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I’ve always been drawn to epic journeys. From Jules Verne’s stories exploring the lengths, depths, and breadths of the known world, to little hobbits trekking across vast fantasy scapes in order to steal from dragons, something about the huge proportions of these grand adventures has always drawn me in. Perhaps it was no wonder, then, that my first book Nevertell was set in Siberia: a place so big that its sheer size tested the limits of my imaginings. If you, too, are drawn to sprawling, epic journeys, then these five fabulous recommendations are for you.
From the moment I opened this book I could feel the prickling tension of something about to happen. And when it does, prompting Mila and her sisters to set off on a quest through this wild and wintry world, you just know it’s going to be epic. With treacherous terrain and overwhelming odds, The Way Past Winter fully lives up to its promise of grand adventure.
The Way Past Winter is a riveting adventure about magic, an eternal winter, and one girl's unbreakable determination to reunite her family.
Mila, her sisters, and her brother, Oskar, live in a small forest cabin, surviving in a world gripped by frost and snow.
When a mysterious man shows up on her doorstep, Mila and her family grant him shelter for the night. But in the morning, the man is gone—and he's taken Oskar with them.
• Written by awardwinning and internationally recognized author Kiran Millwood Hargrave • Inspired by European folklore • Middle grade novel that explores deeper topics—grief,…
There’s something truly magical about our ability to perceive the world through our senses. Our abilities to see, hear, smell, taste, and touch are like superpowers that we take for granted. Because of many amazing sensory experiences—like viewing the world from the top of a tower, feeling the pull of ocean waves at my feet, comparing flavors within chocolate, hearing wood thrushes in the forest—I find myself drawn to the beauty that our senses add to life. So, I’ve written two middle-grade novels (The Splintered Light and The Other Side of Luck)with an eye (and an ear) on sensory perception. I hope you enjoy these books!
Stolen jewels. A girl Robin Hood figure. Friendship. And an escape into the jungle with an elephant. Full of adventure and heart, The Girl Who Stole an Elephant provides a window into the lush setting of ancient Sri Lanka, and carried me along with its fast pace. Nizrana Farook’s descriptions are teeming with sensory details, and I thoroughly enjoyed them.
Inspired by the lush terrain of Sri Lanka, this fun tale of friendship, risk, and reward is just right for middle grade fans of fantasy and page-turning adventure.
Chaya, a nobleman's rebellious, outspoken, no-nonsense daughter, just can't resist the shiny temptations the king's palace has to offer.
But playing Robin Hood for an impoverished community doesn't come without risks, and when Chaya steals the queen's jewels from a bedside table—a messy getaway jeopardizes the life of a close friend. After an equally haphazard prison break, Chaya barely escapes...on the king's prized elephant!
With leeches and revolution lurking in the jungle,…
I’ve always been drawn to epic journeys. From Jules Verne’s stories exploring the lengths, depths, and breadths of the known world, to little hobbits trekking across vast fantasy scapes in order to steal from dragons, something about the huge proportions of these grand adventures has always drawn me in. Perhaps it was no wonder, then, that my first book Nevertell was set in Siberia: a place so big that its sheer size tested the limits of my imaginings. If you, too, are drawn to sprawling, epic journeys, then these five fabulous recommendations are for you.
Some books get a lot of praise, and some books truly deserve it. Boy, Everywhere is one of those books. Not only does it follow an epic journey across vast distances that’s fraught with danger and strife, it also follows a child going from a life he loves in Damascus to new and challenging beginnings in England. What’s so astounding about Sami’s journey is that it could so easily be real – and for many, it is. This book will take you on a journey of understanding and empathy, as well as across continents.
This debut middle-grade novel chronicles the harrowing journey taken by Sami and his family from privilege to poverty, across countries and continents, from a comfortable life in Damascus, via a smuggler's den in Turkey, to a prison in Manchester. A story of survival, of family, of bravery ... In a world where we are told to see refugees as the 'other', this story will remind readers that 'they' are also 'us'.
I’ve always been drawn to epic journeys. From Jules Verne’s stories exploring the lengths, depths, and breadths of the known world, to little hobbits trekking across vast fantasy scapes in order to steal from dragons, something about the huge proportions of these grand adventures has always drawn me in. Perhaps it was no wonder, then, that my first book Nevertell was set in Siberia: a place so big that its sheer size tested the limits of my imaginings. If you, too, are drawn to sprawling, epic journeys, then these five fabulous recommendations are for you.
I have a special copy of The Hunting of the Snark that my Nan gave me over 20 years ago. It quickly became my favourite book and I reread it all the time – returning to my adventure with a hapless crew (which includes a Beaver and a man who’s forgotten his own name), and following a leader (the Bellman) who, it’s safe to say, hasn’t a clue what he’s doing. And off they go across uncharted seas to hunt the fearsome snark. Why? I still don’t know... By turns silly and lyrical, hilarious and heartbreaking, this tale reminds me that the world often makes no sense at all, but it can still be meaningful – and beautiful too.
The nonsensical poem The Hunting of the Snark (An Agony in Eight Fits) was written by Lewis Carroll in 1874 and published in 1876. Describing "with infinite humor the impossible voyage of an improbable crew to find an inconceivable creature", the work borrows in-part from Carroll's Jabberwocky in Through the Looking-Glass.
When I was at school, reading was a chore. We were given books that held no interest and told to dissect the author’s words to find a deeper meaning. It put me off reading for years. It wasn’t until I came across a thriller that I discovered my love of books, and I’ve been hooked ever since. There’s nothing like mounting tension to get you flipping the pages, and I try to do that in my books.
What I loved most about this was the story within the story. A famous author is travelling back from a convention in Brazil when his plane goes down. The only other survivor is a young boy, not quite in his teens. In order to reach safety, they must battle not only Colombian drug runners and other nefarious characters, but the jungle itself.
"This is one of the best stories I've had the pleasure of reading in a long time. I highly recommend it."—Vigilant Reader Book Reviews
A plane crashes in South America, leaving only two survivors.
Reclusive author Jonas Drake stumbles from the fiery wreckage of the crashed 747 and meets Jeremy, a young boy struggling to come to grips with the loss of his mother. Hunted by F.A.R.C. insurgents chasing them for ransom, the pair flee into the rainforest with no plan and almost no hope.
Desperate to distract Jeremy from the nightmares surrounding them, Jonas tells him stories from his…
I have always been intrigued by fantastical world-building that is complex, detailed, forensically credible, and immeasurably encyclopedic in scope. It should propel you to a world that feels almost as real as the world you leave behind but with intricate magic systems and razor-shape lore. Ironically, some of my choices took a while to love, but once they “sunk in,” everything changed. Whenever life gets too much, it has been cathartic, essential even, to transport to another universe and find solace in prose dedicated to survival, soul, and renewal.
This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.
Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.
The world-building is vivid and rich in dactylic hexameter, a rhythmic style.…
One of the greatest epics in Western literature, THE ILIAD recounts the story of the Trojan wars. This timeless poem still vividly conveys the horror and heroism of men and gods battling amidst devastation and destruction, as it moves to its tragic conclusion. In his introduction, Bernard Knox observes that although the violence of the Iliad is grim and relentless, it co-exists with both images of civilized life and a poignant yearning for peace.
I’m a professor at Cambridge University, and following years of training in ancient languages and linguistics, I am currently running a research project on the visual aspects of writing systems. Recently, I’ve become passionate about using research on ancient languages and writing to try to help communities today who are in danger of losing their linguistic traditions (I've started an Endangered Writing Network)–which is why the fragility of human culture is high on my agenda. Ultimately, I’d like the world to be a better place for my baby son to grow up in, and I hope to use my academic work to help people in some small way.
This story has always struck me as a quest to identify and regain humanity, as its hero repeatedly faces strange and powerful obstacles to his voyage home. I first read it as a child and then again, but in Greek, as a student—a time in life when anyone is trying to find their feet as a human being!
Perhaps the most comforting thing is that amongst all the gods and monsters and cursing and fighting, eating habits often characterize the work’s characters. Odysseus is always looking for sitophagoi, bread eaters, i.e. civilized people who make their own food, rather than man-eating monsters. I can identify with a hero looking for nice people to share a nice meal with.
The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty and power; about marriage, family and identity; and about travellers, hospitality and the changing meanings of home in a strange world.
This vivid new translation-the first by a woman-matches the number of lines in the Greek original, striding at Homer's sprightly pace. Emily Wilson employs elemental, resonant language and an iambic pentameter to produce a translation with an enchanting "rhythm and rumble" that avoids proclaiming its own grandeur. An engrossing tale told in a compelling new…
For as long as I can remember, I have been deeply interested in how people understand and use the past. Whether it is a patient reciting a personal account of his or her past to a therapist or a scholar writing a history in many volumes, I find that I am consistently fascinated by the importance and different meanings we assign to what has gone before us. What I love about Herodotus is that he reveals something new in each reading. He has a profound humanity that he brings to the genre that he pretty much invented. And to top it all off, he is a great storyteller!
For fantasy, adventure, and humanity, I find no book like Homer’s Odyssey. Some prefer the Iliad, but for me, the Odyssey has greater depth, resonance, and experience of life. Most of us know about Odysseus’ wonderful adventures, but the whole second half of the epic is about his attempts to get home and, once home, to reintegrate himself into his family and society, from which he has been absent for twenty years.
I love the way the epic relates stories but also makes you think about what stories mean, why people tell them, and how to tell false ones from true. There are many fine translations of the Odyssey, including Emily Wilson’s recent one; my favorite, however, though a bit dated, remains that of Lattimore.
This is Homer's epic chronicle of the Greek hero Odysseus' triumph over Troy and arduous journey home: Odysseus survives a storm and shipwreck, the cave of the Cyclops and the isle of Circe, the lure of the Sirens' song and a trip to the Underworld, only to find his most difficult challenge at home, where treacherous suitors seek to steal his kingdom and his loyal wife, Penelope.
Journeys of discovery are my favorite kind of story and my favorite vehicle for (mental) travel. From Gilgamesh to last week’s bestseller, they embody how we live and learn: we go somewhere, and something happens. We come home changed and tell the tale. The tales I love most take me where the learning is richest, perhaps to distant, exotic places—like Darwin’s Galapagos—perhaps deep into the interior of a completely original mind—like Henry Thoreau’s. I cannot live without such books. Amid the heartbreak of war, greed, disease, and all the rest, they remind me in a most essential way of humanity’s redemptive capacity for understanding and wonder.
Once, on a weeks-long gig far from home, I stayed in a bare attic room with no TV, no internet, not even a radio. I didn’t mind. I had this translation of the Odyssey to settle down with every evening after work. I would think about it all day long: the vivid language, the fantastical events, the struggle and suffering of the protagonist. Reading it was like going to a technicolor movie every night, except that the movie was inside my head.
Talk about an essential human story—the Odyssey is four thousand years old, but its characters have the same emotions, fears, vices, and virtues we have today. Their struggles make my heart race and my eyes tear up. My imagination goes into overdrive, and I revel in the wonder.
Homer's best-loved and most accessible poem, recounting the great wandering of Odysseus during his ten-year voyage back home to Ithaca, after the Trojan War. A superb new verse translation, now published in trade paperback, before the standard Penguin Classic B format.
I don't write within received categories: our lives aren't lived in categories, but are full of varying realities, whether of home, childhood, marriage, parenthood, fantasy, dream, work, or relaxation, and more all mixed together. I can't write in any other way, however dominant a particular strand or age may be on the surface in a given work.Orpheus Rising may have a child hero, and a fantastic, elegant Edwardian Elephant as a spirit guide, but it let me tell a story of love lost and regained, of family broken and remade, of a father in despair and remade, themes of real importance in any life.
This is my favorite novelin Rieu's prose translation which has a real freshness, as if the very first book. I wanted that sense of freshness for my book, as well as the story of a man desperately trying to get home to his wife. The story takes place in the framework of Sam's 11-year-old imagination, and so carries him and his father through fantastic adventures as trying as those Odysseus faces in The Odyssey.
'The Odyssey is a poem of extraordinary pleasures: it is a salt-caked, storm-tossed, wine-dark treasury of tales, of many twists and turns, like life itself' Guardian
The epic tale of Odysseus and his ten-year journey home after the Trojan War forms one of the earliest and greatest works of Western literature. Confronted by natural and supernatural threats - ship-wrecks, battles, monsters and the implacable enmity of the sea-god Poseidon - Odysseus must use his bravery and cunning to reach his homeland and overcome the obstacles that, even there, await him. E. V. Rieu's translation of The Odyssey was the very…
