Fans pick 100 books like Artistic Citizenship

I wasn’t expecting this! One of the most gifted and quirky songsmiths of the age, the lead singer of art pop band The Talking Heads no less, turns his attention to the technological evolution of music.

I found profound insight and erudition on every page, but it’s not preachy or overly auto-biographical. Instead, Byrne limns out the changing shapes of music and how it comes into being in composition, performance, and education. He is as much at ease with Hume and Adorno as he is with scales, harmonies, and DJ culture, and the payoff is enormous.

Whenever I pick this book up, which is regularly, it takes me on unexpected journeys and provokes new ideas. My favorite quote on the creative process: “The idea is to allow the chthonic material the freedom it needs to gurgle up.” 

There are lots of great books about music in human evolution, but this one conjures up such beautiful images and makes such a strong argument that it’s still my favourite.

The human species is over 230,000 years old, and we’ve probably been using singing as a form of social bonding for that whole time, and previous hominid species probably were as well. The book makes the point really well that singing is something we take for granted, but is really quite a remarkable human evolutionary adaptation.

This book is one of the biggest influences in my life as a sound designer, musician, neuroscientist, and super curious researcher/creator. Dan’s personal life trajectory mirrors my own love of music and science, and his writing style is so accessible and engaging.

He and I have met personally, signed each other’s books, and are literally and figuratively on the same page. I also love his book, The World in Six Songs, a deep dive into how and why music affects us emotionally, culturally, and socially, which is very pertinent to sound design storytelling and portraying human nature from prehistoric to current pop culture.

Tia DeNora is a brilliant sociologist who writes a lot about music, and this book makes a great argument for music as a resource, or what she calls a ‘technology of self’.

We use music to shape our identity, and drawing on Erving Goffman’s ideas about ‘asylums’, she suggests that music is one such space we create in our lives where we can find ourselves again. Being musical becomes an integral part of being human.

Music has always been somewhere I’ve found solace and freedom, and I know that it’s the same for lots of the people I work with, and this book really explains why that’s so.

Talisse does a great job putting our divides in the context of the fundamental problem of democracy.

How can we maintain democratic principles when we see the "other side" as very wrong, or even as dangerous? Should we maintain those principles? What do we owe our fellow citizens even when we see them as very flawed?  

In addition to these hard and important questions, Talisse focuses on a less examined negative aspect of polarization: us-vs-them animosity makes us less able to get along even with people who are politically similar to us. We become more fractured even on "our side," and less able to do the basic work of politics.

This is a fascinating book that deals with one of the central dilemmas in American history—that a nation committed to high ideals of life, liberty, and the pursuit of happiness in a republic made up of people from several lands could also be a nation committed to racial oppression and the denial of fundamental rights. It considers citizenship not as noun but as verb—a dynamic process, not just a legal affiliation. Spires gets at the complexity of American life, explaining approaches to citizenship that required savvy improvisation, community formation, and determined commitment to ideals that were violated by the dominant culture at every turn. Spires explores the tensions, the disagreements over directions and methods, that were part of this collective effort, and the concepts of citizenship that emerged from those productive debates. Among a great many other things, readers will learn a lot about African American intellectual life, writing, and… show more.

This is easily the best account of the complex, racialized history of U.S. immigration law, politics, and policy. One of the arguments in it that impressed me most is that the category “illegal aliens”—the “impossible subjects” of the title—barely existed in the pre-World War I years, when almost no European immigrants were turned away from the U.S. (Asians were another story). Ngai also brilliantly analyzes two landmark laws: the 1924 Johnson-Reed Act, which dramatically restricted immigration through nationality-based quotas limiting arrivals from Eastern and Southern Europe; and the 1965 Hart-Celler Act, which eliminated the quotas and opened the door to a massive new immigrant influx. This is a densely written book, not an easy read, but no other text has taught me more about this topic.

In an age when statues commemorating former colonialists and slave owners have been toppled worldwide, the figure of Winston Churchill has been left largely untouched. Myth-making around Churchill’s role in defeating Hitler is surely part of the explanation: no less than sixteen feature films have been made about his supposed historical achievements, three of them in the past decade.

As Tariq Ali points out in this informative book, “Churchill has become a highly burnished icon whose cult has long been out of control.” Yet, during the 1930s, as fascism ascended throughout continental Europe, Churchill was a fanboy of the far-right. Like many of his social class, Churchill admired fascism for its capacity to keep communism in check. Until 1937, his “support for Mussolini was effusive, his hopes for Franco outlasted the war, and, for some years, he was impressed by Hitler and the sturdy, patriotic Hitler youth.” “Imperialism,” Ali argues,… show more.

Torchbearers is a pathbreaking history of the fight for American democracy during World War I, told from the perspective of African American servicemen who joined, fought, and returned from battle. Already engaged in conflict over civil rights in the US, African Americans took seriously the call to “make the world safe for democracy.” Through writing, activism, and organizing, they linked their domestic fight to the foreign fight against democracy’s enemies. Perhaps no other group in the US, Williams shows, was poised to engage the very biggest questions that animated the war – questions of citizenship, rights, freedom, and empire – as were African Americans. And their wartime service, he shows, was the crucible for the long freedom movement that followed.  

Students of Middle East studies learn a lot about Ottoman history, specifically about the Ottoman Empire's last decades, before WWI. But historians gave very little attention to the Arab provinces of the empire in comparison to Istanbul and the imperial center. In this book, Campos presented the fascinating case of Ottoman Palestine. Campos shows the most convincing rebuttal for the theories that attributed no Ottoman identity in the peripheries. The fantastic picture of Jerusalem during the last years of the empire can teach us a lot about the relations between Jews, Christians, and Muslims in Palestine, the understanding of national and imperial frameworks at the turn of the century, and the optimistic reader may find ideas to deadlock conflicts in the 21st century.