Here are 88 books that Cane River fans have personally recommended if you like
Cane River.
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Ever since I was a kid, as the grandson of Italian immigrant farmers and the son of a Polish-immigrant father, I wondered how my family fit into the American story. As I grew older, I learned that the American story could not be limited to a single race, a single religion, or even a single generation. Rather, the essence of any culture lies in the story that gets passed down from one generation to the next. That is where my passion lies: tapping into the essence of multiple cultures by tracing the multigenerational family wisdom that is often imparted quietly, humbly, and painfully, which makes it durable, meaningful, and indelible.
An outpouring of kindness for families despite their flaws—or because of their flaws.
I miss the Hamiltons and Trasks because of the forgiving portrayal of their human limitations. One tragedy involving a brother and sister left a lasting impression on me precisely because of its gentle, restrained depiction, as if the tragedy were being viewed from the seat of heaven, with an infinite and eternal compassion.
California's fertile Salinas Valley is home to two families whose destinies are fruitfully, and fatally, intertwined. Over the generations, between the beginning of the twentieth century and the end of the First World War, the Trasks and the Hamiltons will helplessly replay the fall of Adam and Eve and the murderous rivalry of Cain and Abel.
East of Eden was considered by Steinbeck to be his magnum opus, and its epic scope and memorable characters, exploring universal themes of love and identity, ensure it remains one of America's most enduring novels. This edition features a stunning new cover by renowned…
I have always been drawn to the weird, fantastic, supernatural, and unexplained. Whether it’s film or TV (The Twilight Zone, the X-files, Ingmar Bergman) or gothic and speculative literature, I become mesmerized by the mysteries involved. I have written 10 books (poetry and fiction). Of the fiction, most is either speculative, as in magical realism, or somewhat gothic in nature. My newest novel, due out in 2025, is pure gothic and takes place in a haunted abbey inhabited by ghosts and the devil himself. And yet, behind it all is an exploration of human faith and frailty and a search for answers about our beliefs.
I love being taken to places I’ve never been before and being exposed to leaps in imagination. Marquez, the most famous of the school of magical realism, takes the reader on a journey through time and history in an unforgettable tale. The style of writing captures me in this book and has also influenced me. If you read no other book, read this one.
One Hundred Years of Solitude tells the story of the rise and fall, birth and death of the mythical town of Macondo through the history of the Buendía family. Inventive, amusing, magnetic, sad, and alive with unforgettable men and women -- brimming with truth, compassion, and a lyrical magic that strikes the soul -- this novel is a masterpiece in the art of fiction.
Complex relationships have been the heart of my career. I have a BA in sexual anthropology from Concordia University in Montréal and a Ph.D. from the University of Melbourne. My debut novel, Weekend Friends, was published by Post Hill Press in 2023. My nonfiction book, Sex Drive: In Pursuit of Female Desire, was published by Allen & Unwin in 2012. Themes I like writing about include friendship, desire, conflict, healing, and love. I have published short stories and poetry and have written for publications such as the Huffington Post and Daily Life. I appear on TV and give talks, including a TEDx talk. My work has been featured in a National Geographic documentary.
I was completely immersed in this novel. Through her exploration of Chinese-American culture, Amy Tan draws us deeply into the intricate relationships between the mothers in this book and their daughters.
Cross-generational and cross-cultural, Tan skillfully portrays the conflicts within these friendships—both among the mothers and between mothers and daughters—ultimately demonstrating the power of understanding and forgiveness.
'The Joy Luck Club is an ambitious saga that's impossible to read without wanting to call your Mum' Stylist
Discover Amy Tan's moving and poignant tale of immigrant Chinese mothers and their American-born daughters.
In 1949 four Chinese women, recent immigrants to San Francisco, meet weekly to play mahjong and tell stories of what they left behind in China. United in loss and new hope for their daughters' futures, they call themselves the Joy Luck Club.
Their daughters, who have never heard these stories, think their mothers' advice is irrelevant to their modern American lives - until their own inner…
I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.
Reading this book changed my life. It gave me a sense of pride and place that extended beyond the shores of America. The enduring message of Roots is that enslavement severely tested Black people, but it did not break them.
The “factional” story of Alex Haley’s family encouraged me to go in search of my own roots, a quest that continues to this day.
Now a major BBC drama starring Forest Whitaker, Jonathan Rhys Meyers and Laurence Fishburne
Tracing his ancestry through six generations - slaves and freedmen, farmers and blacksmiths, lawyers and architects - back to Africa, Alex Haley discovered a sixteen-year-old youth, Kunta Kinte. It was this young man, who had been torn from his homeland and in torment and anguish brought to the slave markets of the New World, who held the key to Haley's deep and distant past.
Winner of the Pulitzer Prize and the National Book Award
I am a historian of race and slavery in the lower Mississippi Valley because the region is a fulcrum of United States history. I was always fascinated by the significance of the Mississippi River for American expansion, society, and culture. Ultimately, this region of the country is so deeply influenced by people of African descent that must be included in all histories, and I wanted to share their stories in a particular place during the colonial period. Telling these stories in places where they have commonly been less well represented is very rewarding and it opens more ways to understand the histories of places like Natchez along the Mississippi River.
Gwendolyn Hall’s Africans in Colonial Louisianais still a foundational text when it comes to studying African people in the colonial lower Mississippi Valley. Her deep knowledge of the archives and skill in bringing the stories of enslaved Africans to live make this a wonderfully informative book. She draws deep connections between the places that Africans left and their forced new homes in Louisiana, while placing a special emphasis on how that culture turned into an African creole culture in the lower Mississippi Valley.
Although a number of important studies of American slavery have explored the formation of slave cultures in the English colonies, few books have undertaken a comprehensive assessment of the development of the distinctive African-Creole culture of colonial Louisiana. This culture, based upon a separate language community with its own folklore, musical, religious and historical traditions, was created by slaves brought directly from Africa to Louisiana before 1731. It still survives as the acknowledged cultural heritage of tens of thousands of people of all races in the southern part of the state. In this work, Gwendolyn Hall studies Louisiana's Creole slave…
I am a historian of race and slavery in the lower Mississippi Valley because the region is a fulcrum of United States history. I was always fascinated by the significance of the Mississippi River for American expansion, society, and culture. Ultimately, this region of the country is so deeply influenced by people of African descent that must be included in all histories, and I wanted to share their stories in a particular place during the colonial period. Telling these stories in places where they have commonly been less well represented is very rewarding and it opens more ways to understand the histories of places like Natchez along the Mississippi River.
Voices of the Enslavedis a beautifully written and masterfully researched book (also award-winning) on the French period in colonial Louisiana. White traces the fleeting appearances of enslaved Africans in Louisiana court records to illuminate how they were able to achieve legal recognition where their enslavers tried to give them none. Out of the many fragments of legal documents, White creates a collage of Black lives in French Louisiana that really illuminates the Black contributions to the region.
In eighteenth-century New Orleans, the legal testimony of some 150 enslaved women and men--like the testimony of free colonists--was meticulously recorded and preserved. Questioned in criminal trials as defendants, victims, and witnesses about attacks, murders, robberies, and escapes, they answered with stories about themselves, stories that rebutted the premise on which slavery was founded.
Focusing on four especially dramatic court cases, Voices of the Enslaved draws us into Louisiana's courtrooms, prisons, courtyards, plantations, bayous, and convents to understand how the enslaved viewed and experienced their worlds. As they testified, these individuals charted their movement between West African, indigenous, and colonial…
I write fantasy romance, or romantic fantasy, and one of my favorite things this little genre niche can do is use its otherworldly setting to re-examine our preconceived notions of romantic relationships. Polyamory exists in the real world, of course, so surely it should also exist in worlds with hauntings, spells, magic-powered giant mecha, and gods who intervene in mortal fates. Here are some books I have loved that make polyamory a fundamental part of their fantasy worldbuilding.
This story about a broke, aimless young man who inherits a haunted house in Louisiana from his great-aunt and falls in love with the house’s ghost instantly captivated me. Noel, the young man, is a witty point-of-view character, and Ruby, the indomitable ghost, is sexy and endearing and has every reason to be enraged. The house and its history—a plantation house where Ruby’s formerly enslaved grandfather carved all the beautiful woodwork and was never credited for his artistic labor—are characters in their own right, and I was thrilled when Noel and Ruby’s happily ever after included an occasional threesome from local historian Nina. The writing is wonderful and makes every character come alive—especially the ghost.
Okay, so my life is officially at rock bottom. I’m 26 with nothing more to show for myself than a mountain of debt I can't pay back because I just got fired from my job as an assistant manager at a third-rate fast food chain. So, when I get a phone call from a rude lawyer telling me that my great aunt Sophie has died and she's left me a house - a whole damn house! - in Alexandria, Louisiana, I jump at the opportunity to skip out on next month's rent, since I can't afford it anyway.
As a college freshman, I was profoundly affected by a mesmerizing, Pulitzer-Prize-winning professor and Lincoln scholar, David Herbert Donald, who became an important mentor. I was drawn to Lincoln as source of personal inspiration, someone who triumphed over adversity, one who despite a childhood of emotional malnutrition and grinding poverty, despite a lack of formal education, despite a series of career failures, despite a woe-filled marriage, despite a tendency to depression, despite a painful midlife crisis, despite the early death of his mother and his siblings as well as of his sweetheart and two of his four children, became a model of psychological maturity, moral clarity, and unimpeachable integrity.
This 1981 book influenced my decision to become a Lincoln scholar, for the author – a gifted historian of the Reconstruction era – effectively challenged the regnant notion that Lincoln was a “reluctant emancipator.”
So in my first book I devoted a chapter to the origins of Lincoln’s hatred of slavery, building on the foundation that Lawanda Cox had laid.
Examining closely the president’s dealings with racial politics in Louisiana, she traced his maneuvers behind the scenes in support of emancipation and Black suffrage and concluded that Lincoln was “a determined, though circumspect, emancipator and friend of black civil and political rights, consistently striving to obtain what was possible in the face of constitutional restraints, political realities, and white prejudice.”
Very slightest of wear to the dust jacket, pages nice and clean, no writing or highlighting. Spotting on top edge textblock. A very nice copy. All our books are individually inspected, rated and described. Never EX-LIB unless specifically listed as such.
I’ve been fascinated by the feelings stories can evoke in readers since I cried over Bridge to Terabithia in middle school. From the time I was twelve, I’ve sought snapshots in time that ooze with a strong sense of place and flawed characters to capture my heart when reading. I’ve found well-researched historic Gothic family sagas to be the most consistent in delivering that raw emotional bond between the setting/characters and reader. As a writer, I strive to recreate what I crave when reading. The historic Gothic family sagas I’ve chosen represent an array of characters you will love—or love to hate—and cry over.
Dorothy Eden was well-known as a Gothic/Thriller Romance author fifty-plus years ago, but her family sagas are where her skills really shine. The Vines of Yarrabee had me scared to keep reading because I knew tragedy was coming, but I couldn’t stop reading because I was invested in the less-than-perfect characters—most of whom I was angry over for much of the story. These fictional humans are tucked in a rich setting I could see, hear, feel, smell, and taste. I learned a lot about Australia and its settlers in the 1800s, but it’s the people in the story that I still carry with me, several years after reading it.
SYNOPSIS: "Eugenia was a cultivated, aristocratic English woman who married Gilbert, the plantation and vineyard owner. But Eugenia had trouble adjusting to many aspects of plantation life that her husband takes in enthusiastic stride - the convict slave laborers, the ever-present danger of vengeful escapes, the suffocating summer heat, and the merciless winters. Both husband and wife find outside satisfaction - him from the attractive downstairs maid and Eugenia from the itinerant artist, who will alter the existence of all those at Yarrabee."
Being from Upstate New York I went to college at Cornell University but headed off to New Orleans as soon as I could. By and by I became an instructor at Delgado Community College. Always a big fan of the city’s amazing historic cemeteries, when teaching a world architectural history class, I took the class to the Metairie Cemetery where I could show the students real examples of every style from Ancient Egyptian to Modern American. After coming to Texas State University, San Marcos (30 miles from Austin), I went back to New Orleans on sabbatical in 2013 and wrote The Cemeteries of New Orleans.
Written by accomplished historian Carolyn Morrow Long, A New Orleans Voudou Priestess tells the true story of Voodoo queen Marie Laveau based on extensive archival research.
In telling her readers about this Creole woman of color who was deeply embedded in the culture of New Orleans in the 1800s, we learn the real story of a woman who was often glorified and denigrated by the press and by local authors who wrote many fantastical tales about her life misleading many about her character and her religion.
Legendary for an unusual combination of spiritual power, beauty, charisma, showmanship, intimidation, and shrewd business sense, Marie Leveau also was known for her kindness and charity, nursing yellow fever victims and ministering to condemned prisoners, and her devotion to the Roman Catholic Church. In separating verifiable fact from semi-truths and complete fabrication, Carolyn Morrow Long explores the unique social, political, and legal setting in which the lives of Laveau's African and European ancestors became intertwined in nineteenth-century New Orleans.
