In 2017, I was laid off from my first job out of college, an experience that I think more young people are going through as we move further into an uncertain economic future. That experience formed the basis of my novel, which was published earlier this year. Afterwards, I met a lot of people, most of whom I didn’t know, who told me they’d resonated with the feeling of malaise captured by those first few chapters: of working jobs that seem to be dead ends, wondering if you’ll be here, at this desk, twenty years from now. It’s something most everybody can relate to but doesn't appear in novels nearly as much as it should.
Four days before Christmas, 8-year-old Bo loses his mother in a tragic accident, 28-year-old Brandon loses his job after a hostile takeover, and 48-year-old Blue, a key witness in a criminal trial against a now-defunct tech startup, struggles to reconnect with his family.
So begins Jinwoo Chong’s dazzling, time-bending debut that blends elements of neo-noir and speculative fiction as the lives of Bo, Brandon, and Blue begin to intersect, uncovering a vast network of secrets and an experimental technology that threatens to upend life itself. Intertwined is the saga of an iconic ’80s detective show, Raider, whose star actor has imploded after revelations of long-term, concealed abuse. Flux is a haunting exploration of the cyclical nature of grief and of the pervasive nature of whiteness within the development of Asian identity in America.
Molly McGhee’s debut novel centers around a wayward young man who accepts a new job auditing the dreams of unsuspecting middle class workers.
I found it crushing and poignant—all things one would expect from a workplace novel that hits far too close to home—but more surprisingly, I found it immensely funny. We spend a great deal of our lives faced with a choice between laughing and crying about the state of our existence. I choose the former.
"The novel is a magical-realist office drama infused with millennial anomie, and McGhee's canny, often bittersweetly hilarious prose reads as if George Saunders infiltrated the Severance writers' room." -Rafael Frumkin, Washington Post
"This laugh-out-loud debut is a wildly imaginative, tender and piercing critique of the squeeze of capitalism." -Xochitl Gonzalez, Good Morning America
"A scathing critique of capitalism that holds onto the humanity of its characters." -Laura Zornosa, TIME
Jonathan Abernathy is a self-proclaimed loser. . . he's behind on his debts, has no prospects, no friends, and no ambitions. But when a government loan forgiveness program offers him a…
I read this novel a few years ago, back before I had any kind of writing career to speak of.
Personally, books about the life cycle of a lie have always fascinated me, which is why Something to Live For—a book about a man who must finally come to terms with the fact that the adoring wife and children he talks about at work every day do not actually exist—captured my heart.
The novel deals with that liminal space between home life and work life, the different people we become when we cross that border, and the obligation of authenticity (whatever that means). The result is beautiful and heartbreaking.
'If you loved Eleanor Oliphant, try this brilliant new read. We completely fell in love with this funny, uplifting debut' Fabulous Magazine
'A magnificent read. Tender, funny, compelling' Lucy Foley, bestselling author of The Hunting Party
Sometimes you have to risk everything to find your something...
All Andrew wants is to be normal. He has the perfect wife and 2.4 children waiting at home for him after a long day. At least, that's what he's told people.
The truth is, his life isn't exactly as people think and his little white lie is about to catch up with him.
Objectively, Severance fits into many lists, being a masterpiece of literary fiction, as well as a speculative, near-future puzzle, as well as an intimate and moving portrait of survival both physical and metaphorical.
But it’s also an office novel, one that through sheer coincidence depicted the surrealism of white collar office work while a deadly pandemic enacts devastating change across the planet at exactly the same time it was happening in reality. The book is one of my favorites of all time. Every read offers something different.
Maybe it’s the end of the world, but not for Candace Chen, a millennial, first-generation American and office drone meandering her way into adulthood in Ling Ma’s offbeat, wryly funny, apocalyptic satire, Severance.
"A stunning, audacious book with a fresh take on both office politics and what the apocalypse might bring." ―Michael Schaub, NPR.org
“A satirical spin on the end times-- kind of like The Office meets The Leftovers.” --Estelle Tang, Elle
NAMED A BEST BOOK OF THE YEAR BY: NPR * The New Yorker ("Books We Loved") * Elle * Marie Claire * Amazon Editors * The Paris Review…
This may be the first book one thinks of when picturing The American Office Novel. It’s one of the older books on this list. It’s also the funniest, and strangest, and the truest.
Centered around a Chicago advertising agency struggling to preserve its relevancy amid the vastly changing media landscape of the 90s and employing one of the only uses of first-person plural that I think works in entirety, this book is a true gem, a marvel that tells a fairly straightforward story that practically vibrates with the amount of beautiful, carefully arranged detail throughout it.
No one knows us quite the same way as the men and women who sit beside us in department meetings and crowd the office refrigerator with their labeled yogurts. Every office is a family of sorts, and the ad agency Joshua Ferris brilliantly depicts in his debut novel is family at its strangest and best, coping with a business downturn in the time-honored way: through gossip, pranks, and increasingly frequent coffee breaks. With a demon's eye for the details that make life worth noticing, Joshua Ferris tells a true and funny story about survival in life's strangest environment--the one we…
Are you surprised to find this here? I am too. Or maybe not.
The Devil Wears Prada is, after all, a novel that practically established its own genre within fiction, a juicy, pop-culture-laden fashion/magazine/media/entertainment narrative about a doe-eyed protagonist getting wrapped up in the glitzy world of celebrity—i.e. the premise of one out of every three new streaming shows these days.
The book is funny, gossipy, fast-paced, and makes quite a different concluding statement than the hugely popular film based on it. Still, it’s an entertaining read that makes it crystal clear why it’s been copied so many times over since it was published.
High fashion, low cunning - and the boss from hell
When Andrea first sets foot in the plush Manhattan offices of Runway she knows nothing. She's never heard of the world's most fashionable magazine, or its feared and fawned-over editor, Miranda Priestly - her new boss.
A year later, she knows altogether too much:
That it's a sacking offence to wear anything lower than a three-inch heel to work.
That you can charge cars, manicures, anything at all to the Runway account, but you must never, ever, leave your desk, or let Miranda's coffee get cold.
Pete is content living a simple life in the remote Montana town of Sleeping Grass, driving the local garbage truck with his pot-bellied pig Pearl and wondering about what could've been. Elderly widow Wilma is busy meddling in Pete's life to try and make up for past wrongs that he knows nothing about. Yet.
When the sister Pete was separated from as a child shows up, Pete must confront a past he buried long ago, and Wilma discovers her long-awaited chance at redemption may cost more than she’s willing to pay.
For the first time in his life, Pete has everything to lose.
After years of drifting, fifty-year-old Pete Ryman has settled down with his potbellied pig, Pearl, in the small Montana town of Sleeping Grass--a place he never expected to see again. It's not the life he dreamed of, but there aren't many prospects for a high-school dropout like him.
Elderly widow Wilma Jacobsen carries a burden of guilt over her part in events that led to Pete leaving Sleeping Grass decades ago. Now that he's back, she's been praying for the chance to make things right, but she never…
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