Here are 100 books that Pete the Cat fans have personally recommended if you like
Pete the Cat.
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I have always loved reading and its ability to take you far away to a distant time and place and lift you up. As a kid, I never left the house without a book, and the ones that made me laugh were my go-to's. I believe the ability to make people laugh is a truly special talent, especially while making the text relatable, so the reader’s always asking, wow, what would I do in that situation? My readers often tell me that my writing sounds just like me, which is wonderful because there’s no need to pretend. You will always know what you’ll get with me!
I absolutely adored the way the narrative creates almost continual laugh-out-loud moments whilst tackling some pretty heavy themes.
Drug abuse and its effect on others is handled in a genuinely uplifting way, alongside hilarious family and relationship dynamics. I love Keyes’ ability to shine light through darkness every time.
Here's Rachel Walsh, twenty-seven and the miserable owner of size 8 feet. She has regular congress with Luke Costello, a man who wears his leather trousers tight. And she's fond - some might say too fond - of recreational drugs. Until she finds herself being frogmarched to the Cloisters - Dublin's answer to the Betty Ford Clinic. She's outraged. Surely she's not thin enough to be an addict? Heartsick and Luke-sick, she seeks redemption in the shape of Chris, a man with a past. A man who might be more trouble than he's worth.
I’m primarily a music composer for film and TV, but I’ve also ventured into filmmaking, with one of my films being featured at an international film festival, so my journey in storytelling spans many years, and comedy has always been at its heart. Growing up, my father worked as a pit musician, which gave me exposure to the comedy acts of the time. Humor was a constant in our home, so when I started writing fiction, it felt only natural my writing would find a home in comedy.
This book is an unyielding portrayal of the excesses of 1980s consumerism, hedonism, and self-destruction. Amis pulls no punches in his depiction of John Self, a 35-year-old director of TV commercials who lives a life of excess driven by his appetites—primarily for food, drugs, alcohol, sex, and, of course, money. Through John Self’s descent, the novel delivers a harsh commentary on the culture of greed and indulgence that characterized the decade.
The novel's portrayal of greed, addiction, and sexism rubbed some readers and critics the wrong way. Some saw it as too nihilistic or excessively grim in its critique of 1980s culture, where everything seemed for sale, including morality. However, in this age of trigger warnings, safe spaces, and pervasive purity spirals, I personally found its unapologetically gritty satire a breath of fresh air.
This book will appeal not only to fans of dark humor and satire but also to…
One of Time's 100 best novels in the English language-by the acclaimed author of Lionel Asbo: State of England and London Fields
Part of Martin Amis's "London Trilogy," along with the novel London Fields and The Information, Money was hailed as "a sprawling, fierce, vulgar display" (The New Republic) and "exhilarating, skillful, savvy" (The Times Literary Supplement) when it made its first appearance in the mid-1980s. Amis's shocking, funny, and on-target portraits of life in the fast lane form a bold and frightening portrait of Ronald Reagan's America and Margaret Thatcher's England.
As a lifelong computer nerd, I’m disappointed by the way we’re portrayed in the media. If you believe the stories, nerds are awkward and self-centered, with no room in their compulsive worldview for anything outside of their singular goals. This is absurd. Sure, some nerds are awkward and self-centered, but so are most of the people on this planet. To set the record straight, I’ve written stories about the many nerds I know, all of them with rich lives that extend far beyond their love of computers. These people are adventurers, jokesters, musicians, athletes, motorheads, connoisseurs, and more, with extreme passions that defy nerdiness.
I was instantly captivated by the name of this book’s lead character: Hiro Protagonist. Yes, he’s a nerd and an expert hacker, but he’s also much more than that. Hiro delivers pizza, does swordplay, and has trouble surviving in the world, like so many people.
He’s real, and his partnership with two adventurous women makes his journey even more appealing.
The “brilliantly realized” (The New York Times Book Review) breakthrough novel from visionary author Neal Stephenson, a modern classic that predicted the metaverse and inspired generations of Silicon Valley innovators
Hiro lives in a Los Angeles where franchises line the freeway as far as the eye can see. The only relief from the sea of logos is within the autonomous city-states, where law-abiding citizens don’t dare leave their mansions.
Hiro delivers pizza to the mansions for a living, defending his pies from marauders when necessary with a matched set of samurai swords. His home is a shared 20 X 30…
I’m a poet, short story writer, novelist, essayist, and writing professor at New York University. I also have a fascination with altered states of consciousness, especially with mysticism, psychosis, and psychedelic art. (My book James Joyce’s Mandala examines all three.) My first novel, Claiming De Wayke, delves into those elements too, but with a particular focus on vivid first-person narration, so most of my recommendations involve books that are not only trippy in terms of plot and characterization but are also psychedelically inflected in their use of language itself. I hope you check some of them out.
I grew up in rural Ireland, so not exactly the gritty urban Scotland of Welsh’s novel, but the first thing that struck me about the book was its savage, semi-feral, intensely real Scottish dialect. I’d never seen anything quite like it in print.
The prose feels almost illegal, a ne’er-do-well that has simply decided to break into the publishing house and force its way onto the page without anyone’s permission. I didn’t consciously plan to steal this technique for my own novel, but how could I not endorse it?
Welsh has written more explicitly psychedelic works, but this book remains for me his masterwork, underscoring how, in many ways, his protagonist Renton’s life is at its weirdest when he tries to get sober.
'An unremitting powerhouse of a novel that marks the arrival of a major new talent. Trainspotting is a loosely knotted string of jagged, dislocated tales that lay bare the hearts of darkness of the junkies, wide-boys and psychos who ride in the down escalator of opportunity in the nation's capital. Loud with laughter in the dark, this novel is the real McCoy. If you haven't heard of Irvine Welsh before-don't worry, you will' The Herald
When I was 27, I thought it would be fun to write. I have no formal training, yet I have found success through reading exposure and trial and error for 30 years. Changing my voice was hard, but reading these books helped me define the kind of story I wanted to tell in my new novel, Missed Connection. Erotic thrillers truly are a guilty pleasure for me.
Witty writing is important to me both as a writer and a reader, and Palahniuk’s prose is sharp, aggressive, and biting, with more wit than most writers know what to do with. It’s a hard feat as a writer to be witty and aggressive and still maintain the flow of the story, and Palahniuk does it over and over, with this book being a stand out for me.
Not too many books can make me laugh out loud, shudder, cringe, and keep turning the pages like this one did.
Misty Wilmot has had it. Once a promising young artist, she’s now stuck on an island ruined by tourism, drinking too much and working as a waitress in a hotel. Her husband, a contractor, is in a coma after a suicide attempt, but that doesn’t stop his clients from threatening Misty with lawsuits over a series of vile messages they’ve found on the walls of houses he remodeled.
Suddenly, though, Misty finds her artistic talent returning as she begins a period of compulsive painting. Inspired but confused by this burst of creativity, she soon finds herself a pawn in a…
I always felt like books were mysterious and elusive works of art. When creating them occurred to me, I started to think, “What is a book, really, and what does it mean to publish one?” This over-analysis of books makes me appreciate authors who are able to step back and see books for what they really are–pages and ink. Distilling it down to that makes writing and publishing a book feel more accessible to me.
This innovative and wildly funny read-aloud will be the Must Have book of the season. You might think a book with no pictures seems boring and serious. Except...here's how books work. Everything written on the page has to be said by the person reading it aloud. Even if the words say...BLORK. Or BLUURF. Even if the words are a preposterous song about eating ants for breakfast, or just a list of astonishingly goofy sounds like BLAGGITY BLAGGITY and GLIBBITY GLOBBITY.
I have always been a lover of the arts and spent a lot of time coloring and drawing as a young person. I remember the feeling of being fully immersed in picture books and cartoons. My interests led to a career as a graphic designer which turned into a career as an illustrator and author. There are so many wonderful children’s books that can engage young (and not so young!) readers that it was hard to choose just 5. Here are a few from artists that will wow you with creativity, humor, and imagination.
This delightful story is all about the power (and fun) of using your imagination, and even better, how awesome it can be to combine your powers with a friend! Kaylani Juanita brings this adorable story to life with mixed-media illustrations.
The artwork is so energetic, playful, and totally perfect at translating the main characters’ daydreams into a magical, action-packed adventure.
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Ta-Da!
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This book is for kids age
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What is this book about?
What makes a good story? One little girl thinks it's a princess with magical powers that can-ta-da!-overcome any obstacle. Her friend thinks it's-dun dun duh!-a combination of dragons, pirates, and fire that cause total chaos. But as their stories intertwine, these two young storytellers soon learn that a good story needs both conflict-dun dun duh!-and resolution-ta-da! An irresistible celebration of imaginary play, storytelling, and the joys of collaboration, this gorgeous picture book features two strong voices throughout, making it the perfect read-aloud.
The heroes and heroines in the Seven Kingdoms Fairy Tales face challenges inspired by my own fears, like giving a presentation in the front of the class, getting lost in an unfamiliar place, finding my place in a new school, or working out how to be fair to my friends when we disagree about the rules. Fears tell us a boring life is “safe.” They hide our extraordinary life behind their backs. I write books for and about kids attempting things that are absolutely positively “not for them”. Because kids are the bravest people around. That’s why they’re so magical.
Another hilarious tale about trying something new!
Ten-year-old Zoe Elias sets out to find fame when she starts piano lessons, but the road to Carnegie Hall isn’t as straightforward as she expects. Then her Dad accidentally purchases an electric Hammond organ at the local shopping mall, Zoe is propelled into a whole new world.
I love the way her ambition gradually grows into compassion for others, and making music for the joy of it.
Ten-year-old Zoe Elias dreams of playing a baby grand piano at Carnegie Hall. But when Dad ventures to the music store and ends up with a wheezy organ instead of a piano, Zoe's dreams hit a sour note. Learning the organ versions of old TV theme songs just isn't the same as mastering Beethoven on the piano. And the organ isn't the only part of Zoe's life that's off-kilter, what with Mum constantly at work, Dad afraid to leave the house, and that odd boy, Wheeler Diggs, following her home from school every day. Yet when Zoe enters the annual…
I have been passionate about the world of espionage for as long as I can remember. I am drawn to the blend of international intrigue, the shaping of relationships between nation-states, and the moral dilemmas of the characters involved. Espionage literature is the best vehicle, I believe, for placing characters in situations where they must constantly choose between self and country. The answers that are revealed are always applicable to how we live our lives as people, communities, and nations.
Anyone who has witnessed the spy game up close knows that it is forever balanced on the edge of farce and often topples over into it. The world of espionage is filled with chancers, charlatans, and the desperate. Graham Greene beautifully captures this descent into farce in the character of Wormold, who invents agents and secret plans to keep his handlers happy and hopefully improve his life a little at the same time.
I love how Greene shows that intelligence is often unintelligent and that the motivations of those involved in the spy game are rarely simple, easily derailed, and often lead to danger and tragedy beyond what one could ever believe to be possible.
MI6’s man in Havana is Wormold, a former vacuum-cleaner salesman turned reluctant secret agent out of economic necessity. To keep his job, he files bogus reports based on Charles Lamb’s Tales from Shakespeare and dreams up military installations from vacuum-cleaner designs. Then his stories start coming disturbingly true…
First published in 1959 against the backdrop of the Cold War, Our Man in Havana remains one of Graham Greene’s most widely read novels. It is an espionage thriller, a penetrating character study, and a political satire of government intelligence that still resonates today. This Penguin Classics edition features an introduction by…
My novel Venice Beach—like the five books I recommend here—has been classified as a “coming-of-age” novel, a classification that I have no quarrels with as long as it’s understood that coming-of-age is not regarded simply as a synonym for “adolescence” or “being a teenager.” The coming-of-age years—generally defined as between ages 12 and 18—are so much more than a period of life wedged between childhood and adulthood. Coming of age is a process, not a block of time; it is a hot emotional forge in which we experience so many “firsts” and are hammered, usually painfully, into the shapes that will last a lifetime.
Skippy Diesis nearly 700 pages long, but I wished it had been longer, it was that fun to read. It’s both tragically sad and laugh-out-loud funny—a difficult feat for any writer to pull off, and Irish novelist Paul Murray does so brilliantly. I’m not giving away anything by saying that the protagonist dies—after all, he dies in the book’s title—but I won’t reveal how or the circumstances. Let’s just say that if you are a diminutive, shy, buck-toothed 14-year-old at an all-boys boarding school in Dublin and somehow manage to develop a crush on the girlfriend of an older, drug-dealing, violent bully…well, things can’t turn out good. The cast of characters—the teenagers, the teachers, the school principal—are wonderfully drawn. Murray’s dialogue captures the boasting machismo as well as the angsty insecurities of teenage boyhood. A real gem.
The bestselling and critically acclaimed novel from Paul Murray, Skippy Dies, shortlisted for the 2010 Costa Book Awards, longlisted for the 2010 Booker Prize, and a finalist for the National Book Critics Circle Award.
Why does Skippy, a fourteen-year-old boy at Dublin's venerable Seabrook College, end up dead on the floor of the local doughnut shop?
Could it have something to do with his friend Ruprecht Van Doren, an overweight genius who is determined to open a portal into a parallel universe using ten-dimensional string theory?
Could it involve Carl, the teenage drug dealer and borderline psychotic who is Skippy's…
