Here are 100 books that Open Borders fans have personally recommended if you like
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Ilya Somin is a Professor of Law at George Mason University. He is the author of Free to Move: Foot Voting, Migration, and Political Freedom, Democracy and Political Ignorance: Why Smaller Government is Smarter, and The Grasping Hand: Kelo v. City of New London, and the Limits of Eminent Domain. Somin has also published articles in a variety of popular press outlets, including The Washington Post, Wall Street Journal, Los Angeles Times, CNN, The Atlantic, and USA Today. He is a regular contributor to the popular Volokh Conspiracy law and politics blog, affiliated with Reason.
This is the single best book on the political philosophy of immigration. Canadian political philosopher Joseph Carens makes a wide-ranging philosophical defense of “open borders” migration rights – not just from the standpoint of some one particular political theory, but from that of many. Whether you are a free-market libertarian, an egalitarian liberal, or a moderate, Carens has a case to make to you. He also has compelling responses to a variety of objections. A key strength of the book is that Carens defends his seemingly radical conclusion based on relatively uncontroversial premises of liberty and equality that are widely accepted by supporters of liberal democracy around the world.
In The Ethics of Immigration, Joseph Carens synthesizes a lifetime of work to explore and illuminate one of the most pressing issues of our time. Immigration poses practical problems for western democracies and also challenges the ways in which people in democracies think about citizenship and belonging, about rights and responsibilities, and about freedom and equality.
Carens begins by focusing on current immigration controversies in North America and Europe about access to citizenship, the integration of immigrants, temporary workers, irregular migrants and the admission of family members and refugees. Working within the moral framework provided by liberal democratic values, he…
Ilya Somin is a Professor of Law at George Mason University. He is the author of Free to Move: Foot Voting, Migration, and Political Freedom, Democracy and Political Ignorance: Why Smaller Government is Smarter, and The Grasping Hand: Kelo v. City of New London, and the Limits of Eminent Domain. Somin has also published articles in a variety of popular press outlets, including The Washington Post, Wall Street Journal, Los Angeles Times, CNN, The Atlantic, and USA Today. He is a regular contributor to the popular Volokh Conspiracy law and politics blog, affiliated with Reason.
Perhaps the strongest argument against expanded migration rights is the fear that too many of the “wrong” kind of immigrants might kill the goose the laid the golden egg that makes a country attractive to migrants in the first place. If immigrants have harmful cultural values, vote for dangerous political leaders, or otherwise undermine the political and economic system, they could degrade the host nation’s institutions. In the extreme case, they might even replicate the same awful conditions that led them to flee their country of origin. Wretched Refuse is the most thorough analysis and refutation of such concerns. Nowrasteh and Powell use both historical and modern evidence to show that institutional concerns about immigration are largely misplaced and that migrants strengthen liberal democracy far more than they undermine it.
Economic arguments favoring increased immigration restrictions suggest that immigrants undermine the culture, institutions, and productivity of destination countries. But is this actually true? Nowrasteh and Powell systematically analyze cross-country evidence of potential negative effects caused by immigration relating to economic freedom, corruption, culture, and terrorism. They analyze case studies of mass immigration to the United States, Israel, and Jordan. Their evidence does not support the idea that immigration destroys the institutions responsible for prosperity in the modern world. This nonideological volume makes a qualified case for free immigration and the accompanying prosperity.
Ilya Somin is a Professor of Law at George Mason University. He is the author of Free to Move: Foot Voting, Migration, and Political Freedom, Democracy and Political Ignorance: Why Smaller Government is Smarter, and The Grasping Hand: Kelo v. City of New London, and the Limits of Eminent Domain. Somin has also published articles in a variety of popular press outlets, including The Washington Post, Wall Street Journal, Los Angeles Times, CNN, The Atlantic, and USA Today. He is a regular contributor to the popular Volokh Conspiracy law and politics blog, affiliated with Reason.
I don’t agree with most of this book. But nonetheless it's a must-read for anyone who wants a great overview and defense of standard arguments to the effect that nation-state governments should enjoy broad power to exclude potential migrants. Miller puts the case well, and it’s easily grasped by experts and laypeople alike.
How should Western democracies respond to the many millions of people who want to settle in their societies? Economists and human rights advocates tend to downplay the considerable cultural and demographic impact of immigration on host societies. Seeking to balance the rights of immigrants with the legitimate concerns of citizens, Strangers in Our Midst brings a bracing dose of realism to this debate. David Miller defends the right of democratic states to control their borders and decide upon the future size, shape, and cultural make-up of their populations.
"A cool dissection of some of the main moral issues surrounding immigration…
I’m a political philosopher who lives in Seattle. I teach and write about political ethics, and the ways in which moral concepts change when they get applied to the relationships between states—and to the complicated borders that define where states end. I tend to write about what puzzles me, and many of these puzzles come from my personal life; I’m a migrant myself, and the experience of migrating to the United States led me to write about what sorts of values a country can rightly pursue through migration policy—and what sorts of things, more generally, it can and can’t do to migrants themselves.
Sarah Song is a lawyer and political scientist, and her book traces the history of American migration law—with a particular focus on how that history reflects both anxiety about foreign influence, and fear that migrants will disrupt the domestic labor market. It’s a fascinating story, and it’s instructive to see how modern conversations about the border mirror—for better or for worse - the conversations that happened over a century ago.
How should we think about immigration and what policies should democratic societies pursue? Sarah Song offers a political theory of immigration that takes seriously both the claims of receiving countries and the claims of prospective migrants.
Immigration is one of the most polarizing issues in contemporary politics. It raises questions about identity, economic well-being, the legitimacy of state power, and the boundaries of membership and justice. How should we think about immigration and what policies should democratic societies pursue?
Some contend that borders should generally be open and people should be free to migrate in search of better lives. Others…
I’m a public health professional, author, and reader. During part of my childhood and my subsequent career in international public health, I lived in Côte d’Ivoire and the Central African Republic; I’ve also worked throughout West and Central Africa, primarily in Francophone African countries. My experiences in these parts of the continent have not only influenced my fiction writing, but also what I read. While there are plenty of books by Anglophone African authors, few of their Francophone counterparts see their work translated into English. As a result, stories from French-speaking Africa are underrepresented in the literature available to English-speaking audiences. This list is an attempt to make a dent in this disparity.
I’ve added this graphic novel to my list in part for nostalgic reasons. Although the book and its two sequels were published in the 2000s, they are all set in 1970s Abidjan, Côte d’Ivoire, when I had the good fortune to live there. Aya is an adolescent girl living in the vibrant neighborhood of Yopougon, where everyone knows each other’s business. While she just wants to focus on her studies, she keeps getting distracted by the drama of those around her—from the boy-chasing machinations of her girlfriends to the foolish missteps of her parent's generation.
"Aya is an irresistible comedy, a couple of love stories and a tale for becoming African. It's essential reading." -Joann Sfar, cartoonist of The Rabbi's Cat
Ivory Coast, 1978. It's a golden time, and the nation, too-an oasis of affluence and stability in West Africa-seems fueled by something wondrous. Aya is loosely based upon Marguerite Abouet's youth in Yop City. It is the story of the studious and clear-sighted nineteen-year-old Aya, her easygoing friends Adjoua and Bintou, and their meddling relatives and neighbors. It's a wryly funny, breezy account of the simple pleasures and private troubles of everyday life in…
I was born in 1957, the year the Space Race started when the USSR launched its first satellite and grew up with astronauts and cosmonauts on the TV. Yuri Gagarin and Gordon Cooper were familiar names to me as a child but I only really started to take notice as the Apollo programme ramped up. Science fiction influenced me at an very early age with books like Kemlo and Tom Swift and, having pestered my English teacher with my embryonic works decided at seventeen to write my own novel. Some years later and just short of sixty I finally wrote Sirkkusaga and now have seven published works out there - as well as two anthologies.
Urban fantasy novels following the adventures of a police officer called Peter Grant who discovers he has magic powers and is brought under the wing of Detective Chief Inspector Thomas Nightingale - the last officially sanctioned police Wizard with the rivers themselves represented by various magical characters. The series starts as a sort of police procedural and is very enjoyable and easy to read.
Peter Grant, having become the first English apprentice wizard in fifty years, must immediately deal with two different but ultimately inter-related cases. In one he must find what is possessing ordinary people and turning them into vicious killers, and in the second he must broker a peace between the two warring gods of the River Thames.
I write both fiction and nonfiction for kids and with Eat Bugs, I got to combine both loves.The book was inspired by two real-life female entrepreneurs, who literally cooked up an edible bug business in their college dorm room. After I watched them land a deal on Shark Tank, we met and I reimagined their story as if they’d started their business in sixth grade. I’ve always been fascinated by entrepreneurs who have the courage and tenacity to follow their dreams–no matter how wacky the idea may seem.
Who doesn’t love Kristy, Claudia, Mary Anne, and Stacey and their babysitting adventures? I was also an in-demand suburban babysitter when I was their age and I only wish I’d thought to join forces with my friends when I was scrambling for a new way to stop a kid from crying or fresh ideas to make bedtime fun. This is the ultimate best-friends-who-start-a-business book! And as a full-color graphic novel, the drama and the humor soar to new heights.
Kristy, Mary Anne, Claudia, and Stacey are best friends and founding members of THE BABYSITTERS CLUB. Whatever comes up - cranky toddlers, huge dogs, scary neighbors, prank calls - you can count on them to save the day.
Babysitting isn't always easy though, and neither is dealing with strict parents, new families, fashion emergencies, and mysterious secrets. But no matter what, the BSC have what they need most: friendship.
Raina Telgemeier, using the signature style featured in her acclaimed graphic novels Smile and Sisters, perfectly captures all the drama and humor of the original novel!…
One of my favorite childhood pictures, circa 1967, shows me in the Batman costume I got for Christmas. And one of my sharpest memories from that time was seeing the Batmobile at a local auto show. Yes, I was a Batman fanatic, thanks to both the TV show and the comics. That passion faded somewhat as I grew older—I can’t rattle off the names of all the villains or discourse on the styles of the different artists and writers who have told his story. But having the chance to write What Is the Story of Batmantaught me a lot—and helped me feel like a kid again.
Like the Greenberger book, this official history of Batman from DC Comics is essential for any fan. Unlike Kane’s book, this account gives much more credit to Bill Finger as Batman’s creator and highlights many of the writers and illustrators who followed, shaping the Caped Crusader's image over the years. The color reproductions and photos—including ones of collectibles and movie stills—alone are worth the price of this great book.
The Comprehensive overview of the Dark Kights dark past - now in pb. Now in paperback, Batman: The Complete History offers a comprehensive overview of the Dark Knight's dark past. Best-selling author Les Daniels covers the gamut - from Batman's creation and runaway success, to the 1954 accusations of Batman and Robin's homosexuality, to the campy antics of the Adam West TV show, and the emergence of Frank Miller's very disturbed and very dark Knight. Illustrated with archival comic book art and rare Batman paraphernalia and designed by Batman's biggest fan, Chip Kidd, this history aims to please the core…
I’m an Eisner-nominated and award-winning graphic novel and comics writer, editor, and book packager. I've worked on staff at the Los Angeles Times Syndicate, Disney Publishing, DC Comics, Nickelodeon Magazine, and Platinum Studios. My sequential art book, The Bramble, won the 2013 Moonbeam Gold Medal for Picture Books, and I created a new way to read comics with BirdCatDog, a 2015 Eisner Awards nominee, that received the 2015 Moonbeam Spirit Award Gold Medal for Imagination, and was chosen by Kirkus Reviews as one of the best children’s books of 2014. SheHeWe, the third book in the series, was a 2016 Eisner Award nominee for Best Publication for Early Readers.
In 1997, Peter Kuper knocked my socks off with The System, a wordless book that exposes the underbelly of New York City as an airbrushed wonderland of strippers, druggies, the homeless, dirty cops, killers, taggers, sleaze-balls, muggers, and—oh, yes—there’s a terrorist with a bomb who wants to blow things up. Never was anything so bright and colorful so decadently revealing.
It has been said that the flutter of insect wings in the Indian Ocean can send a hurricane crashing against the shores of the American Northeast, and such a premise lies at the core of The System, a wordless graphic novel created and painted by award-winning illustrator Peter Kuper. A sleazy stockbroker is lining his pockets, a corrupt cop is shaking down drug dealers, a mercenary bomber is setting the timer, a serial killer is stalking strippers, a political scandal is about to explode, the planet is burning, and nobody’s talking. Told without captions or dialogue, this piece of art…
I believe comics are one of the very best storytelling mediums for stories with big imagination. Prose and film are amazing, but comics have artwork for every single moment of the story, artwork not bound by space, time, or budget. I’ve written and drawn 5 graphic novels published in 11 different languages. I’ve dedicated my entire life to the pursuit of imagination. The books I’ve recommended have given me endless enjoyment and inspiration, I hope they can do the same for you too.
I absolutely adore Miyazaki’s art in Nausicaa. Although dealing in themes of plague and pollution, the artwork really feels like it comes from a place of love. His creature and vehicle designs exude his adoration of nature and science. And everything is rendered in a soft, effortless chiaroscuro that makes reading an endless pleasure.
But maybe the single most endearing attribute is the character, Nausicaa, herself. It seems to me, that more often than not, a hero story asks its protagonist to go through some sort of reluctant change to become a hero. But not Nausicaa. She comes to us fully formed, full of virtue and ambition. And so the story is centered on her choices. The story doesn’t happen to her, she drives it herself.
Nausicaa, a young princess who has an empathic bond with the giant Ohmu insects and animals of every creed. She fights to create tolerance, understanding and patience among empires that are fighting over the world's remaining precious natural resources.
