Here are 100 books that Home on the Range fans have personally recommended if you like
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I am uniquely qualified to assemble this list because I gave my heart and head to the fictional and true West in fourth grade. When I learned California history, enraptured by images of wild horses and vaqueros, the cruelty of bear and bullfighting (no one talked then about cruelty to “converted” Native Americans), and the myth of Zorro. I grabbed the chance to move to the cowgirl state of Nevada, where I learned to love the scents of sagebrush and alkali flats. Research for my fiction and non-fiction has given me license to ride in a Pony Express reenactment and 10-day cattle drive and spend all night bottle-feeding an orphan mustang.
I saw a well-used copy of this book in the bunkhouse of real cowboys. That totally confirmed the way I felt–that this book is authentic. Yes, it has the feel of the mythical West I fell in love with as a girl, but it’s gritty and quirky, too.
Who would guess that Augustus, a tough-as-leather former Texas Ranger, would bring two pigs on a hundreds of miles-long cattle drive? Not for eating, but because he couldn’t leave those friendly pets behind. His heart is tender, though he’s tough as any Western man you ever imagined.
Whenever I (unwillingly) think of Blue Duck, I realize he is the worst literary villain I’ve ever read. Thinking of him gives me chills, just as thinking of Captain Call makes me reluctantly admire him. He is a man with foot-thick emotional armor, but his sense of honor is just as strong. Plus, he calls…
Larry McMurtry's Pulitzer Prize winning novel is a powerful, triumphant portrayal of the American West as it really was. From Texas to Montana, it follows cowboys on a grueling cattle drive through the wilderness.
It begins in the office of The Hat Creek Cattle Company of the Rio Grande. It ends as a journey into the heart of every adventurer who ever lived . . .
More than a love story, more than an adventure, Lonesome Dove is an epic: a monumental novel which embraces the spirit of the last defiant wilderness of America.
I am uniquely qualified to assemble this list because I gave my heart and head to the fictional and true West in fourth grade. When I learned California history, enraptured by images of wild horses and vaqueros, the cruelty of bear and bullfighting (no one talked then about cruelty to “converted” Native Americans), and the myth of Zorro. I grabbed the chance to move to the cowgirl state of Nevada, where I learned to love the scents of sagebrush and alkali flats. Research for my fiction and non-fiction has given me license to ride in a Pony Express reenactment and 10-day cattle drive and spend all night bottle-feeding an orphan mustang.
When I taught Developmental Reading (aka English for Gang Members) in Los Angeles, this book made them cry. Sad stories that include animals can jab straight into the most sheltered heart, while books about suffering humans only evoke yawns.
Reading this as an adult, it’s clearly NOT a horse story, but that’s its camouflage. There’s a lot of death in this book–a beloved pony, an old man with a stolen old horse, a mare giving birth, and the main character’s innocence. Childhood innocence dies over and over again. Just when his faith in what matters resurfaces, it gets smacked down again. The older I get, the more this book hurts.
Jody, the boy at the center of all 3 parts of the book (there are different versions of the book…some have 4 parts), wants to put the adults in his life on pedestals, but his father is as callous as…
Written at a time of profound anxiety caused by the illness of his mother, Nobel Prize winner John Steinbeck draws on his memories of childhood in these stories about a boy who embodies both the rebellious spirit and the contradictory desire for acceptance of early adolescence. Unlike most coming-of-age stories, the cycle does not end with a hero "matured" by circumstances. As John Seelye writes in his introduction, reversing common interpretations, The Red Pony is imbued with a sense of loss. Jody's encounters with birth and death express a common theme in Steinbeck's fiction: They are parts…
I am uniquely qualified to assemble this list because I gave my heart and head to the fictional and true West in fourth grade. When I learned California history, enraptured by images of wild horses and vaqueros, the cruelty of bear and bullfighting (no one talked then about cruelty to “converted” Native Americans), and the myth of Zorro. I grabbed the chance to move to the cowgirl state of Nevada, where I learned to love the scents of sagebrush and alkali flats. Research for my fiction and non-fiction has given me license to ride in a Pony Express reenactment and 10-day cattle drive and spend all night bottle-feeding an orphan mustang.
This ranch-centered book puts a human face on the cost of war.
A best in the West (or at least his small Nevada town) bull rider is physically and mentally torn apart by war. He can’t see the future he envisioned for himself anymore. But the story is really about his younger brother, Cam. I love Cam’s humor most of all, but his devotion to his idolized big brother is what makes this more than a story about a skateboarder turned bull rider.
This book is about family in an opposite way from The Red Pony it confirms the safety net family can provide.
Cam O'Mara, grandson and younger brother of bull-riding champions, is not interested in partaking in the family sport. Cam is a skateboarder, and perfecting his tricks—frontside flips, 360s—means everything until his older brother, Ben, comes home from Iraq, paralyzed from a brain injury. What would make a skateboarder take a different kind of ride? And what would get him on a monstrosity of a bull named Ugly? If Cam can stay on for the requisite eight seconds, could the $15,000 prize bring hope and a future for his big brother?
I am uniquely qualified to assemble this list because I gave my heart and head to the fictional and true West in fourth grade. When I learned California history, enraptured by images of wild horses and vaqueros, the cruelty of bear and bullfighting (no one talked then about cruelty to “converted” Native Americans), and the myth of Zorro. I grabbed the chance to move to the cowgirl state of Nevada, where I learned to love the scents of sagebrush and alkali flats. Research for my fiction and non-fiction has given me license to ride in a Pony Express reenactment and 10-day cattle drive and spend all night bottle-feeding an orphan mustang.
I’m still not satisfied with delayed gratification! In great words and pictures, this book sums up that rebellion against getting great stuff later. A little boy is repeatedly told he can ride a horse along with his cowgirl mom and rancher dad “someday.”
I grew up with chronic asthma that was aggravated by running, playing, dust, and horse hair. Doctors told me that I’d outgrow it "someday." That didn’t help. On television and in books, I soaked up the free-wheeling freedom of riding. And wanted it. I longed to ride so much that–like the boy in this book–my parents saw it was important. About once a month, my parents rented a horse that I could ride along the (now cement-lined) riverbeds of Southern California.
Yes, they’d be up all night with me, wheezing. No, they weren’t giving in to me. They satisfied my need to be myself–not a cowgirl, but…
Kenny loves to go down to the corral to watch his father and the other cowboys bridle and saddle their horses. When he sees them ride off into the far hills, he wishes he were going with them. "Someday you will," his mother tells him. "I'm tired of somedays," Kenny answers. "I don't want to be a someday rider. I want to ride right now."
Raised in the American West, I have watched the explosive growth in Colorado with dismay. In my lifetime, metro Denver has grown from a population of about 500,000 people to more than 5.5 million. The Colorado of large ranches and wide, open spaces is disappearing. I have named my publishing company “lost ranch books,” in honor of the ranch where I grew up, which was sold and developed with cookie-cutter houses. I’ve now set out to recapture historic Colorado by writing about it. My award-winning books center on Colorado’s and the American West’s history, for not only is it fascinating and, often, troubling, but it still resonates today.
Punke’s book chronicles a story of heroism and company greed that isn’t that far in the past of America’s labor battles. It tells of a fire that spread through the underground tunnels of the copper mines belonging to J.D. Rockefeller’s Anaconda company and others. The book centers on the men trapped underground who exhaust every possible option in a dire bid to survive, including some ingenious methods and some which hasten their demise. Punke touches as well on political, labor, and business wranglings that put the workers at risk. He also follows Butte’s history to present day, demonstrating that the Montana city has never quite recovered from its past as a copper city.
The author of the #1 New York Times bestseller, The Revenant -- basis for the award-winning motion picture starring Leonardo DiCaprio -- tells the remarkable story of the worst hard-rock mining disaster in American history.
A half-hour before midnight on June 8, 1917, a fire broke out in the North Butte Mining Company's Granite Mountain shaft. Sparked more than two thousand feet below ground, the fire spewed flames, smoke, and poisonous gas through a labyrinth of underground tunnels. Within an hour, more than four hundred men would be locked in a battle to survive. Within three days, one hundred and…
I love history and I love to laugh. That’s why I brand myself as a writer of Victorian Whodunits with a touch of humor. I’ve spent decades learning about 1800s America. I began sharing that knowledge by performing in costume as real women of history. But I couldn’t be on stage all the time so I began writing the books I want to read, books that entertain while sticking to the basic facts of history and giving the flavor of an earlier time. I seek that great marriage of words that brings readers to a new understanding. As Albert Einstein said, “Not everything that can be counted counts, and not everything that counts can be counted.”
Mark Twain is my writing idol. Before Roughing it, I’d never read a book
written during the Civil War era which didn’t take sides and grind axes.
From it, I learned detachment, that personal adventures can live
side-by-side with even the most earth-shattering events. And that
hilarious stories like “Bemis and the Buffalo” are the best antidote for
the chaos and pain of war.
The celebrated author of The Adventures of Tom Sawyer and Adventures of Huckleberry Finn mixes fact and fiction in a rousing travelogue that serves as “a portrait of the artist as a young adventurer.”*
In 1861, young Mark Twain found himself adrift as a newcomer in the Wild West, working as a civil servant, silver prospector, mill worker, and finally a reporter and traveling lecturer. Roughing It is the hilarious record of those early years traveling from Nevada to California to Hawaii, as Twain tried his luck at anything and everything—and usually failed. Twain’s encounters with tarantulas and donkeys, vigilantes…
Although I grew up with a fondness for Western movies thanks to my John Wayne-loving dad, I never seriously explored the genre until I began writing my Holmes on the Range mystery series. What I discovered when I began regularly reading books about the West took me a bit by surprise: I loved them! Since then I’ve read dozens of history books, novels, and short story collections that bring the Old West to life.
Once upon a time, writers could make a good living selling short stories to American magazines. Those days are almost as long gone now as the Wild West. But the stories live on…provided you find the right used book store. First published in 1957, The Hanging Tree and Other Stories collects some of the best work by a prolific specialist in short fiction about the frontier: Dorothy M. Johnson. Years before Little Big Man, she was writing sympathetically and convincingly about Native Americans. Her stories could also be funny, thrilling, and surprising. It’s no wonder Hollywood turned to her for inspiration so often: The classic Westerns The Man Who Shot Liberty Valance and A Man Called Horse are based on Johnson stories.
The title story, The Hanging Tree, is based on a true episode in Montana's gold-mining past. Three amazing characters meet: the cynical Doc Frail; the boy robber named Rune, whom Doc saves and enslaves; and Elizabeth, the young easterner who survives an Indian assault and comes under the care of Doc and Rune. In the gold-mining camp of Skull Creek Elizabeth becomes the mysterious Lucky Lady. A vigorous, psychological western, The Hanging Tree was made into a movie starring Gary Cooper. The stories in this book consolidate Dorothy M. Johnson's reputation for authenticity and artistic integrity. "Lost Sister" is based…
I am best known for my books on allergies and horticulture. But my first love was always writing fiction, and the first two books I ever sold, were both novels. I know a lot about exciting historical novels because I’ve read so many of them. I read; I don’t watch TV. I love history, and historical fiction that has good, strong characters that I can give a hoot about. And I love books that are full of action, where something exciting is always happening or just about to. A plug: I believe I’ve now written some books myself that fit that bill.
Elmore Leonard wrote a ton of books, and almost all of them were darn good. He’s most famous for his more modern books, Get Shorty, etc. His stories are raw, edgy, and exciting. Toward the very end of his career, he did crank out some novels that were, I thought, junk. But for the most part, his writing is terrific, easy to read, page-turning books. What many don’t know is that when he was young, he was writing Westerns. And wow, what fabulous Westerns, too! If you’re lucky enough to get a copy of this collection, you’ll both love it, and feel kind of bad when you get to the end. One of the very best Western writers of them all.
A bull's-eye of a short fiction collection that spans the master's career.
In 1950, fresh out of college and keen to make his name as a writer, Elmore Leonard decided he needed to pick a market, a big one, which would give him a better chance to be published while he learned to write. In choosing between crime and Westerns, the latter had an irresistible pull - Leonard loved movies set in the West. As he researched deeper into settings, Arizona in the 1880s captured his imagination: the Spanish influence, the stand-offs and shoot-outs between Apache Indians and the US…
I am a teacher of primitive survival skills. As a young boy, I was fascinated with the concept of courage. At seven, I read the pseudo-biography of Wyatt Earp, a wonderfully written account of a courageous man. This book began my lifelong interest in Mr. Earp. Eventually, I met many of the giants in Western history research and accompanied them into the field. After 65 years of collecting the facts, I wanted to use my novelistic skills to portray the life and times of Wyatt Earp as best as the record shows.
The public was introduced to Wyatt Earp’s story by Walter Noble Burns and Stuart Lake around 1930, but the novelistic liberties taken by these two writers produced two books of fantasy. Other writers who reacted to this fiction swung to the other end of the spectrum and wrote damning indictments against Wyatt Earp. Tefertiller gives us the facts and leaves it to the reader to parse Wyatt Earp, the man.
I have visited many a Sonoran Desert site with Mr. Tefertiller—places where events in the Earp saga took place. There we have engaged in conversations and batted around ideas. I judge him to be a most reliable and dedicated researcher/writer.
"Quite impressive. I doubt if there has been or will be a more deeply researched and convincing account." --Evan Connell, author Son of the Morning Star: Custer and the Little Bighorn "The book to end all Earp books--the most complete, and most meticulously researched." --Jack Burrows, author John Ringo: The Gunfighter Who Never Was "The most thoughtful, well-researched, and comprehensive account that has been written about the development and career of an Old-West lawman." --The Tombstone Tumbleweed "A great adventure story, and solid history." --Kirkus Reviews "A major contribution to the history of the American West. It provides the first…
I recall the exact moment when my interest sparked about frontier prostitution and Denver’s underbelly — a friend mentioned the ‘bad blood’ in her family — an ancestor who was a second-rate madam and who employed her own daughters. The quest started. Who were these women, and why did they make the choices they did? I’ve spent years chasing down traces of the old west’s prostitutes, fascinated by their identities and lives. The west had opportunities for women who were willing to take chances. As a fifth-generation Coloradoan, I hoped to capture the story of these enterprising and overlooked women, their lives, and the world around them.
By now, readers can get a sense of where my recommendations are going with all of this. Life in the West was hard, and alcohol and drugs were turned to (often) to help reduce the pain, discomfort, and loneliness of living in the western United States. Whiskey tended to be of poor quality, drugs were not known to be addictive, and a lot of the stereotypical old west behavior stemmed from the use of liquor and drugs – often to the detriment of the users…and innocent bystanders.
This book explores the role and influence of drink and drugs (primarily opium) in the Old West, which for this book is considered to be America west of the Mississippi from the California gold rush of the 1840s to the closing of the Western Frontier in roughly 1900. This period was the first time in American history that heavy drinking and drug abuse became a major social concern.
Drinking was considered to be an accepted pursuit for men at the time. Smoking opium was considered to be deviant and associated with groups on the fringes of mainstream society, but opium…