Here are 100 books that Fifty English Steeples fans have personally recommended if you like
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I’m not ashamed to admit that my childhood fascination with the distant past was sparked by hours of leafing through The Kingfisher Illustrated History of the Worldand countless viewings of the “Indiana Jones” movies. Today, I am an Associate Professor in the Department of Humanities at Mercy College and an archaeologist specializing in the eastern Alpine region during Late Antiquity and the Early Middle Ages. The author of three books and numerous scholarly articles, my research interests include ceramic technology, social identity, and the appropriation of the medieval past by modern ideologies.
If you want to understand why everything you think you know about the Middle Ages is (probably) wrong, go pick up a copy of The Devil’s Historians, which chronicles how everyone from the Brothers Grimm and George R. R. Martin to ISIS and Donald Trump have invented a medieval past that reflects their own ideological preoccupations rather than historical reality. With chapters on nationalism, gender, race, and religion, Amy Kaufman and Paul Sturtevant’s book sharply contrasts the one-dimensional Middle Ages found in pop culture and political propaganda with the more complicated, even contradictory, medieval world revealed by contemporary scholarship.
Amy S. Kaufman and Paul B. Sturtevant examine the many ways in which the medieval past has been manipulated to promote discrimination, oppression, and murder. Tracing the fetish for "medieval times" behind toxic ideologies like nationalism, antisemitism, Islamophobia, misogyny, and white supremacy, Kaufman and Sturtevant show us how the Middle Ages have been twisted for political purposes in every century that followed. The Devil's Historians casts aside the myth of an oppressive, patriarchal medieval monoculture and reveals a medieval world not often shown in popular culture: one that is diverse, thriving, courageous, compelling, and complex.
I’ve been fascinated by the fantastic since childhood—ever since I read my first book, The Princess & the Goblin. As a young adult, I lived on the Emerald Isle of Ireland and I fell in love with the history and legends of the British Isles. Stories of King Arthur, Saint Patrick, and the mighty warrior Cu Chulainn inspired my imagination. Now through years of studying Arthurian Legend and Celtic Mythos—I write historical fantasy filled with the ageless inspirations of the ancient Celtic world.
As someone who loves history, particularly Celtic history, this one hit me in a really special place in my heart. This little-known history of the Celtic Saints, and particularly Saint Patrick really opened my eyes. It details how Celtic monks quietly saved the written word while barbarians and Vikings burnt Roman literature—which would have made all western thought—even the bible on the threat of extinction. It dazzled me to be given a much bigger perspective on the infamous Book of Kells, and even how schools throughout the western world originated because of these men that hid behind the chaos of the times. All this history by itself was amazing to learn, but even more, the author wrote with wit and charm that made it a fun read.
'Shamelessly engaging, effortlessly scholarly, utterly refreshing history of the Irish soul and its huge contribution to Western culture' Thomas Keneally
Ireland played the central role in maintaining European culture when the dark ages settled on Europe in the fifth century: as Rome was sacked by Visigoths and its empire collapsed, Ireland became 'the isle of saints and scholars' that enabled the classical and religious heritage to be saved.
In his compelling and entertaining narrative, Thomas Cahill tells the story of how Irish monks and scrines copied the mauscripts of both pagan and Christian writers, including Homer and Aristotle, while libraries…
As an undergraduate at the University of Leeds in the 1960s the principal influence on my life and thinking was Trevor Ling an Anglican Priest and Buddhist who eventually became a Professor of comparative religion at the University of Manchester. He was the start of my research on Islam and Asia and my peripatetic career having lived in Scotland, Germany, Holland, America, Australia and Singapore. I became a professor of the sociology of religion in the Asia Research Center at the National University of Singapore. I have published two books on Singapore, a handbook of religions in Asia, and several works on the body, medicine, ageing and human vulnerability.
I am including Turkey as located in Asia Minor. As a frequent visitor to Istanbul in the past, I watched with fascination the whirling Dervishes. I know it is corrupted by tourism. The dance reflects the legacy of Rumi the 13 century Persian poet. The beauty of Rumi’s philosophy and the world of Sufism comes through as does the grace of the body.
This brings together, in English, for the first time a number of articles in one volume that have been published in various books and journals and are reprinted with permission. Through this work, Rumi and his poetry as well as the whirling dervishes, will hopefully become more widely known in Western countries than they are at present. The whirling dervishes are famous for their ecstatic dance and but here it is hoped that their role within Sufism will become more clearly understood. The book is an attempt to suggest a renewed manner of thinking about one of the most celebrated…
All my life I’ve been pushing against limits. Being the oldest of five children born to a farm couple who became mill workers, I was frequently reminded by family that “people like us” did not need much education, didn’t get the good jobs, and shouldn’t “rise above themselves.” Being a girl, I had additional limits. Naturally, when I learned to read, I was drawn to books in which characters broke through unfair restraints to have adventures and accomplish great deeds. I wanted to be one of those people. By the time I came of age, I knew I had a shot at becoming the heroine of my own story!
Crispin is a young serf in Medieval England--an orphan despised by everyone for reasons he does not understand. Though I never had problems as dire as Crispin faced, I frequently felt mistreated as a child, and like him, the forest was my comfort and refuge. Like him, I had a lively curiosity about the lives of others and many times learned important lessons through observation. I shared Crispin's tendency to hero worship those who befriended me, and like him, I generally chose my role models well.
Newbery Medal winner The Cross of Lead is "a page-turner from beginning to end... full of adventure, mystery, and action" (School Library Journal).
Sometimes I ran, sometimes all I could do was walk. All I knew was that if the steward overtook me, I’d not survive for long....
Crispin is a poor thirteen-year-old peasant in medieval England. Accused of a crime he did not commit, he has been declared a "wolf’s head," meaning he may be killed on sight, by anyone. He flees his tiny village with nothing but his mother’s cross of lead.
My passion for the Middle Ages began with castles. I lived in Germany for a time, where there are a lot of castles, and I got sucked into the whole romantic notion of living a castle life, though I’d probably have been more of a scullery maid than a princess. When I decided to try writing a novel, I figured castles had to be involved somehow. I started doing research on medieval subjects that would make a good book. Unfortunately, the time period I ended up choosing for my novel was the early 8th century—no castles. I spent over twenty years researching and writing my novel, so I hope I learned something.
The prose of this classic novel can be a little sticky to our 21st-century sensibilities, but in all other ways, Scott is a modern writer, addressing the issues of anti-Semitism and the corruption of the Church at a time when those things weren’t cool. Plus, we have another awesome warrior-hero in Sir Wilfred of Ivanhoe and jousting to boot. Who doesn’t love a good tourney? My daughter and I hit the Renaissance Faires every year just to see men pretend to stab each other from horseback with long sticks. The plotting of this book is simply perfection—they just don’t write them like this anymore. It’s a hero’s tale with a big dollop of romance—my favorite.
Ivanhoe is set in England in the 1190s, over a century after the Norman Conquest which saw William the Conqueror seize the English throne. A wealthy nobleman named Cedric, who is intent on restoring a Saxon to the throne, plans to wed Rowena, a beautiful young woman who is his ward, to the Saxon Athelstane of Coningsburgh. There’s just one small problem: Rowena has fallen in love with Cedric’s son, Wilfred of Ivanhoe. To get him out of the way so Rowena will marry Athelstane, Cedric banishes his own son from the kingdom. Ivanhoe (as Wilfred is known, by his…
I am a historian of medieval women, especially women in the Iberian peninsula, and royal women. I became interested in Berenguela of Castile through studying her sister, Blanche, who was queen and regent of France. I learned about Blanche through studying Cistercian architecture – I remain really interested in material culture, memorialization, interpersonal relationships (like motherhood!), and political life in the medieval world, all of which I study primarily through the lens of gender. I still turn to these classic, foundational works on medieval women when I want to teach students how the field developed, and when I want to understand essential premises about Iberia, motherhood, religion, queenship, and historiography.
Heath Dillard uses a very special source, the Castilian municipal codes known as the fueros, to tell us about the lives of ordinary women in Castile in the twelfth and thirteenth centuries. These municipal codes were given to settler communities during the Christian conquest of southern Iberia, and so reveal the value and roles of all community members: married women and girls, Muslim and Jewish women, widows, and outsiders like prostitutes, concubines, and sorceresses. This book was published just before I began my graduate study and became my constant companion once I settled on Iberian women’s history.
'[This] vivid and sensitive portrayal of Castilian townswomen ... provides an important source for any comparative study of the social changes that urbanism engendered'. -- Diane Owen Hughes, Journal of Interdisciplinary History 'Heath Dillard demonstrates how living on the frontiers of Christian Europe influenced women's position within urban settlements of the Reconquest ... [Her] study is not of an interesting sidelight of political expansion, but of a critical aspect of that expansion ... This is an important book because it does an in-depth analysis of sources and a topic that needed to be brought to the forefront of Hispanic studies.'…
I have a great love of visionary fantasy fiction, metaphysical mystery thrillers, and fiction that doesn’t conform to generic norms, be it novels or film, as well as music and the arts. I’m also passionate about exploring the unknown, the mysteries of the mind, consciousness, and our existence in this unfathomable universe. In that regard, I love to travel. Some of my most recent escapades have included journeys deep into the Peruvian Amazon, Brazil, the Andes, and Mexico, meeting local indigenous folk wherever possible, and participating in shamanic ceremonies and tribal rituals. And lastly, I’m an ardent Formula One fan – something that has not yet featured in my fiction, though it may.
I was instantly transported by this epic saga of high fantasy steeped in legend and myth. The beautiful descriptions of the rugged, dreamlike, and sometimes sinister lands and fabulous otherworld dimensions of the Elder Isles, make Lyonesse an incomparable read. I love Vance’s stunning prose style, his razor-sharp dry humour, and the complexity of his characters. It is boundary-defying fantasy, mercifully devoid of elves, dwarves, and dragons but brimful with intrigues and subplots, unexpected twists, sudden violence, acts of heroism, and scenes of tragedy, love, strangeness, and betrayal. Lyonesse is magic from beginning to end.
The Lyonesse sequence evokes the Elder Isles, is a baroque land of pre-Arthurian myth now lost beneath the Atlantic, where powerful sorcerers, aloof faeries, stalwart champions, and nobles eccentric, magnanimous, and cruel pursue intrigue among their separate worlds . . .
Prince Aillas of Troicinet is betrayed on his first diplomatic voyage and cast into the sea. Before he redeems his birthright, he must pass the breadth of Hybras Isle as prisoner, vagabond, and slave, an acquaintance of faeries, wizards, and errant knights, and lover to a sad and beautiful girl whose fate sets his bitter rivalry with the tyrant…
I am a Professor of Viking Studies at the University of Nottingham and have been teaching, researching, and writing about all aspects of the Viking Age and its aftermath for many years. My particular expertise is in the poetry, sagas, and runic writings of medieval Scandinavia. To understand these, it has been important to me to follow in the footsteps of the Vikings from the Baltic to North America, to see the places they were familiar with, and to experience the traces of their culture in those places. These books tell the stories which will guide the armchair traveller on the same voyages.
According to this medieval tale, the Baltic island of Gotland was once so enchanted that it sank into the sea during the day and rose up again at night. From these mythical origins, this short saga, written in the special dialect of the island, tells how Gotland became populated, how some of them went east to Russia and Byzantium, how they exchanged their heathen idols for the Christian religion, and their relationship with the King of Sweden. It’s a rare literary insight into the Vikings’ eastern settlements and adventures.
I’m a sociologist who has just written a book about the ways that we engage with death and dying online, and before that I wrote a book about media coverage of disasters. Macabre subjects have always fascinated me, I guess, not because they are macabre but because they reveal a great deal about the ways we live and our sense of the value of life itself.
Ariès was a masterful medieval historian, and in this slim volume, based on a series of lectures he gave at Johns Hopkins University, he traced big cultural shifts in the way Western culture has thought about death and dying.
Medieval traditions lauded a so-called “tame death,” in which the dying person calmly accepted their fate, received visitors at home, and directed the rituals and ceremonies that would accompany their impending demise. Death was a normal part of domestic life, witnessed by young and old alike.
This is eventually contrasted with the modern way of dying, in which people die in hospitals, not at home, hidden away from most of a society that has come to believe people need to be shielded from sad and upsetting matters like illness and death. It is a fascinating work of history and a powerful critique of contemporary mores around mortality.
History is my passion. I’m a graduate of medieval history from the Hebrew University, Jerusalem, and post-graduate of London University. Former high school history teacher, and previously held the post of assistant researcher at the Museum of the Diaspora, Tel Aviv. I was commissioned by the Council of Zambian Jewry to research and write the history of Northern Rhodesian/Zambian Jewry. I have lectured frequently on my subjects and have contributed diverse historical articles in newspapers and journals. I have published six books, fiction, and non-fiction.
Every second book I read must be a history book. As history is not only my vocation it is also my passion. As a historian I always enjoy reading and rereading Cantor’s works on the Middle Ages. This particular book is one of my favorites; it is a really engrossing history and his knowledge is presented in such a clear, informative, and interesting style that makes it very readable for the general public. This book has been extensively revised and gone through numerous editions.
''No better explanation of medievalism is available to the general reader.'' --Booklist
A revised and expanded edition of Norman Cantor's splendidly detailed and lively history of the Middle Ages, containing more than 30 percent new material from the original edition.
