Fans pick 100 books like Sh*tshow! The Country's Collapsing...and the Ratings Are Great

I'm an actor turned journalist and writer. After a series of roles on low-budget movies and forgettable soap operas, I moved to Latin America to write about travel and life and all the heartbreak and humour it entails. El Flamingo follows the misadventure of a struggling actor who gets mistaken for a rogue assassin in Mexico and is forced to assume the mysterious identity in order to survive. It is a preposterous plot that could never happen in real life, yet the essence of it all was inspired by places I went, people I crossed paths with, and a sense of adventure that, to me, was authentic. 

Today's reporter inhabits an environment ranging from hostile to apathetic. Somewhere beyond the blistering criticism and rabid mistrust is the writer's haunting suspicion that today's revelatory art will line the reader's birdcage before his or her lunchtime McChicken. I get it. My entire professional career has been spent filing Right-to-Know and other public information requests, working the phones, chasing the perfect photo, and hammering at the keyboard in the hopes of something legible. On occasion I've mined something of both meaning and impact. That's what the writers I've featured have done as well as anyone I've ever read. May you find their journalism as inspiring as I do.

Today's reporter inhabits an environment ranging from hostile to apathetic. Somewhere beyond the blistering criticism and rabid mistrust is the writer's haunting suspicion that today's revelatory art will line the reader's birdcage before his or her lunchtime McChicken. I get it. My entire professional career has been spent filing Right-to-Know and other public information requests, working the phones, chasing the perfect photo, and hammering at the keyboard in the hopes of something legible. On occasion I've mined something of both meaning and impact. That's what the writers I've featured have done as well as anyone I've ever read. May you find their journalism as inspiring as I do.

Today's reporter inhabits an environment ranging from hostile to apathetic. Somewhere beyond the blistering criticism and rabid mistrust is the writer's haunting suspicion that today's revelatory art will line the reader's birdcage before his or her lunchtime McChicken. I get it. My entire professional career has been spent filing Right-to-Know and other public information requests, working the phones, chasing the perfect photo, and hammering at the keyboard in the hopes of something legible. On occasion I've mined something of both meaning and impact. That's what the writers I've featured have done as well as anyone I've ever read. May you find their journalism as inspiring as I do.

A Seattle-based author, I have written eight books, including When the Red Gates Opened: A Memoir of China’s Reawakening, about the eight years I spent as Business Week’s reporter covering China, 1982-1990. In it, I give readers an inside look at China’s transformation from Maoism to modernity. A fluent speaker of Mandarin, I have traveled widely in China for over forty years and befriended Chinese people at many levels of society, leading me to a strong belief in the importance of direct cross-cultural communication and deepened mutual understanding.

Tristram Riley-Smith was posted to the British Embassy in Washington DC in the aftermath of 9/11. Alongside his day job he applied his skills as a Cultural Anthropologist to understand the greatest nation of the 20th Century as it crossed the threshold of the 21st. His interest is in all forms of invention, from those narratives and performances that give meaning to people’s lives to the material objects that furnish their world. In his book The Cracked Bell, Riley-Smith weaves his observations together in a literary portrait of America, revealing the alchemy of opposites that makes up this extraordinary nation.

I'm a historian of global capitalism and South Asia, writing about corporations as they are and how they could be. I've looked at India with the eyes of an outsider, drawing on my experiences growing up in 1990s Eastern Europe during a time of political upheaval and shock privatizations as the old communist order crumbled. Having witnessed the rise of a new class of monopolists and oligarchs in its stead, I became interested in the many different ways capitalists exercise power in society over time and around the world, and how we as ordinary citizens relate to them. I'm now interested in thinkers, activists, and entrepreneurs who have tried to experiment with alternatives. 

I am an American-trained Indonesian anthropologist, teacher, writer, researcher, and academic nomad who has lived and taught at a Saudi university. I have travelled since childhood. When I was a kid or teenager, I journeyed to various places and cities for schooling away from my home village (and parents) in the isolated highlands of Central Java. I also travelled for shepherding my goats which I did after school. So, I love to travel, learn many things from my travel, and as a teacher of Anthropology of Travel, I have always been fascinated by literature on travel whatever its forms ranging from pilgrimage and nomadism to migration and tourism.   

My passion for Central American politics and history derived quite directly from the conflicts in the region from the late 1970s onwards. Previously I had worked in Bolivia, where I had studied as a doctoral student, and although many people still view Latin American countries as pretty homogenous, I quickly discovered that they are very far from being so. I had to unlearn quite a bit and acquire new skills, although luckily, indigenous languages are really only dominant in Guatemala. Now we can be rather less partisan although many injustices remain.

I was a stubborn teenager, and growing up, I vocally declared I would never set foot in Spain. The Spanish Empire was oppressive! It was full of religious fanatics! Yet… in college I took a course on Spain’s Golden Age, and for the first time I saw a different side of history, full of paradoxes and contradictions, Inquisitors and female mystics, bumbling priests and powerful nuns, decadence and poverty, emperors, tricksters, artists, pirates, scientists, and everything in between. Spain of the sixteenth through eighteenth centuries was extraordinarily complex and far from one-dimensional. Now, years later, I have travelled to Spain over twenty times, lived in Pamplona, and I am a historian of early modern Spain at Penn State University.