Fans pick 100 books like Never Greater Slaughter

Roberts’ groundbreaking, game-changing story of the Peloponnesian War (really, wars) is richly detailed and comprehensive, a modernizing “leveling up” from Donald Kagan’s 2004 standard text. By centering her narrative in the impact of the war, rather than strategy and politics, Roberts brings home the terrible human cost of the conflict, and the book serves as a critical examination of what wholesale violence means to a society, from the high to the low. Roberts writes with incredible empathy, and her voice makes the book more than enlightening, it’s a deeply moving mediation on the depths of self-inflicted suffering as only human beings can engender. 

Wedgewood published this in 1938, on the cusp of World War II.

In many ways the disaster that was the Thirty Years war provided an allegory of what was to come. Many authors have tackled this subject since Wedgewood wrote, some far more massive than her 500 pages, but there’s a reason this one remains in print. Wedgewood wrote an eminently readable narrative that is as delightful to read as its subject is dreadful. She excelled at what narrative should provide: a sense of development, how a huge event happens from beginning to end, all while keeping the reader’s attention. 

Wedgewood conveyed the nastiness, carnage, and utter craziness of the conflict in a dispassionate, easily understandable way.

It is this book, about the successors of Alexander the Great, that inspired me to write my first novel, the Atlantis Papyrus. It is a great read—the pages feel less like an academic paper and more like an action novel and keeps one’s interest until the very end. I learned about so many fascinating figures in Alexander’s world I had never really known about and the tumultuous years following his death. In my work, I drew inspiration from some of the characters and events depicted in this book.

Tom Holland is one of the most famous popular historians alive, and also one of the most famous polymaths, writing on topics ranging from Islam to medieval and classical history. He’s also dabbled in fiction and playwriting, and those chops come shining through in Persian Fire, an entirely fresh look at one of the most studied conflicts in ancient history – The Greco-Persian War. Holland effortlessly eviscerates the tired “east versus west” narrative and treats the Persians with an honestly and empathy that is made even more rich by his gifts as a storyteller.

To my mind, James Campbell was the greatest commentator on early Anglo-Saxon England of the last sixty years.

He was my tutor at Oxford for a course on early Anglo-Saxon history and archaeology, and he inspired me to recognise just how much of the so-called “Dark Ages” can be brought to light via a combination of rigour in analysis and creativity in reconstruction.

Campbell’s seminal articles on Bede’s Ecclesiastical History, included in this edited collection, transformed Bedan studies and set out the path forward for the next generation of scholars, although much more remains to be done – particularly in connection with identifying Bede’s sources and unpacking the chronology of the composition of his History.

If you want to understand the conversion of Anglo-Saxon England, you need to understand Bede’s Ecclesiastical History; and if you want to understand Bede’s Ecclesiastical History, you have to understand Bede. The quest will… show more.

Aethelstan is an engrossing account of king Aethelstan, lauded as the first crowned king of ‘England,’ something his father, and more importantly, his grandfather, King Alfred, was unable to lay claim to. It’s a thorough examination of all that’s known about Aethelstan during his reign. It’s rare to get a book dedicated to any one single king before the reign of Æthelred II, who was Aethelstan’s great, great-nephew, and reigned thirty years later. The work shows just how much can be gleaned about historical figures during this period by experts in the field, who know how to unpick all the complicated details and present them to readers in an engaging format.

Sutcliff’s characters and stories are always believable—and show her amazing gift to always make her research invisible to the reader. All her works feed from actual history. She weaves a fragment or story from the past into a rich tapestry of the human experience and makes history live again. This tale shows her skills perfectly. Sutcliff uses as her source Y Gododdin, a period poem, to frame the construction of this coming-of-age story. Sutcliff takes the torch of the poem’s attempt to keep alive the memory of men who fought and died in a sixth-century British battle, comparable to that of the Battle of Thermopylae, to relight it through the eyes of Prosper, Sutcliff imagined British shield bearer. A witness to and one of the few to survive this unwinnable battle, Prosper sings a tale of The Shining Company who sacrificed their lives so others could live.

A brutal re-telling of the King Arthur legend, this novel reimagines the familiar story, retaining the feeling of weird magic, while pulling no punches about the characters. Arthur is a thug, Guinevere is no better, Merlin is a frustrated sprite beset by his female counterparts, and Britain is best described as a “clogged sewer that Rome abandoned just as soon as it could.”

The first of a five-book planned series to tell the story of the Matter of Britain, this is a ruthless and dark take that grabbed me from the beginning. I’ve always loved history, even a warped version like this. It left me eager for more and set me tracking down what else this author had written. I was not disappointed.

Mathew Harffy has a lot going for him in the historical fiction world. His fight scenes are not overly technical and are easy to follow. They have just the right amount of blood and gore to make you believe the characters are really in danger but are not simply gratuitous violence. What I really love about this book is his voice when he writes descriptions of the forest and the people who live in it. I grew up in the woods of a small town in Canada, and I know how the forest can be a peaceful, tranquil setting one moment and then suddenly transform into a place of shadows and dread. Judging by the cover of this book, I think Harffy knows this as well.

By using a balance of primary sources and archaeological discoveries, this book provides a detailed overview of Anglo-Saxon history, presented in a very readable way.

But what truly makes this book stand out is the colour and black-and-white images that decorate almost every page. These images provide an intimate view of Anglo-Saxon life, art, and religion that mere words can never achieve.