Fans pick 100 books like Seek

I'm an actor turned journalist and writer. After a series of roles on low-budget movies and forgettable soap operas, I moved to Latin America to write about travel and life and all the heartbreak and humour it entails. El Flamingo follows the misadventure of a struggling actor who gets mistaken for a rogue assassin in Mexico and is forced to assume the mysterious identity in order to survive. It is a preposterous plot that could never happen in real life, yet the essence of it all was inspired by places I went, people I crossed paths with, and a sense of adventure that, to me, was authentic. 

Today's reporter inhabits an environment ranging from hostile to apathetic. Somewhere beyond the blistering criticism and rabid mistrust is the writer's haunting suspicion that today's revelatory art will line the reader's birdcage before his or her lunchtime McChicken. I get it. My entire professional career has been spent filing Right-to-Know and other public information requests, working the phones, chasing the perfect photo, and hammering at the keyboard in the hopes of something legible. On occasion I've mined something of both meaning and impact. That's what the writers I've featured have done as well as anyone I've ever read. May you find their journalism as inspiring as I do.

Today's reporter inhabits an environment ranging from hostile to apathetic. Somewhere beyond the blistering criticism and rabid mistrust is the writer's haunting suspicion that today's revelatory art will line the reader's birdcage before his or her lunchtime McChicken. I get it. My entire professional career has been spent filing Right-to-Know and other public information requests, working the phones, chasing the perfect photo, and hammering at the keyboard in the hopes of something legible. On occasion I've mined something of both meaning and impact. That's what the writers I've featured have done as well as anyone I've ever read. May you find their journalism as inspiring as I do.

Today's reporter inhabits an environment ranging from hostile to apathetic. Somewhere beyond the blistering criticism and rabid mistrust is the writer's haunting suspicion that today's revelatory art will line the reader's birdcage before his or her lunchtime McChicken. I get it. My entire professional career has been spent filing Right-to-Know and other public information requests, working the phones, chasing the perfect photo, and hammering at the keyboard in the hopes of something legible. On occasion I've mined something of both meaning and impact. That's what the writers I've featured have done as well as anyone I've ever read. May you find their journalism as inspiring as I do.

I became deeply interested in democracy and authoritarianism at an early age because of my experiences living under military dictatorships in Argentina in 1971-72 and in Brazil from 1980- 82, and also my experience as an undergraduate living in a democracy that failed in profound ways (Argentina, 1975). I saw first-hand that authoritarianism can affect daily life in hugely negative ways but also that democracy can fail in dismal ways. Reading and producing scholarship about democracy and authoritarianism, and teaching these subjects, became central to my immensely satisfying life’s work.

I became an anthropologist by accident. I never liked school, but I loved to travel, and I got a PhD so that I could rail against development and the perils of cross-cultural misunderstanding in print. Naively, I thought maybe someone would listen. Luckily for me, I discovered I also liked teaching. I first taught at UCLA and then at the Naval Postgraduate School, where I had mostly mid-career U.S. and international special operations officers in class. More serendipity: my two decades at the Naval Postgraduate School bracketed the Global War on Terror, which unfortunately proved to be a witch’s brew of cross-cultural misunderstanding.  

In 6th grade I did a report about the destruction of the Amazon rainforest, which manifested in a career spanning more than 20 years where I’ve worked for NGOs, the State Department, and the United States Agency for International Development to help make the world a better place. I’ve lived in Guatemala, Tajikistan, Armenia, and Jordan, and travelled throughout Sub-Saharan Africa working on conflict prevention, democracy, governance, and human rights. I’m a firm believer that, no matter your profession, everyone can help make the world a better place – and that’s why I wrote my book and why I read the books on my list – to help make this a reality. 

So many of the problems we face as a society stem from the way our economy works. But the economy is presented as something technical and dry, or even simply the ‘natural state of things’. It makes it hard for people to understand where power lies, or even to imagine how it could be otherwise. If we want things to be different – and we really need things to be different – we’ve got to find better ways of communicating what’s going on. I’ve chosen some books that do this – to explain how economic decisions are made. And always to point to the possibility of it all being very different and much better. 

I've been a researcher, educator, and practitioner of domestic violence services for over 15 years, and am extremely passionate about this topic. After having worked in the domestic violence field, I then pursued my PhD to study this problem, which I now continue to research and teach about as an Assistant Professor of Anthropology at Moravian University. In our ever-globalizing world, I believe it's especially important for us to consider domestic violence from a cross-cultural perspective, and having studied this issue in Latin America and among Latina women in the U.S., I hope to spread that knowledge even further. More than ever, it is important for everyone to gain knowledge on this worldwide problem.

My interest in sovereign debt began as a UN economist in the 1980s. We detailed statistics on the stark impact of the crises and watched Latin American presidents plead for help in the General Assembly. Based in New York, I got invited to some meetings of major banks that held problem debt, wouldn’t admit it, but ultimately had to accept losses. African countries in crisis were mainly in debt to official creditors that also did not want to accept losses. Over time, the types of creditors changed and changed again, and debt crises kept reappearing, being fixed, reappearing until today. This is dramatic stuff. How could I not be interested?