Here are 100 books that My Mums Love Me fans have personally recommended if you like
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I knew in my early teens that I wasn’t straight, but back then, the thought of coming out was too scary. I waited until I was twenty-three to do so, and it was still scary even being ten years older! So I can relate to stories of women of all ages discovering their less-than-straight sexuality. It’s rarely easy, no matter how many years you’ve lived already. It still requires good support from the people who love you, and one thing in common in all of the books I’ve recommended is that family, or often found family, plays a crucial role in the newly-out woman feeling comfortable being themselves.
The first sapphic book I ever read, over 30 years ago, still holds a special place in my heart. The two women stumble into their attraction for each other in a way that is believable and tender, and they take a journey together that is still relevant to our times. While one woman, Lane, had previously thought a same-sex relationship could be a real possibility for her, the other, Diana, had literally no idea until she meets Lane and is swept off her feet by her feelings. Simply a lovely story that I’ve re-read many times.
The intimacy of a cabin at Lake Tahoe provides the combustible circumstances that bring Diana Holland and Lane Christianson together in this passionate novel of first discovery.
Candid in its eroticism, intensely romantic, remarkably beautiful, CURIOUS WINE is a love story that will remain in your memory.
Out of all the flattering reviews of my books, my favourite is of a reader choking on her lunch. My book was about death. The reader, who survived, said it made her laugh so hard. I write about tough times by bringing out the it’s okay to smile now bits. The Midnight Years is about teen mental health, Happily Never After is about loneliness, and Flyaway Boy is about stereotyping. Making people laugh through tears is a tough task. Here are some books that cracked it.
Fun home is what the author and her family call the funeral home they were raised in. I was drawn into this graphic memoir of the author’s relationship with her father, with disturbing themes of suicide, unaccepted gender identities, and domestic abuse.
The story manages to stay buoyant despite it all, and the observations are funny. The author’s ability to capture her most painful memories in bright light and intricate detail catapulted this read to the top for me.
DISCOVER the BESTSELLING GRAPHIC MEMOIR behind the Olivier Award nominated musical.
'A sapphic graphic treat' The Times
A moving and darkly humorous family tale, pitch-perfectly illustrated with Alison Bechdel's gothic drawings. If you liked Marjane Satrapi's Persepolis you'll love this.
Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high-school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and the family babysitter. When Alison comes out as homosexual herself in late adolescence, the denouement is…
I was adopted as a baby, so I have first-hand experience of the emotions and challenges this presents. I am passionate about shining light on this often misunderstood and complex family trauma through my writing. My memoir Blood and Blood, an emotive exploration of the search for my birth relatives, was shortlisted for the Mslexia Prize. My research extends to fiction and non-fiction, where the psychological effects of adoption are referenced or highlighted. I am always keen to chat with fellow care-experienced people. I hope you find the books on this list helpful.
One thing about being adopted is you have an in-built radar to seek out others who are too. I read Jeanette Winterson’s first novel, Oranges Are Not The Only Fruit when I was a teenager, and since then, I have been in awe of her as a writer and her ability to eloquently describe her personal experience as an adoptee.
This book is her autobiography, and there were occasions while reading it that I had to stop and cry. Finally, someone else had written about what I had kept holed up inside me. Her final chapter, "The Wound," speaks so profoundly to me as an adopted adult. It is honest, sharp, and fierce.
The shocking, heart-breaking - and often very funny - true story behind Oranges Are Not the Only Fruit.
In 1985 Jeanette Winterson's first novel, Oranges Are Not the Only Fruit, was published. It was Jeanette's version of the story of a terraced house in Accrington, an adopted child, and the thwarted giantess Mrs Winterson. It was a cover story, a painful past written over and repainted. It was a story of survival.
This book is that story's the silent twin. It is full of hurt and humour and a fierce love of life. It is about the pursuit of happiness,…
The ghostly/magical and Taiwan are two of my major interests—I have written about both in my fiction. After living in Taiwan for a few years and getting to know my mother’s side of the family, I gained an appreciation for its complicated history, riveting politics, and the energy of daily life there. Its confluence of people and histories has made it a unique cultural amalgam and these books capture the way folk religion and the spiritual/magical are wedded into the bustling contemporary urban life of Taiwan. I hope you find yourself as enchanted and intrigued by these stories as I have been!
This affecting and disturbing novel about a group of queer friends in late-80s Taiwan was ahead of its time in content, form, and vision. Premised on the idea of a collection of notebooks, the text incorporates multiple literary forms, and the “otherworldly” element is in Qiu’s use of the crocodile as a literalized metaphor for queer identity. A sobering and captivating read.
Winner of the Lucien Stryk Asian Translation Prize
Longlisted for the PEN Translation Prize
A New York Times Editors' Choice The English-language premiere of Qiu Miaojin's coming-of-age novel about queer teenagers in Taiwan, a cult classic in China and winner of the 1995 China Times Literature Award.
An NYRB Classics Original
Set in the post-martial-law era of late-1980s Taipei, Notes of a Crocodile is a coming-of-age story of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan's most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, this cult classic is a…
I’ve been drawn to LGBT+ characters and themes long before I knew that was a thing that a person could be—and longer still before I realized that it was something that might apply to me. Science fiction and fantasy helped me to explore identities and ways of existing within the world that were fundamentally different from my own and that instilled a love of the genre that I’ll always treasure.
I like to think I’m pretty good at guessing where a book is going to go—this is not the case with Gideon the Ninth. Every time I thought I had a grip on what was going on and where we were going, it took a turn. Every time I thought I had an idea of how I felt about a character, new lore dropped, and I fell in love (or in hate, or in a complicated love/hate thing that I have yet to figure out).
By the time I finished, I was torn between picking up the second book in the series to learn what happened next or rereading the first just to see how different it would be once I had a better understanding of the book.
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
Like most people, I find the history of sex and everything associated with it fascinating! It’s often been difficult to document and interpret the complexities about heterosexuality, gender identity, and same-sex desire as well as women’s reproductive health which is intimately (although not exclusively of course) linked to sex. We are in a golden age of fantastic work on so many aspects of the history of sex. Apart from the intrinsic interest of these books, I think they provide such an important context for our very lively and often very intense contemporary legal, political, and cultural debates over sex in all its forms.
In contrast to stereotypes about lesbians that framed them as bra-burning, men-hating, hairy-legged feminists, Lauren Gutterman evocatively shows how the emergence of post-World War II lesbian desire took place at the center of American life, in the suburbs, often in marriages to men and heterosexual families with children. Married women rejected divorce or labelling themselves as lesbians even while they had affairs with their female neighbors. Her Neighbor’s Wife offers an extraordinary new interpretation of how post-World War II American marriages could accommodate women’s relationships with other women.
At first glance, Barbara Kalish fit the stereotype of a 1950s wife and mother. Married at eighteen, Barbara lived with her husband and two daughters in a California suburb, where she was president of the Parent-Teacher Association. At a PTA training conference in San Francisco, Barbara met Pearl, another PTA president who also had two children and happened to live only a few blocks away from her. To Barbara, Pearl was "the most gorgeous woman in the world," and the two began an affair that lasted over a decade.
Through interviews, diaries, memoirs, and letters, Her Neighbor's Wife traces the…
I have been writing about LGBTQ+ culture for magazines and newspapers for almost a decade, and am a voracious consumer of queer stories. Queer literature makes our various needs and desires as a community come alive on the page, and helps us to connect with and understand one another. Reading LGBTQ+ books is a way to learn about contemporary queer life, and work out what more we can be doing to help those more marginalised than us.
Recently published and super accessible, this book is a modern catalogue of lesbian and bi culture for women. It looks at the recent evolution of queer female visibility in the mainstream and across pop culture, asking what material changes this visibility has for the life of queer women everywhere. It’s funny and pacey and broad in scope, as it asks: How islesbian culture changing?
'This "love letter of sorts" to inclusive queer women's culture is perfect for anyone who's just come out, wants to know what the heck's going on or has yearned for an entire chapter dedicated to the film Carol.' - DIVA
'An introspective dive into the fast-moving world of queer culture, Daisy unpacks some of the 21st century's biggest lesbian and bisexual moments to paint a portrait of what modern-day queerness looks like.' - GAY TIMES
'Daisy Jones effortlessly explores queer culture' - COSMOPOLITAN ______________________________________________________________________________________
I have loved fairy tales since I was a little girl and watched my first Disney movie. Over the years, I’ve read many fairy tale retellings, as well as the original versions. I love how writers can see a story like Beauty and the Beast and find ways to make an almost completely new story, but still hold true to the original concepts of the fairy tale. Fairy tales connect us to our childhood and when we read these new versions, it lets us relive a part of our childhood. Not many books can do that!
Bayron made the classic Cinderellafairy tale something modern girls can relate to. Black, LGBT girls will especially find a kindred spirit in Sophia. I loved how determined Sophia was to fight back against society’s expectations of her. She was willing to fight for her happily ever after, even if it didn’t look like how the world thought it should. To see Sophia’s struggles rewarded with her love story with Constance was great to read.
"Wholly original and captivating." - Brigid Kemmerer, New York Times bestselling author of A Curse So Dark and Lonely
Girls team up to overthrow the kingdom in this unique and powerful retelling of Cinderella from a stunning new voice that's perfect for fans of Dhonielle Clayton and Melissa Albert.
It's 200 years after Cinderella found her prince, but the fairy tale is over. Teen girls are now required to appear at the Annual Ball, where the men of the kingdom select wives based on a girl's display of finery. If a suitable match is not found, the girls not chosen…
As a retired family therapist, I find that writing and reading stories about emotional journeys no matter our sexual identity, ethnicity, or class has the potential to transform us. A protagonist under threat of persecution who finds healing in the power of love, of family, of community can help us fix ourselves where we are broken. I believe stories can help us sever unhealthy ties to the patterns of past generations. My mother was a closeted lesbian with no family who died when I was nine. Writing how I wished her life could have been helped me heal from childhood trauma. Our ancestors passed the talking stick. We have books.
I love this novel because it is beautifully written and dips into darkness without losing the depth of the human spirit.
The story follows Russian lesbians, Gutke and Chava along with the women they love. It is a story of women’s struggle to survive a hard scrabble daily life, a revolution in the pale, and a Russian pogrom before immigrating to New York City. These are intelligent, aware women who dare to defy the norm at their own peril.
They still live in my heart because of their love and kindness, courage, and resilience to embrace hope in the face of hardship and tragedy.
Winner of the Lambda Literary Award: "A page-turner that brings to life turn-of-the-century New York's Lower East Side." -Library Journal Born in a Russian-Jewish settlement, Gutke Gurvich is a midwife who immigrates to New York's Lower East Side with her partner, a woman passing as a man. Their story crosses with that of Chava Meyer, a girl who was attended by Gutke at her birth and was later orphaned during the Kishinev pogrom of 1903. Chava has come to America with the family of her cousin Rose, and the two girls begin working at fourteen. As they live through the…
I’m obsessed with obsession; with the nature of intimate relationships. If I could obsess about a topic as easily and naturally as I can about a human, I’d probably have five or six advanced degrees. As a writer I’m most frequently drawn to third-person limited because I love the marriage of intimacy and distance it can create. It's that marriage that confounds me; the dark inner spaces contained by the people we love.
Christine Snow is a therapist who has her shit together, or does she? When her girlfriend vanishes, it becomes apparent to Chris that, on an emotional level, Taylor was never really there to begin with. Anshaw’s use of a third-person limited point of view and a present tense narrative creates a sense of breathless intimacy. If you’re looking for a thriller, look elsewhere. Seven Moves is a well-observed mediation on the inherent unknowability of an intimate partner. Anshaw does obsession like no one else.
Christine Snow, a Chicago therapist, has at last returned from the margins of her past - a card-sharp father, too many wrong lovers - into comfortable urban domesticity with Taylor Hayes, a travel photographer. The two women share a house, a dog, a life. And then one morning after a minor argument, Taylor disappears, Chris's anger turns to alarm as time passes and still she hears nothing, until she falls across a clue as unsettling in itself as Taylor's disappearance. Following a trail that leads to Morocco and home again, Seven Moves tracks Chris's gradual realisation that one can never…
