Here are 55 books that I, Julian fans have personally recommended if you like
I, Julian.
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It’s not my fault! My foremothers were strong, capable, compassionate women. Angry with the silence around women in history, I have been passionate about restoring the voices and contributions of women to history and culture. I have written several books on neglected aspects of women's history that have been translated into 12 languages. While a voracious reader of history, I enjoy historical fiction (when it’s done well). I will never recommend a novel that does not respect this. And I love author’s notes and/or historical notes where the author explains what is real and what is imagined; and resources to learn more about the subject of the novel.
I loved the way I was pulled into the world of early Saxon England and the women who inhabited that world. Griffith is a scholar of Saxon language and culture and immersed me into the world of Hild—her growing up years and all the challenges she, her mother, and her friends negotiated.
I loved Griffith’s use of language and imagery to paint this world with its beauty and threats. This is a time when new and old religions clash, kings fighting for power, plots, and cruelty. But Hild forges her own path, and not without risk. The actress who read the book does a stunning job, especially pronouncing some very foreign Saxon names. The story stayed with me.
Hild is born into a world in transition. In seventh-century Britain, small kingdoms are merging, usually violently. A new religion is coming ashore; the old gods' priests are worrying. Edwin of Northumbria plots to become overking of the Angles, ruthlessly using every tool at his disposal: blood, bribery, belief. Hild is the king's youngest niece. She has the powerful curiosity of a bright child, a will of adamant, and a way of seeing the world - of studying nature, of matching cause with effect, of observing human nature and predicting what will happen next - that can seem uncanny, even…
It’s not my fault! My foremothers were strong, capable, compassionate women. Angry with the silence around women in history, I have been passionate about restoring the voices and contributions of women to history and culture. I have written several books on neglected aspects of women's history that have been translated into 12 languages. While a voracious reader of history, I enjoy historical fiction (when it’s done well). I will never recommend a novel that does not respect this. And I love author’s notes and/or historical notes where the author explains what is real and what is imagined; and resources to learn more about the subject of the novel.
I loved this book so much that I read it twice! I loved the portrayal of an intelligent, well-educated woman (Belle da Costa Green) who needed to “pass for white” and be accepted as capable despite her gender (this is set around 1905).
We enter the elite world of financier J.P. Morgan and the library he was building—the pursuit and collecting of rare manuscripts, books, and artwork. We also enter the rarified world of the lifestyles and personalities of the elite, especially J. Pierpont Morgan. This is a fine piece of historical fiction: Belle da Costa Greene was actually Belle Marion Greener, the daughter of the first Black graduate of Harvard.
The Instant New York Times Bestseller! A Good Morning America* Book Club Pick!
Named a Best Book of the Year by NPR! Named a Notable Book of the Year by the Washington Post!
“Historical fiction at its best!”*
A remarkable novel about J. P. Morgan’s personal librarian, Belle da Costa Greene, the Black American woman who was forced to hide her true identity and pass as white in order to leave a lasting legacy that enriched our nation, from New York Times bestselling authors Marie Benedict and Victoria Christopher Murray.
In her twenties, Belle da Costa Greene is hired by…
It’s not my fault! My foremothers were strong, capable, compassionate women. Angry with the silence around women in history, I have been passionate about restoring the voices and contributions of women to history and culture. I have written several books on neglected aspects of women's history that have been translated into 12 languages. While a voracious reader of history, I enjoy historical fiction (when it’s done well). I will never recommend a novel that does not respect this. And I love author’s notes and/or historical notes where the author explains what is real and what is imagined; and resources to learn more about the subject of the novel.
Menewood, the name of the valley where she builds her personal stronghold, picks up where Hild ended. I simply had to find out what happened next! It was a riotous journey of violence, hunger, and work, yet also the raw beauty of her world: trees, birds, valleys, and hills. Her language continues to be rich and abundant with details, good and painful.
The political complexity and even savagery of her time echo our own. Yet Hild remains a unique and complicated woman who is heroic in every sense of the word. Again, the actress who read the book does a stunning job, especially pronouncing some very foreign Saxon names. I look forward to the next book, which I insist must be a series. After all, Hild will become a powerful abbess at Whitby.
In the much anticipated sequel to Hild, Nicola Griffith’s Menewood transports readers back to seventh-century Britain, a land of rival kings and religions poised for epochal change.
Making a much-anticipated return to the world of Hild, Nicola Griffith’s Menewood transports readers back to seventh-century Britain, a land of rival kings and religions poised for epochal change. Hild is no longer the bright child who made a place in Edwin Overking’s court with her seemingly supernatural insight. She is eighteen, honed and tested, the formidable lady of Elmet, now building her personal stronghold in the valley of Menewood.
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
It’s not my fault! My foremothers were strong, capable, compassionate women. Angry with the silence around women in history, I have been passionate about restoring the voices and contributions of women to history and culture. I have written several books on neglected aspects of women's history that have been translated into 12 languages. While a voracious reader of history, I enjoy historical fiction (when it’s done well). I will never recommend a novel that does not respect this. And I love author’s notes and/or historical notes where the author explains what is real and what is imagined; and resources to learn more about the subject of the novel.
Set in a beguinage in 1310 Paris, which is churning with palace intrigue and the pyres of the Inquisition. I felt drawn into the lives of these beguines as they strive to hold their place in society with strong political forces set against their independent lifestyle.
I felt the smells, sights, and sounds of medieval Paris. An innocent Maheut arrives, unintentionally stirring up life among the beguines as they and the girl try to outwit the Inquisitors. Maheut is hunted, but the beguines are not sure by whom, and she won’t talk. A great resolution.
'A rich, surprising and devastating story of a female institution long-forgotten' Marj Charlier, author of The Rebel Nun
A heretical text, a vengeful husband, a forbidden love...
It's 1310 and Paris is alive with talk of the trial of the Templars. Religious repression is on the rise, and the smoke of execution pyres blackens the sky above the city. But sheltered behind the walls of Paris's great beguinage, a community of women are still free to work, study and live their lives away from the domination of men.
When a wild, red-haired child clothed in rags arrives at the beguinage…
Worldbuilding is something I absolutely adore, and I have always wanted to see more fantasy in worlds created around a more modern thought process. Worlds that got away from the medieval and instead found inspiration in places like 1920s America or 1950s Mexico or anywhere with cars and motorcycles existing right alongside dragons. It’s what I try to write and its desperately what I want to read. Fantasy has so much more range than I think it is given credit for.
I walked away from reading this book with my imagination completely on fire. I can promise you’ll never look at wax quite the same after reading this book. It takes the pollution of a post-industrial world but filters the premise through magic and god wars. The politics are juicy and the characters come from all walks of life.
"The Gutter Prayer is captivating and complex. Guerdon is a city that seethes with history, horror, and hidden secrets" (Nicholas Eames). A group of three young thieves are pulled into a centuries old magical war between ancient beings, mages, and humanity in this wildly original debut epic fantasy. Enter a city of saints and thieves . . .
The city of Guerdon stands eternal. A refuge from the war that rages beyond its borders. But in the ancient tunnels deep beneath its streets, a malevolent power has begun to stir.
Joshua Cutchin has written seven books. If you find yourself beside him on an airplane and ask what he writes about, he’ll say, “Speculative non-fiction.” If he warms up, he’ll explain that he writes about supernatural mysteries—UFOs, Bigfoot, ghosts, etc.—all through the lens of folklore. A suspicion that all these phenomena are connected undergirds his writing. In addition to his books, Joshua regularly contributes to essay collections and, in 2019, appeared on the hit History Channel series Ancient Aliens. Joshua has appeared on countless paranormal programs, including Coast to Coast AM. He regularly speaks at events nationwide, most recently Rice University’s 2023 Archives of the Impossible conference.
Contemporary thought surrounding the supernatural has become rigid, mired in demands for “proof” like photographs and video recordings.
These phenomena rarely offer anything so compelling. Their genesis lies more in imagination than the material world, straddling the line between both. To better understand what might be going on, this rigid thinking must be broken.
Few books do that as elegantly as Patrick Harpur’s Daimonic Reality. Drawing upon Classical philosophy and Jungian psychology, Harpur obliterates the usual traps of distinction we rely upon: internal versus external, objective versus subjective.
While Harpur’s interpretation remains speculative, anyone with an open mind will find themselves liberated by the ideas he proposes. Daimonic Reality offers supernatural phenomena a foothold into the realm of the possible simply by acknowledging their impossibility.
Lake monsters, Yetis, UFOs, crop circles, guardian angels and visions of the Virgin Mary can all be described as apparitions, and this book weaves together an account of them. It argues that only in the last three centuries or so, and only in Western culture, they're as lively as ever. But, the author suggests, they can be made intelligible again by appealing to a different world-view. Three of the chief models for understanding mind and world are Jung's "Collective World", which is used to illuminate the links between the apparently disparate experiences being dealt with.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
In my book, the character learns that death is not a permanent phenomenon, but something more cyclical – so it’s no surprise that The First Time I Died sits at the top of my list. The novel centers around Garnet McGee, who returns home for the holidays and gets swept away in a cold case involving the death of her boyfriend. That is, until she falls into a frozen pond and drowns. This story is a dark roast coffee with just the right sprinkle of sugar – a tragic death interwoven with memories of a once-in-a-lifetime love.
When Garnet McGee returns to her small Vermont hometown for the holidays, she vows to solve the mystery of the murder which shattered her life ten years ago. Then she dies.
After she's resuscitated, she starts hearing voices, seeing visions and experiencing strange sensations. Are these merely symptoms of post-traumatic stress disorder and an over-active imagination, or is she getting messages from a paranormal presence?
Garnet has always prided herself on being logical and rational, but trying to catch a killer without embracing her shadow self is getting increasingly difficult.…
It was during the epistemological craziness around the year 2000 that I christened myself a truth warrior. I was already a scientist. Yet I knew there were other important truths, not of the mind but of the heart, truths we discover and marvel over in the realm of art. So as a biology professor I was granted a sabbatical to write the second of three of my novels, about Pliny the Elder. It is through literature, some of my own making, that I find new ways of seeing and experiencing the world: and of discovering and validating what is true, and what is not.
It’s hard for me to imagine myself in Sister of the Cross’ place, overcome with spiritual experiences so intense they are almost unbearable.
Like Saint Teresa of Avila’s ecstasies or experiences under the influence of psychedelic drugs, ordinary language cannot describe her journeys outside the normative experience of her spiritual sisters. They are, to herself and her community, barely believable.
In the end she faces an unbearable choice: to allow herself to collapse into that other, wonderful world, or be “cured.”
Mark Salzman's Lying Awake is a finely wrought gem that plumbs the depths of one woman's soul, and in so doing raises salient questions about the power-and price-of faith.
Sister John's cloistered life of peace and prayer has been electrified by ever more frequent visions of God's radiance, leading her toward a deep religious ecstasy. Her life and writings have become examples of devotion. Yet her visions are accompanied by shattering headaches that compel Sister John to seek medical help. When her doctor tells her an illness may be responsible for her gift, Sister John faces a wrenching choice: to…
I’m a writer fascinated by landscape and history—and the American West is my magnet. I’ve set three books in the West. I can’t get enough of the place. An entire national myth is enshrined “where the deer and the antelope play.” Independence. Freedom from the past. Land we can supposedly call our own. The West is so beautiful and also so scarred. I love to read books that deepen my experience of the deserts, mountains, and rivers. I also love to learn about the people who were here before me, those who have hung on, and those who hope to heal the scars. These books are great stories about a bewitching place.
Fajardo-Anstine does many remarkable things in Woman of Light, but three of those things just blew me away. First, she anchors the novel in a city (Denver, 1930s). Cities are the forgotten truth of the American West, and they shouldn’t be. Second, she brings to life the “Lost Territories,” the Hispanic/Indigenous lands of southern Colorado and northern New Mexico, long-cherished homes overrun by white settlement in the 19th century. Third, she builds the entire compelling narrative around a suite of Chicana/Indigenous women—and they are the strongest, liveliest characters you’ll ever meet. They work, they love, they breathe loyalty, they seek justice. This novel is a stylish eye-opener from start to finish. And it’ll forever change what you think you know about the region.
NATIONAL BESTSELLER • A “dazzling, cinematic, intimate, lyrical” (Roxane Gay) epic of betrayal, love, and fate that spans five generations of an Indigenous Chicano family in the American West, from the author of the National Book Award finalist Sabrina & Corina
“Sometimes you just step into a book and let it wash over you, like you’re swimming under a big, sparkling night sky.”—Celeste Ng, author of Little Fires Everywhere and Everything I Never Told You
A PHENOMENAL BOOK CLUB PICK AND AN AUDACIOUS BOOK CLUB PICK
There is one every generation, a seer who keeps the stories.
Historical fiction inspired by the story of Mary Leakey, who carved her own path to become one of the world's most distinguished paleoanthropologists.
It's 1983 and seventeen-year-old Grace Clark has just lost her mother when she begrudgingly accompanies her estranged father to an archeological dig at Olduvai Gorge on the…
I am an archaeologist dealing with prehistoric societies for the last 30 years. For many hundreds of thousands of years, our ancestors worldwide practiced shamanism and altered states of consciousness. I think this is what makes us human and what allows the persistence and success of our genus. The more I learn about these two subjects, the more I understand their importance and relevance to us today. There is a lesson sent to us by past societies: Pay respect to the world. Respectful behavior is assisted by shamanism and altered states of consciousness. We can be better, feel better, and do better, and the books I recommended are the beginning of this wonderful way.
It just blows my mind any time I read it, the same way it did the first time. Huxley was way ahead of his time when he wrote this influential book, and he was one of the first prophets of the New Age and the Age of Consciousness.
I was deeply touched by his intimate descriptions of his own experiences with LSD and Mescaline and the way it opened his mind to understanding the complexities of our consciousness beyond our regular and daily way of perceiving the world.
One of my favorite rock bands, The Doors, is named after this book, and it gives me ultimate pleasure to listen to Jim Morrison while reading it. What an experience!
Discover this profound account of Huxley's famous experimentation with mescalin that has influenced writers and artists for decades.
'Concise, evocative, wise and, above all, humane, The Doors of Perception is a masterpiece' Sunday Times
In 1953, in the presence of an investigator, Aldous Huxley took four-tenths of a gram of mescalin, sat down and waited to see what would happen. When he opened his eyes everything, from the flowers in a vase to the creases in his trousers, was transformed. Huxley described his experience with breathtaking immediacy in The Doors of Perception.