Here are 81 books that Kalmann fans have personally recommended if you like
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I have always been interested in the environment, ever since I studied Human Ecology under Professor Roger Revelle at Harvard. Several summer jobs in the Arctic with the Geological Survey of Canada gave me an early appreciation of what climate change meant for the polar region, and a more recent visit to Greenland brought the environmental devastation there more into focus. Also, having escaped from Communist Hungary in 1956, I have keenly followed Russia and its superpower ambitions, so it was natural for me to combine these two areas of interest into an environmental thriller. I am now writing a sequel, Arctic Inferno.
As with the previous book, this one too shows the author’s deep knowledge of the subject and his ability to weave that into a gripping thriller. Here too, you get both learning and titillation. In this book, Brooks Yeager, a former advisor to the Arctic Council and environmental negotiator, combines the high-stakes dynamics of international Arctic politics and many of the critical environmental issues facing us there and elsewhere, with other key ingredients such as well-constructed characters, lots of romance and an engaging plot to create a book you cannot put down.
2021 American Fiction Award Winner in Adventure: General
Taz Blackwell, former environmental negotiator and now a trouble-seeking drinker and romantic charmer, tries to find a new life and love against a backdrop of espionage, corporate plunderers, and devious diplomats.
Escaping a failed marriage, Taz moves to the island of Chincoteague on Virginia's Atlantic Coast, where he explores friendships with a cast of small-town misfits and romance with a beautiful but wary divorcee. Meanwhile, he fights a corporate land grab on the shore and a shady billion-dollar mining play in the international Arctic.
Why is a Chinese mining conglomerate stealing the…
I’ve been a fan of amateur sleuths since my first foray into our local library. Reading opened a whole world to me, and I devoured each new story with relish, imagining myself in the role of the hero and how I might deal with the perils that befell them. I raced through each book series in a matter of weeks, from The Famous Five and The Hardy Boysto Alfred Hitchcock’s The Three Investigators. I remember the thrill of moving to the library's adult section and discovering even more books where humble heroes were dragged into murder mysteries, unexpected adventures, and thrilling chases across dangerous landscapes. Woo-Hoo!
I really enjoy books where the central character is someone who is unused to solving crimes. In this case, the heroine, Thora, is a lawyer hired to investigate a project on the northeast coast of Greenland.
I loved the remoteness of the setting and how its very isolation puts the investigating team in a difficult position. I found the strange folklore and beliefs of the local inhabitants fascinating, especially the tales of creatures known as Tupilaqs, which add an uncanny layer to the story.
Yrsa Sigurdardóttir is widely regarded around the world as one of the best Nordic crime writers working today. Yrsa's previous book in the series, Ashes to Dust, also featured lawyer and sometime sleuth Thóra Gudmundsdóttir and received rave reviews internationally.
In The Day is Dark, when all contact is lost with two Icelanders working in a harsh and sparsely populated area on the coast of Greenland, Thóra is hired to uncover the fates of the missing people. When…
In 2009, when I decided to set a crime series in Iceland, I embarked on a decade of research into the country, its people, its literature, its culture, and its elves. I visited the country, I spoke to its inhabitants and I read books, lots of books – I couldn’t find an elf, but I was told where they live. I needed to understand its criminals, its victims, its police, and most of all my detective Magnus Jonson. These are the best books that helped me get to grips with Iceland.
I don’t think it is overly ambitious to claim that you can learn a lot about a country from its crime novels. I certainly did, devouring novels by Yrsa Sigurdardóttir, Lilja Sigurdardóttir, Ragnar Jónasson, and the Englishman Quentin Bates. A good crime novel describes not only a place and its people but what makes them tick, what they fear, and what they desire. It’s very hard to pick just one crome novel from so many great ones, but Arnaldur Indridason’s Silence of the Grave won the British Crime Writers Association Gold Dagger in 2005 and also features the British occupation of the country during the war. Plus, it’s a damned good story.
Building work in an expanding Reykjavik uncovers a shallow grave.
Years before, this part of the city was all open hills, and Erlendur and his team hope this is a typical Icelandic missing person scenario; perhaps someone once lost in the snow, who has lain peacefully buried for decades. Things are never that simple.
Whilst Erlendur struggles to hold together the crumbling fragments of his own family, his case unearths many other tales of family pain. The hills have more than one tragic story to tell: tales of failed relationships and heartbreak; of anger, domestic violence and fear; of family…
In 2009, when I decided to set a crime series in Iceland, I embarked on a decade of research into the country, its people, its literature, its culture, and its elves. I visited the country, I spoke to its inhabitants and I read books, lots of books – I couldn’t find an elf, but I was told where they live. I needed to understand its criminals, its victims, its police, and most of all my detective Magnus Jonson. These are the best books that helped me get to grips with Iceland.
The Icelanders are remarkable people with some pretty strange habits. Optimistic, energetic, friendly in a very reserved way, armed with irony that can kill at ten metres, they do not fit the classic Scandinavian stereotype. Over the last decade, as I have researched Iceland for my various Magnus novels, the Icelandic-Canadian Alda has been my guide on all things Icelandic. She gets to the bottom of their quirks and foibles in this brilliant little book of fifty or so essays about the people who live on a treeless volcano with appalling weather. Very funny. Very illuminating.
After more than 20 years away, Alda Sigmundsdottir returned to her native Iceland as a foreigner. With a native person's insight yet an outsider's perspective, Alda quickly set about dissecting the national psyche of the Icelanders.
This second edition, from 2018, contains new and updated chapters from the original edition, reflecting the changes in Icelandic society and among the Icelandic people since the book was first published in 2012.
Among the fascinating subjects broached in The Little Book of the Icelanders: • The appalling driving habits of the Icelanders • Naming conventions and customs • The Icelanders’ profound fear of…
I love the idea that much of folklore is based on universal human stories that are still true today. Selkies may be mystical creatures but they are also women treated badly by men, then judged for their response by wider society. Because of this universality, as well as the compelling magical element, there are many modern novels that make use of selkie folklore, which in several ways shares roots with the folklore of mermaids. I’ve picked out a few that spoke to me. I hope many more readers will discover these sea-faring, shape-shifting, magic-realist tales.
I love this book for many reasons. The Sealwoman is a passenger on the slave ship that takes our protagonist form her beloved homeland, and the ‘gift’ of the title is the story she tells of her shapeshifting roots. The voyage is hellish, and contains a terrifying birth scene among other unspeakable, unimaginable, only just survivable events. It’s based on a true story, which makes it all the more powerful, and it makes me wonder about the hidden truths in the folklore contained within it, especially the sealwoman’s story.
'A remarkable feat of imagination... I enjoyed and admired it in equal measure' Sarah Perry, author of The Essex Serpent 'An extraordinarily immersive read, that emphasises the power of stories, examining themes of motherhood, identity, exile and freedom ... a journey that not only crosses continents, but encompasses tragedy and rich sensuality' Guardian 'A powerful tale of Barbary pirates ... richly imagined.' Sunday Times 'Engrossing' Sunday Express 'Fascinating ... a really, really good read' BBC R2 Book Club 'The best sort of historical novel.' Scotsman 'A lyrical tale' Stylist 'A poetic retelling of Icelandic history.' Daily Mail 'Compelling stuff' Good…
Ever since childhood I’ve been fascinated by the history of England, and fifteen years ago I made the decision to write a series of novels set before the Norman Conquest. Since then I’ve immersed myself in the history of that period and made numerous visits to the locations where I set my novels. I’ve been frustrated though by the enormous gaps in the historical records of that time, in particular the lack of information about the women. Because of that I am drawn to the work of authors who, like me, are attempting to resurrect and retell the lost stories of those remarkable women.
In this genre-bending novel the author weaves Norse myth with a tale set in the very real world of early medieval Iceland. Her descriptions of the landscape are wondrous, and her portrayal of the lives and culture of the early settlers of Iceland ring true. I loved how she quite successfully brought the Norse gods and one particular goddess down to earth. I am not as knowledgeable about the Nordic gods and their stories as I would like to be. This novel was a terrific way to begin a journey of discovery taking me in that direction.
A beautiful epic of love, longing, redemption, and enchantment in the tradition of Marion Zimmer Bradley?s The Mists of Avalon
Iceland, AD 1000 Freya knows that her people are doomed. Warned by the Fates of an impending disaster, she must embark on a journey to find a magnificent gold necklace, one said to possess the power to alter the course of history. But even as Freya travels deep into the mountains of Iceland, the country is on the brink of war. The new world order of Christianity is threatening the old ways of Iceland?s people, and tangled amidst it all…
I've always been fascinated by the way history feels inherently uncanny, as we inhabit the same places as people long dead. I suppose that’s why the novels I write tend to be in historical settings, and they tend to have a speculative twist. For much of my working life, I was a journalist, so I love the research part of writing historical fiction. I tend to be drawn to old stories, and I especially love looking at those stories from angles I haven't seen before. Two of my novels bookend the European Middle Ages: The Valkyrie, set in the 5th century CE, and The Chatelaine, set in the 14th century CE.
This is a slim book and it's told in an intimate, lyrical voice that feels like it's speaking directly to you from the period – which, in this case, is the 9th century CE.
All the Horses of Iceland follows a Norse trader through Rus to Mongolia in the company of Khazars. It's a ghost story, with notes of sadness mixed with wonder. And while it is possible to trace the journey and pick up on historical signposts, the book doesn't acknowledge that it knows when and where its reader might be – which bolsters the illusion of reading something very old.
A hypnotic historical fantasy with gorgeous and unusual literary prose, from the captivating author of The Fourth Island.
Everyone knows of the horses of Iceland, wild, and small, and free, but few have heard their story. Sarah Tolmie’s All the Horses of Iceland weaves their mystical origin into a saga for the modern age. Filled with the magic and darkened whispers of a people on the cusp of major cultural change, All the Horses of Iceland tells the tale of a Norse trader, his travels through Central Asia, and the ghostly magic that followed him home to the land of…
In 2009, when I decided to set a crime series in Iceland, I embarked on a decade of research into the country, its people, its literature, its culture, and its elves. I visited the country, I spoke to its inhabitants and I read books, lots of books – I couldn’t find an elf, but I was told where they live. I needed to understand its criminals, its victims, its police, and most of all my detective Magnus Jonson. These are the best books that helped me get to grips with Iceland.
To understand a country, you need to understand its history. This book is the most accessible account of Iceland’s history and is also very funny. I wish it had been written ten years ago when I started out on my Iceland odyssey. Egill covers the whole of Iceland’s history from Ingólfur throwing his home pillars into the sea in 874 to decide where he should land, to the great women’s strike of 1975 when 90 percent of Icelandic women stopped doing what they were expected to do and the country came to a stop. Also includes my favourite bit of Icelandic history. On 9 May 1940 Hitler invaded Belgium and Holland and that same day Britain invaded Iceland, an action so mildly embarrassing that we never really talk about it. Egill does, though.
"[A] joyously peculiar book." -- The New York Times
‘Bjarnason’s intriguing book might be about a cold place, but it’s tailor-made to be read on the beach.’ –New Statesman
The untold story of how one tiny island in the middle of the Atlantic has shaped the world for centuries.
The history of Iceland began 1,200 years ago, when a frustrated Viking captain and his useless navigator ran aground in the middle of the North Atlantic. Suddenly, the island was no longer just a layover for the Arctic tern. Instead, it became a nation whose diplomats and musicians, sailors and soldiers,…
The me of me is a “late in life rider” and freelance writer—with an edge. I learned to ride horses in my ‘40s when we left the wonders of California for sweet tea, okra, and equine “yard art” of Tennessee. Horses and writing mixed to create Horse Sluts. My political bent led me to craft an exposé on the brutal “training” of Big Lick TN Walking Horses. I still ride and explore the more humorous sides of aging and riding. A stickler for "writing worth reading,” I eschew self-conscious, wandering-lost writing. The books I recommended are well crafted.
Tory Bilski hooked me with her first line. I searched riding trips sites by the end of the paragraph. Wild Horses of the Summer Sunis a crafted odyssey. The book gifts us with Icelandic horses, foreign travel exploration, and the human (and herd) dynamic of a group of women who crave to “be Iceland.”
Tory is a writer in all that the craft implies. Her storytelling speaks to the explorer in us. She guides us around each mystical curve and through a physical (and emotional) blinding fog. She swims us across a (gulp) deep lake. We encounter “Tippi Hedren-esk” killer birds and truculent bulls. We hunger for the “gifts of the earth” meals and well-earned, decadent desserts. Ancient Nordic Sagas of trolls, ghosts and a fatal love affair spice the travelogue.
'Blame it or praise it, there is no denying the wild horse in us.' Virginia Woolf
What if you could steal time out just for yourself each year, a brief reprieve from ordinary life and its responsibilities? Wild Horses of the Summer Sun is author Tory Bilski's witty, sometimes poignant, account of her annual 'horse sabbaticals' to Iceland. She and her travelling companions exhilarate in their freedom, the spectacular scenery, the midnight sun energy and the Icelandic horses that connect deeply to the soul. Each year brings a new discovery about Iceland, about herself and about her relationships with the…
As a historian of feminism, I am always on the lookout for sources that reveal women’s voices and interpretation of experiences often imagined as belonging primarily to men. Whether erudite travelogue, personal journey of discovery, or sensationalist narrative of adventure and exploration, books written by women traveling on their own were among the most popular writings published in the Victorian era. Often aimed at justifying the expansion of woman’s proper “sphere,” these books are perhaps even more enthralling to the contemporary reader —since they seem to defy everything we think we know about the constrained lives of women in this era. In addition to illuminating the significant roles that women played in the principal conflicts and international crises of the nineteenth century, these stories of women wading through swamps, joining military campaigns, marching across deserts, up mountains, and through contested lands often armed only with walking sticks, enormous determination, and sheer chutzpah, never fail to fascinate!
In 1842, after 45 years of frustratingly sedentary domesticity, the Austrian-born Ida Pfeiffer gave full vent to her wanderlust. Within five years, her jaw-dropping round-the-world journeys would make her one of the most widely-traveled persons of that century, while her talent for vivid portrayals made her one of the most well-known travel writers. Of her many chronicles, I especially enjoy this tale of her 1845 trip to the northern reaches of Scandinavia and Iceland—a place almost no continental Europeans had visited and few even knew existed. Pfeiffer’s insights and thoughtful reportage, as well as a newly emerging fascination with Iceland and Icelanders in our own time, has given this rare travel narrative new currency.
This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
