100 books like Identity Crisis

What I love about this book is its ambition to tell the history of humankind in a way that attends both to our evolutionary origins over millions of years and our cultural accomplishments over thousands of years–and to consider the implications of both for our present and future. Very few books attempt to do such a thing. All the other books I have listed among my favorites are exceptionally ambitious in other ways, but they only attempt to bring together a part of the human story rather than integrating the whole.

Sapiens helped me to realize that there was an eager audience for bigger-picture books about our evolutionary inheritance and its implications–from the viewpoint of both natural and cultural selection–and spurred me to write my own.

I could not stop reading this book—and when the TV series came out, I fell in love all over again. A trapped, imprisoned aristocrat who is elegant and only slightly snotty and who has a bedrock of humanity underneath any stiffness and propriety—that’s the protagonist, Rostov.

This novel features not one but two abandoned children, and, in both cases, their plights bring out the best in Count Rostov. He is naturally kind, but he also finds resources and courage he never knew he had. I’ve experienced the book three times—reading, listening to an audiobook, and watching the TV series and I was in love every time.

For those interested in a compelling work of fiction built loosely around Nazism and the occult, Michael Chabon’s The Amazing Adventures of Kavalier & Clay is the perfect novel.

Whether it’s one of the protagonists, a young Jewish magician, escaping Nazi-occupied Central Europe in the coffin of the “Golem of Prague” or the eponymous cousins finding success with their own comic book series infused by contemporary esoterica, Kavalier & Clay evokes the world in which young, first and second generation Jewish immigrants from Central and Eastern Europe created the Marvel and DC superheroes and super(natural) villains, often allied with the Third Reich, that have defined our popular culture for the past eighty years. 

There is one major reason I include Grand Days in my list of "best" books and her name is Edith Campbell Berry. Some might suggest that as Edith happens to be an Australian character and Frank Moorhouse an Australian author I’m favouring the pair, being Australian myself. But this is definitely not so. To me, Edith Campbell Berry is one of the most beautifully conceived heroines in literary fiction. And when I make this sweeping statement I include every great leading lady you can think of. 

From the moment I met Edith on the train from Paris to Geneva where she was to take up her position with the newly-created League of Nations in the 1920s, I was captivated. She is wickedly naïve, worldly innocent, outrageously proper and every other contradiction imaginable. She continued to bewitch me in Frank Moorhouse’s companion Edith novels, Dark Palace and Cold Light, but… show more.

Blonde Roots reimagines the transatlantic slave trade. In this world, Africans are the ones enslaving Europeans, and shipping them to “Afrika.”

The provocative reversal of roles is a gateway to discussing issues of race, identity, capitalism, notions of beauty, and the legacy of slavery.

Humorous and thought-provoking, this novel is one that stays with you for all the ways it challenges its readers.

I love this book, a classic from the 1960s, for its humanity and how much this young, inexperienced teacher cares about her students. She is pretty much thrown into the NYC public schools and struggles to stay afloat.

The book, written as a novel, is actually a collection of discarded scraps of paper from the classroom wastebasket—notes, doodles, memos, hall passes, student complaints. The young teacher expresses age-old dilemmas teachers face:  “Am I making a difference? Do I get through? Do they care? Do they understand how much I care?”  

The Short and Incredibly Happy Life of Riley is a book that, well, the first time I read it my mind was blown. This is a self-help book for all humans in a picture book. It takes our thirst to live forever, to always want more, be more, see more, do more, look better, and compares that with the wonderful Riley, who is happy with some fruit and maybe a couple of slugs on Tuesday or Friday.

He likes a little stick that can scratch his back.
He looks like Riley. Why would he want to look like anything else?

This is a beautifully written and illustrated book on being grateful for what we have.

In my teenage years in the 1970s, I read science fiction voraciously. I loved the ideas and imaginativeness, but it was all rather serious stuff. So, I was delighted when I discovered Robert Sheckley, a rare humorist and absurdist in a largely serious genre. 

I reckon his best novel is this one. It tells the story of a rather dull civil servant who wins the grand prize in a galactic lottery. He is whisked across space and time to Galactic Central to receive his prize: a shape-shifting, talking device/creature. Unfortunately, there is no provision for returning home, so an absurd journey begins from galactic bureaucracy to bizarre alternative Earths and homes. Maybe.

In addition to this book, I recommend diving into any of Sheckley's short story collections.

I could easily have all five of my picks be novels by Sinclair Lewis. I'll stop at two.

In George Babbitt, Lewis's titular lead, we have a character whose very name became synonymous with conformity. What I absolutely love about this book has a lot to do with the bold plot choices Lewis takes with Babbitt. I write this knowing that many critics did not like the book because, they complained, there really wasn't a plot! (Cripes, what book were they reading?)

These plot turns include his dalliances with socialism (which runs counter to his position as the city of Zenith's most successful realtor) and a socialist woman.

First published in 1959, Naked Lunch was shocking then, and it still retains its power today. Both in content and structure, Naked Lunch is powerful and wholly original.  In effect, it becomes more than a work of fiction, it becomes an experience. Burroughs invented a technique called the “cut-up method,” where he cut up his coherent storyline into paragraphs, scenes, and even sentences, then reordered them both randomly and editorially. The disorder thematically represents the chaos of existence and the universe, and it also disrupts the reader. Like the book or not, it shakes you into realizing that there are possibilities beyond the conventional.

Burrough’s language is honed to a razor’s edge, and I find that many of the sentences in Naked Lunch burn like fire. The meaning of the title as Burroughs explains it is to bare the naked truth of reality on the end of a fork. From… show more.