Fans pick 100 books like And the Band Played on

Barry’s dramatic historical account of the 1918 influenza pandemic has been called “fascinating,” “brilliant,” “sobering,” and “terrifying” by numerous reviewers.

It is a piece of history, the worst public health disaster in the century before COVID-19, that should have helped succeeding generations to take pandemic preparedness more seriously. It should have enhanced our understanding that during such a crisis, science must lead the way. Despite all that we did learn from the great influenza of 1918, we were unable to avoid many of the mistakes made when our leaders too often shunned the advice of science and made the COVID-19 pandemic political.

This book informed and influenced me greatly. It inspired me to see the need for and the importance of recording and learning from our experiences a century later.

This book is an eminently readable classic of historical writing that analyzes human historical behavior as it is causally intertwined with human health and disease evolution.

It inspired me to add health and disease as variables in my interpretation of cultural evolution, effectively completing the definition of my maturing model of scholarship.

This book provides an intimate portrait of outbreaks of Ebola, the world’s most fearsome and deadly virus, and reveals how the result of that experience provides information to help fight Covid-19. Introduced are people who fought heroically with limited resources, including  Sheik Kahn who died fighting Ebola as it spread as a tsunami, Pardis Sabeti a geneticist named “scientist of the year” by Time magazine and Robert Garry who led the fight against viral hemorrhagic diseases. Sabeti and Garry worked with the authors and provide a personal narrative of the involved events.

In a clear presentation, Oshinsky’s presents the gripping history of the conquest of poliomyelitis. The new and advanced role of the media’s impact and widespread community participation is detailed as is the terror of polio, efforts to understand the virus, and the disease it caused. The intense and competitive effort to find a cure adds to the story. Lastly, this book describes how the polio experience led to the establishment of government oversight for new drugs.

One of the best academic books written at convergence of the HIV/AIDS and COVID-19 pandemics is The Virus Touch.

Here, Bishnupriya Ghosh showcases how “epidemic media” inform how epidemics are understood and experienced—making this text so relevant right now. She looks at how media—images, numbers, and digital models—whether generated by scientists, artists, or activists enable us to see and understand viruses and bear witness to their effects in new ways.

What is unique about Ghosh’s scholarship is how looks to the environment to study health which illustrates the complex and tangled relationships between epidemics, humans, animals, and media. Ghosh’s rich examples, ranging from modelling viruses to reading test results to tracking infection rates and mortality numbers, ensure that Virus Touch speaks to diverse readers.

A big mistake in much radical analysis is to characterize problems in dualistic terms that externalize responsibility from Africa (Rodney, of course, is wide open to that critique). Thus, colonialism is not just irredeemably bad but simple to identify and directly related to white skin. The end of formal colonialism provided new targets in sometimes caricature form: black-skin-white-mask neocolonialism and neoliberalism, notably. Such things undoubtedly exist. However, Kenworthy’s brilliant, gob-smacking analysis of the unintended consequences of life-saving technologies reveals levels of complexity and complicity that belie easy dualisms. How does something that promises liberation from mass suffering and death (anti-retroviral drugs) become a machine to entrench corrupt elites and opportunistic NGOs, to sell cheap textiles in America, and to exploit poor women’s unremunerated care work? Read, weep, and lose your illusions about corporate social responsibility.

Oh, Was, how I love your relentlessly bleak, depressing sadness.

This is a strangely inventive novel that twines reality and fantasy into a brutal, desolate, yet gorgeous story of pain and survival. Told from the points of view of numerous characters, each story is tethered in some way to The Wizard of Oz, that venerable fable about good versus evil in the search for home.

Ryman introduces us to a main trio of characters whose lives are all equally harrowing–Dorothy Gael (the imagined inspiration for The Wizard of Oz heroine and the victim of familial sexual abuse), Frances Gumm (who becomes the tragic Judy Garland), and Jonathan (an actor experiencing AIDS-related dementia)–whose stories he intricately weaves together like a master craftsman. And while the novel is not a “happy” read by any stretch of the imagination, what has stayed with me throughout the past thirty years is its… show more.

Emily Martin’s work was some of the first things I read when I wanted to understand how we understand medicine.

There’s such a gap between the health information we’re given and what we actually believe and Martin really covers how Americans have understood the concept of immunity and how we’re influenced by popular culture and the media.

This book is absolutely crucial for understanding both how we look at immunity and understanding how doctors are not free of bias. 

Sometimes I regret not having experienced the sex and drugs enjoyed by my contemporaries who came out much younger in life. The Christodora brought me back to reality. The reality of those years was much darker than my fantasies.

Murphy sketches out the diverse group of intertwined characters that inhabit the Christodora, a gentrified building in Manhattan’s East Village. I wanted to be the artistic Mateo who pushes through life’s difficulties to live an actualized life. But I can’t escape that I could have been one of the AIDS victims for whom the activism Murphy describes was so critical. Or I might have been Hector, an AIDS activist who descends into substance abuse after losing his lover.

Christodora recounts the heartbreak of AIDS but ultimately is a story of the healing of broken lives.

This is the first book I read about sex tourism, which is a growing part of the market for sex work in developing countries. 

This book focuses on the men who provide services to men who are travelling to the Dominican Republic to engage with sex workers. Most of the men in this book identify as “straight” and have to navigate their personal identity and relationships while earning a living providing this service to other men.

I also really like the way this book discusses the health risks and how sex workers use various strategies to minimize the risk to themselves and their partners in an occupation that places them in the cross-hairs of an international market for sex tourism.