Here are 100 books that In the Country of Last Things fans have personally recommended if you like
In the Country of Last Things.
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I’ve been a soldier, designer, educator, farmer, and remain a philosopher and writer. I defy the classification of being either practical or theoretic. I have worked on environmental issues for over thirty years, including urban, post-conflict, and climate change projects in Australia, the Americas, Asia, and Europe. I have written over twenty books on design, cities, conflict, and politics. I am driven to understand the complexity of the world in which I live and, thereafter, act based on the knowledge gained–my book list reflects this passion for knowledge, and my life evidences a commitment to act.
Working between cultures, as I do, I have been reading the Sinologist François Jullien for many years. I like how he traces the passage of an idea across cultures as they reveal tensions between the same and the different. The question Jullien poses with this book is, “Are universal values possible,” especially between the East and the West?
Although a common concept may exist, this does not mean a common meaning does. In my experience, we all communicate constantly, oscillating between understanding and misunderstanding, which is more so when cultural differences occur.
The once-read, never forgotten Wittgenstein statement: ‘The limits of my language mean the limits of my world,’ ever resonates–I believe language mediates all sensory experience, but often inadequately.
Francois Jullien, the leading philosopher and specialist in Chinese thought, has always aimed at building on inter-cultural relations between China and the West. In this new book he focuses on the following questions: Do universal values exist? Is dialogue between cultures possible?
To answer these questions, he retraces the history of the concept of the universal from its invention as an aspect of Roman citizenship, through its neutralization in the Christian idea of salvation, to its present day manifestations. This raises the question of whether the search for the universal is a uniquely Western preoccupation: do other cultures, like China,…
I’ve been a soldier, designer, educator, farmer, and remain a philosopher and writer. I defy the classification of being either practical or theoretic. I have worked on environmental issues for over thirty years, including urban, post-conflict, and climate change projects in Australia, the Americas, Asia, and Europe. I have written over twenty books on design, cities, conflict, and politics. I am driven to understand the complexity of the world in which I live and, thereafter, act based on the knowledge gained–my book list reflects this passion for knowledge, and my life evidences a commitment to act.
In what I do and how I feel, I cannot avoid confronting the times we all live, called the “end times.” What they name is the end of an epoch of total planetary domination by Homo sapiens.
A moment of nemesis has arrived. What has been discovered, if unevenly, is that our collective world-making has revealed itself to be an unmaking. The history and the future of climate change, literally and metaphorically, stand for this moment.
The Brazilian anthropologists Deborah and Eduardo Viveiros de Castro powerfully capture not just the causes of this planetary crisis but, in my view, present ways of thinking and working toward affirmative futures.
The end of the world is a seemingly interminable topic D at least, of course, until it happens. Environmental catastrophe and planetary apocalypse are subjects of enduring fascination and, as ethnographic studies show, human cultures have approached them in very different ways. Indeed, in the face of the growing perception of the dire effects of global warming, some of these visions have been given a new lease on life. Information and analyses concerning the human causes and the catastrophic consequences of the planetary 'crisis' have been accumulating at an ever-increasing rate, mobilising popular opinion as well as academic reflection.
I’ve been a soldier, designer, educator, farmer, and remain a philosopher and writer. I defy the classification of being either practical or theoretic. I have worked on environmental issues for over thirty years, including urban, post-conflict, and climate change projects in Australia, the Americas, Asia, and Europe. I have written over twenty books on design, cities, conflict, and politics. I am driven to understand the complexity of the world in which I live and, thereafter, act based on the knowledge gained–my book list reflects this passion for knowledge, and my life evidences a commitment to act.
Two important messages underscoring this fascinating anarchist history of Southeast Asia's uplands are coming from the past and arriving from an uncertain future. The first message began 12,000 years ago when human settlements were established.
Slowly, friction emerged between lowlands people, who settled and started to acquire property, and nomadic people of the highlands. The more settlements developed, the more nomads were deemed a threat and destroyed. These conflicts are elemental to the history of war.
The current data on climate impacts I’ve read indicate that a significant percentage of the global population will be displaced in the coming decades. By becoming nomadic, they will again be deemed a threat to urban dwellers–hence the message: there’s another danger of war to avoid!
From the acclaimed author and scholar James C. Scott, the compelling tale of Asian peoples who until recently have stemmed the vast tide of state-making to live at arm's length from any organized state society
For two thousand years the disparate groups that now reside in Zomia (a mountainous region the size of Europe that consists of portions of seven Asian countries) have fled the projects of the organized state societies that surround them-slavery, conscription, taxes, corvee labor, epidemics, and warfare. This book, essentially an "anarchist history," is the first-ever examination of the huge literature on state-making whose author evaluates…
I’ve been a soldier, designer, educator, farmer, and remain a philosopher and writer. I defy the classification of being either practical or theoretic. I have worked on environmental issues for over thirty years, including urban, post-conflict, and climate change projects in Australia, the Americas, Asia, and Europe. I have written over twenty books on design, cities, conflict, and politics. I am driven to understand the complexity of the world in which I live and, thereafter, act based on the knowledge gained–my book list reflects this passion for knowledge, and my life evidences a commitment to act.
For me, Bernard Stiegler was one of the most influential thinkers of technology of the modern age. I like books that bring my own thinking into question. His book does this for me by providing an interesting and unfamiliar way of understanding the relation between technology and consumerism.
He describes consumerism as damaging our psychic sphere and destroying our desires–replacing them with ones formed and met by marketed commodities. What I found insightful was how he showed “reason” being transformed by philosophy into an object of faith.
The result: reason now travels with the unreason of an unchecked rationalization of power of technological creation, but with little sense of the consequences, over time, of what has been created (think AI!).
In 1944 Horkheimer and Adorno warned that industrial society turns reason into rationalization, and Polanyi warned of the dangers of the self-regulating market, but today, argues Stiegler, this regression of reason has led to societies dominated by unreason, stupidity and madness. However, philosophy in the second half of the twentieth century abandoned the critique of political economy, and poststructuralism left its heirs helpless and disarmed in face of the reign of stupidity and an economic crisis of global proportions.
New theories and concepts are required today to think through these issues. The thinkers of poststructuralism Lyotard, Deleuze, Derrida must be…
My books blend two of my lifelong passions—post-Roman British history, and landscape archaeology. I fell in love with the first somewhere in my late teens, through the not-unusual route of Arthurian legend, and with the latter the first time I saw the British tv seriesTime Team. Over the last nearly-fifty years, I’ve continued to read and study, both formally and informally, in both areas. My books are an extension and expression of both those interests, but I am too much of a ‘what if?’ person to limit myself to true historical fiction. You’ll also find a few hints of two of my other interests, birdwatching and walking, dropped into the books here and there.
While generally considered science fiction, this one of Tepper’s books is centred on a society where men and women live separately – and why, and the effects of such a divided society on the lives of men and women. Although the divided society in my book owes more to Sparta than Tepper’s book, she gave me the idea to examine the consequences of such a society in my pseudo-post-Roman world.
THE GATE TO WOMEN'S COUNTRY tells of a society that exists three hundred years after our own has nearly destroyed itself. Now, male warriors are separated from women at an early age and live in garrisons plotting futilely for the battles which must never be fought again. Inside the women's towns, education, arts and science flourish. But for some like Stavia, there is more to see. Her sojourn with the man she is forbidden to love brings into sharp focus the contradictions that define their lives.
And when tragedy strikes, Stavia is faced with a decision she never thought she…
I first fell into fantasy through the pages of Narnia. I loved the fantastic, the possibility, the idea that there was so much more than just what was accepted by all the “normal” people. I was always an oddity in school, and I felt far more at home in the books that swept me away, as if there, even amidst the danger, I could be myself. The books on my list are books that built me up and challenged me to be true to live for what is right and noble.
I enjoyed this series because it was a well-written, fast-paced, interesting, clean story that I was happy to share with my children (especially my daughters). Each of the four books follows the perspective of one of the four main characters, and all of these girls are strong, loyal, and have a clear sense of right and wrong. They are not ashamed to be “good,” which is a refreshing find in dystopian futures!
In a terrifying future world, four girls must depend on each other if they want to survive.Louisa is nervous about being sent away to a boarding school -- but she’s excited, too. And she has her best friend, Maddie, to keep her company. The girls have to pretend to be twin sisters, which Louisa thinks just adds to the adventure!Country Manor School isn’t all excitement, though. Louisa isn’t sure how she feels about her new roommates: athletic but snobby Rosie and everything’s-a-conspiracy Evelyn. Even Maddie seems different away from home, quiet and worried all the time. Still, Louisa loves CMS…
I’ve always been curious about how stories shape how we see the world. As a child, I noticed there were countless conflicting stories explaining how things worked. But which stories were the real ones? Which were true? At university, I studied the stories we tell ourselves about how the world will end. And as we live in times that can feel quite apocalyptic, I’m particularly fascinated by the stories we tell ourselves about who we are and what the future holds. If society dissolved around us, what stories would we tell ourselves to keep going? Are we telling those stories now?
I found this book realistic in a really frightening way. The entire societal structure of the world depends on the stories we humans tell ourselves about ‘us’ and ‘them,’ and I think the book plays with this very cleverly.
It has a very tender depiction of what happens to us and our stories when we’re all alone, and I still think about the way generational guilt is woven through the story.
It was one of those books where I kept walking up to my wife to say, “Can I read you something?” and, “Listen to this…” because the ideas are so big, but the language is so clipped and to the point.
In this taut, dystopian tale, an island nation ravaged by the Change has built an enormous concrete barrier around its coastline-the Wall. Joseph Kavanagh, a new Defender, has one task: to protect his section of the Wall from the Others, the desperate souls trapped amid the rising seas outside. A blend of the most compelling issues of our time-climate change, increasing fear, widening divisions-The Wall is a suspenseful story of love, trust, and survival.
As a nonfiction author, I’ve always been mystified by fictional character development. What qualities make one character fascinating and another a dud? How do great writers make us fall in love with their creations? If I had one wish as an author, it would be to create one truly beloved character. I particularly like quirky nonconformists who forge their own paths, making mistakes along the way, yet they remain sympathetic. When I finish reading the story, I miss their company. My five recommended books include some of my favorite characters in modern literature.
This book drew me in from the first sentence: “It is possible I already had some presentiment of my future.” I was amazed that in just eleven words, Wolfe conjured three time periods (the present moment, the future, and a later future while looking back).
The incredible adventures of the narrator, Severian, span five books, and I’ve read them all several times. Shadow is also one of the most challenging science fiction books I’ve read because the author leaves mysteries behind for me to figure out myself.
“A major work of twentieth-century American literature...Wolfe creates a truly alien social order that the reader comes to experience from within...once into it, there is no stopping.” ―The New York Times on The Book of the New Sun
Gene Wolfe has been called "the finest writer the science fiction world has yet produced" by the Washington Post.
THE BOOK OF THE NEW SUN is unanimously acclaimed as Wolfe’s most remarkable work, hailed as “a masterpiece of science fantasy comparable in importance to the major works of Tolkien and Lewis” by Publishers Weekly and “one of the most ambitious works of…
I've always been fascinated by genetics. Ever since Dolly the Sheep was cloned in the 1990s, I wondered if it was possible for it to have a soul, was it a carbon copy, did it know it had a twin? Move on to when I studied biology and then psychology. My brother became a genetic scientist, and we have both always been fascinated by the possibilities. Although the human genome project has been declared complete, there is still much we don’t know about genetics, let alone what we may harness from the animals around us. Although I'm excited to find out, I'm also fearful of how these modifications may be used.
The Undying Tower brings a new flavour of sci-fi dystopian. Not only do we have an apocalyptic world-building itself from the ashes, but the world might not be as rudimentary as it first looks. In a landscape where a percentage of the population never ages, it presents interesting and unique challenges to those who do and those who do not. The blend of futuristic genetic modification, as well as dealing with mental health in the unique aspect of synesthesia, makes for a compelling and heart-felt read.
The first in a daring dystopian trilogy, The Undying Tower descends into the dark side of immortality and champions fighting for what's right, especially when the world is against you.
What if living forever was a death sentence?
Decades after the discovery that a small percentage of the population has stopped ageing, the Avalonia Zone is in crisis. From overpopulation to food shortages, the 'Undying' have been blamed for the state's problems, banished to the fringes of society, and punished for every minor infraction.
When sixteen-year-old Sadie takes the fall for an attack by a rebel group, The Alchemists, she…
I’ve been reading and writing stories for as long as I can remember—and the weird ones have always been my favorite. I discovered many of my favorite books by wandering into my local library, telling the librarian about my strange reading interests, and allowing them to set me up with literary masterpieces of the most unusual kind. Once I knew how to bend the rules of genre and form to create something original, I took to creating my own weird stories, and have been doing so ever since in my novels, short stories, D&D characters, and bedtime stories for my bird.
Bats of the Republic is by far one of the most engaging, unique reading experiences I have ever had the delight to enjoy. The breathtaking art decorating every page (and I do mean every page, from the copyright page to the back of the dust jacket) enhances a deep and intriguing story.
One of my favorite parts of this book is that every piece of writing you encounter comes from one of the characters in the story. This makes for a completely immersive experience as you flip through maps, examine drawings of new animal species, and even uncover a few secret messages. Dodson’s incredible art and one-of-a-kind narrative style create a complex, deep world that I couldn’t help but fall in love with.
"Archetypes of the cowboy story, tropes drawn from sci-fi, love letters, diaries, confessions all abound in this relentlessly engaging tale. Dodson has quite brilliantly exposed the gears and cogs whirring in the novelist’s imagination. It is a mad and beautiful thing.” --Keith Donohue, The Washington Post
Winner of Best of Region for the Southwest in PRINT’s 2016 Regional Design Awards
Bats of the Republic is an illuminated novel of adventure, featuring hand-drawn maps and natural history illustrations, subversive pamphlets and science-fictional diagrams, and even a nineteenth-century novel-within-a-novel—an intrigue wrapped in innovative design.
In 1843, fragile naturalist Zadock Thomas must leave…
