Here are 100 books that Everywhere Babies fans have personally recommended if you like
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From my work as a playwright and breakbeat poet, Artistic Director of Seattle Children’s Theatre, and full-time co-parent, I've dedicated my career to crafting engaging narratives that resonate across generations. With over sixty original plays to my name, I've honed a unique approach that intertwines hip-hop rhythms with rich storytelling. My debut picture book is a testament to this approach—inviting children and parents to discover the boundless creativity that can be found in everyday spaces. It’s my hope that this book inspires families to explore their homes with fresh eyes and open hearts, turning reading into an adventure of imagination.
Your Name Is A Song is a deeply personal book for anyone who's ever felt their name was misunderstood. This story celebrates the melody and significance of names from various cultures, encouraging children to take pride in their identities.
Having grown up with a unique name myself, I understand the importance of this affirmation. This book is a powerful tool for empowerment and inclusivity, teaching both children and adults to appreciate the diversity and beauty of names and the stories they carry.
Frustrated by a day full of teachers and classmates mispronouncing her beautiful name, a little girl tells her mother she never wants to come back to school. In response, the girl's mother teaches her about the musicality of African, Asian, Black-American, Latinx, and Middle Eastern names on their lyrical walk home through the city. Empowered by this newfound understanding, the young girl is ready to return the next day to share her knowledge with her class. Your Name is a Song is a celebration to remind all of us about the beauty, history, and magic behind names.
From my work as a playwright and breakbeat poet, Artistic Director of Seattle Children’s Theatre, and full-time co-parent, I've dedicated my career to crafting engaging narratives that resonate across generations. With over sixty original plays to my name, I've honed a unique approach that intertwines hip-hop rhythms with rich storytelling. My debut picture book is a testament to this approach—inviting children and parents to discover the boundless creativity that can be found in everyday spaces. It’s my hope that this book inspires families to explore their homes with fresh eyes and open hearts, turning reading into an adventure of imagination.
The rhythm and rhyme are masterfully tight, making it a perfect read-aloud that captures children's attention from start to finish. Jon Agee's words and images marry harmoniously and perfectly, propelling the quirky storyline.
As someone who appreciates the impactful harmony of words and visuals from my theater and hip-hop background, I find this book a delightful example of storytelling that both children and adults can enjoy.
'The Wimbledons were sleeping. It was very, very late, When Wilma heard a spooky sound, Which made her sit up straight. "That's very odd," said Walter. "I don't recognize the tune..." "It's only Stanley," Walter said. "He's howling at the moon."' Whoever heard of a dog who can sing, cook and do DIY around the house? He makes a lot of noise and mess, but he's forgiven as does mend the TV. Not until the very end do we, or the hapless Wimbledon family, see just exactly what Stanley the dog has been planning all along!
I have been writing and illustrating books for fifteen years, and I am passionate about the art of making picture books. I love music and dance too. While making this list, I was amazed by how different visual artists that I admire—and who have very different styles—were able to capture movement, rhythm, and energy. I was also fascinated by how the different authors crafted their stories and yet all of them managed to celebrate Black culture and resilience.
I love Gregory Christie’s artwork. His naïf style illustrations may seem crude and simple at first glance, but I think they are incredibly rhythmic and powerful.
His images pair seamlessly with the book's lyrical text, which depicts the awful hardships that enslaved people in New Orleans endured and the joy they felt on Sundays when they were free to play music, dance, and spend time together in Congo Square.
Winner of a Caldecott Honor and a Coretta Scott King Illustrator Honor A Kirkus Reviews Best Book of 2016 A School Library Journal Best Book of 2016: Nonfiction Starred reviews from School Library Journal, Booklist, Kirkus Reviews, and The Horn Book Magazine A Junior Library Guild Selection
This poetic, nonfiction story about a little-known piece of African American history captures a human's capacity to find hope and joy in difficult circumstances and demonstrates how New Orleans' Congo Square was truly freedom's heart.
From my work as a playwright and breakbeat poet, Artistic Director of Seattle Children’s Theatre, and full-time co-parent, I've dedicated my career to crafting engaging narratives that resonate across generations. With over sixty original plays to my name, I've honed a unique approach that intertwines hip-hop rhythms with rich storytelling. My debut picture book is a testament to this approach—inviting children and parents to discover the boundless creativity that can be found in everyday spaces. It’s my hope that this book inspires families to explore their homes with fresh eyes and open hearts, turning reading into an adventure of imagination.
Yuyi Morales brings great drama that is both funny and a bit chilling.
Senor Calavera arrives unexpectedly at Grandma Beetle's door, intent on taking her away immediately. However, Grandma Beetle isn't quite ready to leave; she has a long list of tasks to complete, each wonderfully woven into a lesson on counting in both English and Spanish. And the visuals are rendered through a culturally rich lens, filled with vibrant colors and engaging characters.
I admire how Morales uses folklore to bring rich cultural traditions to the forefront of children's literature.
The morning of Grandma Beetle's birthday, Senor Galavera arrives at her door, ready to take her onto the next life. 'Just a minute,' Grandma Beetle tells him. She still has one house to sweep, two pots of tea to boil, three pounds of corn to make into tortillas-and that's just the start! Using both Spanish and English words to tally the party preparations, Grandma Beetle cleverly delays her trip and spends her birthday with a table full of grandchildren- and her surprise guest. This spirited tribute to the rich traditions of Mexican culture is the perfect introduction to counting in…
I started writing children's books to connect more with my daughter. When she was born, I struggled to bond with her because I felt like I had lost part of who I was. My husband reminded me how important it was to build a strong bond with her, so I began spending more one-on-one time with her. Our favorite activity was looking for the moon together, which led to my first book, "Mommy, Mommy, Where Is The Moon?". When my son came along, I made sure my daughter knew she was still loved, promising our special time together wouldn't stop and she would always be my first baby.
I liked it. The book starts from the moment the baby arrives and describes the tasks that the big sister can help with, like helping to throw a soiled diaper and playing with the baby.
The book also shows, through its illustrations, how big sisters can interact with their new siblings with confidence as they take up this new role.
With the arrival of a new baby comes many transitions, and big sisters may need a little extra tender loving care to adjust to a new family situation. This sweet story with adorable toddler illustrations by Caroline Jayne Church is just right to share with and prepare an older sister getting ready for an expanding family.
I’ve always been fascinated by the convergence of the serious and the absurd. Raised on the experimental humor of the 90s, I was delighted to find that weird humor and an absurd sensibility were not limited to experimental novelists of the 20th century. In the literature of the Enlightenment, I found proof that taking a joke to its limit can also produce experimental insight, deep feeling, and intellectual discovery. I discovered a time when early novelists moved seamlessly between satirical mimicry and serious first-person narrative; when esoteric philosophy and scientific abstraction blended in with the weirdness of formalist experimentation. I discovered that the Enlightenment was anything but dull.
I love the experimental and absurd sensibility of this novel. In an age known for its groundbreaking fiction, this work stands out for its playfulness and complexity. Like Swift, Sterne was a clergyman of the Church of England, and I love how intelligent and sophisticated he is about dirty jokes and silly scenarios.
I also appreciate Sterne’s commitment to pushing the envelope: Sterne inserts all sorts of oddities, from marble pages to graphical representations of the book’s winding narrative. The book obsesses over the minutiae and small details of everyday life even as it considers weighty issues and tragic events.
Predicting both Freud and postmodernism, I love how this work feels both ultra-modern and very much of its time.
Endlessly digressive, boundlessly imaginative and unmatched in its absurd and timeless wit, Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman is edited with an introduction by Melvin New and Joan New, and includes a critical essay by Christopher Ricks in Penguin Classics.
Laurence Sterne's great masterpiece of bawdy humour and rich satire defies any attempt to categorize it, with a rich metafictional narrative that might classify it as the first 'postmodern' novel. Part novel, part digression, its gloriously disordered narrative interweaves the birth and life of the unfortunate 'hero' Tristram Shandy, the eccentric philosophy of his father Walter,…
I started writing children's books to connect more with my daughter. When she was born, I struggled to bond with her because I felt like I had lost part of who I was. My husband reminded me how important it was to build a strong bond with her, so I began spending more one-on-one time with her. Our favorite activity was looking for the moon together, which led to my first book, "Mommy, Mommy, Where Is The Moon?". When my son came along, I made sure my daughter knew she was still loved, promising our special time together wouldn't stop and she would always be my first baby.
Through clever visuals of a mommy’s growing belly, the book realistically portrays the thoughts of a big sister eagerly waiting for her new sibling's arrival.
Another thing I loved was the ‘lift-the-flap’ for each spread, where older siblings could see the baby in mommy’s belly growing.
This book is a heartfelt look at the wonder and excitement of waiting...and waiting...and waiting for a new sibling to arrive. The charming protagonist of this story is so eager to step into her role as a big sister that she's starting early! She sticks close to her mum so she can sing songs to her sibling to be (loudly, of course) and explain all the great things waiting in the outside world (Cupcakes! Strawberries! Swimming!). Quaint line drawings and lovely patterns lend a breezy, light hearted atmosphere to the story and a variety of playful flaps add gentle humor,…
Ever since I was a child, I’ve been drawn to the creepy and kooky world of the Addams Family. I’ve watched every episode of the 1960s sitcom. I fell in love with the 90s films, and when the Netflix adaptation Wednesday aired, I streamed every episode immediately. I’ve written two books based on Wednesday and her family, and I have an upcoming cocktail book with recipes based on gothic literature. My love of horror books and my understanding of the Addams family led me to seek out the perfect list of Wednesday read-alikes.
In this middle-grade horror novel, Steve is feeling lonely and worried. His newborn brother is sick in the hospital, and his parents are understandably stressed. There’s also a wasp’s nest threatening their home, which becomes a bigger problem when the wasp queen visits him in his dreams. One night, the queen comes to Steve and offers to help “fix” the baby.
I have read many, many horror books. I consider myself a connoisseur of the creepy. This book, intended for middle-grade children, remains one of the scariest books I’ve read. It’s filled with dread while also centering on family.
I can imagine a young Wednesday (as played by Christina Ricci or the late great Lisa Loring) reading this book and imagining what she would wish upon her own brother should a wasp queen approach her.
'The first time I saw them, I thought they were angels.' The baby is sick. Mom and Dad are sad. And all Steve has to do is say, "Yes" to fix everything. But yes is a powerful word. It is also a dangerous one. And once it is uttered, can it be taken back? Treading the thin line between dreams and reality, Steve is stuck in a nightmare he can't wake up from and that nobody else understands. And all the while, the wasps' nest is growing, and the 'angel' keeps visiting Steve in the night.
I believe laughing together is a big part of the glue that bonds people together. Humor has gotten me through my toughest times—and given me much joy in the good times. Laughing over my books with one or both of my toddler grandsons will always be cherished memories for me. Likewise, I love hearing about moments of connection for other readers bonding over Applesauce Is Fun to Wear, Baby’s Opposites, Baby’s Firsts, and Pirate Jack Gets Dressed.
Picture books should appeal to the ear as well as the eye. Coming from a family of musicians, I’m partial to rhyme, as you might guess from most of my picks here.
Parents and older siblings will join me in identifying with the sleepy-eyed family members shown here, while toddlers will cheer on the wide-eyed baby.
The text is a litany of everyone and everything that is sleepy, with the title repeated throughout the day’s wind-down. “Sleepy moon,/ sleepy stars,/ sleepy night sky./Everyone’s sleepy/ but the baby,/ why, why, why?” In the final spread, the baby joins both dozing parents in dreamland. Parent readers can only hope their little one isn’t giggling too hard to follow suit.
Sleepy Mommy, Sleepy Daddy, Sleepy little dog. Everyone's sleepy But the baby, Yawn, yawn, yawn. After a long day, the whole family is ready to hit the hay . . . except for the baby. Why is it so hard to get the baby to sleep? With hilarious illustrations that might hit a little too close to home for new parents, Everyone's Sleepy but the Baby is the perfect, true-to-life bedtime story that will help even the most reluctant sleeper wind down for bed.
As a young working mom, I occasionally longed to follow the example of columnist Erma Bombeck and hide from my family in the car. Instead, I channeled the mayhem of family life into a humor column called “The Mother Load,” which detailed the day-to-day challenges of running a business while caring for two daughters, one husband, two guinea pigs, and a dancing rabbit. When I decided to pursue my life-long dream to write fiction, my debut novel was a humorous story about a mother-daughter-grandmother road trip/chase from Boston to Memphis. Although my writing doesn’t shy away from serious issues, I choose to see the world through a humorous and ultimately hopeful lens.
The runaway mom in The Sweet Spot is an entrepreneur and TV personality who sends the plot spiraling into mayhem when she takes off to film a reality show, leaving her infant son with her ill-prepared new husband, Russell.
At wit’s end, Russell begs the help of his still-fuming ex-wife, Melinda, who in turn ropes in the family on whom she’s been unfairly taking out her anger. What I love about this book is its humor (I laughed out loud several times) and overall good nature. Although all the characters are flawed, the author gives us something to love about all of them.
Amy Poeppel brings her signature "big-hearted, charming" (The Washington Post) style to this wise and joyful novel that celebrates love, hate, and all of the glorious absurdity in between.
In the heart of Greenwich Village, three women form an accidental sorority when a baby-belonging to exactly none of them-lands on their collective doorstep.
Lauren and her family-lucky bastards-have been granted the use of a spectacular brownstone, teeming with history and dizzyingly unattractive 70s wallpaper. Adding to the home's bohemian, grungy splendor is the bar occupying the basement, a (mostly) beloved dive called The Sweet Spot. Within days of moving in,…
