Here are 66 books that Bellamy and the Brute fans have personally recommended if you like
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Because I love to see how an author progresses in their storytelling abilities. Whether they continue with the same characters or move on to new worlds and new storylines, the art of writing changes as the author becomes more comfortable with their craft. I love knowing that the mind that created Dorian Grey and recorded his story also created Lord Saville. Even though they came from the same mind, they are their own entities, and the author was willing to give life to both. I love when an author is committed to the art of storytelling and not just of genre.
This book is an interesting spin on a well-known fairy tale. I really enjoyed this one because the "princess" isn't a damsel in distress and the "charming" isn't always charming. They are written as multi-dimensional characters with character flaws and imperfections. They don't instantly fall in love. They bicker and disagree, but then learn how to work together to free her family from the curse that put her in the middle of the forest. I like the reality of having to learn how to work with someone else and the growth that comes from that learning.
In Enchantment, Orson Scott Card works his magic as never before, transforming the timeless story of Sleeping Beauty into an original fantasy brimming with romance and adventure.
The moment Ivan stumbled upon a clearing in the dense Carpathian forest, his life was forever changed. Atop a pedestal encircled by fallen leaves, the beautiful princess Katerina lay still as death. But beneath the foliage a malevolent presence stirred and sent the ten-year-old Ivan scrambling for the safety of Cousin Marek's farm.
Now, years later, Ivan is an American graduate student, engaged to be married. Yet he cannot forget that long-ago day…
I’ve always loved fairytales. What little girl with a growing romantic heart doesn’t? By the time I was eight, I told people I was Cinderella because of all the work I did at home. An exaggeration, even for the oldest child, but still. My first prom dress, during a year I won’t mention, was reminiscent of Cinderella’s blue ballgown. As I became a writer myself, I noticed my stories held themes I learned from fairytales. Love, loyalty, courage, and a dose of magic. I simply add space or aliens to the mix.
A Snow White who lives on a cold mining planet and often enters the fighting ring to earn cash? What’s not to love? Princess Essie fled her homeworld after the death of her mother, but the new queen isn’t the darkest threat she faced in the palace. She learned to survive by fighting, coding drones on a mining planet, and not trusting anyone. When Dane crash lands on her planet in the search of a lost treasure, she’s pulled into the war she tried so desperately to avoid. There is great world-building, exciting chases, and near escapes.
R.C. Lewis also tackles an ugly truth about child abuse in a way that keeps it real without splaying the guts all over the page. We can’t fix our world if we continue to pretend such things never happen.
Her home planet is filled with violence and corruption at the hands of King Matthias and his wife as they attempt to punish her captors. The king will stop at nothing to get his beloved daughter back-but that's assuming she wants to return at all.
Essie has grown used to being cold. Temperatures on the planet Thanda are always sub-zero, and she fills her days with coding and repairs for the seven loyal drones that run the local mines.
When a mysterious young man named Dane crash-lands near her home, Essie agrees to help the pilot…
I’ve always loved fairytales. What little girl with a growing romantic heart doesn’t? By the time I was eight, I told people I was Cinderella because of all the work I did at home. An exaggeration, even for the oldest child, but still. My first prom dress, during a year I won’t mention, was reminiscent of Cinderella’s blue ballgown. As I became a writer myself, I noticed my stories held themes I learned from fairytales. Love, loyalty, courage, and a dose of magic. I simply add space or aliens to the mix.
This is the Twelve Dancing Princesses meets the Hunger Games! It’s a great start to a new series of fairytale retellings that manages to take some well-known stories and make them feel new. All while maintaining that familiar comfort of what we expect from a classic tale. It’s a great weaving of old and new that has you rooting for these princesses and wondering whose story you’ll get to read next.
When Princess Liliana and her twin sister set sail for new lands, Lily hopes to find adventure and romance. But the people of Marin live under the shadow of a curse—one powerful enough to destroy entire kingdoms. To protect them all, Lily and eleven other princesses are forced to participate in a mysterious and secret tournament. Lily spends her nights competing in a magical underground realm and her days unraveling the dangers of this new court. Although she needs the help of the Marinese prince, Lily knows she can’t let herself grow too close to him. There’s no time for…
I’ve always loved fairytales. What little girl with a growing romantic heart doesn’t? By the time I was eight, I told people I was Cinderella because of all the work I did at home. An exaggeration, even for the oldest child, but still. My first prom dress, during a year I won’t mention, was reminiscent of Cinderella’s blue ballgown. As I became a writer myself, I noticed my stories held themes I learned from fairytales. Love, loyalty, courage, and a dose of magic. I simply add space or aliens to the mix.
I love when an author takes a character you think you know and adds layers of depth you never would have imagined. That’s what Shea does with Elle here. We all picture the Disney Belle--smart but with that feeling of needing to be rescued. This Elle is not that kind of beauty. I don’t want to spoil the surprise, but I really appreciated the heartbreaking strength this woman had. She literally gives everything for her family, and once she knows his heart, Prince Severin.
A small miscalculation sends her through the roof of an enchanted chateau. Stranded until her broken leg mends, Elle is unwillingly forced to rely on the good will of the sour chateau owner —the cursed Prince Severin.
Prince Severin—the commanding general and staunch supporter of his brother the crown prince—is cursed to look like a beast until a maiden falls in love with him. He has given up all hope of shattering the curse, and has only disdain for Elle.
Unfortunately, the pair can’t seem to avoid each other thanks to the…
In my stories and novels, in my reading, and in my life, I'm inspired and captivated by what I call resonant places, places with deep connections to the past as well as the present moment. I grew up in a mid-century modern house my parents built. Although no other family had lived in it before, our own family—like all families—was haunted by ghosts of our past. My childhood home was bulldozed by the next owners; the house has become a ghost itself. But memories remain long after a family or a home is gone. As a writer, a reader, and a psychotherapist, I believe that memories are the seeds for both remembering and imagining.
Shirley is set in author Shirley Jackson’s rambling Victorian house in Vermont, adjacent to the Bennington College campus. This is a story of psychological intrigue and intertwined creative and destructive influences, families in trouble, and ghostly presences. The story is narrated by a young faculty wife, Rose. She and her husband, a new professor at the College, live with Jackson and her husband, Professor Stanley Hyman. The house and the household are attractive and sinister, emotionally fraught and seductive. Merrell and I met as classmates in the Bennington Writing Seminars. We exchanged manuscripts for our then novels-in-progress. Now, as I re-read Shirley, I remember our walks past the house.
NOW A MAJOR MOTION PICTURE STARRING ELIZABETH MOSS AND MICHAEL STUHLBARG!
“Susan Scarf Merrell brilliantly weaves events from Shirley Jackson’s life into a hypnotic story line”* in this darkly thrilling novel about the author of The Haunting of Hill House and The Lottery.
Two imposing literary figures are at the heart of this captivating novel: celebrated author Shirley Jackson and her husband, Stanley Edgar Hyman, a literary critic and professor at Bennington College. When a young graduate student and his pregnant wife—Fred and Rose Nemser—move into Shirley and Stanley’s home in the fall of 1964, they quickly fall under the…
I grew up with Irish folklore, Lord of the Rings, and X-Men comics as my bedtime stories, but I am also a domestic violence survivor twice over with c-PTSD. I was never able to get justice for anyone who hurt me. I created my stories as a way to cope and understand my feelings and triggers by making them their own personalities. So, I made my trauma available for everyone in a fantasy setting with two love interests to adore the heroine who had to endure so much but never gave up on giving people someone to root for when they couldn’t for themselves anymore.
I absolutely adored this book! I’m a sucker for a good Beauty and the Beast retelling. Add the fact that it was full of spice and fated mates, and I fell in love! Easily one of my favorite reads, and I’m dying for the fourth book to come out this fall!
Four beastly princes. One awkward bookworm. An enchanted world of fae, magic, and danger.
I’ve always loved fairytales. I never imagined I'd actually be in one.
When my father wanders into the enchanted realm of the fae, I know I have to go after him. And when he gets imprisoned, I'll do anything to save him... Even trade my freedom for his. I had no idea I'd end up imprisoned by four sexy fae who turn into beasts at night.
I have to win my freedom, and that means making a bargain with them. They must find their mates in…
I’m an Egyptologist by training and a storyteller by nature. Fascinated by the origins of patriarchy since I was a small girl raised by strong women in a patriarchal context, I turned to Greek and Roman history for answers. I earned an MA and a richer understanding of the civilizations that influenced the classical period, which led to the study of Egypt and Mesopotamia and finally to a Ph.D. in Egyptology. At heart, I’m more creative than scholar. Telling stories that bring ancient Egypt to life and leave readers better informed of the challenges women have faced, and sometimes overcome, is my passion.
This book fueled my feminist rage and left me thinking about it for months after I put it down.
Unapologetically pro-women, Marmery challenges some of the patriarchy’s most sacred foundations. I love the courage of this book. It’s an intimate read but somehow also feels large and distant. For me, this one is a ca n’t-miss read that makes you think, wonder, and fume.
A triumphantly feminist retelling of ancient creation myths in the tradition of Madeline Miller and Claire North.
Lyrically rendered, this epic U.S. debut tells the story of the woman known as Adam's first wife and her fall from Paradise and quest for revenge.
Before Eve, there was Lilith.
Lilith and Adam are equal and happy in the Garden of Eden. Until Adam decides Lilith should submit to his will and lie beneath him. She refuses—and is banished forever from Paradise.
Demonized and sidelined, Lilith watches in fury as God creates Eve, the woman who accepts her submission. But Lilith has…
I've been writing Spooky Middle Grade for a number of years, and before that, I wrote horror for Hollywood. Living in Sleepy Hollow, spooky is in my blood, and if I didn't write creepy stories, they'd kick me out. I'm also a professional storyteller and have scared the bejeebus out of kids and adults in places like Sleepy Hollow Cemetery, Rockefeller State Park Preserve, and Washington Irving's Sunnyside. Halloween is my favorite time of year. It more or less becomes a month-long village-wide celebration in October. Being inundated with all this crazy rubs off on you, and I have been well-steeped.
When I read this book, I was thrown sideways and bowled over. It is just so unique! The creep factor is ridiculously high, and it goes places that are totally unexpected and unheard of in a middle-grade novel. This is not your standard spooky tale, but rather one that will eat into your soul and give you series willies.
At the Cavendish Home for Boys and Girls, you will definitely learn your lesson. An atmospheric, heartfelt, and delightfully spooky novel for fans of Coraline, Splendors and Glooms, and The Mysterious Benedict Society.
Victoria hates nonsense. There is no need for it when your life is perfect. The only smudge on her pristine life is her best friend Lawrence. He is a disaster-lazy and dreamy, shirt always untucked, obsessed with his silly piano. Victoria often wonders why she ever bothered being his friend. (Lawrence does, too.)
But then Lawrence goes missing. And he's not the only one. Victoria soon discovers…
Ever since my high school days, when I encountered the mystery novels of Dick Francis and Robert B. Parker for the first time, I’ve been hooked on this genre. And yet it took me more than twenty years to finally write my first bona fide work of detective fiction. Why? Because I was chicken. Didn’t think I could cut it. After publishing two works of literary fiction, I figured I had enough practice to make an attempt. Nope. Still wasn’t ready, writing myself into ugly, impossible corners. So I read Sue Grafton, John D. MacDonald, Dennis Lehane, and I kept failing better – until I failed best.
There are some writers I read purely for the pleasure of a well-written sentence. Don is one of those, because he is a Literary Writer™ – he edited one of the premier literary journals for many years. But here’s the thing – he is also one hell of a plotter. This first novel of his caught the letters community by surprise, but not me; the intricate construction of his short stories could only lead to a tale as labyrinthine as this one. Featuring classic mystery tropes, Country of Origin is a missing person case that leads our hero, an American Embassy officer in Tokyo, to seedy strip clubs, dangerous love affairs, and the CIA, all delivered with surgical prose that would make Raymond Chandler blush.
In this "poignant story of prejudice, betrayal and the search for identity" (Newsweek International), the trials and tribulations of these three remarkable characters are "at turns trenchantly funny and heartbreakingly sad" (Publishers Weekly). "[An] elegant and haunting debut" (Entertainment Weekly), Country of Origin is a "swirl of action, a whirl of love and sex and race and politics, local and international" (Chicago Tribune)-a "quiet literary triumph" (Booklist)
Lisa Countryman is a woman of complex origins. Half-Japanese, adopted by African American parents, she returns to Tokyo, ostensibly to research her thesis on Japan's "sad, brutal reign of conformity." When she vanishes,…
The uncanny slips into the gaps between the objective world and the
world of human experience with all its dreams, apprehensions, and
intuitions. This intermediate space is the habitat of ghosts and also
the zone where my mind does its wanderings. It's where my books come, and
explorations of that space in other peoples' books draw me in, deeply
and inescapably.
This book sent me wandering through the kind of haunted labyrinth I love most. I adore a book that constantly challenges expectations and twists me into a mystery unlike any I’ve read before.
The layers of this very strange and daring story—about a hapless young English teacher gone missing in Vietnam and the ghosts behind her disappearance—came together in ways I never saw coming.
Part puzzle, part revenge tale, part ghost story, this ingenious novel spins half a century of Vietnamese history and folklore into “a thrilling read, acrobatic and filled with verve” (The New York Times Editors’ Choice).
FINALIST FOR THE CENTER FOR FICTION’S FIRST NOVEL PRIZE • LONGLISTED FOR THE WOMEN’S PRIZE FOR FICTION • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, NPR, Good Housekeeping, Kirkus Reviews
“Fiction as daring and accomplished as Violet Kupersmith’s first novel reignites my love of the form and its kaleidoscopic possibilities.”—David Mitchell, author of Cloud Atlas
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