100 books like Love Lies Bleeding

This book is one of my favorite mysteries of all time. It addresses one of the great unsolved mysteries in English history: Did Richard III kill the princes in the tower? Tey’s sleuth, Alan Grant, is a dogged investigator, and, in the hospital with a broken leg, he treats this historical mystery like a contemporary murder. His step-by-step investigation pulled me in and convinced me that Richard Plantagenet has been mistreated by history.

Miss Tey is so convincing that she inspired me to write the (very innocent) ghost of Richard III into one of my own mystery novels after the monarch’s body was found under a Midlands car park in 2012.

I love the setting of this mystery: New Zealand during World War II. Ngaio Marsh was a New Zealander, but most of her well-known mysteries are set in England. This one has fascinating Māori characters as well as the usual blustery English ones.

Add a Nazi spy and our intrepid Inspector Roderick Alleyn in disguise, a complex plot, plus a truly surprising ending, and you’ve got a recipe for exactly the kind of mystery I like to escape into. 

This book introduces one of my favorite sleuths, Albert Campion. But what’s fun is that Allingham never tells the story from Campion’s point of view.

We only see him from the outside, as others do. This adds to the fun and intrigue. And there’s lots of that. In a spooky old English country mansion full of strangers, the host is murdered, and the rest of the crew goes on a twisty, scary roller-coaster ride driven by an assortment of secrets and criminal schemes—which we must slowly figure out.

This one had me on the edge of my chair, wondering what outrageous turn the plot would take next.

One of the funniest books I’ve ever read. Set in Paris in the 1920s, this mystery has everything I want in an escapist read: a suave detective, his sharpshooting, bad-ass girlfriend, a twisty, unpredictable plot, and fabulous, quirky characters.

Many are based on icons of the era: Josephine Baker, Picasso, Gertrude Stein, Hemingway, and all the usual Midnight in Paris celebrities. I first read this in my teens, and I still reread it for the madcap humor and view of Paris in the 1920s written by someone who was there.

And then there was Campusland… Fast, funny, and brutal in its satirical account of today’s campuses, with their “safe spaces” and identity politics and administrators and students alike running amok, this is a book with an agenda (be forewarned) but which executes that agenda extremely well. Johnston really nails certain character types present on many liberal arts colleges and elite campuses, as well as the dynamics as those characters execute their own agendas. If you share the author’s agenda you will lap it up; if not, you will be enraged; but either way you will be entertained. And if you haven’t been paying attention to the campus scene for a while—prepare to be shocked.  

Smith is a master at depicting multi-racial families (something she knows all about, as she grew up in one).

Her narratives take up the complex nature of the relationships between parents, children, and siblings, while delving into issues of race, class, politics, infidelity, and self-knowledge. Smith is expert with her use of voice, as she composes character through idiosyncratic styles of language and expression.

Life in this novel is colorful and messy, as it cleverly investigates the impossibility of really knowing those closest to you.

Based on a simple question: “Can a man escape from a high-security prison cell using only his mind?” The Problem of Cell 13 is everyone’s favorite. The story offers a convincing answer and a mind-bending ending you just don’t see coming.

This collection of short stories demonstrates how someone can solve even the most impossible mysteries if one harnesses the formidable power of one’s mind. As I walk mentally side-by-side with Futrelle’s protagonist, Professor Augustus S.F.X. Van Dusen, I find myself consistently unable to solve each puzzle first.

Unfortunately, Futrelle died young on the Titanic, taking several new stories down with him. At least we can still enjoy what he left behind, one of the greatest collections of mysteries you’ll find anywhere.

In a genre full of stories of almost infinite variety, this is one that caught my eye.

A middle-aged female professor of mathematics goes on a quest with her cat to track down a former student who is the only one who can save their world from destruction. Sounds cozy, doesn’t it? Except for the world-ending part.

And the fact that Vellitt’s path lies straight through a dreamscape out of the Lovecraftian mythos in this critique/homage to H.P. Lovecraft’s The Dream-Quest of Unknown Kadath. But you don’t have to have read the latter to enjoy the journey.

Vellitt is a marvelous character, the world-building is brilliant and the cat is the perfect addition that helps set the tone for a new and different kind of quest fantasy.

Helen McInnes books made their way into my family via those Readers Digest Condensed books that used to come in the mail. They were hard bound and heavy to hold, but it was fun to open them and explore new books. The only one I remember, though, is one by Helen McInnes. I had to go find the complete book because when they condense? You miss a lot. I recommend starting with her first book, Above Suspicion. I loved her characters right off. This isn’t one of those stories that starts with a big bang. The tension rises very slowly and you don’t realize you are being wound up like a spring until it’s too late to put it down. And cool factoid, the author was in the OAS in World War II. She knew her stuff. 

Ezekiel Farragut is a former university professor and current inmate at Falconer prison.

A drug addict and a murderer for killing his own brother during an argument, while incarcerated Farragut must wean himself from his addiction with methadone, and suffer visits from his profoundly disappointed wife. He is also involved romantically with a fellow prisoner—the captivating Jody, who all the guys want to screw.

When Jody successfully escapes, Farragut is left to contemplate how his own failures got him to this lonely place, and how to be a better man if he is ever able to leave it. This is where the grim, dreamlike beauty of Cheever’s best-known signature works shines through.

If you like this, also check out Blake Bailey’s biography of Cheever. The parallels between fact and fiction are fascinating.