Here are 100 books that Dear America fans have personally recommended if you like
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I’m an American intellectual historian and professor at Vanderbilt University. I’ve long been fascinated by the history and politics of data: the question of how publicly available knowledge shapes societies as well as individual selves. It’s led me to research the effects of popular polls and statistics on mid-century U.S. culture and to write about how ever-advancing techniques for “knowing” citizens shaped modern privacy sensibilities. My current obsession is with official identity documents—how they infiltrate people’s lives in ways that are at once bureaucratic and curiously intimate. The books I’ve selected lay bare the promise and the peril of documentation in wonderfully vivid detail.
Torpey’s book, first published in 2000, is now a classic. With it, he helped open up a whole field of inquiry into the history of official documents and identification techniques that both constrain—and make conceivable—modern society. Here, think of street addresses, fingerprints, birth certificates, credit records, driver’s licenses, tax forms, and visas. For Torpey, the passport, “that little paper booklet with the power to open international doors,” is a window into modern nation states’ interest in regulating movement. For his readers, it is a bracing reminder of how recent those controls are and how habituated we denizens of the 21st century have become to showing our papers.
This book presents the first detailed history of the modern passport and why it became so important for controlling movement in the modern world. It explores the history of passport laws, the parliamentary debates about those laws, and the social responses to their implementation. The author argues that modern nation-states and the international state system have 'monopolized the 'legitimate means of movement',' rendering persons dependent on states' authority to move about - especially, though not exclusively, across international boundaries. This new edition reviews other scholarship, much of which was stimulated by the first edition, addressing the place of identification documents…
I’m an American intellectual historian and professor at Vanderbilt University. I’ve long been fascinated by the history and politics of data: the question of how publicly available knowledge shapes societies as well as individual selves. It’s led me to research the effects of popular polls and statistics on mid-century U.S. culture and to write about how ever-advancing techniques for “knowing” citizens shaped modern privacy sensibilities. My current obsession is with official identity documents—how they infiltrate people’s lives in ways that are at once bureaucratic and curiously intimate. The books I’ve selected lay bare the promise and the peril of documentation in wonderfully vivid detail.
What’s not to like about a book on “the psychic life of paperwork”? The Demon of Writing is a meditation on the rise of a modern “culture of paperwork” from the French Revolution onward. It brings to the foreground things we don’t tend to think about until we are caught up in some sort of bureaucratic morass: memos, forms, reports, and files. And it probes the ideologies buried under all that official paper. Linking the rise of paperwork to the rise of political representation, Kafka is interested in the way record-keeping promises uniformity or predictability but just as often produces an error, friction, and resistance. This is a witty and illuminating account of the rule of documents, packed with stories drawn from the bureaucratic archive.
Since the middle of the eighteenth century, political thinkers of all kinds — radical and reactionary, professional and amateur — have been complaining about “bureaucracy.” But what, exactly, is all this complaining about?
The Demon of Writing is a critical history and theory of one of the most ubiquitous, least understood forms of media: paperwork. States rely on records to tax and spend, protect and serve, discipline and punish. But time and again this paperwork proves to be unreliable. Examining episodes from the story of a clerk who lost his job and then his mind in the French Revolution to…
She really gets at the heart of how Brown and Black bodies are seen, and what is fascinating to me is the approach through current “technical art” and a good discussion of architecture. I had a class focus on her discussion—lengthy—about surveillance and race. It’s extremely poignant, and something whites especially just don’t think about. I will never again go through an airport without thinking about her book.
In Dark Matters Simone Browne locates the conditions of blackness as a key site through which surveillance is practiced, narrated, and resisted. She shows how contemporary surveillance technologies and practices are informed by the long history of racial formation and by the methods of policing black life under slavery, such as branding, runaway slave notices, and lantern laws. Placing surveillance studies into conversation with the archive of transatlantic slavery and its afterlife, Browne draws from black feminist theory, sociology, and cultural studies to analyze texts as diverse as the methods of surveilling blackness she discusses: from the design of the…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I’m an American intellectual historian and professor at Vanderbilt University. I’ve long been fascinated by the history and politics of data: the question of how publicly available knowledge shapes societies as well as individual selves. It’s led me to research the effects of popular polls and statistics on mid-century U.S. culture and to write about how ever-advancing techniques for “knowing” citizens shaped modern privacy sensibilities. My current obsession is with official identity documents—how they infiltrate people’s lives in ways that are at once bureaucratic and curiously intimate. The books I’ve selected lay bare the promise and the peril of documentation in wonderfully vivid detail.
Although it reads like a spy novel, this is the real-life account of a noted English journalist’s encounter with his own Stasi surveillance file. The file in question was compiled in the early 1980s by the East German secret police on Garton Ash (code name “Romeo”), then a young man living in Berlin and writing about Central European communism. Garton Ash opened his file fifteen years later, after the former German Democratic Republic made Stasi records accessible. Tracking those who tailed him, the book explores the uneasy sensation of reading one’s past life through the photographs, informant reports, surveillance notes, and speculations of those tasked with observing a target of suspicion. It’s a compelling and often chilling chronicle of the costs both of watching and being watched.
In 1978 Timothy Garton Ash went to live in Berlin to see what that divided city could teach him about tyranny and freedom. Fifteen years later, by then internationally famous for his reportage of the downfall of communism in Central Europe, he returned to look at his Stasi file which bore the code-name 'Romeo'. Compiled by the East German secret police, with the assistance of both professional spies and ordinary people turned informer, it contained a meticulous record of his earlier life in Berlin.
In this memoir, he describes rediscovering his younger self through the eyes of the Stasi, and…
I am a biographer, and my biography of E.E. Cummings centers on his unjust imprisonment in France during the Great War in dangerously brutal conditions—cold, underfed, and subject to the sadism of the prison guards. It is hard to imagine anything more imperative than writing about injustice. But perhaps for that very reason, it is difficult to write without the consciousness of a deep inadequacy to the task. I feel therefore an enormous gratitude towards those writers, five of whom I have chosen here, whose honesty and courage in writing about injustice serves as an inspiration and a beacon.
Cummings and his friend William Slater Brown were imprisoned in a detention center for foreign ‘undesirables,’ and to this day we are guilty of locking people up because they are stateless or nationals of another country. Behrouz Boochani’s No Friend but the Mountains, translated by Omid Tofighian,recounts his imprisonment along with fellow refugees on Manus Island. It is a visceral and vivid account, and it speaks in an unrefusable voice. I think it is an act of true human generosity that someone who has suffered so much at our collective hands would still choose to reach out and tell his own story; simply choosing to speak is an act of great hope and belief.
The Award-winning International Bestselling Story of One Man's Six Year Detention in Australia
'A powerfully vivid account of the experiences of a refugee: desperation, brutality, suffering, and all observed with an eye that seems to see everything and told in a voice that's equal to the task.' - Phillip Pullman
In 2013, Kurdish journalist Behrouz Boochani sought asylum in Australia but was instead illegally imprisoned in the country's most notorious detention centre on Manus Island. This book is the result.
Boochani spent nearly five years typing passages of this book one text at a time from a secret mobile phone…
Marita Golden is an award-winning author of over twenty works of fiction and nonfiction. Her books include the novel The Wide Circumference of Love and the memoirs Migrations of the Heart, Saving Our Sons, and Don’t Play in the Sun One Woman’s Journey Through the Color Complex. She is the recipient of many awards including the Writers for Writers Award from Barnes & Noble and Poets and Writers, an award from the Authors Guild, and the Fiction Award for her novel After, from the Black Caucus of the American Library Association. She has appeared on The Oprah Winfrey Show, been featured as a question on Jeopardy!, and is a two-time NAACP Image Award nominee.
This memoir informed me of the psychological price of immigration and displacement on young children in ways that were searing and deep because of Wang’s mastery of the child’s perspective.
She lived in New York’s Chinatown with her parents two professionals who immigrated from China and experienced poverty, isolation, fear of deportation, working in a sweatshop. She was saved by her love of books and reading, and her mother’s determination to realize the life she left China to have. Wang creates innocence and trauma with a deft, poetic skill that makes this a classic.
BBC RADIO 4 BOOK OF THE WEEK, OBAMA 2021 BOOK PICK and INSTANT NEW YORK TIMES BESTSELLER
'Hunger was a constant, reliable friend in Mei Guo. She came second only to loneliness.'
In China she was the daughter of professors. In Brooklyn her family is 'illegal.'
Qian is just seven when she moves to America, the 'Beautiful Country', where she and her parents find that the roads of New York City are not paved with gold, but crushing fear and scarcity. Unable to speak English at first, Qian and her parents must work wherever they can to survive, all while…
Benghazi: A New History is a look back at the enigmatic 2012 attack on the US mission in Benghazi, Libya, its long-tail causes, and devastating (and largely unexamined) consequences for US domestic politics and foreign policy. It contains information not found elsewhere, and is backed up by 40 pages of…
As a second-generation immigrant, I knew very little of my family’s migration story. My grandparents never really learned English despite living in the US sixty or more years. In my twenties when the country was undergoing turmoil about immigration reform once again, I began looking at the immigrants all around me (and in literature) and identifying what we had in common—how our lives intertwined and were mutually dependent on one another. In 2007 I traveled 8,500 miles around the perimeter of the US by bicycle on a research trip to collect stories from immigrants and those whose lives they impacted. I wrote two books based on that experience.
The Devil’s Highway is the 2001 story of the tragedy that befell 26 men and boys from Veracruz who cross the Mexico/Arizona border led by human smugglers who get lost on a stretch of desert known as the Devil's Highway.
Urrea is known for his direct and clear reportage style of writing. As he depicts what happened to these men seeking a chance at the American Dream, Urrea does not lose sight of the broken system of immigration, the border patrol, the smugglers or the criminal enterprise of which they are part.
The actual walk and the deadly mistakes made by their “guide” are not shared until Part Three of the book. Through the recollections of walkers and creative non-fiction he recreates dialogue that captures the motives and dreams of these ill-fated men.
A widely-praised piece of investigative reporting examining the journey of 26 men who in May 2001 attempted to cross the Mexican border into the desert of Southern Arizona through the region known as the Devil's Highway. So harsh and desolate that even the Border Patrol is afraid to travel through it, the Highway has claimed the lives of countless men and women - in May 2001 it claimed 14 more. History of high acclaim from the author of The Hummingbird's Daughter.
Growing up in Brooklyn, New York, I was acutely aware of the way my non-white and non-citizen classmates were treated differently by police and other authorities. Studying racial inequality in the War on Drugs as an undergraduate and graduate-level Sociology student, I began to understand the many links between the criminal and immigration systems, and how often the stories of criminalized people are left behind. I became committed to bringing attention to the racially inequalities that shape these systems. In doing so, I aim to uplift resistance to the “good immigrant/bad immigrant” binary that frames non-citizens with criminal records as undeserving and disposable.
I loved this anthology of writing by undocumented scholars for its disruption of the “dreamer” narrative so popular in mainstream arguments for the rights and potential of immigrant youth.
Reading the essays in this edited volume, I was struck by the many ways this meritocratic narrative denies the nuances that define the everyday lives of undocumented people, privileging one specific picture of the “deserving” immigrant who should receive legal status and human rights.
I appreciate the diverse perspectives included—particularly those often excluded from this picture of deservingness—for example, Black, queer, trans, and criminalized migrants, as well as older people, parents, and youth who struggle academically.
We Are Not Dreamers inspires me to strive for a broader understanding of undocumented people in my own work, through the breaking of binaries that uplift certain migrants through the alienation of others.
The widely recognized "Dreamer narrative" celebrates the educational and economic achievements of undocumented youth to justify a path to citizenship. While a well-intentioned, strategic tactic to garner political support of undocumented youth, it has promoted the idea that access to citizenship and rights should be granted only to a select group of "deserving" immigrants. The contributors to We Are Not Dreamers-themselves currently or formerly undocumented-poignantly counter the Dreamer narrative by grappling with the nuances of undocumented life in this country. Theorizing those excluded from the Dreamer category-academically struggling students, transgender activists, and queer undocumented parents-the contributors call for an expansive…
Ilya Somin is a Professor of Law at George Mason University. He is the author of Free to Move: Foot Voting, Migration, and Political Freedom, Democracy and Political Ignorance: Why Smaller Government is Smarter, and The Grasping Hand: Kelo v. City of New London, and the Limits of Eminent Domain. Somin has also published articles in a variety of popular press outlets, including The Washington Post, Wall Street Journal, Los Angeles Times, CNN, The Atlantic, and USA Today. He is a regular contributor to the popular Volokh Conspiracy law and politics blog, affiliated with Reason.
This is the single best book on the political philosophy of immigration. Canadian political philosopher Joseph Carens makes a wide-ranging philosophical defense of “open borders” migration rights – not just from the standpoint of some one particular political theory, but from that of many. Whether you are a free-market libertarian, an egalitarian liberal, or a moderate, Carens has a case to make to you. He also has compelling responses to a variety of objections. A key strength of the book is that Carens defends his seemingly radical conclusion based on relatively uncontroversial premises of liberty and equality that are widely accepted by supporters of liberal democracy around the world.
In The Ethics of Immigration, Joseph Carens synthesizes a lifetime of work to explore and illuminate one of the most pressing issues of our time. Immigration poses practical problems for western democracies and also challenges the ways in which people in democracies think about citizenship and belonging, about rights and responsibilities, and about freedom and equality.
Carens begins by focusing on current immigration controversies in North America and Europe about access to citizenship, the integration of immigrants, temporary workers, irregular migrants and the admission of family members and refugees. Working within the moral framework provided by liberal democratic values, he…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
My writing career has been in middle grade and YA, but as a reader I’m always trying to branch out. When I was a kid, literature opened the door to the whole world, and as an adult, I’m still exploring. When I read work in translation I can feel the literary connection to other writers and thinkers and simultaneously appreciate the differences that arise through geographic and cultural heritage. I hope my selections here might help readers like myself who enjoy reaching out to new voices and places.
Translated from Spanish and 128 pages in length, Herrera’s short novel is a beautiful evocation of one woman's journey from Latin America to the US. Evoked with the brushstrokes of a fairy tale and suffused with a luminous surreality, the book has stuck with me. This is Herrera’s first novel to be published in English, and it has made quite a splash, giving me hope that more will soon follow.
Signs Preceding the End of the World is one of the most arresting novels to be published in Spanish in the last ten years. Yuri Herrera does not simply write about the border between Mexico and the United States and those who cross it. He explores the crossings and translations people make in their minds and language as they move from one country to another, especially when there's no going back. Traversing this lonely territory is Makina, a young woman who knows only too well how to survive in a violent, macho world. Leaving behind her life in Mexico to…
