Here are 100 books that Jonathan Abernathy You Are Kind fans have personally recommended if you like
Jonathan Abernathy You Are Kind.
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I’ve been fascinated by the world of fashion for more than a decade. Back in 2012, a serious bike accident left me incapacitated for the best part of six months. By the time I recovered from my injuries, a chance encounter with a Russian dressmaker would change everything; I decided to learn how to sew. I sat in front of my sewing machine, made my own clothes, and expanded into making dresses for my friends. Since I’ve always enjoyed reading gritty mysteries, it was only natural for me to incorporate my art into my writing. Cold Dresses was born out of a passion for fashion and dark thrillers.
Yes, (almost) everyone has watched the movie. Sure, Meryl Streep was perfect for the role, but the book gives a whole different meaning to “The Boss from Hell.” The plot is more realistic too, in my opinion, and the world of fashion crueller and more difficult compared to the one described in the movie.
Saying that, there are many hilarious moments, too. Fun, fabulous, and, at times, slightly disturbing...
High fashion, low cunning - and the boss from hell
When Andrea first sets foot in the plush Manhattan offices of Runway she knows nothing. She's never heard of the world's most fashionable magazine, or its feared and fawned-over editor, Miranda Priestly - her new boss.
A year later, she knows altogether too much:
That it's a sacking offence to wear anything lower than a three-inch heel to work.
That you can charge cars, manicures, anything at all to the Runway account, but you must never, ever, leave your desk, or let Miranda's coffee get cold.
In 2017, I was laid off from my first job out of college, an experience that I think more young people are going through as we move further into an uncertain economic future. That experience formed the basis of my novel, which was published earlier this year. Afterwards, I met a lot of people, most of whom I didn’t know, who told me they’d resonated with the feeling of malaise captured by those first few chapters: of working jobs that seem to be dead ends, wondering if you’ll be here, at this desk, twenty years from now. It’s something most everybody can relate to but doesn't appear in novels nearly as much as it should.
Objectively, Severance fits into many lists, being a masterpiece of literary fiction, as well as a speculative, near-future puzzle, as well as an intimate and moving portrait of survival both physical and metaphorical.
But it’s also an office novel, one that through sheer coincidence depicted the surrealism of white collar office work while a deadly pandemic enacts devastating change across the planet at exactly the same time it was happening in reality. The book is one of my favorites of all time. Every read offers something different.
Maybe it’s the end of the world, but not for Candace Chen, a millennial, first-generation American and office drone meandering her way into adulthood in Ling Ma’s offbeat, wryly funny, apocalyptic satire, Severance.
"A stunning, audacious book with a fresh take on both office politics and what the apocalypse might bring." ―Michael Schaub, NPR.org
“A satirical spin on the end times-- kind of like The Office meets The Leftovers.” --Estelle Tang, Elle
NAMED A BEST BOOK OF THE YEAR BY: NPR * The New Yorker ("Books We Loved") * Elle * Marie Claire * Amazon Editors * The Paris Review…
In 2017, I was laid off from my first job out of college, an experience that I think more young people are going through as we move further into an uncertain economic future. That experience formed the basis of my novel, which was published earlier this year. Afterwards, I met a lot of people, most of whom I didn’t know, who told me they’d resonated with the feeling of malaise captured by those first few chapters: of working jobs that seem to be dead ends, wondering if you’ll be here, at this desk, twenty years from now. It’s something most everybody can relate to but doesn't appear in novels nearly as much as it should.
I read this novel a few years ago, back before I had any kind of writing career to speak of.
Personally, books about the life cycle of a lie have always fascinated me, which is why Something to Live For—a book about a man who must finally come to terms with the fact that the adoring wife and children he talks about at work every day do not actually exist—captured my heart.
The novel deals with that liminal space between home life and work life, the different people we become when we cross that border, and the obligation of authenticity (whatever that means). The result is beautiful and heartbreaking.
'If you loved Eleanor Oliphant, try this brilliant new read. We completely fell in love with this funny, uplifting debut' Fabulous Magazine
'A magnificent read. Tender, funny, compelling' Lucy Foley, bestselling author of The Hunting Party
Sometimes you have to risk everything to find your something...
All Andrew wants is to be normal. He has the perfect wife and 2.4 children waiting at home for him after a long day. At least, that's what he's told people.
The truth is, his life isn't exactly as people think and his little white lie is about to catch up with him.
In 2017, I was laid off from my first job out of college, an experience that I think more young people are going through as we move further into an uncertain economic future. That experience formed the basis of my novel, which was published earlier this year. Afterwards, I met a lot of people, most of whom I didn’t know, who told me they’d resonated with the feeling of malaise captured by those first few chapters: of working jobs that seem to be dead ends, wondering if you’ll be here, at this desk, twenty years from now. It’s something most everybody can relate to but doesn't appear in novels nearly as much as it should.
This may be the first book one thinks of when picturing The American Office Novel. It’s one of the older books on this list. It’s also the funniest, and strangest, and the truest.
Centered around a Chicago advertising agency struggling to preserve its relevancy amid the vastly changing media landscape of the 90s and employing one of the only uses of first-person plural that I think works in entirety, this book is a true gem, a marvel that tells a fairly straightforward story that practically vibrates with the amount of beautiful, carefully arranged detail throughout it.
No one knows us quite the same way as the men and women who sit beside us in department meetings and crowd the office refrigerator with their labeled yogurts. Every office is a family of sorts, and the ad agency Joshua Ferris brilliantly depicts in his debut novel is family at its strangest and best, coping with a business downturn in the time-honored way: through gossip, pranks, and increasingly frequent coffee breaks. With a demon's eye for the details that make life worth noticing, Joshua Ferris tells a true and funny story about survival in life's strangest environment--the one we…
When I started writing The Majesties, I wanted the narrative to be a continual excavation of secrets, one after the other. This sort of multi-layered story has always intrigued me and my fascination with it has influenced all my written work so far. I am particularly fascinated by books where characters unconsciously keep secrets from themselves, and where the line between the “real” and the fantastic is blurred beyond recognition. Sometimes it’s not just about solving a mystery, but articulating its mysteriousness—giving it flesh and bone, stitching its parts together, and bringing it to life through words.
I read this book late at night while recovering from jetlag, and it was either the perfect book to read late at night while my mind’s guard was down or the worst book to do this with. The stories are hilarious, but also often horrifying, and ingeniously fantastic. A bunny lamp that curses whoever touches it; a woman who gets pregnant from taking birth control pills; a boy who bleeds gold when he drinks his sister’s blood—these stories are sure to keep your brain lit up long after your head has hit the pillow.
Cursed Bunny is a genre-defying collection of short stories by Korean author Bora Chung.
Blurring the lines between magical realism, horror, and science-fiction, Chung uses elements of the fantastic and surreal to address the very real horrors and cruelties of patriarchy and capitalism in modern society.
Anton Hur's translation skilfully captures the way Chung's prose effortlessly glides from being terrifying to wryly humorous.
I’ve been fascinated by money since I was a graduate student when I had even less of it than I do today (as a British historian in the CUNY system). We all carry it in our wallets and have more or less of it in the bank, but it’s also in the air we breathe, suffusing the books we read and the decisions we make. So when I started researching and writing about the British past, money and its associated institutions seemed like an obvious place to start looking. It has yet to let me down, enabling me to discover new things to say about politics, literature, and society.
Although this book is ostensibly about risk, none of Levy’s fascinating case studies stray far from money. Indeed, one of his central claims is that modern capitalism transforms risk into a financial calculation, whereby money’s fluid nature can be employed to divert uncertainty in different directions. Although the goal in such transactions is always to contain risk, the reality (as brilliantly recounted by Levy) is far less certain.
I read this book immediately after writing about the history of British life insurance, and most of these cases (about insuring slave ships, African-American savings, farm mortgages, and the stock market, among others) reinforced the lessons I had learned about the Quixotic and hubristic nature of risk management. The upshot of the book is that, over the course of America’s long nineteenth century, the rich got richer, and the poor got empty promises. Its brilliance lies in the relish with which Levy…
Until the early nineteenth century, "risk" was a specialized term: it was the commodity exchanged in a marine insurance contract. Freaks of Fortune tells the story of how the modern concept of risk emerged in the United States. Born on the high seas, risk migrated inland and became essential to the financial management of an inherently uncertain capitalist future.
Focusing on the hopes and anxieties of ordinary people, Jonathan Levy shows how risk developed through the extraordinary growth of new financial institutions-insurance corporations, savings banks, mortgage-backed securities markets, commodities futures markets, and securities markets-while posing inescapable moral questions. For at…
When I started college in 1974 as a young radical feminist I had zero interest in history—it was all wars and men. But in a course about the Russian Revolution I learned the most thrilling thing: historians don’t simply relay facts, they argue with one another. I fell in love, and I never looked back. I am especially fascinated by what societies label “unthinkable,” and how that shapes, contains, and controls radical ideas. I've always been intrigued by what is "out of the question" and then poke at it, see what lies underneath, and try to figure out why things remain, or are kept, invisible.
On one level, this is a book about housework in the pre-Civil War northern United States. Much more profoundly, it shatters ideas about unpaid labor in early industrial capitalism. It completely changed my—and many readers’—ideas of what constitutes “work,” what it means to contribute to a household economy, and how ideas about wages (and, especially, work done by men outside the home) obscured early capitalists’ dependence on women’s unwaged work. After reading this, you’ll never refer to “women who worked” and “women who didn’t” again. It should be essential reading not only for women’s historians, but for anyone interested in ideologies of labor, capitalism, and the history of work.
[Full disclosure: I met Jeanne Boydston on my second day of graduate school and we collaborated closely on our dissertations (later books). She was my best friend and best teacher until her much-too-early death in 2008.]
Over the course of a two hundred year period, women's domestic labor gradually lost its footing as a recognized aspect of economic life in America. The image of the colonial "goodwife," valued for her contribution to household prosperity, had been replaced by the image of a "dependent" and a "non-producer." This book is a history of housework in the United States prior to the Civil War. More particularly, it is a history of women's unpaid domestic labor in the context of the emergence of an industrialized society in the northern United States. Boydston argues that just as a capitalist economic…
I’m a Canadian political economist working in Australia as an Associate Professor in International Relations and Political Economy at the University of Wollongong, just south of Sydney. I’ve been fascinated by the history of capitalism and money since post-graduate school. Eventually I had some time to do a deep dive into the existing scholarly literature on money and have so far written two books on the topic and multiple articles. I hope you enjoy my book recommendations as much as I enjoyed reading them.
Gold has fascinated humanity for a considerable swathe of history, and it continues to do so today.
I saw this book online and immediately had to get it. I already knew that the creation of modern money as debt was fundamentally rooted in war and geopolitics, but I did not know the extensive history of how gold and war were interconnected over 500 years.
I think that this is a captivating study for anyone who is interested in the links between war, gold, and geopolitical capitalism.
A fascinating and essential read for explaining how we arrived at where we are today.
The world was wild for gold. After discovering the Americas, and under pressure to defend their vast dominion, the Habsburgs of Spain promoted gold and silver exploration in the New World with ruthless urgency. But, the great influx of wealth brought home by plundering conquistadors couldn't compensate for the Spanish government's extraordinary military spending, which would eventually bankrupt the country multiple times over and lead to the demise of the great empire. Gold became synonymous with financial dependability, and following the devastating chaos of World War I, the gold standard came to express the order of the free market system.…
The Spirit of Capitalism: Nationalism and Economic Growth is the second volume of my nationalism trilogy. When I published the first volume,Nationalism: Five Roads to Modernity, the accepted view on the subject of nationalism was that it is a product of economic development, specifically, of industrialization and capitalism. On the basis of historical evidence, I proved that its emergence had nothing to do with these economic phenomena: in fact, it preceded both. Reviews of Nationalism, noting that, for this reason, economic developments could not have caused nationalism, raised the question what relationship, then, did exist between nationalism and the economy, and this led me to investigate it.
This book, originally published in 1960, is the classical statement of the still dominant position in economic history, which assumes that economic growth is natural and which I have proven wrong.
I recommend it to anyone interested in the current (unchanging for decades) state of the discipline as an essential model of what I was arguing against.
2017 Reprint of 1960 First Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. In the text Professor Rostow gives an account of economic growth based on a dynamic theory of production and interpreted in terms of actual societies. Five basic stages of economic growth are distinguished with detailed discussions of each stage including illustrative examples. Rostow also applies the concept of stages of growth to an examination of the problems of military aggression and the nuclear arms race. The final chapter includes a comparison of his non-communist manifesto with Marxist theory. Remains a classic text…
As both a scholar and a citizen I have spent my adult life seeking to better understand the dynamics of power, especially power wielded in flagrantly unjust fashion in societies otherwise founded on notions of life, liberty, and happiness for all. This has led me to study the history of the economy, not just as a material but as a cultural system that encodes the categories of modern life: self and society, private and public, body and soul, and needs and desires.
Jeffrey Sklansky is that rare academic with a writer’s literary imagination, which serves the reader well in engagingThe Soul’s Economy, a riveting and dense intellectual history of the market’s emergence as the organizing principle of not only economic life, but of a distinctly new moral sensibility between 1820 and 1920.
Sklansky explores this far-reaching turn of events through a series of dedicated readings of America’s leading philosophers and pundits of the times, ranging from Ralph Waldo Emerson to John Dewey, who collectively recast the pursuit of wealth into an ethic of personal rectitude and even the source of society’s general welfare.
Socializing the psyche; Tracing a seismic shift in American social thought, Jeffrey-Sklansky offers a new synthesis of the intellectual transformation entailed in the rise of industrial capitalism. For a century after Independence, the dominant American understanding of selfhood and society came from the tradition of political economy, which defined freedom and equality in terms of ownership of the means of self-employment. However, the gradual demise of the household economy rendered proprietary independence an increasingly embattled ideal. Large landowners and industrialists claimed the right to rule as a privilege of their growing monopoly over productive resources, while dispossessed farmers and workers…
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