100 books like It's So Amazing! A Book about Eggs, Sperm, Birth, Babies, and Families

When I first came across a box of used American Girl books at our local bookstore, I passed right by.

I wasn’t a total snob; afterall, my daughter and her friends fiercely loved their American Girl dolls. But American Girl books about puberty, relationships, and family? I was dubious. But moments after I flipped through Friends Till the End and A Smart Girl’s Guide to Liking Herself, I was impressed.

Each book was well written, promoted universal values (e.g., honesty, respect), and had a warmth to them. The material was laid out in short chapters, with colorful headers, accessible call-out pages, and interactive activities.

Though Understanding Families is part of their Smart Girl’s Guide collection, youth of all sex/genders will get a lot out of the entire series.  

I’m a bit of a rebel rouser, so when The Amazing True Story of How Babies Are Made landed on bookshelves and created a big stir, I knew I had to buy it.

What sparked the controversy was a very simplistic illustration of how the erect penis fits inside the vagina. Parents were up in arms, claimed it encouraged their children to have sex, and deemed it pornographic.

It doesn’t actually do any of that - but, instead, provides a well-crafted, funnily-told explanation of human reproduction. What it really has going for it, is that it includes an explanation (albeit a brief one) of IVF, donors, and surrogates - a rare find in a picture book.

Any resource that includes these methods in the explanation of how babies are made is a winner in my book.  

I’ve heard Cory Silverberg speak at various educator workshops, and I agree with his views that home is largely where sex education should take place.

Yes, of course most parents want it to happen in school as well, but home should be a place where kids can get honest answers to their tough questions. All of Silverberg’s sexual health books (they’re all worth checking out) are written to support these conversations, and You Know, Sex is no exception.

It covers all of sexual health: anatomy, puberty, consent, gender identity, sexual orientation, etc.; plus it boldly dives into controversial topics like pleasure, masturbation, and pornography.

I’m especially stoked about this book because the chapter on reproduction covers insemination, IVF, donor conception, and surrogacy. The explanations are straightforward, with informative, colorful illustrations. 

How could you not love a book written by a mother-daughter combo? It’s impossible.

Though the books in this series (My Body, My Self for Boys/Girls; What’s Happening to My Body for Girls/Boys) are getting a little old copyright-date-wise, they are packed with detailed information that I go back to over and over again, each time I pull together material for a puberty class.

Though they were written at a time before gender-inclusive language hit the scene, they cover the topics youth are most curious about; and provide checklists, games, inquiries, and other interactive activities for readers to work through. 

This collection of 11 essays, all written by different authors, surveys the most salient issues in the ethics of procreation.

I view the scope of this volume as its greatest asset: topics covered include (among others) the environmental case against procreation, arguments for antinatalism, the rationality of deciding to have children, the morality of adoption, and the scope of parental responsibility.

I consider this collection the ideal starting point for someone who, as I once did, wants a snapshot of the most foundational issues in procreative ethics.

Rivka Weinberg’s theory of when procreation is permissible and why is one of the most well-defended accounts of reproductive ethics.

The subtitle alludes to the book’s unique approach – the idea that procreation should be an exercise in risk management. All children face the risk of serious harm, so we should only procreate when we are able to do an awful lot to mitigate that risk.

What struck me most about Weinberg’s approach was its theoretical rigor and systematicity. Her account of the ethics of procreation is more thorough and cohesive than other work on the subject I have encountered, and her conclusions, while not being as stark as an antinatalist outlook, are nevertheless provocative.

In this book, David Benatar defends a strong version of antinatalism – the view that it is morally wrong to procreate – and David Wasserman attempts to defend the moral permissibility of procreation.

Like most people, I originally found antinatalism deeply counterintuitive when I first encountered it, but some of Benatar’s arguments are hard to refute. I consider many of Wasserman’s responses reasonable, but as his exchange with Benatar progresses, the caveats and limits on permissible procreation become harder to ignore.

Even if antinatalism is false, this debate left me with the impression that the moral standards for procreation are much stricter than most believe. 

When my daughter was in first grade in Germany, her teacher read this book to her entire class. Sex education is considered a right in Germany since knowing how your body works is essential for your reproductive health. In the U.S. it’s left to us as parents to teach sex ed to our kids—which I’d argue is less than ideal, given the high costs of keeping kids ignorant. (The U.S. has higher rates of teen AIDS, teen pregnancy, and abortion than Germany.) If you don’t know how to broach this subject, this book is a good, age-appropriate, place to start when your young kids first begin asking questions.

What Will Grow? makes a game out of observing and guessing the identities of seeds and sprouting plants: preschoolers get to guess based on observing picture clues and hearing rhyming riddles before lifting the flaps to reveal each answer. This book builds connections between the stage of garden plants' development and also provides practice in building science skills. 

This engaging book looks at globalization and art from a perspective well beyond the conventional art world. Wong analyzes the work of artists in the Chinese "urban village" of Dafen where some five million paintings are produced a year–copies of Western masterpieces. Rather than viewing this industry condescendingly, Wong takes Dafen as a laboratory for understanding what qualities make an artist, and how creativity exists even in contexts of reproduction and replication.