Here are 100 books that The Mysterious Mickey Finn fans have personally recommended if you like
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My whole family shared a love for classic British mysteries, especially light-hearted, witty ones. With the enduring popularity of Agatha Christie and Dorothy L. Sayers, people sometimes forget there were lots of other great writers from the “golden age” of mysteries. I first found most of these books on my parents’ bookshelves when I was a bored teenager growing up in snowy central Maine. Several of the paperbacks were so well-worn the cellophane was peeling off their covers. For me, reading classic mysteries is like listening to Mozart—they are endlessly stirring and fascinating, and in the end, order is restored, and all is right with the world.
This book is one of my favorite mysteries of all time. It addresses one of the great unsolved mysteries in English history: Did Richard III kill the princes in the tower? Tey’s sleuth, Alan Grant, is a dogged investigator, and, in the hospital with a broken leg, he treats this historical mystery like a contemporary murder. His step-by-step investigation pulled me in and convinced me that Richard Plantagenet has been mistreated by history.
Miss Tey is so convincing that she inspired me to write the (very innocent) ghost of Richard III into one of my own mystery novels after the monarch’s body was found under a Midlands car park in 2012.
_________________________ Josephine Tey's classic novel about Richard III, the hunchback king whose skeleton was famously discovered in a council car park, investigates his role in the death of his nephews, the princes in the Tower, and his own death at the Battle of Bosworth.
Richard III reigned for only two years, and for centuries he was villified as the hunch-backed wicked uncle, murderer of the princes in the Tower. Josephine Tey's novel The Daughter of Time is an investigation into the real facts behind the last Plantagenet king's reign, and an attempt to right what many believe to be the…
My whole family shared a love for classic British mysteries, especially light-hearted, witty ones. With the enduring popularity of Agatha Christie and Dorothy L. Sayers, people sometimes forget there were lots of other great writers from the “golden age” of mysteries. I first found most of these books on my parents’ bookshelves when I was a bored teenager growing up in snowy central Maine. Several of the paperbacks were so well-worn the cellophane was peeling off their covers. For me, reading classic mysteries is like listening to Mozart—they are endlessly stirring and fascinating, and in the end, order is restored, and all is right with the world.
I love the setting of this mystery: New Zealand during World War II. Ngaio Marsh was a New Zealander, but most of her well-known mysteries are set in England. This one has fascinating Māori characters as well as the usual blustery English ones.
Add a Nazi spy and our intrepid Inspector Roderick Alleyn in disguise, a complex plot, plus a truly surprising ending, and you’ve got a recipe for exactly the kind of mystery I like to escape into.
Often regarded as her most interesting book and set on New Zealand's North Island, Ngaio Marsh herself considered this to be her best-written novel.
It was a horrible death - Maurice Questing was lured into a pool of boiling mud and left there to die.
Chief Inspector Roderick Alleyn, far from home on a wartime quest for German agents, knew that any number of people could have killed him: the English exiles he'd hated, the New Zealanders he'd despised or the Maoris he'd insulted. Even the spies he'd thwarted - if he wasn't a spy himself...
My whole family shared a love for classic British mysteries, especially light-hearted, witty ones. With the enduring popularity of Agatha Christie and Dorothy L. Sayers, people sometimes forget there were lots of other great writers from the “golden age” of mysteries. I first found most of these books on my parents’ bookshelves when I was a bored teenager growing up in snowy central Maine. Several of the paperbacks were so well-worn the cellophane was peeling off their covers. For me, reading classic mysteries is like listening to Mozart—they are endlessly stirring and fascinating, and in the end, order is restored, and all is right with the world.
This book introduces one of my favorite sleuths, Albert Campion. But what’s fun is that Allingham never tells the story from Campion’s point of view.
We only see him from the outside, as others do. This adds to the fun and intrigue. And there’s lots of that. In a spooky old English country mansion full of strangers, the host is murdered, and the rest of the crew goes on a twisty, scary roller-coaster ride driven by an assortment of secrets and criminal schemes—which we must slowly figure out.
This one had me on the edge of my chair, wondering what outrageous turn the plot would take next.
Classic Crime from the Golden Age, the first in the Albert Campion Series. Margery Allingham is J.K. Rowling's favourite Golden Age author.
George Abbershaw is set for a social weekend at Black Dudley manor, hosted by Wyatt Petrie and his elderly uncle Colonel Combe, who enjoys the company of Bright Young Things. With Meggie Oliphant in attendance, George looks forward to the chance of getting closer to the girl he's set his heart on. But when murder spoils the party, the group soon find out that not only is there a killer in their midst, but the house is under…
My whole family shared a love for classic British mysteries, especially light-hearted, witty ones. With the enduring popularity of Agatha Christie and Dorothy L. Sayers, people sometimes forget there were lots of other great writers from the “golden age” of mysteries. I first found most of these books on my parents’ bookshelves when I was a bored teenager growing up in snowy central Maine. Several of the paperbacks were so well-worn the cellophane was peeling off their covers. For me, reading classic mysteries is like listening to Mozart—they are endlessly stirring and fascinating, and in the end, order is restored, and all is right with the world.
I love English boarding school mysteries, and this one is told with a witty, humorous voice that kept me laughing. Throw in a lost Shakespeare play, an intriguing plot, and a lot of charm and humor, and this one had me hooked. Edmund Crispin was known for his erudite wit and huge vocabulary. I learned quite a few new words here.
The characters were fun and quirky, and the plucky teenage girl who’s smarter than the adults makes this book one of my favorite mysteries of the “golden age.”
As inventive as Agatha Christie, as hilarious as P.G. Wodehouse - discover the delightful detective stories of Edmund Crispin. Crime fiction at its quirkiest and best.
Castrevenford school is preparing for Speech Day and English professor and amateur sleuth Gervase Fen is called upon to present the prizes. However, the night before the big day, strange events take place that leave two members of staff dead. The Headmaster turns to Professor Fen to investigate the murders.
While disentangling the facts of the case, Mr Fen is forced to deal with student love affairs, a kidnapping and a lost Shakespearean manuscript.…
I created Hard Case Crime 20 years ago to revive the look, feel, and storytelling style of the great paperback crime novels of the 1940s and 50s: slender, high-velocity tales with irresistible premises, crackling dialogue, and powerful emotions, all presented behind gorgeous painted covers in the classic pulp style. Since then, I’ve had the opportunity to publish Stephen King, Joyce Carol Oates, Ray Bradbury, James M. Cain, Erle Stanley Gardner, Mickey Spillane, Brian De Palma, Ed McBain, and many more extraordinary authors.
The first novel about legendary private eye Phillip Marlowe is also the first mystery novel that ever made me cry when I turned the last page.
Marlowe’s poetic narration and bruised outsider’s voice offer a cynical but also strangely hopeful perspective on both the shady underworld types and the corrupt high-society folk who fill the “mean streets” down which Marlowe must walk (in Chandler’s much-quoted phrase).
Why hopeful when death–the big sleep–awaits us all? Because a man of principles like Marlowe can still bring a measure of justice in this unjust world, sometimes just by bearing witness.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
My debut mystery novel takes place in Alaska, a setting I love and think has a distinct personality of its own. My historical novel in progress is set in Hawaii, where I grew up, and it reflects the particular diverse culture of this nostalgic venue. Another work-in-progress is set in post-apocalyptic Argentina–you can see the pattern here. Having a cast of interesting, believable characters is essential–but bringing them to life in compelling locales enriches and enlarges the story, in my mind. So many wonderful books skillfully fulfill these requirements–I hope you’ll agree these are among the best in the mystery genre!
I like all of the Dave Robicheaux novels, but this is probably my favorite. Burke captures the sights and sounds of the Louisiana Bayou with the intense affection of someone raised on the Gulf Coast. In fact, I think he treats the setting as lovingly as Robicheaux treats Alafair, the Salvadoran orphan girl he rescues from a downed plane and raises as his own.
The three-legged raccoon, the wet moss hanging ghostlike from dead cypress, the blue crab shelled with a wooden mallet–just a few of the images that add to the patina of New Iberia. Much of the action takes place in Montana, but Robichaux–and James Lee Burke–return home at the end of the book to the bayou they both love.
The third highly acclaimed novel in the Dave Robicheaux series, and winner of the Edgar award.
Personal tragedy has left Dave Robicheaux close to the edge. Battling against his old addiction to alcohol and haunted nightly by vivid dreams and visitations, Dave finds his only tranquillity at home with his young ward Alafair. But even this fragile peace is shattered by the arrival of Dixie Lee Pugh who brings with him a brutal trail of murder and violence.
Robicheaux reluctantly agrees to help out his old friend but becomes more involved than he bargained for when he finds himself suspect…
I believe many writers suspect they are Strangers in a Strange Land. How ironic that I, a confirmed atheist, should use a biblical quote to describe the mindset of authors. Some discover where they belong through their writing. My book recommendations have a strong sense of place, whether it be the Old West, wartime Berlin, or modern-day Scotland. I was born into a 300-year-old N. Ireland Protestant Plantation family, yet many people saw us as interlopers: we weren’t quite Irish, and we weren’t quite British, yet we held dual passports. It was not until I left Ireland that I realized my Irish Heritage exerted a stronger pull than my British.
One of the best explanations I’ve read of the rise of Fascism in Hitler’s Germany. I agree that ignoring the lessons of history means we’ll be forced to endure repetition. And Kerr paints such a chilling scenario no one in their right mind would wish the maxim to come true. His prose applies color and form like an artist at the top of their game.
At times I found him reminiscent of Chandler in the way he portrays the Nazis as the worst gangsters in the game. This is the first book of the Bernard Gunther series, and I was so enthralled that I raced through the others in just a few days. His storyline is filled with horror, passion, fear, and pathos—a tour de force of emotions.
Discover the first crime novel in the late Philip Kerr's Bernie Gunther series - Berlin Noir - set in Hitler's Germany during the 1930s . . .
Winter, 1936. A man and his wife shot dead in their bed, their home burned. The woman's father, a millionaire industrialist, wants justice - and the priceless diamonds that disappeared along with his daughter's life. He turns to Bernhard Gunther, a private eye and former cop.
As Bernie follows the trail into the very heart of Nazi Germany, he's forced to confront a horrifying conspiracy. A trail that ends in the hell that…
I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
Like Paretsky’s V. I. and Grafton’s Kinsey Milhone, six-foot, former police officer and intrepid Boston P.I. Carlotta Carlyle is dogged, street smart, and tough while navigating the vagaries of big city corruption and big money influence.
She is bored by her desk job undercover assignment investigating fraud in Boston’s Big Dig construction project. She craves the action that I, as a reader, want to see her undertake. I hope this is also the type of character I have created in my book.
Carlotta Carlyle, the six-foot-tall redhead private investigator, thought that working undercover searching out fraud on Boston's Big Dig would be a challenging assignment. After all, the Big Dig, the creation of a central artery highway through downtown Boston, is a USD 14 billion project, the largest urban construction undertaking in modern history. But playing a mild-mannered secretary working out of a construction trailer is not quite the thrill ride she had in mind, so Carlotta starts moonlighting, taking on a missing person case. The mysterious death of a construction worker stirs up a storm of events and soon enough Carlotta…
I’ve loved mystery novels since picking up my older sister’s Agatha Christie collection as a pre-teen. Over the years I’ve come to love novels with badass women detectives, especially when the world-building pulls you into a place and time that is almost an additional character, where you can feel the weather, smell the buildings, and taste the fear. And it certainly doesn’t hurt to add a social justice angle. Having read so many, I finally decided to write my own mystery set in the East Los Angeles neighborhood of Boyle Heights where I grew up, not anywhere near the Hollywood version.
Better than any travel book, I’d recommend a Cara Black novel before going to Paris. I love her focus on a single district, or Arrondissement, in each of her Aimée Leduc detective novels. I especially like how she brings to life the history of each neighborhood. This is the first of the 20-book series and my favorite neighborhood in Paris. Aimée navigates politics and historic atrocities to solve the killing of an elderly Jewish woman, all the while trying to stay alive herself. You can almost smell the freshly baked baguettes.
In the Jewish quarter of Paris an old nightmare is reborn.
Aimee Leduc, a half-American, half-French investigator in Paris, is approached by a rabbi to decipher a fifty-year-old encrypted photograph and deliver it to an old woman in the Marais, the old Jewish quarter of the city.
When she does so, she finds a corpse on whose forehead a swastika has been carved. With the help of her partner Rene, a dwarf with extraordinary computer skills, she sets out to solve this horrible crime and finds herself caught up in a dangerous game with links to both modern politics and…
Flannery O’Connor once said that all fiction is ultimately about the “mystery of personality.” I agree. In fact, I have always suspected that all good novels, genre-based or otherwise, are secretly mystery novels, if only in the psychological sense. Conversely, many so-called genre novels have just as much depth, insight, and realism as any literary work. I have read a lot of genre and literary fiction in my time, and I have long been fascinated by works that blur the line between the two. My favorite kind of book is one that feels like a genre novel (that is, it has a great plot) but also has the depth and vividness of a literary novel.
If there is one central defining quality of noir crime fiction, it is the main character’s struggle to preserve his moral center in a fundamentally corrupt and evil world. The best P.I. novels are able to render this kind of character in brushstrokes that are both beautiful and subtle.
One of my favorites is Ross Macdonald’s Lew Archer, first introduced in this novel. When Archer is hired to find a missing rich guy in a tony, Southern California beach town, he finds himself knee-deep in violence, greed, and deceit, uncertain of who is guilty, who he can trust, and even who is worth saving. A moving target, indeed.
The first book in Ross Macdonald's acclaimed Lew Archer series introduces the detective who redefined the role of the American private eye and gave the crime novel a psychological depth and moral complexity only hinted at before.
Like many Southern California millionaires, Ralph Sampson keeps odd company. There's the sun-worshipping holy man whom Sampson once gave his very own mountain; the fading actress with sidelines in astrology and S&M. Now one of Sampson's friends may have arranged his kidnapping.
As Lew Archer follows the clues from the canyon sanctuaries of the megarich to jazz joints where you get beaten up…
