68 books like One in the Gut

I’m a LitRPG author and narrative designer for the video games industry. I’ve written and designed for many RPGs and have always found it satisfying when the player character’s actions tangibly improve the in-game situations of the NPCs. In my own LitRPGs and interactive fiction, I intentionally place the player characters within communities they will come to care about and see grow as their own personal power grows. To me, a character build is more about relationships than upgrades. Stats are just numbers until they affect the lives of others. Then they become story.

I’m a LitRPG author and narrative designer for the video games industry. I’ve written and designed for many RPGs and have always found it satisfying when the player character’s actions tangibly improve the in-game situations of the NPCs. In my own LitRPGs and interactive fiction, I intentionally place the player characters within communities they will come to care about and see grow as their own personal power grows. To me, a character build is more about relationships than upgrades. Stats are just numbers until they affect the lives of others. Then they become story.

I’m a LitRPG author and narrative designer for the video games industry. I’ve written and designed for many RPGs and have always found it satisfying when the player character’s actions tangibly improve the in-game situations of the NPCs. In my own LitRPGs and interactive fiction, I intentionally place the player characters within communities they will come to care about and see grow as their own personal power grows. To me, a character build is more about relationships than upgrades. Stats are just numbers until they affect the lives of others. Then they become story.

I’m a LitRPG author and narrative designer for the video games industry. I’ve written and designed for many RPGs and have always found it satisfying when the player character’s actions tangibly improve the in-game situations of the NPCs. In my own LitRPGs and interactive fiction, I intentionally place the player characters within communities they will come to care about and see grow as their own personal power grows. To me, a character build is more about relationships than upgrades. Stats are just numbers until they affect the lives of others. Then they become story.

LitRPG is special. It really is. LitRPG provides authors with some of the most powerful tools in storytelling. Computer-simulated worlds make magic fully believable. They enable giant mysteries, actual monsters, forbidden treasures, and incredibly diverse adversaries. LitRPG can be a love story or a tale of revenge. It can bring hope, despair, or just desserts. It’s a perfect vehicle for modern fantasy—a setting where the apocalypse can be at hand, where humans can fight gods, and where the world itself might be sentient. My love for LitRPG drove me to write an epic containing a series of huge, underlying mysteries that would reveal themselves over the course of the story.

I grew up watching the best horror movies of the 80s. My parents put me to bed watching Nightmare on Elm Street and this harbored my passion for a truly scary bedtime story. Zombies became my focus when I was trying to decide what road to take with my own writing. There’s something familiar about them, since they were once humans, but also terrifying. They don’t need to eat or sleep, they never stop, and they’ll just keep coming no matter how much you fight them off. I spent my twenties devouring every zombie book and movie I could and now I'm privileged to be a part of this classic horror genre.

Like many of my generation, my formal introduction to the zombie genre started with George A. Romero's Night of the Living Dead. Stories of the zombie apocalypse, and the arterial sprays, dismemberments, and eviscerations that accompanied it, have fascinated me ever since. But, I'm also a psychology professor. Although I was initially captivated by the carnage of the undead, I quickly found that the mindsets of the survivors were equally fascinating. More than anything, I love seeing how fictional worlds represent real-world psychological concepts.

I’ve been an avid horror fan since staying up late and watching old monster movies on the television when I was a kid. Zombies were always my favorite and after reading hundreds of zombie books I thought I could write with a unique perspective. Drawing from years of military, trucking, and prepping experience, I wrote the Zombie Road series as a tale that offered more hope than doom and gloom. Most of the characters are based on real people so they have real personalities, real hopes and dreams, and real flaws. If you decide to read the series and want to be surprised by the story arc, don’t read too many reviews, just dive right in. 

I’ve been reading horror books and watching horror movies since I was entirely too young to do either—thanks to my father’s collection of Stephen King books and my uncle’s love of horror movies. Now I’m a horror writer and wake early each morning to make blank pages darker. Zombies remain one of my favorite horror sub-genres. There’s something relentlessly compelling about these mindless ghouls linking inside each of us waiting for some triggering event to set them loose. Maybe it’s the resulting chaos. Maybe it’s the gruesome horror. Mostly, it’s how such tales show us the fragility of our civilization and the darkness of our own nature. 

I have read over 50 zombie novels and watched pretty much every zombie movie available to me. I write horror and a lot doesn’t really scare me anymore. The books I’ve listed are some of the ones that have stuck with me and gave me nightmares. My favorite zombie movies are the Norwegian film Dead Snow, Train to Busan, and REC (so scary as it added religion to the mix). I read a lot of zombie novels as research for my own zombie novels as I want my books to present new ideas that aren’t readily available, or overused.