81 books like Page-Turner

When I first heard about The Artist’s Way, I doubted that this was a book for me. Was I wrong! Over the next year, I met monthly with a visual artist to process each chapter. We discussed prompts, our artist date, or what we wrote from the suggested journaling. The invitations at the end of each chapter led me to work that fed my spirit. Transforming theory into action exercised my creative muscles. The variety of creative engagements encouraged a rich body of work and a new confidence, while the book’s quotes introduced me to other thinkers. Artist’s-Way work not only strengthened my words on the page, but my nonprofit and library work flourished as well. I credit The Artist’s Way for pushing my work into award-winning territory.

This popular text on screenwriting relates films to narrative ideas found in ancient myths around the world.

Vogler does an excellent job in demonstrating how films often use elements of plot and character that have proven to be universal characteristics of stories for centuries. He applies these concepts not only to fantasy films but standard Hollywood dramas such as Titanic. 

When I sat down to write my first novel I knew I wanted to model my characters on George’s Lynley and Havers but I couldn’t even start writing because I had no idea how to structure a novel, particularly a mystery. As fate would have it, George released her book on writing, Write Away, around that time. In it, she described her process with examples from her own books and it was exactly what I needed. This book provided the essential tools I needed to write. 

This book is different. After a slew of books all pedaling the same material based on the dreaded Hollywood formula, it was really good to find something that bucked the trend. 

Truby focuses on morality in stories. He maintains that every story is actually a moral argument, and gives his practical steps for harnessing that morality and using it to create a strong story. 

I feel there is a lot to be said for this. The only real flaw is that there are actually twelve sensible bases for a story and although the moral argument is undeniably one of those that generates a strong story, it is important for writers to understand all of them.

This is the first of his seven novels all based in Toronto, which introduces a cast of characters who wind their way through the justice system: prosecutors, defense attorneys, politicians, detectives, police, and judges in a series which not only tracks a murderer, but provides an insight into issues that have become so problematic in society, whether it’s homelessness, schizophrenia, holocaust survival, or other current social issues. 

There is a twist behind every turn and if you enjoy police procedurals this has been written by the ultimate insider, a Toronto practicing criminal lawyer who has seen it all and has a gift for story-telling.

In this thought-provoking book, Onyeka Nubia encourages us to re-examine Tudor concepts of race and ethnicity in Tudor (and Stuart) England without assumptions based on post-colonial narratives. What emerges is a nuanced picture of complex interactions, attitudes, and prejudices. As well as studying the writings of Tudor scholars, theologians, and authors, Nubia looks at the lives of individual Africans in England, showing that they weren’t “strangers” but lived as part of English communities - whether in cosmopolitan London parishes such as St Botolph without Aldgate, or in rural villages.

I found this historical novel about the life of Mary Sidney Hebert, the Countess of Pembroke really enjoyable because it offers me the fantasy of filling in the gaps in the historical record about one of the early women writers.

I find it impressive because it draws on years of research on Mary Sidney Herbert by the author who is a renowned literary critic. Miller tells Mary Sidney Herbert’s story ingeniously by paralleling it with the life of a fictional character, Rose, who serves as her waiting woman.

Although I know the historical facts, the twists and turns in the narrative successfully cast new light on how I read Mary Sidney Herbert’s poetry and her play Antonius, though, for me, the co-authorship that the novel imagines remains entirely fictional.

There is no doubt that the sixteenth century was a man’s world. Women were treated as second-class citizens and viewed as inferior in every single respect: mentally, physically and emotionally. Yet it was also the era of powerful female sovereigns, consorts and regents. Sarah Gristwood’s beautifully written and well-researched study follows the varying fortunes of some of the period’s most formidable matriarchs, from Isabella of Castile to the six wives of Henry VIII.

If there is any one book that has changed the way I view early modern British history, Kaufman has written that book.

Kaufman has written a series of mini-biographies here of Black residents of Britain during the sixteenth and early seventeenth centuries that predate Britain’s involvement in the slave trade and demonstrate just how wide-ranging the Black British experience was during this period. The book challenges many preconceptions, especially the association of Blacks with slavery that really only emerged in England after the Tudor period.

The stories of the individuals featured in this book have much to teach us, not only about this early period, but about the Black contribution to British history in general and the need for historians to write them back into that history.

In this book, Ruth Goodman takes the reader through a day in the life of an ordinary person in Tudor England. Along the way she covers a wide range of topics including hygiene, clothing, education, work, leisure, and diet. This is not the only book to cover everyday life in the 16th century but it is elevated above other, similar, books by the anecdotes Goodman provides from her own experiences as a re-enactor. Where other authors might tell you what a Tudor bed was like, or how people ploughed, this book tells you what it feels like to sleep on that bed and how the oxen behaved.