100 books like Brooklyn Knight

I've lived in Brooklyn for over 30 years now. I've always had a weakness for fun, snarky urban fantasy where the city is always a supporting character—and sometimes a major one. One day I decided to write a short story in the style of Simon R. Green's Nightside books, only instead of London, it'd feature New York City. And thus, the Conradverse was born. I tend to combine action, humor, real Brooklyn and NYC locations and history, and copious pop culture references when writing in this setting, and I seek out other books that do a great job at handling some or all of these elements.

I've lived in Brooklyn for over 30 years now. I've always had a weakness for fun, snarky urban fantasy where the city is always a supporting character—and sometimes a major one. One day I decided to write a short story in the style of Simon R. Green's Nightside books, only instead of London, it'd feature New York City. And thus, the Conradverse was born. I tend to combine action, humor, real Brooklyn and NYC locations and history, and copious pop culture references when writing in this setting, and I seek out other books that do a great job at handling some or all of these elements.

I've lived in Brooklyn for over 30 years now. I've always had a weakness for fun, snarky urban fantasy where the city is always a supporting character—and sometimes a major one. One day I decided to write a short story in the style of Simon R. Green's Nightside books, only instead of London, it'd feature New York City. And thus, the Conradverse was born. I tend to combine action, humor, real Brooklyn and NYC locations and history, and copious pop culture references when writing in this setting, and I seek out other books that do a great job at handling some or all of these elements.

I've lived in Brooklyn for over 30 years now. I've always had a weakness for fun, snarky urban fantasy where the city is always a supporting character—and sometimes a major one. One day I decided to write a short story in the style of Simon R. Green's Nightside books, only instead of London, it'd feature New York City. And thus, the Conradverse was born. I tend to combine action, humor, real Brooklyn and NYC locations and history, and copious pop culture references when writing in this setting, and I seek out other books that do a great job at handling some or all of these elements.

My novel choices were part of the Afterschool Literacy & Building Modules for an organization called LitShop. It encourages growth in literacy, making, building, and leadership in girls ages 10-15 in St. Louis, Missouri. I’m honored to lead the writing classes. All of the LitShop books feature strong girls who believe they can make and build their way to a better world, and I aim to include similar characters in my stories. Stories can provide us with motivation, inspiration, and companionship, and all of these books have done just that… for the girls of LitShop as well as myself.

The first time I learned that I was raised by a “bad” mother was when I was in the first grade. The teachers complained that my mother hadn’t shown up for parent-teacher conferences and never could get me to school on time. But I knew what they did not, that my mother worked a lot and was raising kids all her own and yet still had time to take us to the library to read books that were well beyond the ones at school. Because of my highly iterant life raised by a bookish and neglectful mother, I have always been interested in the relationship between children and their less-than-perfect mothers.

“You spend your first 18 years as a sponge and the rest of your life using those early years as material.” Martin Short said this to me when I collaborated with him on his memoir, I Must Say: My Life As a Humble Comedy Legend. My own writing bears this out. My nonfiction books The United States of Arugula and Sunny Days are not first-person books, but they examine two significant cultural movements that defined my formative years: the American food revolution led by the likes of Julia Child and Alice Waters and the children’s-TV revolution defined by Sesame Street and Mister Rogers’ Neighborhood. Much of my journalism finds me chasing down the cultural figures who captured and shaped my young imagination, e.g., Sly Stone, Johnny Cash, Charles Schulz.

I love book club. If I could make it a requirement for everyone in the universe to give it a try, I would. I was an English major in college, so that feeling of ending an amazing story and needing someone to discuss it with never fully went away. All book club books should be thought-provoking, but the best add that intricate and wholehearted understanding, I think, that only literature can. Why do the characters you least understood or felt a kinship with suddenly have your heart, what do they want, need, feel, think? I hope these novels help you better understand. The who and what are beside the point. 

I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.

From my early days of reading Fire and Hemlock and various books of mythology, I’ve loved traditional tales from all around the world. In college I didn’t aim to major in things that would be useful to me as a fantasy writer, but anthropology and folklore made a great background for that job. Nowadays, I actively seek out books based on traditional stories, especially those that go beyond the most well-known European fairy tales and myths. Sometimes, they inspire me, in turn, to write my own stories!