Here are 100 books that See Delphi and Die fans have personally recommended if you like
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I'm a crime writer and my latest novel is set in Delphi, Greece at the Temple of Apollo: it interweaves a modern murder mystery with perennial themes like justice, retribution and law so the cradle of law and democracy was an ideal setting, especially Delphi, which the Greeks believed to be the centre of the world. I visited there at the turn of the millennium and it has always stayed with me. Since childhood, I have been fascinated, like many, with the stories of ancient Greece, its gods, myths, and legends, and the genesis of so many of the ideas which underpin western society and thought. I've taught Classics in the past, but these books will give the reader joy as well as improving their knowledge.
Scott is an associate professor of classics and ancient history at the University of Warwick and his erudition shines through this comprehensive study of Delphi and, at its heart, the Oracle and Temple of Apollo. Yet this is never a dull, academic book, Scott's obvious love for the place and its history prevents that, as he chronicles the wars and disputes, the judgements and prophesies, as well as how the Oracle, the female Pythia, was set at the very centre of the ancient world. He evokes the place brilliantly, with its spectacular setting, and brings the history up to date with the rediscovery of the ancient site and its re-emergence from the mountainside. It was inestimably useful to me when I wrote Oracle, but it also reinforced my desire to return to what is a very special place.
The oracle and sanctuary of the Greek god Apollo at Delphi were known as the "omphalos"--the "center" or "navel"--of the ancient world for more than 1000 years. Individuals, city leaders, and kings came from all over the Mediterranean and beyond to consult Delphi's oracular priestess; to set up monuments to the gods; and to take part in competitions. In this richly illustrated account, Michael Scott covers the history and nature of Delphi, from the literary and archaeological evidence surrounding the site, to its rise as a center of worship, to the constant appeal of the oracle despite her cryptic prophecies.…
My passion for Greek literature began as a child when I was captivated by Greek myths and epic tales. As a student, I became fascinated with tragic revenge plots involving women, especially mothers who kill their children, and since then, I have published extensively on gender and violence in ancient Greek literature and life. I speak modern Greek and love thinking about these topics in traditional Greek folk poetry and literature as well, especially works like Alexandros Papadiamantis’ The Murderess and Pantelis Prevelakis’ The Sun of Death.
My journey to specialising in gender and revenge in ancient Athens began when I read this trilogy of tragedies by Aeschylus in the original ancient Greek. These plays captivated me because of their stunningly powerful and breathtakingly beautiful use of imagery and language.
The characters are equally striking, especially the clever and determined queen Clytemnestra, a ruthless and duplicitous killer who murders her husband in the bath. In turn, her son Orestes is faced with the dreadful prospect of killing his own mother to avenge the death of his father. Performing matricide brings forth the terrifying Erinyes, goddesses of vengeance, who demand that Orestes pay the price.
The powerful female characters and the dilemmas of the revenge plot are what make this trilogy one I return to time and time again.
Agamemnon *Libation Bearers *Eumenides Aeschylus' Oresteia is the only trilogy to survive from Greek tragedy, and the religious and moral ideas it enacts afterwards influenced a great dramatic genre, as well as giving its three plays their lasting significance. In this family history, Fate and the gods decree that each generation will repeat the crimes and endure the suffering of their forebears. When Agamemnon is murdered by his wife, Clytemnestra, their son Orestes must avenge his father's death. Only Orestes' appeal to the goddess Athena saves him from his mother's Furies, breaking the bloody chain; together gods and humans inaugurate…
I'm a crime writer and my latest novel is set in Delphi, Greece at the Temple of Apollo: it interweaves a modern murder mystery with perennial themes like justice, retribution and law so the cradle of law and democracy was an ideal setting, especially Delphi, which the Greeks believed to be the centre of the world. I visited there at the turn of the millennium and it has always stayed with me. Since childhood, I have been fascinated, like many, with the stories of ancient Greece, its gods, myths, and legends, and the genesis of so many of the ideas which underpin western society and thought. I've taught Classics in the past, but these books will give the reader joy as well as improving their knowledge.
Euripides is the Greek tragedian who, in my humble opinion, appeals most to the modern sensibility. Even in his own time (5th century Athens, BCE) he was regarded as an innovator who questioned the certainties of previous ages. The Bacchae is probably his greatest play, but Ion is the play set in Delphi. It includes the oracle (the Priestess of Apollo), as well as Apollo and Athena, as characters and, in it, the playwright begins to question the legitimacy of the gods themselves. Ion is the result of a divine rape, taken from his mortal mother at birth. The son of Apollo, he believes his parents abandoned him and works as a dogs-body and general helper in Apollo's Temple in Delphi. Then his mother and her husband, childless, arrive for a consultation...
The plays of Euripides have stimulated audiences since the fifth century BC. This volume, containing Phoenician Women, Bacchae, Iphigenia at Aulis, Orestes, and Rhesuscompletes the new editions of Euripides in Penguin Classics.
I am a writer and historian, specialising in the early-Medieval period and the fractious but fruitful encounter between the Christian and Islamic worlds. My fiction is informed by my non-fiction work: it’s a great help to have written actual histories of Northumbria in collaboration with some of the foremost archaeologists working on the period. I regard my work as the imaginative application of what we can learn through history to stories and the books I have selected all do this through the extraordinarily varied talents of their authors. I hope you will enjoy them!
The final sentence of The Mask of Apollo has haunted me for decades since I first read the book in my teens. When I read it again, many years later, I discovered that the story is as moving as I remembered. Renault weaves a fascinating re-creation of classical Greek theatre with Plato’s attempt to tutor a true philosopher king in the kingdom of Syracuse. But it’s the final chapter, after Plato’s death, that raises the book to the level of tragedy. For then we meet the young Alexander, already almost god-like in his charisma, a fire seeking fuel for its burning. Alexander burns through the world seeking it, but what he is looking for in the world has already left it: a broken Plato has already died.
Set in fourth-century B.C. Greece, The Mask of Apollo is narrated by Nikeratos, a tragic actor who takes with him on all his travels a gold mask of Apollo, a relic of the theatre's golden age, which is now past. At first his mascot, the mask gradually becomes his conscience, and he refers to it his gravest decisions, when he finds himself at the centre of a political crisis in which the philosopher Plato is also involved. Much of the action is set in Syracuse, where Plato's friend Dion is trying to persuade the young tyrant Dionysios the Younger to…
I’m an engineer-turned-mystery-writer, and my taste in fiction is as unconventional as my career. I love books set in obscure periods of the past, with underdog characters who rise to the occasion through cleverness and grit. I write the kind of books I love to read, which explains why I set my novels in ancient Rome. The engineer side of my brain thrives on doing historical research while my creative side imagines quirky, imperfect characters who find unconventional ways to solve tricky mysteries. I hope you enjoy my list of clever, spunky sleuths from various periods who solve murders in unique ways.
Reading a Lindsey Davis novel is a guilty pleasure. Why? She’s wickedly funny. She brings ancient Rome to vivid life, from the fancy fringe on a tunic hem to the steaming pile of donkey dung in the street. Her sleuth, a tough, no-nonsense woman named Flavia Albia, is assisted (whether she likes it or not) by an extended family of eccentric and sometimes meddlesome characters. I also appreciate how Davis adds just enough historical detail to bring the plot to life without bogging down the action.
In this book, I particularly enjoyed the interplay between Albia and the officious aedile, Manlius Faustus, who turns out to be nicer (and more interesting) than he first appeared. While each novel is stand-alone, I recommend starting here to get the full backstory.
Chosen by The Times as one of the Top Ten Crime Novels Written by Women since 2000
Flavia Albia is the adopted daughter of a famous investigating family. In defiance of tradition, she lives alone on the colourful Aventine Hill, and battles out a solo career in a male-dominated world. As a woman and an outsider, Albia has special insight into the best, and worst, of life in ancient Rome.
A female client dies in mysterious circumstances. Albia investigates and discovers there have been many other strange deaths all over the city, yet she is warned off by the authorities.…
Ahimsa Kerp is a peripatetic language mercenary and spec-fic writer who hails from the Pacific Northwest of the United States but has lived on 5 continents. He is fond of rambling hikes, board games, and tofu tacos. He is the author of several novels, role-playing game books, and the co-founder of Knight Owl Publishing. He earned his Masters in Ancient History from the University of Queensland.
The year 68 CE is a very important, not to mention interesting, year in Roman History. Because history was written by the upper class, we tend to lose sight that Nero was a populist, a man of the people. Tacitus gives you the scoop here on all the soap opera that unfolds with the end of the Julio-Claudian line. If you think history is boring, you might be surprised at how fast-paced and scandalous these accounts are.
AD 69, the year following Nero's suicide and marking the end of the first dynasty of imperial Rome, was one of the most dramatic and dangerous in the city's history. In the surviving books of his Histories, the great barrister-historian Tacitus gives a gripping account of the long but single year' that saw the reigns of four emperors: disciplinarian Galba; conspirator and dandy Otho; unambitious hedonist Vitellius; and pragmatic victor Vespasian, who went on to establish the Flavian dynasty. In a narrative that extends from Britain to Egypt and from the Caucasus to Morocco, taking in revolt, conspiracy, battles and…
I’m a Roman historian (associate professor at the University of Birmingham, UK), who’s particularly interested in understanding the nature of Roman power and how Rome’s presence and impact within the Mediterranean changed over time. I’m dyslexic and I think this, in part, might explain why I am quite a visual learner and find material culture a really valuable way to engage with the past, just as much as through written sources. I really hope that my selection of books offers you various different (and perhaps new) ways to think about ancient Rome!
I love historical detective novels, and this one, set in AD 70, is a great way to immerse yourself in the Roman world. Lindsey Davis does her research, creating a real, lived-in space that makes the ancient past feel alive and present.
Another big plus is that it’s hilariously entertaining: I’m regularly guffawing out loud while reading it. Best of all? It’s the first book in a fantastic series, and I’ve enjoyed following private instigator Marcus Didius Falco, and then later his daughter, Flavia Alba, over a number of adventures across the city of Rome and the wider Empire.
Rome. AD 70. Private eye Marcus Didius Falco knows his way round the eternal city. He can handle the muggers, the police and most of the girls. But one fresh 16 year old, Sosia Camillina, finds him a case no Roman should be getting his nose into . . . Sosia's uncle is a Senator with suspicions. Some friends, Romans and countryment are doing a highly profitable, if highly illegal, trade in silver ingots or pigs. For Falco it's the start of a murderous trail that leads far beyond the seven hills. To a godforsaken land called Britain, to Emperor…
I’ve been an avid reader since I was a kid. Werewolf books have always called to me, and so has the moon—but that’s another story. Ha! In all honestly, I love the sense of loyalty and family that comes with werewolves and their packs. Family means a lot to me, and that bleeds over into the type of stories I write. I’ve been an Indie Author for over 10 years now with 50+ books under my belt. I have a passion for writing about shifters of all types (including werewolves), small towns, and romance.
Wolf Girl reminded me of a Werewolf Bachelor. One guy. Lots of women. All of them werewolves. This story was unique and unlike anything I’d ever read before. I loved Demi’s sassiness and Sawyer was definitely swoony. I’m warning you beforehand though, it does have a hellacious cliffhanger.
When my parents were banished from Wolf City before I was born, I thought there was no way I would ever live in a pack again. Cuffed, with my shifter magic bound, I was forced to go to school with witches in order to keep my true nature from coming out.
Then I met him.
Sawyer Hudson.
The Alpha's son was visiting Delphi Witches' College and spotted me. He took one look at me, and an hour later, I was being pulled out of school, taken into Wolf City and leaving my parents and everything I knew behind.
I became passionate about ancient Greece as a teenager when I studied the ancient languages and history at school. I was also lapping up ancient Greece on film—back then the so-so Burton-Taylor Cleopatra really impressed. I got enthused by historical novels too, Mary Renault’s especially. My first visit to Greece as a university student hooked me on modern Greece as well. Since then, I’ve become a professional academic specialising in ancient Greece and have been lucky enough to develop a lifelong relationship with modern as well as ancient Greeks. I lived in Greece for six years in my twenties, and have gone back repeatedly ever since. I’ve published widely on Greece’s ancient history and archaeology.
This is the daddy of travel books about Greece, penned by a Greek from western Turkey who toured the sights during the pax Romana (2nd century AD).
Catching ancient Greece before it fell into ruin, he enthusiastically wrote up the buildings and artworks and the local history of places both famous and obscure. My own copy, decidedly battered, has been a companion of my academic career since my twenties.
You can still follow Pausanias on certain archaeological sites, like Delphi or Olympia. On others it’s fascinating, after visiting them, to turn to this ancient guide to read how he described the same places when they were intact.
Peter Levi’s translation is highly readable and well equipped, but not overladen, with footnotes.
Written in the second century AD by a Greek traveller for a predominantly Roman audience, Pausanias' Guide to Greece is an extraordinarily literate and well-informed guidebook. A study of buildings, traditions and myth, it describes with precision and eloquence the glory of classical Greece shortly before its ultimate decline in the third century. This volume, the first of two, concerns the five provinces of central Greece, with an account of cities including Athens, Corinth and Thebes and a compelling depiction of the Oracle at Delphi. Along the way, Pausanias recounts Greek legends that are unknown from any other source and…
I’ve loved history ever since I was a kid when I first had the realisation that it was made up of stories. Ancient Rome has always fascinated me, not the battles or the emperors or the big picture stuff, but the daily lives of the ordinary people. You only need to read some of the rude graffiti from Pompeii to realise that people have never really changed where it counts! I studied English and History at university, neither of them as thoroughly as I could have, but at least now when people ask me what I’d ever use an Arts degree for, I can point to my book.
There are, of course, lots of amazing non-fiction resources on Ancient Rome, but I love the way this one is written as a travel guide, as though you’re a tourist clutching a copy of Lonely Planet.
This is a fun and accessible book, easy to dip in and out of, but also great to read in one hit. There aren’t any emperors or empire-defining battles in this one, just walking tours of the city, tips on where to eat and what to see, and where to go for shopping and entertainment.
The only disappointing thing about this book is the realisation that time travel isn’t actually a thing.
