100 books like Clear to the Horizon

I started reading crime fiction as a teenager, so maybe it was inevitable that one day I would start writing it. I began with short stories, but then found an idea for a novel that wouldn’t let me go. One small paragraph about a tape recording left by a dead man. The books I love reading now are often set in small towns and communities, like the one I grew up in, where normal people tend to hide the worst secrets! Hidden motivations and seeing how the past plays out in the present are two elements I love in crime fiction—they help to work out who the killer is.

My interest in gaslighting began when I watched the movie, Gaslight, starring Ingrid Bergman. Until then, I hadn’t understood how someone who appears charming and caring can use someone’s love to control, manipulate and undermine them, to such an extent that the victim doubts their own perception of reality. I started to read accounts of victims of gaslighting. I then realized that someone I knew was going through this. Fiction is a powerful means of creating awareness of issues and injustices, and I hope my new series character, Sally Fairburn, will inspire women to seize back their lives. 

I started reading crime fiction as a teenager, so maybe it was inevitable that one day I would start writing it. I began with short stories, but then found an idea for a novel that wouldn’t let me go. One small paragraph about a tape recording left by a dead man. The books I love reading now are often set in small towns and communities, like the one I grew up in, where normal people tend to hide the worst secrets! Hidden motivations and seeing how the past plays out in the present are two elements I love in crime fiction—they help to work out who the killer is.

I started reading crime fiction as a teenager, so maybe it was inevitable that one day I would start writing it. I began with short stories, but then found an idea for a novel that wouldn’t let me go. One small paragraph about a tape recording left by a dead man. The books I love reading now are often set in small towns and communities, like the one I grew up in, where normal people tend to hide the worst secrets! Hidden motivations and seeing how the past plays out in the present are two elements I love in crime fiction—they help to work out who the killer is.

I took an early plunge into literature because of my very smart, highly literate parents, and it shaped my young brain. When my brilliant mother came down with Alzheimer’s, I had been a professional published writer for years, with a penchant for the non-pollyanna side of life. Here was the perfect subject matter. My aim was to take on her disintegration and downfall and turn it into art, to produce something as pitiless and unladylike as the disease itself. If people learn something about Alzheimer’s by reading it, that’s fine. But my larger purpose was to do her (and my) ordeal justice via the powers she bestowed on me.

I love dogs and I love books, so the combination is always beguiling to me. I have recently published my third book of dog art Rescue Dogs, I asked people to send me photos of their rescues, and as I now realise, all rescues come with a story, so they came with an extraordinary collection of stories about where they came from, how they were found, character sketches and descriptions of their idiosyncrasies. I realised that some of my favourite books have dogs heroes, there are 5 here but there could have been many many more.

I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction and I’m excited when my favourite genres and setting come together. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (urban fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic). With The Rephaim series, I wanted to put angels, half-angels, and demons in a sunny coastal Australia setting, rather than the gloomy European forests we’re mostly used to for those types of stories. It was a lot of fun.

I’ve clocked so many hours on Fallout 3 and New Vegas (and, less so, on Fallout 4) that it’s disgusting, but my real love of wastelands began with T.S. Eliot. His poem (The Waste Land), with its evocative imagery, fascinated me in university. While not about a literal wasteland, it inspired me to seek out stories of that vein. I even have a tattoo with a line from it! What Branches Grow was the focus of my grad certificate in creative writing and has won two awards. I am a book reviewer, writer at PostApocalypticMedia.com, and the author of the Burnt Ship space opera trilogy. 

A genuine Aussie bookish girl, I’ve been an editor in the Australian publishing industry for 25 years, and I’ve been writing Australian novels for 15 of them. When I’m not reading or writing, I’m reviewing Australian books – can’t get enough of them! I’ve dedicated my heart and mind to exploring and seeking to understand the contradictions and quirks of the country I am privileged to call home, from its bright, boundless skies to the deepest sorrows of bigotry and injustice. Acknowledging the brilliance of those women writers who’ve come before me and shining a light ahead for all those to come is the most wonderful privilege of all. 

I’ve been writing about climate change for the past 14 years. I have been the Environment and Energy Editor for the news website, The Conversation, and worked for the government in renewable energy and reducing emissions from transport. Now I work for a conservation organisation, protecting land for nature. My first novel, A wrong turn at the Office of Unmade Lists, was set in a climate-changed Melbourne and an idyllic past San Francisco. My most recent novel, From the Wreck, is historical fiction set in the 1870s but is also about modern humans’ history of ecocide. I have also written essays and a non-fiction guide The Handbook: Surviving & Living with Climate Change.