Here are 100 books that Something to Live For fans have personally recommended if you like
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I’ve been fascinated by the world of fashion for more than a decade. Back in 2012, a serious bike accident left me incapacitated for the best part of six months. By the time I recovered from my injuries, a chance encounter with a Russian dressmaker would change everything; I decided to learn how to sew. I sat in front of my sewing machine, made my own clothes, and expanded into making dresses for my friends. Since I’ve always enjoyed reading gritty mysteries, it was only natural for me to incorporate my art into my writing. Cold Dresses was born out of a passion for fashion and dark thrillers.
Yes, (almost) everyone has watched the movie. Sure, Meryl Streep was perfect for the role, but the book gives a whole different meaning to “The Boss from Hell.” The plot is more realistic too, in my opinion, and the world of fashion crueller and more difficult compared to the one described in the movie.
Saying that, there are many hilarious moments, too. Fun, fabulous, and, at times, slightly disturbing...
High fashion, low cunning - and the boss from hell
When Andrea first sets foot in the plush Manhattan offices of Runway she knows nothing. She's never heard of the world's most fashionable magazine, or its feared and fawned-over editor, Miranda Priestly - her new boss.
A year later, she knows altogether too much:
That it's a sacking offence to wear anything lower than a three-inch heel to work.
That you can charge cars, manicures, anything at all to the Runway account, but you must never, ever, leave your desk, or let Miranda's coffee get cold.
Let’s face it—we spend a lot of time at work. Work is a big part of our lives, but sometimes it’s terrible and feels like there is no winning against institutionalized sexism and capitalism. And you really want to win! I love reading about women who are finding ways to overcome massive obstacles at work no matter what gets in their way, whether it’s by destroying an industry with a spreadsheet, breaking a curse, ditching a bad boss, or just finding a way to survive. Because sometimes that’s all you can do—survive it. Stories of women working feel endlessly relatable because we have so many shared experiences, and that’s why what happens at work shows up in my reading and my writing.
This book is dystopian and is really about the downfall of capitalism, but it starts in an office.
Candace Chen has her job and not much else. She goes to work and has little personal life outside of it. She barely even notices when a plague sweeps New York, and everyone leaves, and society crumbles. Her work keeps her busy, and she does it until the money she’s promised shows up in her bank account.
What caught my attention is how well the author communicates the idea that humans become completely adaptable to untenable systems at work, and we keep doing our jobs under nearly any circumstance. Even a plague.
This examination of the conditioning we get to put work first no matter what else is happening is a painful eye-opener. Better boundaries next time, I guess.
Maybe it’s the end of the world, but not for Candace Chen, a millennial, first-generation American and office drone meandering her way into adulthood in Ling Ma’s offbeat, wryly funny, apocalyptic satire, Severance.
"A stunning, audacious book with a fresh take on both office politics and what the apocalypse might bring." ―Michael Schaub, NPR.org
“A satirical spin on the end times-- kind of like The Office meets The Leftovers.” --Estelle Tang, Elle
NAMED A BEST BOOK OF THE YEAR BY: NPR * The New Yorker ("Books We Loved") * Elle * Marie Claire * Amazon Editors * The Paris Review…
In 2017, I was laid off from my first job out of college, an experience that I think more young people are going through as we move further into an uncertain economic future. That experience formed the basis of my novel, which was published earlier this year. Afterwards, I met a lot of people, most of whom I didn’t know, who told me they’d resonated with the feeling of malaise captured by those first few chapters: of working jobs that seem to be dead ends, wondering if you’ll be here, at this desk, twenty years from now. It’s something most everybody can relate to but doesn't appear in novels nearly as much as it should.
Molly McGhee’s debut novel centers around a wayward young man who accepts a new job auditing the dreams of unsuspecting middle class workers.
I found it crushing and poignant—all things one would expect from a workplace novel that hits far too close to home—but more surprisingly, I found it immensely funny. We spend a great deal of our lives faced with a choice between laughing and crying about the state of our existence. I choose the former.
"The novel is a magical-realist office drama infused with millennial anomie, and McGhee's canny, often bittersweetly hilarious prose reads as if George Saunders infiltrated the Severance writers' room." -Rafael Frumkin, Washington Post
"This laugh-out-loud debut is a wildly imaginative, tender and piercing critique of the squeeze of capitalism." -Xochitl Gonzalez, Good Morning America
"A scathing critique of capitalism that holds onto the humanity of its characters." -Laura Zornosa, TIME
Jonathan Abernathy is a self-proclaimed loser. . . he's behind on his debts, has no prospects, no friends, and no ambitions. But when a government loan forgiveness program offers him a…
In 2017, I was laid off from my first job out of college, an experience that I think more young people are going through as we move further into an uncertain economic future. That experience formed the basis of my novel, which was published earlier this year. Afterwards, I met a lot of people, most of whom I didn’t know, who told me they’d resonated with the feeling of malaise captured by those first few chapters: of working jobs that seem to be dead ends, wondering if you’ll be here, at this desk, twenty years from now. It’s something most everybody can relate to but doesn't appear in novels nearly as much as it should.
This may be the first book one thinks of when picturing The American Office Novel. It’s one of the older books on this list. It’s also the funniest, and strangest, and the truest.
Centered around a Chicago advertising agency struggling to preserve its relevancy amid the vastly changing media landscape of the 90s and employing one of the only uses of first-person plural that I think works in entirety, this book is a true gem, a marvel that tells a fairly straightforward story that practically vibrates with the amount of beautiful, carefully arranged detail throughout it.
No one knows us quite the same way as the men and women who sit beside us in department meetings and crowd the office refrigerator with their labeled yogurts. Every office is a family of sorts, and the ad agency Joshua Ferris brilliantly depicts in his debut novel is family at its strangest and best, coping with a business downturn in the time-honored way: through gossip, pranks, and increasingly frequent coffee breaks. With a demon's eye for the details that make life worth noticing, Joshua Ferris tells a true and funny story about survival in life's strangest environment--the one we…
I've been writing for 20 years, and the more I learn about the craft, the less interested I am in big, bombastic thrillers about the end of the world. Now I'm more impressed by books that do a lot with a little. Some talented writers can spin a gripping story out of nothing more than two people in a room (Stephen King's Misery is one of my all-time faves). The domestic noir genre lends itself to this kind of minimalism. Sure, serial killers are scary, but not as scary as the thought that your spouse might not be who they seem.
Ainsley and Peter are struggling, and they decide to try an open marriage. A risky proposition, given that neither trusts the other—and rightly so, the reader soon discovers. But when one of Ainsley's dates follows her home and Peter kills him, they are forced to co-operate so they can get away with the crime. Nothing like a joint project to rekindle the flames of passion!
This book is nearly perfect. Yes, there are a few twists which could have been foreshadowed better, but the wicked glee with which the author tells her story is contagious. I could practically hear her palms rubbing together as I read.
A #1 bestselling novel from award-winning author Kiersten Modglin... Fans of Gone Girl, The Swap, and My Lovely Wife are sure to be gripped by this fast-paced, scandalous, and completely twisted story.
Domestic thriller readers are raving: "...my new obsession!" "...that ending shook me to my core." "I was sure I knew where it was going. I couldn't have been more wrong." "Hands down, my favorite read this year!"
⭐️⭐️⭐️⭐️⭐️
The arrangement was just meant to fix their marriage. No one was supposed to get hurt. But when the rules of this open marriage are broken, the consequences are sinister.…
As a police psychologist and mystery writer—I call myself a shrink with ink—I love to read how other authors portray therapists in their novels.It’s challenging to bring tension, action, and conflict to a 50-minute session that primarily involves quiet conversation, perhaps salted with tears. I started out writing non-fiction. Then I got tired of reality and began writing mysteries inspired by real police officers and their families. Writing fiction was harder, but more fun. Sometimes it’s been therapeutic. I especially enjoy the opportunity to take potshots at cops who treated me poorly, incompetent psychologists, and two of my ex-husbands.
What happens when a client turns on a therapist? I hope I never find out.
I picked up Helene Flood's novel out of curiosity. As a writer, I wanted to know how Flood turns two people sitting in a room quietly talking into a plot that will hold readers' attention. I don’t want to give anything away, except to say her book deftly and accurately shows a clinician using her training to solve a terrible crime and save herself.
It was easy for me to identify with both the protagonist and the author. Flood and I are both practicing psychologists specializing in trauma. I’m grateful for a good read and a reminder to screen potential clients carefully.
From the mind of a psychologist comes a chilling domestic thriller that gets under your skin.
"Creepy, compelling and very well written" Harriet Tyce
At first it's the lie that hurts.
A voicemail from her husband tells Sara he's arrived at the holiday cabin. Then a call from his friend confirms he never did.
She tries to carry on as normal, teasing out her clients' deepest fears, but as the hours stretch out, her own begin to surface. And when the police finally take an interest, they want to know why Sara deleted that voicemail.
I’m a writer of relatable misfits, and a misfit myself. My outsides and insides have never matched, and my accent has always been wrong. I’ve lived all over the United States, and no matter what, I’m always from somewhere else, no matter how long I’ve lived there. I usually end up good friends with other interesting folx who are the same as me: a little different, a little crafty, and a hell of a lot of fun.
This is the book that made me want to write a historical romance. The protagonist, Miss Jane Fairfield, is outlandishly rich. But she can’t get married and leave her younger sister, who has epilepsy, to the well-meaning but cruel treatments recommended by their uncle, who is also their guardian. Since her money makes her an appealing target for many an impoverished rake, Jane has to work extra to become unappealing while still seeming like she’s trying to attract a man. She wears obnoxiously bright clothing, insults people with the kindest tone, and—in one desperate attempt to make a man be mean to her—takes the food right off his plate. This is a book about people trying to put you in your place and keep you small. And let me give you a hint: it’s a romance, so there’s definitely a Happily Ever After, and that includes small-minded people getting their…
Miss Jane Fairfield has made a career of social disaster. She wears outrageous gowns and says even more outrageous things. The only reason she's invited anywhere is because of her immense dowry--which is all part of her plan to avoid marriage and keep the fortune-hunters at bay. Mr. Oliver Marshall is the illegitimate son of a duke. His acceptance in society is tenuous as it is. If he wants any kind of career at all, he must do everything right. He doesn't need to come to the rescue of the wrong woman. He certainly doesn't need to fall in love…
A Korean American author myself, I published my first book in 2001, and in the ensuing years I’ve been heartened by the number of Korean Americans who have made a splash with their debut novels, as these five writers did. All five have ventured outside of what I’ve called the ethnic literature box, going far beyond the traditional stories expected from Asian Americans. They established a trend that is happily growing.
In 1950s Sewanee, Chang and Katherine slowly
fall in love and find that the Souths of Korea and Tennessee are not that
different after all, both subject to lingering issues of class, family, race,
and civil war. I love the poetic language in this novel, as well as its
ambitious story and the complexity invested in every relation.
"This wonderful hybrid of a novel--a love story, a war story, a novel of manners--introduces a writer of enchanting gifts, a beautiful heart wedded to a beautiful imagination. How else does Susan Choi so fully inhabit characters from disparate backgrounds, with such brilliant wit and insight? The Foreign Student stirs up great and lovely emotions." — Francisco Goldman, author of The Ordinary Seaman
The Foreign Student is the story of a young Korean man, scarred by war, and the deeply troubled daughter of a wealthy Southern American family. In 1955, a new student arrives at a small college in the…
I’ve always loved magic and pirates. As I kid, I made up games incorporating the two. As a teenager, I wanted to read about them. But at the time, I couldn’t find anything that had both pirates and magic, so I decided to write one myself. As the years blurred past and the young adult book scene exploded, more and more books with pirates and magic have been published and of course, I try to read them all! I read them not only to study books similar to my own, but because I love them and I can’t get enough.
Imagine The Little Mermaid but the mermaid is actually a killer siren and the prince is actually a siren hunter/pirate, and you’ve got To Kill A Kingdom.
If you’re not sold by that alone (because I certainly was) well, this standalone fantasy also has seafaring action, a variety of vibrant kingdoms, strong character arcs, morally grey characters, dashing pirates, siren magic, and of course, a slow burn enemies to lovers romance (you may have noticed I’m a sucker for those.)
I only wish this was a series and not a standalone.
An unforgettable dark romantic YA fantasy about the siren with a taste for royal blood and the prince who has sworn to destroy her.
"Stellar world building and nonstop action will keep readers hooked on this twisted reimagining of 'The Little Mermaid'." Booklist Online
Princess Lira is siren royalty and the most lethal of them all. With the hearts of seventeen princes in her collection, she is revered across the sea. Until a twist of fate forces her to kill one of her own. To punish her daughter, the Sea Queen transforms Lira into the one thing…
My first book was Quiver, a collection of erotic short stories. I wrote it to immortalize the hedonism of Sydney in the 1990s, wanting to show a nonjudgmental, joyful side. The fact that it touched a lot of people compelled me to write two more collections Tremble and Yearn – each exploring different themes: Tremble is an erotic re-imagining of various root myths, whilst Yearn has more historical and fantastical elements. I interweave all the characters in the stories throughout the whole collections. Humor is also important to me when it comes to the ironies and emotions around sex, the other aspect is gender power play and all the sublime reversals that can encapsulate.
John Berger was a fantastic cultural observer and art critic, this book is erotic both in its observation of culture and context but also of human fallibility, and psychic and psychological transportation of love itself. It had a big influence on me as an art student and for the brief years when I was a sculptor. What I love about it is its empathy for both the female and male inner erotic life, although it is set in England and Europe at the end of the 19th century, Berger’s razor-sharp, succinct blending of the internal and external world is both moving and sensual.
In this luminous novel about a modern Don Juan, John Berger relates the story of G., a young man forging an energetic sexual career in Europe during the early years of the last century as Europe teeters on the brink of war.
With profound compassion, Berger explores the hearts and minds of both men and women, and what happens during sex, to reveal the conditions of the libertine's success: his essential loneliness, the quiet cumulation in each of his sexual experiences of all of those that precede it, the tenderness that infuses even the briefest of his encounters, and the…
