Here are 39 books that The Invention of the Passport fans have personally recommended if you like
The Invention of the Passport.
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I’m an American intellectual historian and professor at Vanderbilt University. I’ve long been fascinated by the history and politics of data: the question of how publicly available knowledge shapes societies as well as individual selves. It’s led me to research the effects of popular polls and statistics on mid-century U.S. culture and to write about how ever-advancing techniques for “knowing” citizens shaped modern privacy sensibilities. My current obsession is with official identity documents—how they infiltrate people’s lives in ways that are at once bureaucratic and curiously intimate. The books I’ve selected lay bare the promise and the peril of documentation in wonderfully vivid detail.
What’s not to like about a book on “the psychic life of paperwork”? The Demon of Writing is a meditation on the rise of a modern “culture of paperwork” from the French Revolution onward. It brings to the foreground things we don’t tend to think about until we are caught up in some sort of bureaucratic morass: memos, forms, reports, and files. And it probes the ideologies buried under all that official paper. Linking the rise of paperwork to the rise of political representation, Kafka is interested in the way record-keeping promises uniformity or predictability but just as often produces an error, friction, and resistance. This is a witty and illuminating account of the rule of documents, packed with stories drawn from the bureaucratic archive.
Since the middle of the eighteenth century, political thinkers of all kinds — radical and reactionary, professional and amateur — have been complaining about “bureaucracy.” But what, exactly, is all this complaining about?
The Demon of Writing is a critical history and theory of one of the most ubiquitous, least understood forms of media: paperwork. States rely on records to tax and spend, protect and serve, discipline and punish. But time and again this paperwork proves to be unreliable. Examining episodes from the story of a clerk who lost his job and then his mind in the French Revolution to…
She really gets at the heart of how Brown and Black bodies are seen, and what is fascinating to me is the approach through current “technical art” and a good discussion of architecture. I had a class focus on her discussion—lengthy—about surveillance and race. It’s extremely poignant, and something whites especially just don’t think about. I will never again go through an airport without thinking about her book.
In Dark Matters Simone Browne locates the conditions of blackness as a key site through which surveillance is practiced, narrated, and resisted. She shows how contemporary surveillance technologies and practices are informed by the long history of racial formation and by the methods of policing black life under slavery, such as branding, runaway slave notices, and lantern laws. Placing surveillance studies into conversation with the archive of transatlantic slavery and its afterlife, Browne draws from black feminist theory, sociology, and cultural studies to analyze texts as diverse as the methods of surveilling blackness she discusses: from the design of the…
I’m an American intellectual historian and professor at Vanderbilt University. I’ve long been fascinated by the history and politics of data: the question of how publicly available knowledge shapes societies as well as individual selves. It’s led me to research the effects of popular polls and statistics on mid-century U.S. culture and to write about how ever-advancing techniques for “knowing” citizens shaped modern privacy sensibilities. My current obsession is with official identity documents—how they infiltrate people’s lives in ways that are at once bureaucratic and curiously intimate. The books I’ve selected lay bare the promise and the peril of documentation in wonderfully vivid detail.
Although it reads like a spy novel, this is the real-life account of a noted English journalist’s encounter with his own Stasi surveillance file. The file in question was compiled in the early 1980s by the East German secret police on Garton Ash (code name “Romeo”), then a young man living in Berlin and writing about Central European communism. Garton Ash opened his file fifteen years later, after the former German Democratic Republic made Stasi records accessible. Tracking those who tailed him, the book explores the uneasy sensation of reading one’s past life through the photographs, informant reports, surveillance notes, and speculations of those tasked with observing a target of suspicion. It’s a compelling and often chilling chronicle of the costs both of watching and being watched.
In 1978 Timothy Garton Ash went to live in Berlin to see what that divided city could teach him about tyranny and freedom. Fifteen years later, by then internationally famous for his reportage of the downfall of communism in Central Europe, he returned to look at his Stasi file which bore the code-name 'Romeo'. Compiled by the East German secret police, with the assistance of both professional spies and ordinary people turned informer, it contained a meticulous record of his earlier life in Berlin.
In this memoir, he describes rediscovering his younger self through the eyes of the Stasi, and…
I’m an American intellectual historian and professor at Vanderbilt University. I’ve long been fascinated by the history and politics of data: the question of how publicly available knowledge shapes societies as well as individual selves. It’s led me to research the effects of popular polls and statistics on mid-century U.S. culture and to write about how ever-advancing techniques for “knowing” citizens shaped modern privacy sensibilities. My current obsession is with official identity documents—how they infiltrate people’s lives in ways that are at once bureaucratic and curiously intimate. The books I’ve selected lay bare the promise and the peril of documentation in wonderfully vivid detail.
Vargas’s memoir begins, “I do not know where I will be when you read this book.” An undocumented immigrant (and Pulitzer Prize-winning journalist) who was brought to the United States from the Philippines as a child, Vargas only learned that he was in the country illegally when he applied for a driver’s license at age 16. In 2011, after two decades in the shadows, Vargas publicly revealed his legal status. His anxious, tireless quest for a driver’s license, like his quest to belong in the only country he knows as home, raises urgent questions about the power of documents and borders to define people’s life chances. I’ve taught this beautifully written book several times and it never fails to move my students – and me.
"This riveting, courageous memoir ought to be mandatory reading for every American." -Michelle Alexander, New York Times bestselling author of The New Jim Crow
"l cried reading this book, realizing more fully what my parents endured." -Amy Tan, New York Times bestselling author of The Joy Luck Club and Where the Past Begins
"This book couldn't be more timely and more necessary." -Dave Eggers, New York Times bestselling author of What Is the What and The Monk of Mokha
Pulitzer-Prize winning journalist Jose Antonio Vargas, called "the most famous undocumented immigrant in America," tackles one of the…
I am a Professor Emeritus in the Department of Politics and Public Administration at Toronto Metropolitan University. I have taught and written on political theory and cultural studies for over thirty years, specializing in theories of capitalism and imperialism. However, my main motivation for writing the books and articles I have published has had more to do with my life-long commitment to progressive social change and the political movements that can bring that change about. First and foremost, I have tried to make sometimes challenging theoretical and political concepts accessible to the informed reader and especially to those on the front lines of progressive political and social movements.
In an age when statues commemorating former colonialists and slave owners have been toppled worldwide, the figure of Winston Churchill has been left largely untouched. Myth-making around Churchill’s role in defeating Hitler is surely part of the explanation: no less than sixteen feature films have been made about his supposed historical achievements, three of them in the past decade.
As Tariq Ali points out in this informative book, “Churchill has become a highly burnished icon whose cult has long been out of control.” Yet, during the 1930s, as fascism ascended throughout continental Europe, Churchill was a fanboy of the far-right. Like many of his social class, Churchill admired fascism for its capacity to keep communism in check. Until 1937, his “support for Mussolini was effusive, his hopes for Franco outlasted the war, and, for some years, he was impressed by Hitler and the sturdy, patriotic Hitler youth.” “Imperialism,” Ali argues,…
The subject of numerous biographies and history books, Winston Churchill has been repeatedly voted as one of the greatest of Englishmen. Even today, Boris Johnson in his failing attempts to be magisterial, has adopted many of his hero's mannerism! And, as Tariq Ali agrees, Churchill was undoubtedly right in 1940-41 to refuse to capitulate to fascism. However, he was also one of the staunchest defenders of empire and of Britain's imperial doctrine.
In this coruscating biography, Tariq Ali challenges Churchill's vaulted record. Throughout his long career as journalist, adventurer, MP, military leader, statesman, and historian, nationalist self belief influenced Churchill's…
After growing up in South Florida, a longstanding crossroads of Southern, Latin, and Caribbean culture, I became a student of the African Diaspora in the Americas. I learned that Africans preceded the English in the Americas and arrived in greater numbers than Europeans until 1820. As a history professor and researcher, I continually came across the stories of Black men and women, enslaved and free, who started independence movements, fought in revolutions, established schools, businesses, newspapers, and political organizations - men and women who challenged slavery and discrimination and championed freedom at every opportunity. The number of individuals was overwhelming and fundamentally altered how I understand American history and democracy.
Rosa Parks is an essential icon of the Civil Rights Movement, but the history of Black women and men turning segregation and discrimination during travel into a platform to negotiate the rights of citizenship has a long arc. Pryor gives us the longer backstory to the 20th-century Civil Rights Movement and 21st-centurymovement for Black lives when she traces how 19th-century Black men and women traveling in stage coaches, rail cars, and steam ships were often on the front lines of the struggle for Americans’ equal protection under the law.
Americans have long regarded the freedom of travel a central tenet of citizenship. Yet, in the United States, freedom of movement has historically been a right reserved for whites. In this book, Elizabeth Stordeur Pryor shows that African Americans fought obstructions to their mobility over 100 years before Rosa Parks refused to give up her seat on a Montgomery bus. These were "colored travelers," activists who relied on steamships, stagecoaches, and railroads to expand their networks and to fight slavery and racism. They refused to ride in "Jim Crow" railroad cars, fought for the right to hold a U.S. passport…
The past fascinates me because it is strange and different to the world we live in today. That is why I prefer looking at earlier centuries than contemporary times because the distant past requires an extra effort on our part to unlock how people back then made sense of their world. When I read an old chronicle on how Indigenous people spent days traveling to meet acquaintances and even strangers, it piqued my interest. Did they really need to meet face-to-face? What did traveling mean to them? The books on the list below are attempts by historians to understand the travelers of the past.
I like Borders and Freedom because Scholz shows a different way of interpreting political borders and territories.
Most people would think that toll stations would be located at the boundary between states. But Scholz illustrates how they were actually located well within the borders of political territories because channeling movement was far more important than maintaining fixed boundaries.
In the Holy Roman Empire 'no prince... can forbid men passage in the common road', wrote the English jurist John Selden. In practice, moving through one the most fractured landscapes in human history was rarely as straightforward as suggested by Selden's account of the German 'liberty of passage'.
Across the Old Reich, mobile populations-from emperors to peasants-defied attempts to channel their mobility with actions ranging from mockery to bloodshed. In this study, Luca Scholz charts this contentious ordering of movement through the lens of safe conduct, an institution that was common throughout the early modern world but became a key…
I am an avid reader of fantasy novels and a Nigerian. Born and raised in southern Nigeria, I grew up during a time when Nigerian culture closely resembled that of a century ago. Since the 1980s, my country has undergone significant cultural changes, and I am drawn to stories that remind me of a simpler time, before I started adulting. I am also deeply fascinated with history. I have delved into anthropological articles and textbooks dating back to the eighteenth century to gain a better understanding of my heritage and people. These readings have greatly influenced my own writing, allowing me to paint the vivid historical pictures that captivate me.
Set in precolonial Hausaland, this novel tells the gripping tale of a man on a relentless quest for revenge. The story resonated with me for several reasons, not the least of which was its pre-colonial setting that offered a glimpse into the past.
Ekwensi’s straightforward prose weaves a vibrant tapestry that is rich with cultural details. His portrayal of bravery, determination, and an unwavering sense of justice captivated me from the outset. Reflecting the oral traditions characteristic of Ekwensi’s writing style, the novel imparts social commentary and moral lessons in a manner that I found both entertaining and thought-provoking.
The Passport of Mallam Ilia is a love story tinged with a vengeance mission. On his quest to avenge the death of his wife, Zarah, the hero, Mallam Ilia, misses out on his entire youth.
My father, Squadron Leader Peter Stevens MC, died in 1979, when I was 22 years old, before I'd had the chance to speak with him man-to-man about his war. I later began researching his wartime exploits, which would consume a good part of 18 years of my life. I initially had no intention of writing a book; I just wanted to find the original document that recommended him for the Military Cross. I finally located it in Britain's National Archives in 2006. Along the way, I discovered that my father had actually been born a German Jew (he had told his immediate family in Canada that he was British and Anglican), and that some 15-20 family members had been murdered in the Holocaust. Further research showed that Dad had been the ONLY German-Jewish bomber pilot in the RAF, and that he had been the object of a country-wide manhunt by the British Police as a possible enemy spy.
Not strictly speaking just an escape book, this is a highly personal memoir of one American prisoner at Stalag Luft 3. But it also includes much previously unpublished material about The Great Escape and the various participants, including many who never got near the tunnel. A work that encompasses some 30-40 years of research, it includes many private photographs of people and memorabilia that cannot be found in any other source. A great deal of the material came from the POWs themselves, mostly through private correspondence with the authors.
I’m a musician – singer/composer/educator/researcher – based in Northern England, and I’ve become fascinated through my community music work to see how music can change people’s experience – of themselves, of other people, of their community and their relationship to the world around them. With all of the complex challenges we currently face as a species, I’m interested in the potential of music-making as a resource to help us navigate toward a more hopeful future. Making music is an important part of our unique collective history as humans – and we need to draw on it now to help us evolve into a species that can live more harmoniously and sustainably on our fragile planet.
The authors of this book are all people whose collective work over decades has constantly shaped my own understanding of music, part of a movement to argue that music’s greatest potential comes in the ‘doing’ of it, not just the listening to it.
This book asks important questions about what are we – as musicians and artists of all stripes – going to do with our artistry to improve our worlds. There are lots of great examples in the book of how Art making can change our experience, and re-connect us with our common humanity.
We are all artists if we want to be, and together we can use our artistry to build the kind of worlds we actually wish to live in.
This first-of-its-kind compendium unites perspectives from artists, scholars, arts educators, policymakers and activists to investigate the complex system of values surrounding artistic-educational endeavors. Addressing a range of artistic domains, ranging from music and dance, to visual arts and storytelling, contributors offer an exploration and criticism of the conventions that govern our interactions with these practices. Artistic Citizenship focuses the responsibilities, and functions of amateur as well as professional artists in society, and introduces a novel set of ethics that are conventionally dismissed in discourses on the topic. The authors address the questions: How does the concept of citizenship relate to…
