Here are 100 books that Human Acts fans have personally recommended if you like
Human Acts.
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I lived and worked in South Korea for four years, where I first became fascinated with the country’s history, from shamans on Jeju island to the twentieth-century politics of Seoul. I’m the author of two novels and dozens of short stories and essays published in venues around the world, many of which feature some element of Korean history. I’m originally from Canada and now teach creative writing at the University of Adelaide in Australia.
What I appreciate most about David Mitchell’s novel is how he grounds the history in scenes full of well-developed characters. So, for example, we don’t begin the novel with a long note about the historical period or the lineage of the ruling class, but rather with the urgency of childbirth gone wrong in the house of a concubine in Nagasaki in 1799.
It’s from this rootedness in the sense-based that we move into a wider exploration of both geopolitics and the magical, which I absolutely fell in love with—this sense that there is an element of the supernatural at play in this otherwise very realistic historical world.
The Sunday Times Number One Bestseller, from the author of CLOUD ATLAS and THE BONE CLOCKS.
Longlisted for the Man Booker Prize 2010
'Brilliant' - The Times 'A masterpiece' - Scotsman
Be transported to a place like no other: a tiny, man-made island in the bay of Nagasaki, for two hundred years the sole gateway between Japan and the West. Here, in the dying days of the 18th-century, a young Dutch clerk arrives to make his fortune. Instead he loses his heart.
Step onto the streets of Dejima and mingle with scheming traders, spies, interpreters, servants and concubines as two…
I lived and worked in South Korea for four years, where I first became fascinated with the country’s history, from shamans on Jeju island to the twentieth-century politics of Seoul. I’m the author of two novels and dozens of short stories and essays published in venues around the world, many of which feature some element of Korean history. I’m originally from Canada and now teach creative writing at the University of Adelaide in Australia.
This is a novel that I suspected I was falling into as much as reading—that is, I felt utterly and, at times, uncomfortably immersed in Murakami’s story universe.
I love the blending of contemporary realism in the novel (our protagonist’s day-to-day life) with the historical and the way the Japanese military’s atrocities in Manchuria in the 30s haunt the recognizably contemporary world so that even a man sitting at the bottom of a well contemplating existence and history feels like an acceptable and dreamlike weirdness.
I’m completely taken with such a strange and affecting representation of lesser-known histories and the ghosts such events leave us with.
Toru Okada's cat has disappeared and this has unsettled his wife, who is herself growing more distant every day. Then there are the increasingly explicit telephone calls he has started receiving. As this compelling story unfolds, the tidy suburban realities of Okada's vague and blameless life, spent cooking, reading, listening to jazz and opera and drinking beer at the kitchen table, are turned inside out, and he embarks on a bizarre journey, guided (however obscurely) by a succession of characters, each with a tale to tell.
I lived and worked in South Korea for four years, where I first became fascinated with the country’s history, from shamans on Jeju island to the twentieth-century politics of Seoul. I’m the author of two novels and dozens of short stories and essays published in venues around the world, many of which feature some element of Korean history. I’m originally from Canada and now teach creative writing at the University of Adelaide in Australia.
I’m so impressed by the sense of closeness, the claustrophobic setting, and the relationships Endo evokes in this novel.
The intensely atmospheric language perfectly matches the storyline, which involves Portuguese Jesuit priests arriving in seventeenth-century Japan, where they are martyred in devastatingly cruel and grotesque ways. But that’s not to say there isn’t beauty in the novel, either.
I found joy in the historical details, setting, and the rendering of individual lives—the characters’ anguish and existential crises speaking to me through imagined centuries and deft translation.
Now a major motion picture directed by Martin Scorsese, starring Liam Neeson, Adam Driver and Andrew Garfield.
With an introduction by Martin Scorsese
'One of the finest historical novels written by anyone, anywhere . . . Flawless' - David Mitchell
Father Rodrigues is an idealistic Portuguese Jesuit priest who, in the 1640s, sets sail for Japan on a determined mission to help the brutally oppressed Japanese Christians and to discover the truth behind unthinkable rumours that his famous teacher Ferreira has renounced his faith. Once faced with the realities of religious persecution Rodrigues himself is forced to make an impossible…
Fresh from college, I arrived in South Korea in 1976 to teach English as a Peace Corps Volunteer, and despite my naivete, or maybe because of it, I fell in love with the country—the people, the food, the culture, the history. I have since lived and worked in many other countries, but Korea will always be my first love and I have returned many times for both work and pleasure. When I became a fiction writer, I was keen to read the work of Korean novelists who, naturally, had an even better understanding of their culture than I did, and I love staying connected to the country in this way.
It came as no surprise to me, having spent so much time in the country, that Korea has long been and still is a sexist society, and this book illustrates that sexism brutally. When I lived there, my good friend, a woman, was a professor of biochemistry, and she struggled in her career the way men didn’t have to. Also, while people thought nothing of my going out to a pub with my male friends, it was somewhat scandalous when I did the same with this woman. In this novel, set in more recent times, a young woman has similar troubles trying to find her way. For many readers, it has served as a wake-up call for Korean society.
One of the most notable novels of the year, hailed by both critics and K-pop stars alike, Kim Jiyoung, Born 1982 follows one woman's psychic deterioration in the face of rampant misogyny. In a tidy apartment on the outskirts of Seoul, millennial "everywoman" Kim Jiyoung spends her days caring for her infant daughter. But strange symptoms appear: Jiyoung begins to impersonate the voices of other women, dead and alive. As she plunges deeper into this psychosis, her concerned husband sends her to a psychiatrist. Jiyoung narrates her story to this doctor-from her birth to parents who expected a son to…
Fresh from college, I arrived in South Korea in 1976 to teach English as a Peace Corps Volunteer, and despite my naivete, or maybe because of it, I fell in love with the country—the people, the food, the culture, the history. I have since lived and worked in many other countries, but Korea will always be my first love and I have returned many times for both work and pleasure. When I became a fiction writer, I was keen to read the work of Korean novelists who, naturally, had an even better understanding of their culture than I did, and I love staying connected to the country in this way.
This novel is a murder mystery, of sorts, that also has a lot to say about socio-economic divides in contemporary Korea. This was particularly interesting to me because when I lived there in the 1970s, everyone was poor. No one owned a motorbike, much less a car, and they were all barely scraping by. Now, though, great wealth and privilege have emerged alongside persistent poverty, and that class divide looks too familiar to Americans. The rich are privileged and have access to things the poor do not, including justice.
New York Times Book Review: Editor’s Choice Philadelphia Inquirer: Best Book of the Month World Literature Today: Notable Translation of the Year CrimeReads: Best International Crime Novel of the Year Ms. Magazine: Most Anticipated Book of the Year Washington Independent Review of Books: Favorite Book of the Year
Parasite meets The Good Son in this piercing psychological portrait of three women haunted by a brutal, unsolved crime.
In the summer of 2002, when Korea is abuzz over hosting the FIFA World Cup, eighteen-year-old Kim Hae-on is killed in what becomes known as the High School Beauty Murder. Two suspects quickly…
Fresh from college, I arrived in South Korea in 1976 to teach English as a Peace Corps Volunteer, and despite my naivete, or maybe because of it, I fell in love with the country—the people, the food, the culture, the history. I have since lived and worked in many other countries, but Korea will always be my first love and I have returned many times for both work and pleasure. When I became a fiction writer, I was keen to read the work of Korean novelists who, naturally, had an even better understanding of their culture than I did, and I love staying connected to the country in this way.
This is a surreal novel that suggests a complexity to modern Korean life that I can’t say that I’ve witnessed. It’s a novel of patterns—repeated images and passages that may be indicative of what it’s like to live in Seoul at this point in time. The main character has lost her job—and an odd job it was—but she is now even more immersed in the world of artists and writers, which is another reason the book spoke to me. The book was something of a challenge, given its shifts and ghost-like characters, but that too made it more exciting.
A seductive, disorienting novel that manipulates the fragile line between dreams and reality, by South Korea s leading contemporary writer
A startling and boundary-pushing novel, Untold Night and Day tells the story of a young woman s journey through Seoul over the course of a night and a day. It s 28-year-old Ayami s final day at her box-office job in Seoul s audio theater. Her night is spent walking the sweltering streets of the city with her former boss in search of Yeoni, their missing elderly friend, and her day is spent looking after a mysterious, visiting poet. Their…
Fresh from college, I arrived in South Korea in 1976 to teach English as a Peace Corps Volunteer, and despite my naivete, or maybe because of it, I fell in love with the country—the people, the food, the culture, the history. I have since lived and worked in many other countries, but Korea will always be my first love and I have returned many times for both work and pleasure. When I became a fiction writer, I was keen to read the work of Korean novelists who, naturally, had an even better understanding of their culture than I did, and I love staying connected to the country in this way.
This one is set in North Korea and is by a sanctioned North Korean writer. As a result, there is no criticism directed at the North’s restrictive society and on the surface it isn’t at all political. Instead, it shows the mundane existence of a judge and his wife, ordinary people who work hard to contribute to the development of the nation. It seems to be about traditional values, and the rising prevalence of divorce is seen as a problem. Those of us who follow Korea rarely get this kind of insight into what life in the North is really like, and while these characters may be relatively privileged, their existence is tellingly monochromatic.
Paek Nam-nyong's Friend is a tale of marital intrigue, abuse, and divorce in North Korea. A woman in her thirties comes to a courthouse petitioning for a divorce. As the judge who hears her statement begins to investigate the case, the story unfolds into a broader consideration of love and marriage. The novel delves into its protagonists' past, describing how the couple first fell in love and then how their marriage deteriorated over the years. It chronicles the toll their acrimony takes on their son and their careers alongside the story of the judge's own marital troubles.
I believe that we betray the past when we treat it as the past, and we abandon our ancestors, actual and spiritual, when we dehumanize them as denizens of history, as fundamentally different from us in terms of their lusts and appetites and political nuances and strange senses of humor and nose picking and dance moves and love. Novels, I think, are a powerful mode for understanding and perhaps even undoing the cultural patterns that would have us believe that history is behind us and that the past is not part of the forever dance of the present.
Incredible. Like a great Russian novel, this book asks its readers for effort, time, and patience, but it all pays off one thousand times over. It is a story about how quiet lives come up against the sky-high pile of debris known as history, the beauty of art, and kindness amidst the wreckages and catastrophes of human politics.
"In a single year, my father left us twice. The first time, to end his marriage, and the second, when he took his own life. I was ten years old."
Master storyteller Madeleine Thien takes us inside an extended family in China, showing us the lives of two successive generations-those who lived through Mao's Cultural Revolution and their children, who became the students protesting in Tiananmen Square. At the center of this epic story are two young women, Marie and Ai-Ming. Through their relationship Marie strives to piece together the tale of her fractured family in present-day Vancouver, seeking answers…
I am a researcher and teacher who studies global security. I first thought this meant the study of various forms of violence: wars, terrorism, genocides. And, I still study all of that. But the events of the Arab Spring in particular led me to see the importance of nonviolent protest movements as an important form of global conflict. These movements, often called “civil resistance,” have proved surprisingly capable of toppling dictators and bringing about democratization. But the news is not all good: they also frequently spark mass repression, civil wars, and even wars between countries. Understanding contemporary global conflict requires understanding how nonviolent movements work.
Unarmed uprisings might overthrow dictators…but what happens next?
Jonathan Pinckney explains why nonviolent movements lead to more durable democracies and under what conditions. He combines an analysis of global data with case studies from Nepal, Zambia, and Brazil.
Policymakers and scholars interested in democratization have often focused their attention on elite negotiations and “pacts.” Pinckney convincingly shows that the most sustainable democratization comes from grassroots mobilization.
Peaceful protest is a strong driver for democratization across the globe. Yet, it doesn't always lead to democratic transition, as seen in the Arab Spring revolutions in Egypt or Yemen. Why do some nonviolent transitions end in democracy while others do not? In From Dissent to Democracy, Jonathan Pinckney systematically examines transitions initiated by nonviolent resistance campaigns and argues that two key factors explain whether or not democracy will follow such efforts. First, a movement must sustain high levels of social mobilization. Second, it must direct that mobilization away from revolutionary "maximalist" goals and tactics and towards support for new…
I grew up in China during the years of the one-child policy. In 1989 I joined millions of people in the pro-democracy protests. Our hope and joy were crushed by the Tiananmen Square Massacre. A year later, I left China and came to the States. I wanted to write a story about the students’ fight but create a more meaningful arc. It took me twenty years of soul searching to find my story. At the heart of my novel Living Treasures is a metaphor for the Tiananmen Square Massacre. My heroine continues the fight by doing grassroots work and helping rural women, who are victimized by the one-child policy.
Philip J. Cunningham joined his Chinese friends from May 3 to June 4 in 1989, as a supporter, journalist, and witness in the Tiananmen Square protests. Tiananmen Moon chronicles the protests, hunger strike, students’ leadership, their internal friction, and Cunningham’s meeting with Chai Ling before the massacre. From an American bystander’s perspective, Cunningham voices his concerns about the peer pressure among students, and a few self-claimed radical leaders using the same rhetoric and tactic as the regime to seize power and escalate conflicts. To this day, the Tiananmen Square protests are obliterated by the propaganda machine in mainland China. Tiananmen Moon is a remarkable testament capturing the plaintive and lyrical beauty of a dream that continues to haunt China today.
The twenty-fifth anniversary edition of this book is now available.
This compelling book provides a vivid firsthand account of the student demonstrations and massacre in Tiananmen Square in 1989. Uniquely placed as a Western observer drawn into active participation through Chinese friends in the uprising, Philip J Cunningham offers a remarkable day-by-day account of Beijing students desperately trying to secure the most coveted political real estate in China in the face of ever more daunting government countermoves. Tiananmen Moon takes the reader into the thick of the 1989 protests while also following the parallel response of an unprepared but resourceful…
