Here are 81 books that Healer of the Water Monster fans have personally recommended if you like
Healer of the Water Monster.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As a former journalist-turned-lawyer and a recovering news junky, I’ve spent much of my life watching unhappy scenarios play out. But what’s always astonished me me is how, no matter how bad things get or how difficult the situation, there’s a spark of humanity, of kindness and compassion and optimism, that comes out in people at the most unexpected of times. Now, as an author and a parent, I find myself drawn to stories that remind me of that—that no matter how bleak life may look, how cruel or arbitrary the circumstances, there’s something good and beautiful and worth fighting for, not “somewhere out there,” but inside us.
I read this book after a long, dull period when I couldn’t seem to find anything to read that sparked my interest. Trail of Lightning picked me up, whirled me around, and made me fall head-over-heels in love with speculative fiction again.
Set in a bleak, post-apocalyptic world, it’s brutal and gripping, but where there should only be sadness and despair, there are unexpected moments of un-looked-for kindness. This isn’t a light read, and it isn’t exactly happy—but there’s a beautiful optimism underlying the bleakness, that after all, even in the worst of circumstances and at the worst of times, people can be kind.
One of the Time 100 Best Fantasy Books Of All Time
2019 LOCUS AWARD WINNER, BEST FIRST NOVEL
2019 HUGO AWARD FINALIST, BEST NOVEL
Nebula Award Finalist for Best Novel
One of Bustle's Top 20 "landmark sci-fi and fantasy novels" of the decade
"Someone please cancel Supernatural already and give us at least five seasons of this badass Indigenous monster-hunter and her silver-tongued sidekick." -The New York Times
"An excitingly novel tale." -Charlaine Harris, #1 New York Times bestselling author of the Sookie Stackhouse and Midnight Crossroads series
"Fun, terrifying, hilarious, and brilliant." -Daniel Jose Older, New York Times bestselling…
I am, and always have been, stimulated by a spiritual connection to my world beyond the laws of physics and men. My hiking, climbing, and trail running have taken me to breathless places imbued with auras and presences I don’t understand but readily accept. And I am filled with the same spirituality when performing or listening to music. I have no ego to shun that which I don’t understand, for I know there is so much beyond me. Some authors describe this intangible better than others in their stories; I hope I am among the former.
R. Allen Chappell’s novel resonates with me from the reality of his depiction of life among the Navajo, reflecting his personal familiarity with the people. His protagonists portray diverse, very human characters with all their inherent weaknesses and strengths, tested by the hard life on the Rez. In Magpie Speaks, Charlie Yazzie’s unflappably grounded outlook balances Paul T’Sosi ’s immersive belief in the old ways, a traditional way of thinking that permits the existence of witches who can cause him harm with their supernatural powers. His depiction of Harley Ponyboy, a sometime drunk (“just because I’m drinking now doesn’t make me a drunk”) is both sympathetic and alarming to me. Chappell’s characters are real.
Dreams tell old man Paul T’Sosi he’s dying. So why is Navajo trickster, Magpie, trying to tell him a far more terrifying secret? Hungry for revenge, Ma’iitsoh Dine’, the Navajo Wolf, is out for blood. Summoning his darkest powers, the Witch of Ganado circles tribal investigator Charlie Yazzie’s young son. Some may survive the witch’s evil vendetta, but others will die to settle an old score. The unexpected happens when a woman from the past re-emerges to take control in this fast paced thriller critics now hail as the best yet of Chappell’s sensational new southwestern mystery series.
I’m a piano technician who’s had the incredible fortune of getting to know and work for just about all my childhood heroes. I’m also a recording artist who’s produced several recordings that have made it into the Billboard Top 20, had two PBS specials, and whose music has been streamed over 75 million times around the globe. At the beginning of the pandemic, I began putting pen to paper to share some of the extraordinary experiences I’ve had with music icons and how being in that jet stream helped me tune in to my mission as an artist.
As with Tara Westover’s book, I was inspired by David Crow’s story of self-determinism in the face of incredible adversity. David was raised in abject poverty on a Navajo reservation. His father was a “violent ex-con who forced his son to commit crimes.”
I related to David’s unwavering resolve, forging his way into college and ultimately creating a successful lobbying firm in D.C. I was drawn in by his simple, unadorned writing and was profoundly moved by his willingness to tell his life story unvarnished and unapologetically.
I was a computer programmer (BA and MA in math) for several organizations, including NASA and the Savannah River Ecology Lab before retirement, went to the Clarion and Tulane SF&F Workshops, and read the slush pile for Amazing/Fantastic. I’ve done a lot of theatre as actor and lighting tech, have always liked to hike in the woods, have written 11 novels (including 3 published SF novels), had 5 plays given full production, and have 2 CDs of my original songs. In my copious spare time, I sleep.
LaFarge’s first novel, Laughing Boy, about the love affair between a reservation Indian and one who had been raised in a religious school, won the 1930 Pulitzer Prize. LaFarge spent much of his life fighting for Native American rights, sometimes in the “dark of Washington.” I wanted to grow up to be an Indian. I still do.
Winner of the Pulitzer Prize: “A romantic idyll played out in the rhythms and meanings of a vanished Navajo world.” —The Denver Post
Laughing Boy is a model member of his tribe. Raised in old traditions, skilled in silver work, and known for his prowess in the wild horse races, he does the Navajos of T’o Tlakai proud. But times are changing. It is 1914, and the first car has just driven into their country. Then, Laughing Boy meets Slim Girl—and despite her “American” education and the warnings of his family, he gives in to desire and marries her.
I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view?
Another unlikely heroine, but only because she sees ghosts—okay, okay, maybe also because seeing ghosts or even talking about them is strictly forbidden in Rita Todacheene’s Navajo culture.
I loved this book so, so much for both its detail and its unusual premise. Todacheene’s ghosts haunt her and play an active part in her investigations as a forensic photographer. And, since the author was a forensic photographer herself, the work rings true and sharp. Ghosts aside, she also has to contend with her own culture, a struggle with which I’m intimately familiar.
I also loved the way that Emerson structured this book—Todacheene’s beloved cameras, acting as framing devices, guide us through her timeline, and she keeps on learning things about herself even as we go from the most advanced camera to the oldest possible film-based option. I can’t wait to read the second in this series to see what our…
This blood-chilling debut set in New Mexico’s Navajo Nation is equal parts gripping crime thriller, supernatural horror, and poignant portrayal of coming of age on the reservation.
Rita Todacheene is a forensic photographer working for the Albuquerque police force. Her excellent photography skills have cracked many cases—she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward the clues that other investigators overlook.
As a lone portal back to the living for traumatized spirits, Rita is terrorized by…
I have always loved history and art. Combining the two makes perfect sense and provides the inspiration to keep writing. I can spend hours in a museum, just soaking up the magic in Impressionist paintings. I never get tired of researching the artists or their paintings, and I relish the unexpected discoveries.
I was inspired by his descriptions. He captures the ethos of a place, the unique attributes that elevate mere locations to sensory experiences. I use the five senses as a guideline when writing descriptions. Tony Hillerman can place the reader inthe scene, and I’m inspired to accomplish the same thing.
Don’t miss the TV series, Dark Winds, based on the Leaphorn, Chee, & Manuelito novels, now on AMC and AMC+!
“All of Tony Hillerman’s Navajo tribal police novels have been brilliant, but A Thief of Time is flat-out marvelous.”—USA Today
From New York Times bestselling author Tony Hillerman, A Thief of Time is the eighth novel featuring Lieutenant Joe Leaphorn and Officer Jim Chee as they find themselves in hot pursuit of a depraved killer.
At a moonlit Indian ruin where "thieves of time" ravage sacred ground in the name of profit, a noted anthropologist vanishes while on the verge…
Since I was old enough to read and watch screens, I’ve been fascinated by the promise of adventurous journeys. Twenty Thousand Leagues Under the Sea, Huckleberry Finn, the Starship Enterprise, Star Wars – all occupied valuable real estate in my consciousness. That thirst for journey took me to Eastern Europe after college, where I worked as a freelancer, and to Baghdad and other Middle East cities, where I was a correspondent during and after the Iraq War. My sense of adventure continues today in my writing, drawing me to stories in colorful places, such as the U.S.-Mexico border, to try to make sense of the world and our place in it.
This book was a frolicking gallop through 19th-century New Mexico and points west–places I know well. Based in Austin, me and my family often go skiing in Santa Fe and Taos, oblivious to the history lurking there. Reading Sides’ description of the frontier during that era transported me to those places from an entirely different perspective. And few people in American history have had more vivid adventures than Kit Carson, whether fending off warring parties of Comanches and Utes or leading military expeditions across the Sierras.
I loved how Hides writes with empathy about the final free days of Indians before they’re rounded into destitute reservations. Gave me an entirely new perspective on this gorgeous corner of the world.
NATIONAL BESTSELLER • From the author of Ghost Soldiers comes an eye-opening history of the American conquest of the West—"a story full of authority and color, truth and prophecy" (The New York Times Book Review).
In the summer of 1846, the Army of the West marched through Santa Fe, en route to invade and occupy the Western territories claimed by Mexico. Fueled by the new ideology of “Manifest Destiny,” this land grab would lead to a decades-long battle between the United States and the Navajos, the fiercely resistant rulers of a huge swath of mountainous desert wilderness.
I retired in 2019 after 38 years of teaching journalism, environmental studies, and Native American Studies at the University of Nebraska at Omaha. About half of my employment time was set aside for writing and editing as part of several endowed professorships I held sequentially between 1990 and 2018. After 2000, climate change (global warming) became my lead focus because of the urgency of the issue and the fact that it affects everyone on Earth. As of 2023, I have written and published 56 books, with about one-third of them on global warming. I have had an intense interest in weather and climate all my life.
Brugge., et al. rests its case on the personal lives of Navajos who became poisoned by the uranium that pervaded nearly the entire Navajo Nation from the 1940s until the mines were closed in the 1970s to about 2015.
Much of the editing was done by Navajos, which provides a clear and strong message describing how the many deaths from uranium poison have shredded the cultural fabric of Navajo life.
It is an intensely personal book that is very strong in its account of these effects on families, elders, and future generations.
Sixty years ago, the United States turned to the tiny atom to unleash the most destructive force known to mankind and bring an end to World War II. Ironically, the uranium used to create the most technologically advanced weapon ever invented came from the land of the most traditional indigenous people of North America, and was dug from the earth with picks and shovels...Lost in the history of this era is the story of the people - the Dine - who pulled uranium out of the ground by hand, who spoke and continue to speak an ancient tongue...By the thousands,…
Before I started writing, my understanding of war largely came about through its manifestation over subsequent decades in individuals. My grandfather selectively shared stories from his time as a bomber, then as a POW in Germany. Maybe it was this conjunction, a personal sense of rebuilding and of storytelling, that has driven my interest in the subject over these years, as a journalist and critic and then as an author of a book on the subject.
Wars take a long time to end. Work is done to bury the loss, grief, and guilt described above as quickly as possible. Oftentimes the forces that stand to profit from this forgetting succeed, except among those groups which are either ignored or for whom the loss is too deep. What Layli Long Soldier’s brilliant Whereas discloses is how the acts of government, the papers generated like planks over a well, seek to hide that grief and loss, and how those groups might reclaim the stories those papers hope to disappear.
WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations.
I retired in 2019 after 38 years of teaching journalism, environmental studies, and Native American Studies at the University of Nebraska at Omaha. About half of my employment time was set aside for writing and editing as part of several endowed professorships I held sequentially between 1990 and 2018. After 2000, climate change (global warming) became my lead focus because of the urgency of the issue and the fact that it affects everyone on Earth. As of 2023, I have written and published 56 books, with about one-third of them on global warming. I have had an intense interest in weather and climate all my life.
While several other books describe uranium’s effects on the Navajos and other Native American peoples from individual effects of exposure and death, Wastelanding is strongest in building a strong case that all of these individual efforts constitute a clear case that environmental racism, as well as colonization, and gender discrimination, combine with the United States’ hunger for uranium in a new atomic age to make victims of people who had lived in the areas for millennia while leaving the uranium in the ground, which is exactly where the people decided it should stay.
Wastelanding tells the history of the uranium industry on Navajo land in the U.S. Southwest, asking why certain landscapes and the peoples who inhabit them come to be targeted for disproportionate exposure to environmental harm. Uranium mines and mills on the Navajo Nation land have long supplied U.S. nuclear weapons and energy programs. By 1942, mines on the reservation were the main source of uranium for the top-secret Manhattan Project. Today, the Navajo Nation is home to more than a thousand abandoned uranium sites. Radiation-related diseases are endemic, claiming the health and lives of former miners and nonminers alike.
