Books like Menewood: 100 fan favorites

I loved the way I was pulled into the world of early Saxon England and the women who inhabited that world. Griffith is a scholar of Saxon language and culture and immersed me into the world of Hild—her growing up years and all the challenges she, her mother, and her friends negotiated.

I loved Griffith’s use of language and imagery to paint this world with its beauty and threats. This is a time when new and old religions clash, kings fighting for power, plots, and cruelty. But Hild forges her own path, and not without risk. The actress who read the book does a stunning job, especially pronouncing some very foreign Saxon names. The story stayed with me. 

I loved this book so much that I read it twice! I loved the portrayal of an intelligent, well-educated woman (Belle da Costa Green) who needed to “pass for white” and be accepted as capable despite her gender (this is set around 1905).

We enter the elite world of financier J.P. Morgan and the library he was building—the pursuit and collecting of rare manuscripts, books, and artwork. We also enter the rarified world of the lifestyles and personalities of the elite, especially J. Pierpont Morgan. This is a fine piece of historical fiction: Belle da Costa Greene was actually Belle Marion Greener, the daughter of the first Black graduate of Harvard.  

Set in a beguinage in 1310 Paris, which is churning with palace intrigue and the pyres of the Inquisition. I felt drawn into the lives of these beguines as they strive to hold their place in society with strong political forces set against their independent lifestyle.

I felt the smells, sights, and sounds of medieval Paris. An innocent Maheut arrives, unintentionally stirring up life among the beguines as they and the girl try to outwit the Inquisitors. Maheut is hunted, but the beguines are not sure by whom, and she won’t talk. A great resolution.

Julian of Norwich will be remembered throughout history for her Showings, written in the time of horrific plagues. “All shall be well, all shall be well, and in all manner of things, all shall be well.” An anchorite (a hermit attached to the side of a church), we can only infer who this woman was.

Gilbert tells a lovely story of what might’ve been her growing up years and early adulthood before choosing to live the life of a hermit. I love the simple elegance of her storytelling.

Mathew Harffy has a lot going for him in the historical fiction world. His fight scenes are not overly technical and are easy to follow. They have just the right amount of blood and gore to make you believe the characters are really in danger but are not simply gratuitous violence. What I really love about this book is his voice when he writes descriptions of the forest and the people who live in it. I grew up in the woods of a small town in Canada, and I know how the forest can be a peaceful, tranquil setting one moment and then suddenly transform into a place of shadows and dread. Judging by the cover of this book, I think Harffy knows this as well.

Blair approaches the history of these centuries by dividing mainland Britain into environmental and cultural zones. In doing so, he highlights the role of geography, geology, infrastructure, trade and even rainfall in determining trends of settlement, social cohesion, and material culture. Blair examines how landscapes were created – the evolution of villages, towns, and religious complexes – while exploring the relationship between centres of power and the satellite hubs around them. The book is richly served by colour images, artists’ reconstructions, maps, and diagrams. Comparisons to Scandinavia (where early timber structures survive) help bring the houses and surroundings of the Anglo-Saxons vividly to life.

A brutal re-telling of the King Arthur legend, this novel reimagines the familiar story, retaining the feeling of weird magic, while pulling no punches about the characters. Arthur is a thug, Guinevere is no better, Merlin is a frustrated sprite beset by his female counterparts, and Britain is best described as a “clogged sewer that Rome abandoned just as soon as it could.”

The first of a five-book planned series to tell the story of the Matter of Britain, this is a ruthless and dark take that grabbed me from the beginning. I’ve always loved history, even a warped version like this. It left me eager for more and set me tracking down what else this author had written. I was not disappointed.

By using a balance of primary sources and archaeological discoveries, this book provides a detailed overview of Anglo-Saxon history, presented in a very readable way.

But what truly makes this book stand out is the colour and black-and-white images that decorate almost every page. These images provide an intimate view of Anglo-Saxon life, art, and religion that mere words can never achieve. 

This is the granddaddy of history books about the Anglo-Saxons. Much of the history has evolved and moved on since its original publication in the 1940s, but Sir Frank Stenton is comprehensive and thorough and the resulting tome is jam-packed with information.

To my mind, James Campbell was the greatest commentator on early Anglo-Saxon England of the last sixty years.

He was my tutor at Oxford for a course on early Anglo-Saxon history and archaeology, and he inspired me to recognise just how much of the so-called “Dark Ages” can be brought to light via a combination of rigour in analysis and creativity in reconstruction.

Campbell’s seminal articles on Bede’s Ecclesiastical History, included in this edited collection, transformed Bedan studies and set out the path forward for the next generation of scholars, although much more remains to be done – particularly in connection with identifying Bede’s sources and unpacking the chronology of the composition of his History.

If you want to understand the conversion of Anglo-Saxon England, you need to understand Bede’s Ecclesiastical History; and if you want to understand Bede’s Ecclesiastical History, you have to understand Bede. The quest will… show more.