoption professionals.
The Primal Wound is a seminal work which revolutionizes the way we think about adoption. It describes and clarifies the effects of separating babies from their birth mothers as a primal loss which affects the relationships of the adopted person throughout life.. It is a book about pre-and perinatal psychology, attachment, bonding, and loss. It gives adoptees, whose pain has long been unacknowledged or misunderstood, validation for their feelings, as well as explanations for their behavior. It lists the coping mechanisms which adoptees use to be able to attach and live in a family to whom they are not related…
After my dad died, I didn’t know where to turn. People felt uncomfortable talking to a seventeen-year-old girl about her dead dad. They felt even more uncomfortable talking to me about it one, two, ten years later. Still, I couldn’t, can’t, stop thinking about it. I turned, then, to books. These books made and make me feel seen. They aren’t about “moving on” or “letting go” but the ways in which leaning into grief’s deep well connects us to love’s true depths. These books are honest and pure, and if you don’t know what to say to a friend who’s mourning, let these authors speak for you.
“I am writing into the rupture, the absence left there,” writes Mary-Kim Arnold in her book.
Framed through a Korean television questionnaire, the book investigates how loss (of parents, of a homeland, of language) dislocates us. This lyric essay collages personal and public documents, rifling through history in search of tethers, poetics rubbing against the barest of facts.
I’m still, over ten years later, combing through my father’s things, knowing, as this book does, that the only answer is the search. It’s the desire to know, not the knowing itself, that matters.
Literary Nonfiction. Asian & Asian American Studies. The orphan at the center of LITANY FOR THE LONG MOMENT is without homeland and without language. In three linked lyric essays, Arnold attempts to claim her own linguistic, cultural, and aesthetic lineage. Born in Korea and adopted to the US as a child, she explores the interconnectedness of language and identity through the lens of migration and cultural rupture. Invoking artists, writers, and thinkers—Theresa Hak Kyung Cha, Francesca Woodman, Susan Sontag, among others—LITANY FOR THE LONG MOMENT interweaves personal documents, images, and critical texts as a means to examine loss and longing.
As a Korean transracial adoptee, it seems like I’ve always been thinking about family, or even if I didn’t want to, other people’s intrusive questions about my family makeup forced me to. More than solely thinking about my own family–whether my Korean biological family or my white adoptive family–it led me to be curious about the broader systems, policies, and practices behind something that seems so personal and private. It’s no surprise that I formalized my inquiry into the social world by becoming a sociologist and professor. As a sociologist, my primary research interests are race, identity, and belonging, and yes, Korean transnational transracial adoption is part of that focus.
I vaguely remember hearing about the tragedy of the Hart children–six Black and mixed-race children who were adopted out of foster care and killed by their two white adoptive mothers. I wasn’t aware of all of the intricate details of their case or the foster care system that allowed this to happen.
I am in awe of Roxanna’s investigative journalism and the nuance and empathy in which she tells this story. While it is the Hart story that’s at the center of this book, I learned so much more about the child welfare system overall and how it’s set up to promote child separation. Heartbreaking.
“A riveting indictment of the child welfare system . . . [A] bracing gut punch of a book.” ―Robert Kolker, The Washington Post
“[A] moving and superbly reported book.” ―Jessica Winter, The New Yorker
“A harrowing account . . . [and] a powerful critique of [the] foster care system . . . We Were Once a Family is a wrenching book.” ―Jennifer Szalai, The New York Times
A New York Times Book Review Editors’ Choice
The shocking, deeply reported story of a murder-suicide that claimed the lives of six children―and a searing indictment of the American foster care system.
I was raised as one of two white kids in a large, multiracial adoptive family by loving parents who wanted to change the world. Our parents were thoughtful about adoption, ambitious about the symbolism of our family, and raised us all to be conscious about race, to see it, and to guard against it. But the world is a lot bigger than our house and racism is insidious and so, in a way, we all eventually got swallowed up. So I started thinking hard about the dynamic relationship between race and adoption and family when I was just a kid, and I’ve never really stopped.
The writing is gorgeous, but it is the story – heartbreaking at first and then, as it closes, heartwarming – that grabs you.
Rebecca Carroll, marked as black, is adopted by white parents and raised in an all-white town. Determined to learn more about herself, she sets out to reconnect with her birth parents, but what she learns is a set of hard, painful truths. As the thread slowly unspools, her white birth mother is also revealed as abusive and controlling.
Still searching for a sense of who she is, Carroll discovers her own blackness through found family, and by doing so challenges her readers to cling tight to anyone who makes us whole.
A stirring and powerful memoir from black cultural critic Rebecca Carroll recounting her painful struggle to overcome a completely white childhood in order to forge her identity as a black woman in America.
Rebecca Carroll grew up the only black person in her rural New Hampshire town. Adopted at birth by artistic parents who believed in peace, love, and zero population growth, her early childhood was loving and idyllic—and yet she couldn’t articulate the deep sense of isolation she increasingly felt as she grew older.
Everything changed when she met her birth mother, a…
