30 books like Megabat

Surrealism and magical realism are the blood of my art. All my novels, and especially my short stories, jump in and out of the world of schedules, deadlines, and certainty. It’s what I read and how I think, and it flows through my writing, drawing, and photography. I can’t imagine a world without magic, a world in which everything has a logical explanation and nothing moves beyond a set of rules that can be measured and accounted for. It’s the unaccountable rules, the ones that hint of something going on just under the surface of what we see, that rule my art.

I do not have bipolar disorder like my father did and other relatives do, but have dealt with OCD, anxiety, and depression off and on from age thirteen forward. Throughout my (and my father's) mental illness journey and in the course of writing WWMF, countless hours have succumbed to the duties of researching and exploring bipolar and other mental illnesses. I am not a medical expert but I do think my compass and intentions point true on bringing light to these realities of life. If you disagree with my selections, commentary, or something you find askance in WWMF, please tell me! We all learn from discussion and dialogue.

If you’re at all like me, then finding time to sit down and read a book is incredibly challenging given how busy our everyday lives are. It seems like the only time I truly can dive into a book is on vacation. And so, all of the books I recommended I have either read on vacation or on an airplane. In my opinion, a good vacation book needs to be two things. It needs to be a quick read and it needs to be impossible to put down. When I sit down to write a book, I try to keep both of these in mind!

I’ve been traveling since age seventeen when I boarded a plane and headed to Europe on my own. Over the next three years I lived in London, took weekend jaunts across the continent, and became completely bitten by the travel bug. Since then, I’ve traveled to more than 95 countries. I’ve lost and gained friends and lovers and made a radical career change so that I could afford my travel addiction. Like my readers, I am an ordinary person. Through travel I’ve learned courage and risk-taking and succeeded at things I didn’t know I could do. My goal in writing is to inspire others to take off and explore the world.

Judith M. Heimann grew up in New York City, where her father and both his brothers were newspapermen. She lived in Borneo in the mid-1960s with her American diplomat husband John Heimann, and their school-age children. In Borneo, she made lifelong friends of Tom Harrisson, his then-wife Barbara, and indigenous people she later wrote about. After a career in Europe, Asia, and Africa, as a US diplomat alongside her husband, in retirement she became a nonfiction writer and went back to Borneo several times to research her books, help on tv documentaries, and celebrate anniversaries of important wartime dates there; she still remembers the names of the people, the songs, the carvings and paintings, and especially the way the local people met her and her family more than halfway. 

My first travel memoir, Finding Myself in Borneo, has won three awards. I hold a bachelor’s degree and a master’s degree in Communication from Florida State University. I worked internationally for 45 years, becoming an expert in the field of communication for social change. I directed and produced a number of award-winning documentary films/videos, popular multimedia initiatives, and have written numerous articles and books in my field. I worked and lived in Asia, Africa, and Russia for a total of 18 years and traveled to over 80 countries on short-term assignments. In 2015, I settled in New Mexico, using my varied experiences, memories, and imagination in creative writing.

I worked in Indonesia much of the time between 1979 and 2009, with people living in forests. As an anthropologist, my work was initially ethnographic in nature, later linking such insights to policies relating to forests and people – as I worked at the Center for International Forestry Research in Bogor (1995 – the present). Although later in my career, I worked in forests all over the tropics, my real love remains with Indonesia, where I worked the longest and learned the most. My most recent research was in 2019, when I returned to the first community I studied ethnographically in 1979-80.

I have been fascinated with travel and adventure stories since I read The Magic Faraway Tree by Enid Blyton. I finished a whole Walter Scott book; with a dictionary balanced on one knee because Jeanie Deans decides to walk from Edinburgh to London. Romance? Bah! Humbug! I’d rather journey into The Heart of Darkness, follow the hobbits to Mount Doom, or ride a sandworm with Paul Atreides. Show me a lone traveler thrown into the middle of an unfamiliar, confusing culture and you have my full attention. Naturally, when I started typing out my first manuscript, it just had to be a fantasy adventure about an Iban headhunter.

Ultimately, I’m someone who enjoys a good adventure. Prior to the age of twenty, I had never gone on a vacation or been camping, and the only place I saw Mickey Mouse was on television. Determined to experience a more fulfilling life, I set my sights on becoming a world traveler. I’ve done almost everything to transform the dream into a reality. I’ve studied abroad, served as a Peace Corps Volunteer, worked for an international NGO, served in the U.S. Navy, and done some off-the-grid exploring. After spending nine years abroad and visiting thirty countries, I’m finally a published author. Life Travel And The People In Between is my debut memoir.

I learned from a young age to question everything. The law always interested me, but I was an impatient high school graduate who instead completed a journalism cadetship in Sydney, Australia. I always loved police reporting and the ability to get inside the ‘real’ story where few others could. There is a certain pleasure observing the lives of (witting or unwitting) criminals and an element of “there by the grace…” too! I’ve always empathised with the underdog and the Drug Grannies were indeed just that. I believed there was more to their story. Earning their trust was important. I threw myself into their fight – more an activist than a journalist!