100 books like Human Acts

It came as no surprise to me, having spent so much time in the country, that Korea has long been and still is a sexist society, and this book illustrates that sexism brutally. When I lived there, my good friend, a woman, was a professor of biochemistry, and she struggled in her career the way men didn’t have to. Also, while people thought nothing of my going out to a pub with my male friends, it was somewhat scandalous when I did the same with this woman. In this novel, set in more recent times, a young woman has similar troubles trying to find her way. For many readers, it has served as a wake-up call for Korean society.

This novel is a murder mystery, of sorts, that also has a lot to say about socio-economic divides in contemporary Korea. This was particularly interesting to me because when I lived there in the 1970s, everyone was poor. No one owned a motorbike, much less a car, and they were all barely scraping by. Now, though, great wealth and privilege have emerged alongside persistent poverty, and that class divide looks too familiar to Americans. The rich are privileged and have access to things the poor do not, including justice.

This is a surreal novel that suggests a complexity to modern Korean life that I can’t say that I’ve witnessed. It’s a novel of patterns—repeated images and passages that may be indicative of what it’s like to live in Seoul at this point in time. The main character has lost her job—and an odd job it was—but she is now even more immersed in the world of artists and writers, which is another reason the book spoke to me. The book was something of a challenge, given its shifts and ghost-like characters, but that too made it more exciting.

This one is set in North Korea and is by a sanctioned North Korean writer. As a result, there is no criticism directed at the North’s restrictive society and on the surface it isn’t at all political. Instead, it shows the mundane existence of a judge and his wife, ordinary people who work hard to contribute to the development of the nation. It seems to be about traditional values, and the rising prevalence of divorce is seen as a problem. Those of us who follow Korea rarely get this kind of insight into what life in the North is really like, and while these characters may be relatively privileged, their existence is tellingly monochromatic.

The Instructions blew my mind from the moment I read the first page. At the time the novel was released, it took place in a near future recently reached.

We quickly dive into bullies, othering, and also the concept of judging without knowing focused on the lives of pre- and young teens, specifically Gurion ben-Judah Maccabee, our main character. The novel is over 1,000 pages but I will never forget diving deep into the story quickly and hungrily, wanting to devour every sentence.

“It is dangerous to exist in the world. To exist is to be threatened. We must live with threats.” The quote exudes Jewish anger, a possible messiah, but also fear, history, and violence making the pages feel magical and shocking, yet grounded firmly in our world. 

Philip J. Cunningham joined his Chinese friends from May 3 to June 4 in 1989, as a supporter, journalist, and witness in the Tiananmen Square protests. Tiananmen Moon chronicles the protests, hunger strike, students’ leadership, their internal friction, and Cunningham’s meeting with Chai Ling before the massacre. From an American bystander’s perspective, Cunningham voices his concerns about the peer pressure among students, and a few self-claimed radical leaders using the same rhetoric and tactic as the regime to seize power and escalate conflicts. To this day, the Tiananmen Square protests are obliterated by the propaganda machine in mainland China. Tiananmen Moon is a remarkable testament capturing the plaintive and lyrical beauty of a dream that continues to haunt China today.

This is the kind of book that changes lives! The spare text and black-and-white sketches convey an inescapable message about climate action: the hope we need comes from us.

As personified by another young heroine, effective action will take resolve (“Rise up!”), imagination ("Think up”), sleepless nights (“Rest up”), and support when we can find it (“Meet up.”) Some solutions may be unexpected, like seed swaps and Little Free Libraries, but they’re not impossible. Plenty of them look like fun.

I don’t know another book that depicts more succinctly how to build the future we want and children deserve: “Show up!”

We’re also indebted to young minority students for pioneering free-speech rights in our schools. Most of us still associate the struggle for student rights with antiwar activists like Mary Beth Tinker, whose armband protest against the Vietnam War led to the epochal Tinker v. Des Moines Supreme Court decision declaring that teachers and students don’t shed their First Amendment rights at the schoolhouse gate. But before and after Tinker, Black and Chicano students challenged racist curricula, disciplinary policies, and more. Student rights are civil rights, and vice versa. We can’t—and shouldn’t—separate them.

Here’s the only full-scale biography of the most important student activist in American history. Mario Savio registered Black voters during the Freedom Rides in Mississippi and then led the Free Speech Movement at Berkeley in 1964, when the university tried to prevent civil-rights demonstrators from protesting on campus. Savio’s story is yet another reminder about the radical roots of free speech, which is too often dismissed at contemporary universities as a conservative or even reactionary impulse. It wasn’t, and it isn’t. 

In May 1970, Kent, Ohio, witnessed four days of violence, from a rampage downtown that left fifty-six store windows smashed, to the shooting of thirteen Kent State University students by the Ohio National Guard. To tell this story, cartoonist Backderf blends his craft with the historian’s. And it works: The same visual conventions that render the deeds of superheroes also effectively portray historic violence. Relying on oral histories, official investigations, and photographs as sources, Backderf depicts punches and kicks, the grins of victors and the grimaces of the vanquished, and the accompanying sounds: Pop! Crak! Bang! Crash! While contemptuous of the Guard’s senior leadership, he nonetheless takes care to present multiple points of view.