Here are 100 books that Menewood fans have personally recommended if you like
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It’s not my fault! My foremothers were strong, capable, compassionate women. Angry with the silence around women in history, I have been passionate about restoring the voices and contributions of women to history and culture. I have written several books on neglected aspects of women's history that have been translated into 12 languages. While a voracious reader of history, I enjoy historical fiction (when it’s done well). I will never recommend a novel that does not respect this. And I love author’s notes and/or historical notes where the author explains what is real and what is imagined; and resources to learn more about the subject of the novel.
I loved the way I was pulled into the world of early Saxon England and the women who inhabited that world. Griffith is a scholar of Saxon language and culture and immersed me into the world of Hild—her growing up years and all the challenges she, her mother, and her friends negotiated.
I loved Griffith’s use of language and imagery to paint this world with its beauty and threats. This is a time when new and old religions clash, kings fighting for power, plots, and cruelty. But Hild forges her own path, and not without risk. The actress who read the book does a stunning job, especially pronouncing some very foreign Saxon names. The story stayed with me.
Hild is born into a world in transition. In seventh-century Britain, small kingdoms are merging, usually violently. A new religion is coming ashore; the old gods' priests are worrying. Edwin of Northumbria plots to become overking of the Angles, ruthlessly using every tool at his disposal: blood, bribery, belief. Hild is the king's youngest niece. She has the powerful curiosity of a bright child, a will of adamant, and a way of seeing the world - of studying nature, of matching cause with effect, of observing human nature and predicting what will happen next - that can seem uncanny, even…
It’s not my fault! My foremothers were strong, capable, compassionate women. Angry with the silence around women in history, I have been passionate about restoring the voices and contributions of women to history and culture. I have written several books on neglected aspects of women's history that have been translated into 12 languages. While a voracious reader of history, I enjoy historical fiction (when it’s done well). I will never recommend a novel that does not respect this. And I love author’s notes and/or historical notes where the author explains what is real and what is imagined; and resources to learn more about the subject of the novel.
I loved this book so much that I read it twice! I loved the portrayal of an intelligent, well-educated woman (Belle da Costa Green) who needed to “pass for white” and be accepted as capable despite her gender (this is set around 1905).
We enter the elite world of financier J.P. Morgan and the library he was building—the pursuit and collecting of rare manuscripts, books, and artwork. We also enter the rarified world of the lifestyles and personalities of the elite, especially J. Pierpont Morgan. This is a fine piece of historical fiction: Belle da Costa Greene was actually Belle Marion Greener, the daughter of the first Black graduate of Harvard.
The Instant New York Times Bestseller! A Good Morning America* Book Club Pick!
Named a Best Book of the Year by NPR! Named a Notable Book of the Year by the Washington Post!
“Historical fiction at its best!”*
A remarkable novel about J. P. Morgan’s personal librarian, Belle da Costa Greene, the Black American woman who was forced to hide her true identity and pass as white in order to leave a lasting legacy that enriched our nation, from New York Times bestselling authors Marie Benedict and Victoria Christopher Murray.
In her twenties, Belle da Costa Greene is hired by…
It’s not my fault! My foremothers were strong, capable, compassionate women. Angry with the silence around women in history, I have been passionate about restoring the voices and contributions of women to history and culture. I have written several books on neglected aspects of women's history that have been translated into 12 languages. While a voracious reader of history, I enjoy historical fiction (when it’s done well). I will never recommend a novel that does not respect this. And I love author’s notes and/or historical notes where the author explains what is real and what is imagined; and resources to learn more about the subject of the novel.
Set in a beguinage in 1310 Paris, which is churning with palace intrigue and the pyres of the Inquisition. I felt drawn into the lives of these beguines as they strive to hold their place in society with strong political forces set against their independent lifestyle.
I felt the smells, sights, and sounds of medieval Paris. An innocent Maheut arrives, unintentionally stirring up life among the beguines as they and the girl try to outwit the Inquisitors. Maheut is hunted, but the beguines are not sure by whom, and she won’t talk. A great resolution.
'A rich, surprising and devastating story of a female institution long-forgotten' Marj Charlier, author of The Rebel Nun
A heretical text, a vengeful husband, a forbidden love...
It's 1310 and Paris is alive with talk of the trial of the Templars. Religious repression is on the rise, and the smoke of execution pyres blackens the sky above the city. But sheltered behind the walls of Paris's great beguinage, a community of women are still free to work, study and live their lives away from the domination of men.
When a wild, red-haired child clothed in rags arrives at the beguinage…
It’s not my fault! My foremothers were strong, capable, compassionate women. Angry with the silence around women in history, I have been passionate about restoring the voices and contributions of women to history and culture. I have written several books on neglected aspects of women's history that have been translated into 12 languages. While a voracious reader of history, I enjoy historical fiction (when it’s done well). I will never recommend a novel that does not respect this. And I love author’s notes and/or historical notes where the author explains what is real and what is imagined; and resources to learn more about the subject of the novel.
Julian of Norwich will be remembered throughout history for her Showings, written in the time of horrific plagues. “All shall be well, all shall be well, and in all manner of things, all shall be well.” An anchorite (a hermit attached to the side of a church), we can only infer who this woman was.
Gilbert tells a lovely story of what might’ve been her growing up years and early adulthood before choosing to live the life of a hermit. I love the simple elegance of her storytelling.
'I was completely hooked and considerably moved by the life and thoughts of this exceptional woman' - JEREMY IRONS
'It is as if we have finally found the lost autobiography of one of the medieval world's most important women.' - JANINA RAMIREZ
'A beautiful, intensely moving achievement' - A.N. WILSON
In 1347, the first pestilence rages across the land. The young Julian of Norwich encounters the strangeness of death: first her father, then later her husband and her child. When she falls ill herself, she encounters mystical visions that bring comfort and concern. But in the midst of suspicion and…
I love a good fight scene! It doesn’t need to be long and gruesome, but it must be visceral and make me nervous for those involved. Don’t get me wrong, I also love a good first-kiss scene but unfortunately, my past has made me more adept at recognizing and writing one over the other. I started training in martial arts at the age of nine and continued for thirty years. I don’t train much these days but I took up bowmaking a few years back and now spend a lot of time carving English longbows and First Nations’ bows. I recently also took up Chinese archery.
Mathew Harffy has a lot going for him in the historical fiction world. His fight scenes are not overly technical and are easy to follow. They have just the right amount of blood and gore to make you believe the characters are really in danger but are not simply gratuitous violence. What I really love about this book is his voice when he writes descriptions of the forest and the people who live in it. I grew up in the woods of a small town in Canada, and I know how the forest can be a peaceful, tranquil setting one moment and then suddenly transform into a place of shadows and dread. Judging by the cover of this book, I think Harffy knows this as well.
'Harffy's Dunston is a fantastic creation - old, creaking and misanthropic. The forest is beautifully evoked. A treat of a book' The Times.
AD 838. Deep in the forests of Wessex, Dunston's solitary existence is shattered when he stumbles on a mutilated corpse.
Accused of the murder, Dunston must clear his name and keep the dead man's daughter alive in the face of savage pursuers desperate to prevent a terrible secret from being revealed.
Rushing headlong through Wessex, Dunston will need to use all the skills of survival garnered from a lifetime in the wilderness. And if he has any…
Tom Licence is Professor of Medieval History at the University of East Anglia and a former Fellow of Magdalene College, Cambridge. He is a Fellow of the Royal Historical Society and a Fellow of the Society of Antiquaries. He teaches Anglo-Saxon History to undergraduates and postgraduates.
Britain After Rome is the best account of what it was like to live in Britain in the centuries before the Norman Conquest. Vividly recreating ordinary people’s lived experiences, Fleming mines the archaeological and material record to illuminate the non-political changes that transformed Roman Britain into the Britain of 1066. While plenty of books focus on the activities of kings and bishops in those centuries, Fleming’s engaging and erudite survey tells the history of everyone.
The enormous hoard of beautiful gold military objects found in a field in Staffordshire has focused huge attention on the mysterious world of 7th and 8th century Britain. Clearly the product of a sophisticated, wealthy, highly militarized society, the objects beg innumerable questions about how we are to understand the people who once walked across the same landscape we inhabit, who are our ancestors and yet left such a slight record of their presence.
Britain after Rome brings together a wealth of research and imaginative engagement to bring us as close as we can hope to get to the tumultuous…
Tom Licence is Professor of Medieval History at the University of East Anglia and a former Fellow of Magdalene College, Cambridge. He is a Fellow of the Royal Historical Society and a Fellow of the Society of Antiquaries. He teaches Anglo-Saxon History to undergraduates and postgraduates.
Blair approaches the history of these centuries by dividing mainland Britain into environmental and cultural zones. In doing so, he highlights the role of geography, geology, infrastructure, trade and even rainfall in determining trends of settlement, social cohesion, and material culture. Blair examines how landscapes were created – the evolution of villages, towns, and religious complexes – while exploring the relationship between centres of power and the satellite hubs around them. The book is richly served by colour images, artists’ reconstructions, maps, and diagrams. Comparisons to Scandinavia (where early timber structures survive) help bring the houses and surroundings of the Anglo-Saxons vividly to life.
Shortlisted for the Wolfson History Prize A radical rethinking of the Anglo-Saxon world that draws on the latest archaeological discoveries
This beautifully illustrated book draws on the latest archaeological discoveries to present a radical reappraisal of the Anglo-Saxon built environment and its inhabitants. John Blair, one of the world's leading experts on this transformative era in England's early history, explains the origins of towns, manor houses, and castles in a completely new way, and sheds new light on the important functions of buildings and settlements in shaping people's lives during the age of the Venerable Bede and King Alfred.
I’ve been a lifelong student of history. Even as a child I would devour history books or watch documentaries on TV telling tales of past wars of heroic battles. This passion eventually turned into a degree in History from the University of Toronto. I have also visited countless museums, castles, ruins, and historic sites throughout Europe and North America. My particular interest in Anglo-Saxon history came during my university years when I took some Old English language courses. Poems like the Battle of Maldon and Beowulf were my gateway to the rich tapestry of lives and events that made up the Anglo-Saxon era.
This book provides a grand tour of 600 years of English history in a light, entertaining way that kept me engrossed throughout.
Although it would be impossible to cover all Anglo-Saxon history in just one book, the author does a fantastic job of introducing the major people and events that defined and shaped this period of English history.
'[A] clever, lively ... splendid new book' DAN JONES, SUNDAY TIMES
'A big gold bar of delight' SPECTATOR
Sixteen hundred years ago Britain left the Roman Empire and swiftly fell into ruin. Into this violent and unstable world came foreign invaders from across the sea, and established themselves as its new masters. In this sweeping and original history, renowned historian Marc Morris separates the truth from the legend and tells the extraordinary story of how the foundations of England were laid.
'Marc Morris is a genius of medieval narrative' IAN MORTIMER, author of The Time Traveller's…
Matthew Harffy is the author of ten novels set in the early medieval world. His Bernicia Chronicles, follow the saga of Beobrand as he moves through the echelons of Anglo-Saxon society, fighting in many battles and dealing with the intrigues of the ever-increasingly powerful men and women with whom he mixes. Recently, with Wolf of Wessex and the A Time for the Swords series, Harffy has covered the early Viking Age with his usual eye for detail, historical realism and a gripping plot.
This is the granddaddy of history books about the Anglo-Saxons. Much of the history has evolved and moved on since its original publication in the 1940s, but Sir Frank Stenton is comprehensive and thorough and the resulting tome is jam-packed with information.
Discussing the development of English society, from the growth of royal power to the establishment of feudalism after the Norman Conquest, this book focuses on the emergence of the earliest English kingdoms and the Anglo-Norman monarchy in 1087. It also describes the chief phases in the history of the Anglo-Saxon church, drawing on many diverse examples; the result is a fascinating insight into this period of English history.
I’m an Australian author passionate about history. Alas, not Australian history. That would make my life so much easier. As a child, I loved tales of ancient Greece. That love took me in two directions—Ancient Egypt and Ancient Rome—Ancient Rome introduced me to Roman Britain, and the Roman Britain novels of Rosemary Sutcliff. My love of history probably explains why a childhood friend gave me a child’s book of English history for my tenth birthday. One of the book’s chapters told the story of Elizabeth I. As she wont to do in her own times, Elizabeth hooked me, keeping me captured ever since, and enslaved to writing and learning more about Tudors.
Sutcliff’s characters and stories are always believable—and show her amazing gift to always make her research invisible to the reader. All her works feed from actual history. She weaves a fragment or story from the past into a rich tapestry of the human experience and makes history live again. This tale shows her skills perfectly. Sutcliff uses as her source Y Gododdin, a period poem, to frame the construction of this coming-of-age story. Sutcliff takes the torch of the poem’s attempt to keep alive the memory of men who fought and died in a sixth-century British battle, comparable to that of the Battle of Thermopylae, to relight it through the eyes of Prosper, Sutcliff imagined British shield bearer. A witness to and one of the few to survive this unwinnable battle, Prosper sings a tale of The Shining Company who sacrificed their lives so others could live.
'I saw riders with black eyesockets in glimmering mail where their faces should have been, grey wolfskins catching a bloom of light from the mist and the moon; a shining company indeed, not quite mortal-seeming.' Many years after King Arthur defeated the Saxons, the tribes of Britain are again threatened by invaders. Prosper and his loyal bondsman, Conn, answer the call of King Mynydogg to join a highly skilled army - the Shining Company. Led by the gallant Prince Gorthyrn, the company embark on a perilous but glorious campaign. An epic tale of battles and bravery from the acclaimed historical…
