Fans pick 100 books like Smart Girl's Guide

When I first sat down to fully explain human reproduction to my own child, I grabbed It’s So Amazing because it included explanations of insemination and IVF – subjects that most books in the genre don’t explain.

The book also covers many topics leading up to and after conception: anatomy, puberty, gestation, birth, genetics, and family. Its graphic-novel format enables readers to digest the information-rich content in bite-sized pieces, at their own pace. The book is funny and warm, and normalizes kids’ curiosity about the body.

There are two other books in this series: It’s Not the Stork and It’s Perfectly Normal. They are all great books to add to any family’s collection. 

I’m a bit of a rebel rouser, so when The Amazing True Story of How Babies Are Made landed on bookshelves and created a big stir, I knew I had to buy it.

What sparked the controversy was a very simplistic illustration of how the erect penis fits inside the vagina. Parents were up in arms, claimed it encouraged their children to have sex, and deemed it pornographic.

It doesn’t actually do any of that - but, instead, provides a well-crafted, funnily-told explanation of human reproduction. What it really has going for it, is that it includes an explanation (albeit a brief one) of IVF, donors, and surrogates - a rare find in a picture book.

Any resource that includes these methods in the explanation of how babies are made is a winner in my book.  

I’ve heard Cory Silverberg speak at various educator workshops, and I agree with his views that home is largely where sex education should take place.

Yes, of course most parents want it to happen in school as well, but home should be a place where kids can get honest answers to their tough questions. All of Silverberg’s sexual health books (they’re all worth checking out) are written to support these conversations, and You Know, Sex is no exception.

It covers all of sexual health: anatomy, puberty, consent, gender identity, sexual orientation, etc.; plus it boldly dives into controversial topics like pleasure, masturbation, and pornography.

I’m especially stoked about this book because the chapter on reproduction covers insemination, IVF, donor conception, and surrogacy. The explanations are straightforward, with informative, colorful illustrations. 

How could you not love a book written by a mother-daughter combo? It’s impossible.

Though the books in this series (My Body, My Self for Boys/Girls; What’s Happening to My Body for Girls/Boys) are getting a little old copyright-date-wise, they are packed with detailed information that I go back to over and over again, each time I pull together material for a puberty class.

Though they were written at a time before gender-inclusive language hit the scene, they cover the topics youth are most curious about; and provide checklists, games, inquiries, and other interactive activities for readers to work through. 

When I read the first line of this book, “It’s harder to drive a polar bear into somebody’s living room than you’d think,” I knew I had stumbled upon something good.

And I was right. How can you not love a book that starts with a polar bear being driven into a living room? How can you not want to keep reading to find out why exactly this polar bear is being driven into a living room? I rest my case.  

The word “visceral” comes to mind when I attempt to distill what this book is about. A not-so-fictional auto-biography opens in the slum called Paradise, where Chipo, Bastard, Sbho, Stina, and “I” are headed to the–relatively–more affluent area of Budapest to steal fruit. These dirt-poor kids don’t know it, but they are victims of the far-off, murderous regime of President Robert Mugabe–but that always remains hidden in the background. They are brutalized and never know it or know why.

Courtesy of an invite from an Aunt in the United States, the protagonist eventually escapes Zimbabwe. But once there, while things get materially much better, in reality, it is no less bewildering and bereft of meaning: she and her friends spend their afternoons watching hard-core porn while eating popcorn and discussing inane stuff, like “what the hell are they doing?!” It’s funny in parts, but it also hurts in parts. The… show more.

As this novel is set in 1970s Islamabad, Pakistan and the ex-pats are mainly American, it’s technically not about the British in India. But the ex-colonial legacy is there to see: Pakistan was a creation of independence from British rule and is still being affected by geo-politics. I was gripped by the description of life in the Pakistani capital; an area where my grandparents had lived and worked and through which I had travelled in the ’70s. This coming-of-age story is told by teenager Aliya, (half-Pakistani and half-Dutch) who attends the American school. Not only are the tensions of identity well portrayed but also the growing unease between the communities after a traffic accident leaves a young boy dead and world events ignite further unrest. Fascinating and unusual historical fiction.

For me, this book shows how those in underprivileged positions both learn to dream of beauty and accomplishment and, at the same time, painfully experience the futility of dreaming.

We watch the characters defend optimism while being buried by reality.  It is a touching, heartbreaking tale of the realities of social inequality.

The atmosphere and voice created by Robinson in this timeless and widely beloved novel, which is potent in a way that’s difficult to quantify, has endured in my memory since I first read it as a teenager. In prose rich with imagery and allusion, narrator Ruth tells the story of how she and her sister, Lucille—orphaned after their mother’s suicide—came to be cared for by their aunt, Sylvie, an eccentric drifter, who moves into their rural Idaho home and alters the tenor of their lives.

This is written with the precision of poetry, containing such sentences as, “When she had been married a little while, she concluded that love was half a longing of a kind that possession did nothing to mitigate.” A novel to re-read and savor.

I knew I was going to love this book as soon as I saw the breathtaking cover. (Yes, sometimes I do judge a book by its cover!) This story takes place on a spaceship in the future that feels a bit too close to home in some ways, but I was completely drawn in by the mixing of science fiction, Mexican folklore, and storytelling.

Petra is a storyteller, like her abuelita, who was left on Earth when a comet destroyed it. I couldn’t get enough of the fast-paced stakes, heartbreaking realities, twists and turns, and beautiful storytelling. This is my ten-year-old's favorite book!