100 books like Open Mic Night in Moscow

This is a book that changed my life. In fact, I probably want to be Elizabeth Gilbert. Witty, wise, and wonderful, it made me want to go to Italy to eat, to pilgrimage to India to pray, to fall in love in Bali, and to write about that journey.

I read it nearly twenty years ago and it still inspires me today.

No one else can make me laugh through all the cringe-y, absurd, awkward pain like David Sedaris. His pop culture touch points are a bit more esoteric than (and a generation or two above) mine–but his Billie Holiday impression is impressive and absolutely pristine. Unexpected and revelatory, his essays and memoirs brought me to tears of laughter but also of compassion and empathy.

I started with this book and quickly devoured more. By the time I was a full-fledged David Sedaris reader, I was already a huge fan of Amy Sedaris–his equally talented sister–a skilled actress and comedian. Amy, matching the same level of genius as her brother, has been a mainstay of TV and film. She also appears in her brother’s writing, and the duo often collaborate creatively–notably in the respective audiobooks. I love the Sedaris family (including all the other, less Hollywood types) and always enjoy reading about… show more.

Any recommendation about travel writing must surely include Bill Bryson. I love his writing, and I reckon this, his first book, is still the best.

I love the idea–brought up in small-town America he revisits the tours by car his family took as holidays. I love his descriptions and especially his ability to spot absurdities in a way that can have the me laughing aloud. It is a book that had me moving on to read everything he wrote thereafter.

I love how this book weaves in discovering who she is, a humorous element, and winding hilarious stories where you never know what's going to happen next. It also talks honestly about being frustrated as a woman and trying to date, the expectations put on us as women, and how these discourage us from taking our own path.

Now writing on Only Murders in the Building, Newman has a lovely, comedic voice.

Stuart Kaminski brings us the wonderful detective, Porfiry Rostnikov, a barrel of a man who wanted to be a wrestling champion in his youth, and surely the only honest policeman in the Soviet system. He is kind and generous and will fix the plumbing of anyone in his building for the sheer joy of it. He is entranced by the geometry of pipes and their challenge. He is also a man of a certain age who has seen it all and has no illusions. His relationship with soviet authorities is tricky; they suspect his Jewish wife, and his love of Ed McBain books, but he’s the only man who can catch the crook and save the state embarrassment.

Karl Schlögel’s masterpiece, Moscow,1937, is a gripping study of Moscow at the peak of the Stalinist Great Terror. With short chapters and a multitude of illustrations, the book leads the reader on a panoptic tour of every aspect of the city’s life in this year of mass arrests and waves of executions. Step by step, Schlögel builds a convincing case that as the Communist regime struggled to get a grip on the chaos unleashed by the regime’s own collectivization and industrialization drives, its reflexive response was to resort to political violence. The murderous frenzy that resulted changed the society beyond recognition.

Vladimir Voinovich was probably the greatest Russian satirical writer since Gogol. After the fall of the U.S.S.R., he was asked if it was still possible to write satire in Russia. He insisted that it was. “The Soviet Union was a giant mental hospital but it was organized,” he explained. “Now, the inmates have been told that they can do whatever they want. So Russia is funnier than ever.”

In this novel, published in 1986, Voinovich demonstrated his stunning ability to divine the future. He described a new Russian regime dominated by state security and based not on Marxism-Leninism but on the teachings of the Orthodox Church. Like Russia today, the regime of his novel tells its citizens that they are surrounded by “three rings of hostility.” The first is the former Soviet republics; the second, the former Soviet satellites, the third, the West – the former “capitalist enemy.” This makes… show more.

The Nazi-Soviet War was a notable exception to the unofficial “victors write the history” rule common to military history. In this case the losers wrote the first histories because 1) English-speaking nations and armies were not involved, 2) Cold War prejudices demanded an anti-Soviet narrative, and 3) the conflict was so confusing and complex plus alien to Western readers.

This book dispenses with the “we came so close” and “only inexhaustible numbers beat us” arguments of immediate post-war German memoirists and apologists. I always appreciate a historian is willing to take a new look at evidence and challenge long-held…and false or misleading…certitudes – Reinhardt does all of these things.

Hoffman tells the previously little-known story of Soviet military engineer Adolf Tolkachev, whose disgust with the communist regime inspired him to turn over enormously valuable secrets to the CIA station in Moscow beginning in the late 1970s. Hoffman’s careful reporting allows him to describe in meticulous and fascinating detail the remarkable techniques and great risks involved in running an agent in Moscow late in the Cold War.

A brilliant novel set in 1990s Russia. The plot involves Stalin and one of his deep secrets. The author seamlessly moves the story from the 1930s to 1990s and back. One rarely sees a historical novel so accurate in capturing the historical events and so utterly captivating. It is on par with some of the best thrillers.