Here are 68 books that Shirley fans have personally recommended if you like
Shirley.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
In my stories and novels, in my reading, and in my life, I'm inspired and captivated by what I call resonant places, places with deep connections to the past as well as the present moment. I grew up in a mid-century modern house my parents built. Although no other family had lived in it before, our own family—like all families—was haunted by ghosts of our past. My childhood home was bulldozed by the next owners; the house has become a ghost itself. But memories remain long after a family or a home is gone. As a writer, a reader, and a psychotherapist, I believe that memories are the seeds for both remembering and imagining.
InSo Long, See You Tomorrow, an adult narrator looks back at childhood and the lingering effects of childhood loss and displacement. He recalls his mother’s death, his father’s remarriage, and moving from a beloved home. The author also tells a parallel story of the scandal that befell his friend Cletus: his father shot his mother’s lover, and then drowned himself. For the narrator, his lost boyhood home is recalled like a dream of paradise lost, a mirage of another life: “I dream about it, the proportions are so satisfying to the eye and the rooms so bright, so charming and full of character that I feel I must somehow give up my present life and go live in that house: that nothing else will make me happy.” This novel about haunting memories of a lost place and past will haunt the reader. This was one of my father’s…
A novel which charts the lives of two former friends until the father of one was responsible for the murder of the father of the other. They do not speak following the tragedy, but the victims son realises fifty years later that he has failed in a fundamental act of friendship.
In addition to writing novels, I’m also a playwright. Whatever form I work in, I’m drawn to character, drama, and emotion. I aspire to write literary page-turners that feel as rich and complicated as real life. Also, I want the endings of my books to slay readers and break their hearts. Of course, when I say that, I’m not necessarily speaking of sorrow; sometimes your heart breaks from expanding, from a surfeit of feeling. Your heart breaks only to grow larger.
In this first-person novel, Ruthie tells the tale of her and her sister’s life after their parents' deaths. Since most of their other relatives are too old to care for them, the girls live with Aunt Sylvie, their mother’s sister. Before staying with the girls, Sylvie had been living as a transient.
In this novel we watch a family disintegrate—but we are also given solace, a sense of the freedom that’s possible when we leave the place we were born.
A modern classic, Marilynne Robinson's Housekeeping is the story of Ruth and her younger sister, Lucille, who grow up haphazardly, first under the care of their competent grandmother, then of two comically bumbling great-aunts, and finally of Sylvie, the eccentric and remote sister of their dead mother.
The family house is in the small town of Fingerbone on a glacial lake in the Far West, the same lake where their grandfather died in a spectacular train wreck and their mother drove off a cliff to her death. It is a town "chastened by an outsized…
In my stories and novels, in my reading, and in my life, I'm inspired and captivated by what I call resonant places, places with deep connections to the past as well as the present moment. I grew up in a mid-century modern house my parents built. Although no other family had lived in it before, our own family—like all families—was haunted by ghosts of our past. My childhood home was bulldozed by the next owners; the house has become a ghost itself. But memories remain long after a family or a home is gone. As a writer, a reader, and a psychotherapist, I believe that memories are the seeds for both remembering and imagining.
Wright Morris believed that we are “inhabited” by the places where we have lived.
The Home Place is set on the plains of Nebraska where Morris was born.The text is combined with his photographs of farm buildings, farmhouse interiors, farming implements, cooking utensils, and furniture. Narrator Clyde Muncy returns from New York to the farm in Nebraska where he grew up, bringing his own family. He re-experiences the farm through the eyes, ears, and especially noses of his city wife and children. When his son sniffs a croquet ball and says it smells like the subway, Muncy observes, “Two thousand miles from New York a city boy turns up something in a farmyard, it smells damp and earthy, like a storm cave, so he calls it the subway smell.” Morris eschews sentimentality. His plain prose and black-and-white photographs are austere, like the farm itself. “Home is where you hang…
Reproduced from the 1948 edition of The Home Place, the Bison Book edition brings back into print an important early work by one of the most highly regarded of contemporary American Writers.
This account in first-person narrative and photographs of the one-day visit of Clyde Muncy to "the home place" at Lone Tree, Nebraska, has been called "as near to a new fiction form as you could get." Both prose and pictures are homely: worn linoleum, an old man's shoes, well-used kitchen utensils, and weathered siding. Muncy's journey of discovery takes the measure of the man he has become and…
In my stories and novels, in my reading, and in my life, I'm inspired and captivated by what I call resonant places, places with deep connections to the past as well as the present moment. I grew up in a mid-century modern house my parents built. Although no other family had lived in it before, our own family—like all families—was haunted by ghosts of our past. My childhood home was bulldozed by the next owners; the house has become a ghost itself. But memories remain long after a family or a home is gone. As a writer, a reader, and a psychotherapist, I believe that memories are the seeds for both remembering and imagining.
Godwin’s psychological mystery Flora takes place in a remote, isolated house, a former mountaintop sanatorium in Tennessee.Adult narrator Helen looks back on her ten-year-old self, and her premature coming of age the summer she lived there with her young adult cousin and temporary guardian, Flora. Helen’s father has gone to do war work, her mother is dead. Flora and Helen cannot leave the mountaintop due to a polio threat in the valley. Both child and caretaker fall under the spell of a charismatic jack of all trades, Quinn. The consequences of their unconscious competition play out in the shadowy rooms of the big house.
This is a tale of psychological possession in a lonely estate; Godwin’s homage to Henry James’s Turn of the Screw. Years ago, I visited my great-aunt in her mountaintop summer home in Tennessee. Reading this book unlocked memories of that mysterious house. Good novels…
Ten-year-old Helen and her summer guardian, Flora, are isolated together in Helen's decaying family house while her father is doing secret war work in Oak Ridge during the final months of the Second World War. At three Helen lost her mother and the beloved grandmother who raised her has just died. A fiercely imaginative child, Helen is desperate to keep her house intact with all its ghosts and stories. Flora, her late mother's twenty-two-year old first cousin, who cries at the drop of a hat, is ardently determined to do her best for Helen. Their relationship and its fallout, played…
I’ve always loved fairytales. What little girl with a growing romantic heart doesn’t? By the time I was eight, I told people I was Cinderella because of all the work I did at home. An exaggeration, even for the oldest child, but still. My first prom dress, during a year I won’t mention, was reminiscent of Cinderella’s blue ballgown. As I became a writer myself, I noticed my stories held themes I learned from fairytales. Love, loyalty, courage, and a dose of magic. I simply add space or aliens to the mix.
Can you tell Beauty and the Beast is one of my favorite fairytales to read in all its retellings? This one is set in our modern world. It takes a look at the ugly side of bullying in high school, a murder mystery, ghosts, money extortion, lots of people keeping secrets, and through all of this, two people have to learn to see into each other’s hearts.
A fresh twist on a classic story, Bellamy and the Brute proves true love really is blind.
When Bellamy McGuire is offered a summer job babysitting for the wealthy Baldwin family, she's reluctant to accept. After all, everyone in town knows about the mysterious happenings at the mansion on the hill―including the sudden disappearance of the Baldwin's eldest son, Tate. The former football star and golden boy of Wellhollow Springs became a hermit at the age of sixteen, and no one has seen or heard from him since. Rumors abound as to why, with whisperings about a strange illness―one that…
I love feeling scared in a controlled situation—like on my couch with a soft blanket and a book—so horror thrillers are my jam. I absolutely love it when a female protagonist is so smart and courageous that I genuinely don’t know what I would do differently. This gives me someone to truly root for. Over time, I’ve discovered all the ways scary books help me manage my anxiety. Reading about all my worst fears but knowing I can set the book down if I need to is empowering. (Spoiler alert: I never set the book down.)
When a horror thriller can straddle mystery and true crime and stick the landing like this book does, I’m in.
I was immediately invested in Liz’s journey back to her hometown. I love the reunion trope, but what Liz comes up against is so strange and intriguing that I knew after the opening I wasn’t putting this one down until I devoured this book. Her inner strength and determination to solve the town’s big mystery had me cheering for her every step of the way.
RECOMMENDED BY GILLIAN FLYNN ON THE TODAY SHOW • A young Black girl goes missing in the woods outside her white rust belt town. But she's not the first—and she may not be the last. . . .
“I read this thriller that is Get Out meets The Vanishing Half in one night.”—BuzzFeed
“Extraordinary . . . A terrifying tale of fears and hatreds generated by racism and class inequality.”—Associated Press
EDGAR® AWARD FINALIST • BRAM STOKER® AWARD FINALIST • SHIRLEY JACKSON AWARD NOMINEE • PHENOMENAL BOOK CLUB PICK
ONE OF THE BEST BOOKS OF THE YEAR: Esquire, Vulture, PopSugar,…
I am Casey Kelleher, a crime writer and author of 17 novels. I have always been a complete and utter bookworm, but my true passion is crime and psych thrillers. Most of my stories concentrate on the victim–or, as I prefer to call them, the survivor. That’s who I champion in my stories, highlighting the strength of that person who has overcome whatever harsh reality that’s been forced upon them. But I also like to get inside the perpetrator’s head. I want to know the ‘whys’ of what they do. Psychology is very complex, but I do believe that there can be good and bad/darkness and light in all of us.
This was a great psychological thriller. What really caught me off guard was how desolate and dire the entire truth of the story turned out to be for everyone involved.
I liked the darkness of the story, and I love Lisa’s writing style. Her stories always pull me in right from the very start. She is a firm favorite of mine.
From the New York Times bestselling author of Invisible Girl and The Truth About Melody Browne comes a “riveting” (PopSugar) and “acutely observed family drama” (People) that delves into the lingering aftermath of a young girl’s disappearance.
Ellie Mack was the perfect daughter. She was fifteen, the youngest of three. Beloved by her parents, friends, and teachers, and half of a teenaged golden couple. Ellie was days away from an idyllic post-exams summer vacation, with her whole life ahead of her.
Ever since my high school days, when I encountered the mystery novels of Dick Francis and Robert B. Parker for the first time, I’ve been hooked on this genre. And yet it took me more than twenty years to finally write my first bona fide work of detective fiction. Why? Because I was chicken. Didn’t think I could cut it. After publishing two works of literary fiction, I figured I had enough practice to make an attempt. Nope. Still wasn’t ready, writing myself into ugly, impossible corners. So I read Sue Grafton, John D. MacDonald, Dennis Lehane, and I kept failing better – until I failed best.
There are some writers I read purely for the pleasure of a well-written sentence. Don is one of those, because he is a Literary Writer™ – he edited one of the premier literary journals for many years. But here’s the thing – he is also one hell of a plotter. This first novel of his caught the letters community by surprise, but not me; the intricate construction of his short stories could only lead to a tale as labyrinthine as this one. Featuring classic mystery tropes, Country of Origin is a missing person case that leads our hero, an American Embassy officer in Tokyo, to seedy strip clubs, dangerous love affairs, and the CIA, all delivered with surgical prose that would make Raymond Chandler blush.
In this "poignant story of prejudice, betrayal and the search for identity" (Newsweek International), the trials and tribulations of these three remarkable characters are "at turns trenchantly funny and heartbreakingly sad" (Publishers Weekly). "[An] elegant and haunting debut" (Entertainment Weekly), Country of Origin is a "swirl of action, a whirl of love and sex and race and politics, local and international" (Chicago Tribune)-a "quiet literary triumph" (Booklist)
Lisa Countryman is a woman of complex origins. Half-Japanese, adopted by African American parents, she returns to Tokyo, ostensibly to research her thesis on Japan's "sad, brutal reign of conformity." When she vanishes,…
When I was younger, I never quite felt like I fit in, and I was never good at expressing my feelings or verbally communicating when I was going through difficult moments. Writing was my outlet when I was struggling with painful situations or overwhelming emotions—grief, loss, insecurity, fear. I know how important it is to have strong friendships and safe spaces where you can be your authentic and sometimes messy self. It’s okay to not be okay. In my writing, I hope to express to readers that they are not alone, and can overcome challenging situations.
Ghost Girl is wonderfully spooky with true, relatable characters that I instantly cared about and rooted for. This novel has so much heart and touched me on so many levels. The scary, tense action kept me on the edge of my seat, and when characters were forced to confront their fear, loss, and pain, I found myself thinking about times in my life when I faced challenging situations. The friendships, the growth, and empowerment of the characters, and the belief we can overcome anything were what touched me the most.
Perfect for fans of Small Spaces and Nightbooks, Ally Malinenko’s debut is an empowering and triumphant ghost story—with spooky twists sure to give readers a few good goosebumps. Now available in paperback!
Zee Puckett loves ghost stories. She just never expected to be living one.
It all starts with a dark and stormy night. When the skies clear, everything is different. People are missing. There’s a creepy new principal who seems to know everyone’s darkest dreams. And Zee is seeing frightening things: large, scary dogs that talk and maybe even . . . a ghost.
As a kid, I read by flashlight under the covers and loved family vacations because long car rides meant hours of reading time (they still do!). I love belonging to book clubs because of the variety. Stories I might not have chosen, but end up loving. For years I devoured romance novels, especially historical and westerns. When my husband said, “You should write a book, you’ve read so many.” I decided to try and now have over 70 published romance novels, 50+ with Harlequin, Mills & Boon, and one young adult book that I co-wrote with two of my granddaughters. I hope my recommendations provides your book club with lively discussions!
A book with twists, turns, surprises, and places where the reader says, “What?” always makes for a great book club read, and this is one of those.
There is so much to discuss about Jenna, a young girl searching for her mother, and the people she encounters. The psychic and detective who help her are unique characters, and the mystery has readers guessing clear to the end.
This multi-layered story is peppered with research on elephants via Jenna’s mother’s journals and provides another level of information for great discussions.
I have to say, that after reading this book, I’ve logged into the Elecam to see the elephants in Tennessee numerous times.
Alice Metcalf was a devoted mother, loving wife and accomplished scientist who studied grief among elephants. Yet it's been a decade since she disappeared under mysterious circumstances, leaving behind her small daughter, husband, and the animals to which she devoted her life. All signs point to abandonment - or worse.Still Jenna - now thirteen years old and truly orphaned by a father maddened by grief - steadfastly refuses to believe in her mother's desertion. So she decides to approach the two people who might still be able to help her find Alice: a disgraced psychic named Serenity Jones, and Virgil…
