Fans pick 100 books like Devoured

This novel tells the story of one person, Astrid, who grows up in a dysfunctional failed utopian commune in British Columbia, Canada.

The story of Astrid is told from multiple points of view. Each character paints a different picture of this child-who-becomes-a-woman, at different stages in her life. But what I like most about this book is its exploration of the aftermath of growing up in a failed utopian commune.

How does a person carry this ejected-from-Eden baggage with them over a lifespan? Is it possible to overcome it and fit into “normal” society again? The answers to these questions might surprise you.

I get professional envy every time I read one of Daniel Gavron’s vivid collections of literary journalism. He is such an attentive observer and compassionate interviewer, and the conversations he preserves on every page bring a diverse range of Israelis to life in all their hopes and fears.

Published at the turn of the millennium, this book is a classic of kibbutz history in which Gavron, a former kibbutznik, travels to communities in various stages of decline or revival. His book inspired my own return to Israel to discover more about the uncertain future of Israel’s utopian movement. I can’t thank him enough for that.

Joshua is another author with multiple series, but Commune is a standout piece of literature. His style is subtle and suggestive, making the reader pay attention so they don’t miss the nuances and the snippets of backstory. That said, his action sequences are fast and brutal with a realism that hits home. The humour of the characters throughout is so genuine it’s a stroke of brilliance.

Full disclosure – I loved this series so much I’m writing more Commune with him!

T.J. Clark treats 1848 as a time when “art and politics could not escape each other,” and he offers a brilliant discussion of the efforts of artists to confront that situation. There are wonderful chapters on Delacroix’s anguished retreat into a private world, Millet’s portrait of the peasantry as a class in dissolution, and Baudelaire as a poet of post-revolutionary despair.

But for me, the most arresting portions of the book focus on Daumier, who was unique in his ability to depict the life of the Paris streets and create the great image of the Bonapartist con-man in the figure of Ratapoil. What I find most telling in these portraits, and the book as a whole, is T.J. Clark’s ability to “put back the doubt into revolution”—to recapture the confusion, the uncertainty, and the sense that everything was at risk.

This book is about a young mother who takes her two daughters to Marrakech, Morocco in the 1960s so she can study Sufism, which, although not technically a “cult” does seem rather cult-like when described from the point of view of a five-year-old child who is watching her mother do strange ritual spinning to try to annihilate her ego.

You might remember the 1998 movie adaptation of this book starring Kate Winslet, but I think the book is better because of its dreamy, almost other-worldly descriptions of street life in Marrakech. This gem of a book is steeped in childlike wonder and longing and it will be over far too soon.

This magnificent study of the revolutions 1848 surpasses all the others in its sheer breadth. It makes 1848 a European and, in some respects, a global event. But what I find most appealing about the book is its vividness. The complex narrative is repeatedly punctuated by details and vignettes that bring the past to life.

If you listen to the wonderful audiobook, you will even hear Christopher Clark singing a song on the death of the great German 1848er, Robert Blum.

It’s impossible to understand the turbulence that frequently swept over Florence in those years without some sense of what the magnate class was all about: its pride and its violence, its lawlessness, its emphasis on knighthood, and its private military forces. Lansing shows how the magnate class evolved as a distinctive culture, becoming powerful and disruptive to the city’s peace well beyond even what its considerable economic clout would suggest. She places a lot of emphasis on the role of women among the magnates, even though women could never be full members of the lineage, since they married into other lineages. Lively and readable, with lots of stories of interesting individuals.

Kate Carlisle’s Bibliophile Mystery series is what made me fall in love with cozy mysteries. I wanted to restore the book bindings on old books like her main character, Brooklyn Wainwright.

Since that wasn’t going to happen, I loved living vicariously through her adventures, learning more about how she works and how that knowledge can be used to solve crimes. 

This was probably one of the first books to specifically connect Witchcraft and Shamanism in a practical way for me. Witchcraft Today Book Three edited by Chas S. Clifton opened the door, but Johnson told you how to deftly step through it. Previously called The North Star Road, he linked stellar knowledge of European Paganism with its spirit worker roots and gave you very practical and meaningful ways to commune with the powers and understand more deeply the Witch’s sabbat, the wild hunt and the journey of life after death. Huge influence on my work. 

Don’t be fooled by the initial MF pairing of this book, A Lady of Rooksgrove Manor is very queer and very spicy.

Kathryn Moon does a fantastic job creating a realistic example of a polyamorous relationship in a genre where most authors tend to just like creating conflict. Each partner to the main character has unique, well-negotiated relationships not only with the main character but also with each other.

These relationships range from sexual to queer, platonic, and scratches the itch that every queer person has to build a commune out in the wilderness with all their closest friends that they may or may not make out with sometimes.