25 books like Prae, Vol. 1

The first collection by former Poet Laureate Ted Hughes includes one of the most stunning poems about the connection between poet, pen, and nature in the form of "The Thought-Fox." Hughes has a pared back, often disturbing vision of the world that seizes your attention. If you like this don’t stop, there are plenty of other wonderful books by Hughes, especially his retelling of the "Tales from Ovid" and "The Birthday Letters," his poems about his relationship with his first wife, the equally brilliant Sylvia Plath.

Palace of King Minos at Knossos on Crete seized the imaginations of scores of modernist writers, artists, psychoanalysts, and philosophers as wealthy English archaeologist Arthur Evans had its ruins disinterred and reconstructed with reinforced concrete, a novel building material in the early twentieth century. Evans' imaginative palace complex is today mobbed by tourists (I recommend going off-season in January, as I did) who revere the Aegean as the birthplace of Civilization. Gere ties it in to Modernist projects rejecting Victorian overstuffed ornamentations in favor of supposed ancient purity. Her fascinating documentation of culture leaders from Freud to Le Corbusier buying into Evans' myth of an idealized past embeds archaeology in arts and humanities fashions that still confuse speculation with history.

A doctor in early twentieth-century Trieste demands that an eccentric patient write his memoirs as a form of psychotherapy. These pages are those memoirs – the doctor calls them all lies – and form the fictional life story of one of my favourite misfits, the unreliable Zeno Cosini, with his horde of idiosyncrasies. Between proposing to three sisters within an hour and making a fortune on the stock market by mistake, he spends his time nurturing his hypochondria and trying to give up smoking, which means endlessly smoking ‘last cigarettes’. A seminal work of modernism, this is another novel with autobiographical ties to the author, and I left it torn between laughter and tears over just how complex, ironic and funny we humans can be.

This is a collection of short stories by one of China’s modernist masters, mostly translated by Andrew Field. However, Mu is largely forgotten and rarely read now either in Chinese or in translation. The reason is simple – he chose to collaborate with the Japanese in World War Two. Yet his short stories are so emblematic of old Shanghai, its dancehalls and bars; nightclubs and bordellos. Mu moves through a Shanghai demimonde of Chinese and foreigners, gangsters and tycoons, imported whisky, and Shanghainese cuisine. His writing is the epitome of the nighttime neon-lit old photography of the city we are so familiar with; his characters those we see on the old pre-war black and white movies from Shanghai’s film studios.

I recently re-read Six Great Modern Short Novels, after I’d been reading a lot of recent commercial fiction. I shook my head in amazement. A thought came unbidden into my head: “This is what they mean by great literature.” All six novels are simply so much ̶  better (I can say it no better). I had read it as a youth. But the second time was even more compelling. Even the lesser novels were light-years ahead of your run-of-the-mill bestseller. Each left me with a feeling I had forgotten literature could engender ̶ a kind of exalted acceptance, an awed wonder, a transcendence, a nobility. Read them one at a time. All at once may be too powerful.

This excellent collection of articles by the top connoisseurs of East European art and culture discusses how Ukrainians and Jews created new trends in art and literature in the midst of the revolutionary turmoil Kyiv, then short-lived capital of the Ukrainian People’s Republic and later of the Ukrainian Soviet Socialist Republic. This book proves that avant-garde images and trends emerge from the revolutionary utopianism and the desire to create a universalistic language understandable beyond the ethnic divide and languages.

If you’ve ever wondered why modern buildings look the way they do—and look so different from say, the buildings of our grandparents’ generation—you cannot do better than read this collection of essays that examines the current state of modern architecture. Glazer, a sociologist who was a noted public intellectual, brings a down-to-earth intelligence and a sharp eye to his subject.

A sweeping study and critique of modern culture! If you are looking for a comprehensive and passionate analysis of time and space in the “late capitalist era,” this is the one to read. Nobody has written more authoritatively on modern and post-modern “time-space compression” (you have to read the book to see what this means). Harvey’s intellectual breadth and depth are astonishing. No wonder he is one of the most cited scholars of our time.

Through sheer magic, Lisa Cohen manages to combine three lives that defy biography into a beautifully written group portrait of mid-century lesbian modernism. Although Cohen writes that “every biography is a disappointment of some kind,” her book about Esther Murphy, Mercedes de Acosta, and Madge Garland thrilled me from start to finish.

This book is beautiful even as its subject is ugly: how the shock of the Great War led inexorably in Germany to the rise of Hitler.

I loved the aesthetics of this book. Eksteins begins by transporting us back to Paris, sitting us in the audience on opening night in May 1913 for Stravinsky's ballet The Rites of Spring, which caused mayhem because of the wild dance techniques and jarring music. Eksteins then takes us on a journey through the culture of Weimar Germany as Berlin seized the title of Europe's cultural capital from Paris.

I was enraptured by the dizzying esthetics of modernism, dada, surrealism, and other, punctuated bursts of artistic trends, both celebrated and opposed, in a right-wing backlash that had real-world consequences. Ekstein's thesis convinced me counter-intuitively that Hitler and Nazism were connected in the irrational conglomeration of birth and destruction, first introduced by Stravinsky.

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