Here are 64 books that Don Quixote de la Mancha fans have personally recommended if you like
Don Quixote de la Mancha.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m primarily a music composer for film and TV, but I’ve also ventured into filmmaking, with one of my films being featured at an international film festival, so my journey in storytelling spans many years, and comedy has always been at its heart. Growing up, my father worked as a pit musician, which gave me exposure to the comedy acts of the time. Humor was a constant in our home, so when I started writing fiction, it felt only natural my writing would find a home in comedy.
This book is an unyielding portrayal of the excesses of 1980s consumerism, hedonism, and self-destruction. Amis pulls no punches in his depiction of John Self, a 35-year-old director of TV commercials who lives a life of excess driven by his appetites—primarily for food, drugs, alcohol, sex, and, of course, money. Through John Self’s descent, the novel delivers a harsh commentary on the culture of greed and indulgence that characterized the decade.
The novel's portrayal of greed, addiction, and sexism rubbed some readers and critics the wrong way. Some saw it as too nihilistic or excessively grim in its critique of 1980s culture, where everything seemed for sale, including morality. However, in this age of trigger warnings, safe spaces, and pervasive purity spirals, I personally found its unapologetically gritty satire a breath of fresh air.
This book will appeal not only to fans of dark humor and satire but also to…
One of Time's 100 best novels in the English language-by the acclaimed author of Lionel Asbo: State of England and London Fields
Part of Martin Amis's "London Trilogy," along with the novel London Fields and The Information, Money was hailed as "a sprawling, fierce, vulgar display" (The New Republic) and "exhilarating, skillful, savvy" (The Times Literary Supplement) when it made its first appearance in the mid-1980s. Amis's shocking, funny, and on-target portraits of life in the fast lane form a bold and frightening portrait of Ronald Reagan's America and Margaret Thatcher's England.
As a former graduate student who holds an MA and Ph.D in English with a Creative Writing emphasis, but also as the child of immigrants and the first in my family to go to college, I love when writers deflate the pretensions of academia. I didn’t grow up around formally educated people so I can relate to the imposter syndrome some of the characters in these books experience. I don’t know who recommended Lucky Jim to me, but that book began my infatuation with the genre of academic satires or campus novels, of which there are many others.
This is classic, quintessential British humor, the kind of dry wit that makes you laugh out loud as you’re reading. I didn’t want it to end because of how hilarious I found the main character. Even while being funny, the book does a great job establishing the imposter syndrome the main character feels as a member of the middle class attempting to enter the elite halls of academia as an older graduate student.
He is a fish out of water, incapable of having normal social interactions with his peers, “betters,” or students. Possibly, the best-ever hangover scene in writing occurs in this book.
Penguin Decades bring you the novels that helped shape modern Britain. When they were published, some were bestsellers, some were considered scandalous, and others were simply misunderstood. All represent their time and helped define their generation, while today each is considered a landmark work of storytelling.
Kingsley Amis's Lucky Jim was published in 1954, and is a hilarious satire of British university life. Jim Dixon is bored by his job as a medieval history lecturer. His days are only improved by pulling faces behind the backs of his superiors as he tries desperately to survive provincial bourgeois society, an unbearable…
I confess I was a serious little boy and used to be an excessively serious writer. Stoning the Devil, which is about desperate Gulf Arab women, was longlisted for major prizes and hailed by the feminist press. Poignant, even heart-breaking, but hardly a barrel full of laughs—though even then I couldn’t resist some black humour. But when I became a professor of Creative Writing at an American university, I found I’d fallen into a world madder than Wonderland, and realised that the best way to tackle woke insanity was through humour—as the great comedians are doing. Nearly all the best British fiction is humorous, so I started letting out my own zany side.
One of the rare successful tragicomedies. Starting as a witty sendup of the decadent British upper classes, it turns deadly serious in the middle, when John, the young son of Brenda, has an accident while fox-hunting. Because her lover is also called John, she imagines, on being told, that it is her lover who is hurt—and thanks God when she discovers that it is her son. Brenda’s distraught husband Tony, the one noble character, mounts an expedition to South America, but instead of finding meaning and redemption, as the reader hopes, a nightmarish fate awaits him. With this novel, Waugh proved himself the greatest British novelist of the inter-war years—and inspired me, showing me how to mix elements of gravity and tragedy with comedy.
Evelyn Waugh's celebrated tale of decadence and social disintegration, now in a beautiful hardback edition with a new Introduction by Philip Eade
After seven years of marriage, the beautiful Lady Brenda Last is bored with life at Hetton Abbey, the Gothic mansion that is the pride and joy of her husband, Tony. She drifts into an affair with the shallow socialite John Beaver and forsakes Tony for the Belgravia set. Brilliantly combining tragedy, comedy and savage irony, A Handful of Dust captures the irresponsible mood of the 'crazy and sterile generation' between the wars. This breakdown of the Last marriage…
I confess I was a serious little boy and used to be an excessively serious writer. Stoning the Devil, which is about desperate Gulf Arab women, was longlisted for major prizes and hailed by the feminist press. Poignant, even heart-breaking, but hardly a barrel full of laughs—though even then I couldn’t resist some black humour. But when I became a professor of Creative Writing at an American university, I found I’d fallen into a world madder than Wonderland, and realised that the best way to tackle woke insanity was through humour—as the great comedians are doing. Nearly all the best British fiction is humorous, so I started letting out my own zany side.
A complex magic realist novel. Two Muslim Indians are on a highjacked plane that explodes over the English Channel. As they fall into the sea, Bollywood superstar Gibreel Farishta, turns into the Archangel Gabriel, while Saladin Chamcha, a voiceover artist, metamorphoses into the Devil. They struggle with their new identities, with rivalry, with life in Britain, and in Gibreel’s case, with mental illness. Like all Rushdie’s work, it is a post-colonial perspective on the metropolis and the identity crises of the ex-colonised. There are long dream sequences about an Arabian prophet called Mahmoud—who resembles the founder of Islam. The Ayatollah Khomeini sentenced Rushdie to death for blasphemy for this. This all sounds deep and portentous—and it is—but it’s also unfailingly funny and original. And brave. An inspiration.
Just before dawn one winter's morning, a aeroplane blows apart high above the English Channel and two figures tumble, clutched in an embrace, towards the sea: Gibreel Farishta, India's legendary movie star, and Saladin Chamcha, the man of a thousand voices.
Washed up, alive, on an English beach, their survival is a miracle. But there is a price to pay. Gibreel and Saladin have been chosen as opponents in the eternal wrestling match between Good and Evil. But chosen by whom? And which is which? And what will be the outcome of their final confrontation?
Life is stories, man. Telling stories. Listening to stories. One day, somebody had the brilliant idea to start writing these stories down. And that’s what we’ve been doing ever since. Trading yarns. Figuring things out. Reading and writing. I wrote my first story in middle school. My first novel in college. My first published novel (This Way Madness Lies) in my late twenties. Now it’s thirty years, twenty-five novels, fifty short stories, and three books of poetry later, and I’m still as obsessed with and passionate about storytelling as I was as a young buck backpacking around Europe with a notebook and a beat-up copy of Down and Out in London and Paris stuffed into my leather satchel.
I was on an extended trip to Eastern Europe, back when Eastern Europe was not such a dandy place to visit, and I found myself with nothing to read. In a used bookstore in Prague, I found a tattered paperback, translated into English, of this next pick. It was falling apart, the pages stained by coffee and God knows what else. I bought it anyway.
And over the next few weeks, I was, for the third time, blown away by words on a page, by an author’s imagination. It’s been said that Don Quixote, written around 1600, was the first novel ever written. It may also be the greatest novel ever written. Adventure. Humor. Pathos. Crazy amounts of imagination. The Whole Damn Human Condition.
WITH AN INTRODUCTION BY HAROLD BLOOM. Widely regarded as the world's first modern novel, and one of the funniest and most tragic books ever written, Don Quixote chronicles the famous picaresque adventures of the noble knight-errant Don Quixote de La Mancha and his faithful squire, Sancho Panza, as they travel through sixteenth-century Spain. Unless you read Spanish, you've never read Don Quixote.
When I think of the distant past, I imagine it being populated by those who were a bit closer to the magical world than we. The men (or were they wizards?) who raised the standing stones. The druids of the ancient Celtic world. Figures like Arthur, Robin Hood, and the Viking shamans who harbored a kinship with the waters, with the trees, and with the land. The magic of the past is like a song played on a harp, the echoes of which still waft through our world. Some of us can hear those echoes yet, and some of us write about them.
Avril Borthiry is one of those writers who captivate you, hijack you and absorb you into the tale she tells. You can tell she feels the Historical Romance she writes, and she has the rare talent of imparting what she feels to her reader. This is a powerful tale. As with all of life, there is light and dark in this story, a battle between good and evil. You will love her characters. You will weep, suffer, bleed, and rejoice with them. Even after you finish reading, you will never really leave this book behind.
Alexander Mathanach is a Scottish knight; a man of noble birth haunted by a tragic event in his past. Those he loved betrayed him and almost destroyed his faith. Yet, despite his bitterness, he fulfilled the vow he made. As promised, he took the orphaned child from the abbey and raised her as his own, choosing to live a quiet life in the depths of a remote, northern forest.But Alexander is guardian to more than a young girl. He is also the keeper of a divine artifact, one that draws a terrible evil to his secluded doorstep. When his peaceful…
Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.
Cameron’s Chivalry series of which this is the first, takes the reader on a thrilling journey across Europe during the Hundred Years War, chronicling the life of a mercenary who comes to serve the great Sir John Hawkwood and eventually is knighted himself.
Cameron is a master of prose description, scene-setting, and dialogue that rings true to the ear. His historical research is impeccable and like me, he has for many years donned full armour in reenactments and tournaments and so truly understands the challenges of medieval combat. A great read.
'Brilliantly evoked' SUNDAY TIMES Discover the first medieval adventure in the action-packed Chivalry series! Perfect for fans of Bernard Cornwell, Simon Scarrow and Conn Iggulden. September, 1356. Poitiers. The greatest knights of the age were ready to give battle.
On the English side, Edward, the Black Prince, who'd earned his spurs at Crecy. On the French side, the King and his son, the Dauphin. With 12,000 knights.
And then there is William Gold. A cook's boy - the lowest of the low - who had once been branded as a thief. William dreams of being a knight, but in this…
As a child, I roamed the forests and imagined I was on epic adventures to change the world with a sword, live epically, and be part of a Kingdom. I dove into stories like that, stories that whetted my appetite to see Truth discovered and the world’s eyes opened to the beauty and purpose one has when following that Truth. As I followed Jesus and fell in love with Him, He guided me to create those stories, and I love writing beautiful words in novels, poems, and children’s books. I hope you become a dreamer again and believe there’s a Kingdom that’s calling.
The Bark of the Bog Owlsatisfied my urging desire for adventure and a mission for a higher calling as a pre-teen reader! The fast-paced escapades were so realistic I wanted to search my own forest home for mystical creatures to befriend and go on adventures with. As I dreamed of belonging to a greater kingdom, this book was a taste of that fulfillment. Even as an adult reader, I go back to this series to re-realize that life is a purposeful adventure with God, and the truth within has stuck with me over the years.
Courage and a heart for adventure drive twelve-year-old shepherd boy Aidan Errolson. When the bark of the bog owl echoes from the forest across his father’s well-tended pastures, Aidan dreams of wild places still untamed and quests not yet pursued.
Aidan’s life changes forever on the day Bayard the Truthspeaker arrives at Longleaf with an astonishing pronouncement: it is Aidan’s destiny to be the Wilderking, who will ascend to the throne from Corenwald’s wildest places. Only the Wilderking can balance his people’s civilizing impulses with the wildness that gives Corenwald its vitality. But not just yet. Many trials and adventures…
I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
Maybe this is cheating, but it’s still a book set during a war, albeit a fantastical one.
But come on: Arthur, Guinevere, Lancelot, Merlin, Nimue, Pellinore, Gawain, Mordred, the Round Table–I may never have read a more powerful scene (or seen such, in the play) as when Arthur cheers for Lancelot to ride and save Guinevere from a fire which Arthur himself set!
Moving, with great, classic prose typical of the time and White’s contemporaries C.S. Lewis and Tolkien.
Voyager Classics - timeless masterworks of science fiction and fantasy.
A beautiful clothbound edition of The Once and Future King, White's masterful retelling of the Arthurian legend.
T.H. White's masterful retelling of the Arthurian legend is an abiding classic. Here all five volumes that make up the story are published together in a single volume, as White himself always wished.
Here is King Arthur and his shining Camelot, beasts who talk and men who fly; knights, wizardry and war. It is the book of all things lost and wonderful and sad; the masterpiece of fantasy by which all others are…
Full disclosure: I don’t know much about swords. But as a children’s author and English teacher, I’ve learnt what makes kids want to pick up a book. In short, make it fun! My teenage membership in the Young Archaeologists Club sparked my love of history and archeology. It wasn’t quite as glamorous as Indiana Jones would have you believe, but the idea that hidden treasures might be lurking under our gardens has fascinated me ever since.
Who doesn’t love this book? Only those who haven’t read it.
I love the blend of humour and adventure but, in particular, the way that White transforms these characters from mythical figures to real people. And what a story! Which, you may have forgotten, also features an appearance from another legendary British figure: Robin Hood.
The extraordinary story of a boy called Wart - ignored by everyone except his tutor, Merlyn - who goes on to become King Arthur.
Collins Modern Classics are re-launched with gorgeous new covers bringing these timeless story to a new generation.
"Come, sword," said the Wart. He took hold of the handles with both hands, and strained against the stone... but nothing moved...
When the wizard Merlyn comes to tutor Sir Ector's sons, Kay and the Wart, studying suddenly becomes much more exciting. After all, who wouldn't enjoy being turned into a fish, or a badger, or a snake?
