Here are 100 books that Reports from the Holocaust fans have personally recommended if you like
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We moved to New Orleans in July 2005. We had six weeks in our first home, filling it with furniture, buying a new car, and taking advantage of my first job. When Hurricane Katrina collapsed the levees holding back the nearby lakes, our home – and those of 80% of the city – filled with water. As I waited for FEMA and insurance to help us, I saw instead it was our friends, friends of friends, and faith-based organizations that helped us get back on our feet. Using our own experiences as a start, I traveled to India and Japan to study how communities around the world survived and thrived during shocks.
We have all seen disaster movies and TV shows with people screaming and running around as the earthquake, tsunami, or Godzilla strikes. But Rebecca Solnit argues instead that normal people don’t panic during disasters – it is the elite, the wealthy, and the decision-makers who lose their minds. For normal people, altruism and mutual aid help all of us get through shocks, whether fire, car accident or COVID19. Her writing is excellent and she uses examples across time and space, ranging from the San Francisco earthquake at the start of the 20th century to the Mexico City earthquake at its end.
"The freshest, deepest, most optimistic account of human nature I've come across in years." -Bill McKibben
The most startling thing about disasters, according to award-winning author Rebecca Solnit, is not merely that so many people rise to the occasion, but that they do so with joy. That joy reveals an ordinarily unmet yearning for community, purposefulness, and meaningful work that disaster often provides. A Paradise Built in Hell is an investigation of the moments of altruism, resourcefulness, and generosity that arise amid disaster's grief and disruption and considers their implications for everyday life. It points to a new vision of…
As a journalist who learned his craft on the job in the tumultuous 1960s, I happened to find myself living in states where racial history was being written. Reporting that story required me to understand why discrimination, poverty, and violence remained so deeply rooted in modern America. I wrote Ten Ways to Fight Hate, I made a movie about civil rights martyrs, and, after seeing people from around the world making a pilgrimage to the sites of the civil rights struggle, published my guidebook. Over the course of a 50-year career, I have written a million words. I am proudest of those that tried to right wrongs, and sometimes did.
As I drove through the South researching my guidebook to civil rights sites, my back seat was filled with books. Atop the pile was Taylor Branch’s magisterial three-volume history – America in the King Years 1954-1968: Parting the Waters, Pillar of Fire, and At Canaan’s Edge.
Though encyclopedic, Branch’s story-telling is riveting—weaving together personalities, legalities, strategies, and geography in a way that made me feel as if I were there witnessing history as it was made. Taylor’s detail, reflecting a journalist’s quest for who, what, where, when, how, and why, showed me that these stories could best be told, understood, and felt where they happened.
In Parting the Waters, the first volume of his essential America in the King Years series, Pulitzer Prize winner Taylor Branch gives a “compelling…masterfully told” (The Wall Street Journal) account of Martin Luther King’s early years and rise to greatness.
Hailed as the most masterful story ever told of the American Civil Rights Movement, Parting the Waters is destined to endure for generations.
Moving from the fiery political baptism of Martin Luther King, Jr., to the corridors of Camelot where the Kennedy brothers weighed demands for justice against the deceptions of J. Edgar Hoover, here is a vivid tapestry of…
I’m a nice gay Jewish former wannabe actor turned AIDS activist. I joined ACT UP, the AIDS Coalition to Unleash Power, in 1987, and for the next eight years, I chaired committees, planned protests, led teach-ins, and facilitated our weekly meetings. I visited friends in hospitals, attended far too many AIDS memorials, participated in over a hundred zaps and demonstrations, and earned the title of ACT UP’s unofficial “Chant Queen.” It was the hardest, most intense, most rewarding, most joyous, and most devastating time of my life. Aware that I had witnessed history, it became my mission to record what happened and to make sure our story was not forgotten.
In 1989, in honor of the twentieth anniversary of Stonewall, a group of ACT UP members decided to form a study group to learn about the history of queer activism. Surprisingly, I could find almost nothing about the gay liberation movement until I stumbled upon The Gay Militantsin a used bookstore. I was amazed at my good fortune. Here was a detailed, first-hand, and contemporaneous history of the first year of gay liberation after Stonewall, filled with original documents, outrageous quotes, and the campy exhilarating joy of activism. I couldn’t believe how many of our actions (and internal conflicts) echoed those of these early groups and how many of our enemies remained the same.
I’m a nice gay Jewish former wannabe actor turned AIDS activist. I joined ACT UP, the AIDS Coalition to Unleash Power, in 1987, and for the next eight years, I chaired committees, planned protests, led teach-ins, and facilitated our weekly meetings. I visited friends in hospitals, attended far too many AIDS memorials, participated in over a hundred zaps and demonstrations, and earned the title of ACT UP’s unofficial “Chant Queen.” It was the hardest, most intense, most rewarding, most joyous, and most devastating time of my life. Aware that I had witnessed history, it became my mission to record what happened and to make sure our story was not forgotten.
Before I was an activist, my favorite audition monologue was from David Hare’s play, A Map of the World. Set at an international UNESCO conference (and, in a meta-framing, the set of a movie retelling the same story), the centerpiece is a Shavian debate between a young leftwing reporter and a celebrated rightwing author. “You will never ever understand any struggle unless you take part in it,” says the idealistic reporter in a speech that still speaks to me today, as it pits the messy, hard work and, yes, failures, of activism against the comfortable cynicism of those who criticize from the sidelines. I would later discover this same play inspired Larry Kramer to start writingThe Normal Heart.
In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.
Since long before COVID, Ruth Coker Burks has lived a life of service to people who were abandoned by their families after being diagnosed with AIDS.
In the dark days of that epidemic, she cared for them, advocated for them, even buried them in her own family plot in Arkansas. She persevered despite relentless bigotry and hatred that included cross-burnings on her front lawn. Nothing stopped her.
Coker Burks earned the nickname ‘cemetery angel’ by proving that everyone can make a difference in the lives of others. I’m honored that we have become friends, because she inspires me every day.
"A renegade Florence Nightingale cares for the ill in a remarkable tale of compassion and combating prejudice" The Guardian
'Breath-taking courage and compassion [...]a beautiful book' The Sunday Times
'An extraordinary tale' Evening Standard
'If I have one message with this book it's that we all have to care for one another. Today, not just in 1986. Life is about caring for each other, and I learned more about life from the dying than I ever learned from the living. It's in an elephant ride, it's in those wildflowers dancing on their way to the shared grave of two men…
Creative expression has been one of my most cherished values since childhood. I've always had a creative hobby of some kind since I was a kid. Not sure how that happened – my parents were tolerant of my interests at best. I made my day job career in the arts, fostering the creativity of community members and supporting the work of artists. Art (in the general sense of all forms of creative expression) is, to me, a defining characteristic of humanity, it makes life worth living, and the way it’s devalued under Capitalism both saddens and inspires me as a creator myself. I’m a writer of speculative fiction and I write about creative people.
This memoir by the artist David Wojnarowicz deeply impacted me when I was a young queer man just setting off to make his way in the world in the early ‘90s. It’s a look at America during the AIDS crisis, and also delves into the author’s rage and lust and creativity and hope for a better world. The prose is electric, confrontational, and not at all concerned with decorum or coddling delicate sensibilities. It’s a raw and honest deep dive into the heart and soul of an artist living life on the edge of a society actively antagonistic to his existence and is a testament to art as a mechanism of survival. I can only hope to write something this invigorating one day. Bonus points for existing.
I am glad I am alive to witness these things; giving words to this life of sensations is a relief. Smell the flowers while you can.
Close to the Knives is the artist, writer and activist David Wojnarowicz's extraordinary memoir. Filthy, beautiful, and sharp to the point of piercing, it is both an exploration of the world seen through the eyes of an artist, and a moving portrait of a generation living, grieving, and dying through the AIDS crisis. It is a triumphant hymn of resistance, and a dizzying celebration of the joys of seeing and living in the world.
I’m the global health reporter for The New York Times, the latest iteration in 30 years as a foreign correspondent. I’ve covered wars and humanitarian disasters, but it’s health stories that have always drawn me most. Health stories are intimate and personal, but they’re also about politics and economics, and social norms – about power. I’ve written about the Zika virus crisis in Brazil, child malnutrition in India, teen suicide in the Arctic – but no story has drawn me in and kept me riveted like Africa’s AIDS pandemic has over the past 25 years. I intend to keep reporting on it until the day a cure is found.
This book is exactly what the title promises, and a great place to start.
It’s written by a Swazi health economist who has worked on HIV in Africa for more than 30 years; I have learned a lot from Whiteside and his research over my years of covering this issue. The book looks at the biology and epidemiology of HIV, and also at all the ways it shapes societies.
Whiteside takes complicated concepts of population dynamics, sexual networking, AIDS, and geopolitical security and explains them briskly, clearly, concisely. His focus is the global AIDS epidemic, but his own work and the book are both deeply rooted in Africa.
In 2008 it was believed that HIV/AIDS was without doubt the worst epidemic to hit humankind since the Black Death. The first case was identified in 1981; by 2004 it was estimated that about 40 million people were living with the disease, and about 20 million had died. Yet the outlook today is a little brighter. Although HIV/ AIDS continues to be a pressing public health issue the epidemic has stabilised globally, and it has become evident it is not, nor will it be, a global issue. The worst affected regions are southern and eastern Africa. Elsewhere, HIV is found…
Amidst COVID-19, HIV/AIDS is a touchpoint for journalists, scholars, writers, and a public who seek a usable past in understanding the present and making an uncertain future less so. The challenge of how to love, live, and survive amidst pandemics isn't new, I play here on the title of one of the first safer sex books,How to Have Sex in an Epidemic. As someone who studies how activists document their work and how they bring those materials to life today, I'm both fascinated and troubled by pandemic comparisons. These books offer crucial stories and productive tools to think with as we navigate questions of how to survive, and maybe even thrive amidst intersecting pandemics.
In We Are Having This Conversation Now, Alexandra Juhasz and Theodore Kerr blow up the conventions of academic work on epidemics.
In a series of thirteen short dialogues they reflect as activists, media-makers, and scholars on the history, present, and future of AIDS. The reflections on AIDS-related culture and conversation they share, will spark for readers critical questions about how personal experiences, community, cultural production, and interpersonal relations come together.
Doing this kind of reflective work is particularly important now, as we need to begin to understand not only HIV/AIDS, but how it impacts the experience of living amidst other viral pandemics including COVID-19.
We Are Having This Conversation Now offers a history, present, and future of AIDS through thirteen short conversations between Alexandra Juhasz and Theodore Kerr, scholars deeply embedded in HIV responses. They establish multiple timelines of the epidemic, offering six foundational periodizations of AIDS culture, tracing how attention to the crisis has waxed and waned from the 1980s to the present. They begin the book with a 1990 educational video produced by a Black health collective, using it to consider organizing intersectionally, theories of videotape, empowerment movements, and memorialization. This video is one of many powerful yet overlooked objects that the…
Michael B.A. Oldstone was head of the Viral-Immunobiology Laboratory at The Scripps Research Institute, devoting his career to understanding viruses, the diseases they cause, and the host’s immune response to control these infections. His work led to numerous national and international awards, election to the National Academy of Science and the National Academy of Medicine. Oldstone served on the SAGE executive board of the World Health Organization and as a WHO consultant for the eradication of polio and measles.
This book characterizes the discovery and spread HIV and AIDS. Shits an investigative journalist provides an extensive look into the disease itself, the politics and politicians battling to control or ignoring the disease. Also discussed are the events that shaped the pandemic leading to its expansion or its control.
Upon its first publication more than twenty years ago, And the Band Played on was quickly recognized as a masterpiece of investigative reporting.
An international bestseller, a nominee for the National Book Critics Circle Award, and made into a critically acclaimed movie, Shilts' expose revealed why AIDS was allowed to spread unchecked during the early 80's while the most trusted institutions ignored or denied the threat. One of the few true modern classics, it changed and framed how AIDS was discussed in the following years. Now republished in a special 20th Anniversary edition, And the Band Played On remains one…
I’m the global health reporter for The New York Times, the latest iteration in 30 years as a foreign correspondent. I’ve covered wars and humanitarian disasters, but it’s health stories that have always drawn me most. Health stories are intimate and personal, but they’re also about politics and economics, and social norms – about power. I’ve written about the Zika virus crisis in Brazil, child malnutrition in India, teen suicide in the Arctic – but no story has drawn me in and kept me riveted like Africa’s AIDS pandemic has over the past 25 years. I intend to keep reporting on it until the day a cure is found.
I’m going to say right off the top that this book is not well written: it’s turgid and florid and hard to follow. But it’s also recent, unlike most of the books on my list, and it’s the first comprehensive accounting of PEPFAR, the extraordinary US intervention into the African pandemic.
It’s impossible to understand the huge shift in the dynamic of the pandemic without understanding how massively George Bush’s decision to support HIV treatment in Africa changed – well, everything – and Bass is the first writer to try to really dig into that story.
"Randy Shilts and Laurie Garrett told the story of the HIV/AIDS epidemic through the late 1980s and the early 1990s, respectively. Now journalist-historian-activist Emily Bass tells the story of US engagement in HIV/AIDS control in sub-Saharan Africa. There is far to go on the path, but Bass tells us how far we've come." -Sten H. Vermund, professor and dean, Yale School of Public Health
With his 2003 announcement of a program known as PEPFAR, George W. Bush launched an astonishingly successful American war against a global pandemic. PEPFAR played a key role in slashing HIV cases and AIDS deaths in…
