Here are 100 books that Murder in the Family fans have personally recommended if you like
Murder in the Family.
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I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
For me, this is another masterful interweaving of historical fact and wildly creative imagination. It’s a prime example of in-depth research wielded to tangibly ground the reader in the book’s world; you learn about everything from 19th-century psychological theory and forensics to quilt-making and housecleaning techniques.
Part of what I really love about the novel, though, is that unlike in The Handmaid’s Tale, here Atwood deliberately blurs the lines between “good” and “evil” and “victim” and “villain.” Grace isn’t entirely likable, and she’s pretty much entirely unreliable. So, embodying her perspective as a reader is a continual guessing game of whether or not she’s telling the truth about her role in the murders at the book’s center. At the same time, it’s also a kind of ethical guessing game, for even if Grace is guilty, Atwood makes the role society and class play in her downfall so painfully clear…
Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.
'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel
'The outstanding novelist of our age' Sunday Times
As a kid, I always wanted to be a Secret Service agent. As an adult, I became one. The job introduced me to the classified and shadowy world of national security. I traveled the globe, working in places I'd only read about in novels and meeting people who seemed like well-written characters from a book. When I was assigned as a liaison agent to the Joint Terrorism Task Force, I attended numerous FBI and CIA schools—even the facility known as The Farm. But through it all, I read! When I retired and had time to think about what I did, I figured I'd try writing.
For me, Argo is one of those rare finds in spy books. It is a book about an actual intelligence operation that went as planned, written by a living CIA intelligence officer who took part in it.
One of the hallmarks of intelligence operations is making the enemy believe what you want them to think. Misinformation and disinformation comprise a large part of the work, but sometimes, it all comes down to good old-fashioned deception. That's what makes Argo work.
And, hey, any book good enough to be made into a movie that wins an Oscar for Best Picture is worth my time.
Argo by Antonio Mendez and Matt Baglio - the declassified CIA story behind the Oscar-winning film
WINNER OF 'BEST PICTURE' AT THE ACADEMY AWARDS, THE BAFTAS AND THE GOLDEN GLOBES
Tehran, November 1979. Militant students stormed the American embassy and held sixty Americans captive for a gruelling 444 days. But until now the CIA has never revealed the twist to the Iran Hostage Crisis: six Americans escaped.
The escape plot was run by Antonio Mendez, head of the CIA's extraction team and a master of disguise. Mendez came up with an idea so daring and potentially foolish that it seemed…
I've read mysteries of all types since I was young. Unfortunately for my publishers, I like to write in several different genres too. Everyone loves a mystery, a puzzle, sussing out the hidden. If you think you don’t like mysteries, then I think you just haven’t found your genre yet. Reading a mystery is like treasure hunting, we all want to find the gold. I love clever dialogue, characters you want to meet in real life, and accompany them while solving a mystery. All the books I have recommended have an overarching mystery element. I write like that too, also, one element links all my books regardless of genre. Happy treasure hunting!
In this cozy mystery Mable and Violet are fast friends and have odd adventures. I think everyone needs a partner in crime, so to speak. This is a series; each book has a different theme, which I like. This story is set in a theatre, a one-act play competition in small town Saskatchewan, Canada. From my experience in little theatre odd things do happen. Like in my writing, this story has humour, intrigue, and enduring friendship. The added bonus, a theatre critic who has it coming. I like figuring out who had the biggest axe to grind and what motives each character is hiding.
Murder is a hard act to follow. All the drama does not take place on the stage at the Glenhaven Drama Festival. A collection of amateur actors with big egos land in Mabel Havelock’s hometown. And Mabel’s acting debut is not the only thing on her mind. Mysterious accidents and sabotage are plaguing the festival.
Mabel and her best friend Violet Ficher are determined to ferret out the culprit. The problem is why? Who has anything to gain? And why did Sherman have to die?
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I have been reading mysteries since childhood. You know the sort of thing: Trixie Belden, Nancy Drew, Enid Blyton books, The Bobbsey Twins. The desire to profoundly understand the battles of good versus evil, the delicious gathering of clues, and the hope of solving the cases never left me. As I grew, I began to read the adult-themed greats, and dominantly the women of crime fiction. I couldn't possibly count the number of mysteries I have read. Then, seven years ago, I was violently moved to write them as well. My “real” job as a journalist was little different. In a way, every story, every interview subject, has been a little mystery to unravel.
To begin with, I was immediately drawn to this novel because (bless the author) it is located in my own hometown. For those in New York or Paris, this may not be a big deal; but if you live in a relatively small Canadian city, that’s quite exciting. The main character, Joanne Kilbourn, was also named for me. And yes, I have thanked Gail Bowen for this gift.
All right, that’s not actually true, but one can dream. Joanne is a strong but gentle cozy detective with intense motherly instincts and an extremely sharp mind. I adore her.
As a child Joanne was friends with Sally Love and her parents, but the friendship languished after Sally’s father died and she moved away, eventually becoming a very controversial artist. When the Mendel Gallery opens an exhibition of Sally’s work, Joanne is eager to attend and to renew their friendship. But it’s not so easy being Sally’s friend anymore, and soon Joanne finds herself ensnared in a web of intrigue and violence. When the director of a local private gallery is brutally murdered, Joanne finds that the past she and Sally share was far more complicated, and far more sordid,…
I’ve been fascinated with the theme of Identity since I was young. Identity influences so many of our decisions and how we live our lives. In a thriller setting, novels allow readers to see how identity drives our best and worst impulses and showcase what humanity itself is. I always add elements of this theme into my books, as I did with I Was an Evil Teenager, but Identity proved to be the story that solidified this theme as a driving force for my storytelling. I am also a book blogger and have been honored to read and explore many novels from established and indie authors within this genre and theme.
I love to read international thrillers, especially murder-mystery thrillers. Part of the fun of investigating identity as a theme is challenging the identity of the characters surrounding the protagonist of a story. Author Val Collins did just that in this book.
I loved that the author created a protagonist who felt both vulnerable and relatable. The issues she faces at home help balance out the murder mystery element, allowing me, as a reader, to question each character that comes into her life.
Where do you turn when you can’t trust your friends, your peers, your own husband?
Aoife is a contented newlywed, temping while she awaits the birth of her first child. When her agency asks her to fill in on a temp position, Aoife witnesses a horrific tragedy at the office—one that will change the course of her life forever.
Three months later, now employed full-time at the same workplace, Aoife learns that the ‘tragedy’ she witnessed was actually a cold-blooded murder. When she decides to investigate, Aoife discovers that everyone in the organisation has secrets they are desperate to protect.…
As a writer of suspense/thrillers and psychological thrillers, I’ve always loved thrillers and suspense books where I can’t guess the ending. And this list of books is additionally close to my heart because of the way they made me feel when I read them: breathless; restless to know how they were going to end; and most of all, they made me think about and question the psychology of the characters. I hope you will like them as much as I did!
I inhaled this gripping thriller in one sitting! It really made me go, wait, what? The author did a phenomenal job keeping me focused on certain details, while twirling other important details in the background. So when it all pieced together, I was truly in awe.
The twists in the book kept me hooked all through. Just when I thought, ah, I think I know where this is going, the very next chapter would make me change my mind. The pacing of this book added to the thrills.
I loved the writing and the characterization. This book, to me, is a great example of combining a most-loved genre while representing important voices and exploring and debunking assumptions. The main character is Filipino-American and I loved reading about the experience through the character’s eyes and told over many years so there’s a clear arc of the changes that time has brought…
When Paris Peralta is arrested in her own bathroom-covered in blood, holding a straight razor, her celebrity husband dead in the bathtub behind her-she knows she'll be charged with murder. But as bad as this looks, it's not what worries her the most. With the unwanted media attention now surrounding her, it's only a matter of time before someone from her long hidden past recognizes her and destroys the new life she's worked so hard to build, along with any chance of a future.
Twenty-five years earlier, Ruby Reyes, known as the Ice Queen, was convicted of a similar murder…
A Last Survivor of the Orphan Trains
by
Victoria Golden,
William Walters,
Four years old and homeless, William Walters boarded one of the last American Orphan Trains in 1930 and embarked on an astonishing quest through nine decades of U.S. and world history.
For 75 years, the Orphan Trains had transported 250,000 children from the streets and orphanages of the East Coast…
As a cozy-style mystery writer, I get to live in a world where I know that everything will work out as it should in the end. I look for this in the books that I read and recommend. Do they give the reader something interesting to ponder as they go along with the sleuth (amateur or “real detective)? My father was a police captain, and I grew up looking at things through the eyes of “the law”, I admit. Most people find comfort reading about a small town where nothing will go too wrong. The bad stuff and the bad people are kept at arm’s length, and all is well.
Written in the style of M.C. Beaton, this book is a perfect English murder mystery.
The idea of a village fete itself has always been alluring to me. I put myself in the story and I’m right at home in the village and celebration at Berrywick House. I blame my British DNA. As in any good cozy, the most irritating member of the community ends up dead, and no exception here.
The main character, Julia, is not only concerned with a murder—or two, but she’s also afraid their peaceful village will be forever ruined. Like all great amateur sleuths, she gets involved. Bird paints a picture of a perfect English village. Add a dog, her Labrador, Jake, and well, sign me up.
Julia Bird can’t wait to attend the annual village party at the local stately home, with its tea tents, cake stalls, and… dead body in the maze?
The annual village celebration at Berrywick House is underway, complete with over-decorated cake stalls, fiercely contested flower competitions, and even a maze for the disappointed losers to hide in. Julia Bird, now a well-known – even notorious – member of the community, with her trusty Labrador Jake, has thrown herself headlong into the festivities. But her reputation for adding drama to any event stands up yet again when she discovers a dead body…
Growing up in a blue-collar union family in the 1950s South I learned about the depth of racial and class injustice and the power of collective organizing. The many jobs I held in my twenties before fleeing to graduate school at Stanford University left me acutely aware of workplace sexism and disrespect. I became fascinated by how work shapes our sense of self and especially curious about the distinctive feminisms, labor movements, and politics of working-class women. These questions animate all my writing and teaching. Thirty years and seven books later, I believe reimagining work and labor movements is more necessary – and possible – than ever before.
You think academics don’t have guts? You haven’t met Dana Frank.
She left her perfect little Santa Cruz campus behind to travel into the violent world of labor organizing in Central America. The fearless women she follows never give up as they take on American global corporations, corrupt politicians, ruthless landowners and bosses, and male chauvinism at home, on the job, and in the union.
Against great odds, the banana women forge a region-wide union of men and women committed to gender justice, economic fairness, and political democracy. Thank you Dana Frank for knowing this story had to be told – and for telling it with such flair and wisdom.
Women banana workers in Latin America have organised themselves and gained increasing control over their unions, their workplaces and their lives. Highly accessible and narrative in style, Bananeras recounts the history and growth of this vital movement and shows how Latin American women workers are shaping and broadly reimagining the possibilities of international labour solidarity.
I am a Professor Emeritus in the Department of Politics and Public Administration at Toronto Metropolitan University. I have taught and written on political theory and cultural studies for over thirty years, specializing in theories of capitalism and imperialism. However, my main motivation for writing the books and articles I have published has had more to do with my life-long commitment to progressive social change and the political movements that can bring that change about. First and foremost, I have tried to make sometimes challenging theoretical and political concepts accessible to the informed reader and especially to those on the front lines of progressive political and social movements.
This updated edition of Grandin’s Pulitzer Prize-winning book charts the long history of the United States’ imperial domination of Latin America through gunboat diplomacy, invasion, hard and soft coups, mercenary wars, and covert actions.
Often considered its ‘backyard,’ Latin America is where the United States “learned how to project its power, worked out effective and flexible tactics of extraterritorial administration, established legal precedents, and acquired its conception of itself as an empire like no other before it.” Grandin illustrates this history with numerous historical and contemporary examples, including the 1973 US-supported coup in Chile, which brought to power Augusto Pinochet’s bloody dictatorship.
With the help of University of Chicago economists Frederic Von Hayek and Milton Friedman, the dictatorship pioneered the first neoliberal imperial “workshop.” Chile would become the template for other attempts at regime change in the region, from the 1980s wars in El Salvador, Guatemala, Honduras, and Nicaragua to…
Examining over a century of US intervention in Latin America, acclaimed historian Greg Grandin reveals how the region has long served as a laboratory for US foreign policy, providing generations of Washington policy makers with an opportunity to rehearse a broad range of diplomatic and military tactics - tactics that then were applied elsewhere in the world as the US became a global superpower. During the Great Depression, for instance, FDR's Good Neighbor policy taught the United States to use "soft power" effectively and provided a blueprint for its postwar "empire by invitation." In the 1980s, Reagan likewise turned to…
Bold, funny, and shockingly honest, Ambidextrous is like no other memoir of 1950s urban childhood.
Picano appears to his parents and siblings to be a happy, cheerful eleven-year-old possessed of the remarkable talent of being able to draw beautifully and write fluently with either hand. But then he runs into…
I am a Professor of History at Texas A&M University and Fellow of the Royal Historical Society. I teach and research broadly in the histories of Britain and its empire, North America, and the Atlantic world. I am the author of four books, including Making Headlines: The American Revolution as Seen through the British Press and The Weight of Vengeance: The United States, the British Empire, and the War of 1812. I am especially fascinated with how imperialism shape colonizers’ cultures.
Focusing on the Spanish Empire, this book explores two of the most imported goods from the Americas. Norton carefully examines the deep cultural significance of Tobacco and Chocolate amongst the indigenous peoples of the Americas and how the goods were adopted and adapted in Europe, ultimately highlighting the profound impact imperialism had on European cultures.
Before Columbus's fateful voyage in 1492, no European had ever seen, much less tasted, tobacco or chocolate. Initially dismissed as dry leaves and an odd Indian drink, these two commodities came to conquer Europe on a scale unsurpassed by any other American resource or product. A fascinating story of contact, exploration, and exchange in the Atlantic world, Sacred Gifts, Profane Pleasures traces the ways in which these two goods of the Americas both changed and were changed by Europe.
Focusing on the Spanish Empire, Marcy Norton investigates how tobacco and chocolate became material and symbolic links to the pre-Hispanic past…
