Fans pick 70 books like Tune in Tomorrow

I've lived in Brooklyn for over 30 years now. I've always had a weakness for fun, snarky urban fantasy where the city is always a supporting character—and sometimes a major one. One day I decided to write a short story in the style of Simon R. Green's Nightside books, only instead of London, it'd feature New York City. And thus, the Conradverse was born. I tend to combine action, humor, real Brooklyn and NYC locations and history, and copious pop culture references when writing in this setting, and I seek out other books that do a great job at handling some or all of these elements.

I've lived in Brooklyn for over 30 years now. I've always had a weakness for fun, snarky urban fantasy where the city is always a supporting character—and sometimes a major one. One day I decided to write a short story in the style of Simon R. Green's Nightside books, only instead of London, it'd feature New York City. And thus, the Conradverse was born. I tend to combine action, humor, real Brooklyn and NYC locations and history, and copious pop culture references when writing in this setting, and I seek out other books that do a great job at handling some or all of these elements.

I've lived in Brooklyn for over 30 years now. I've always had a weakness for fun, snarky urban fantasy where the city is always a supporting character—and sometimes a major one. One day I decided to write a short story in the style of Simon R. Green's Nightside books, only instead of London, it'd feature New York City. And thus, the Conradverse was born. I tend to combine action, humor, real Brooklyn and NYC locations and history, and copious pop culture references when writing in this setting, and I seek out other books that do a great job at handling some or all of these elements.

I've lived in Brooklyn for over 30 years now. I've always had a weakness for fun, snarky urban fantasy where the city is always a supporting character—and sometimes a major one. One day I decided to write a short story in the style of Simon R. Green's Nightside books, only instead of London, it'd feature New York City. And thus, the Conradverse was born. I tend to combine action, humor, real Brooklyn and NYC locations and history, and copious pop culture references when writing in this setting, and I seek out other books that do a great job at handling some or all of these elements.

Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.

Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.

From the ages of 1-4, my son Finn deeply rooted himself into the detailed world of Richard Scarry. These books could be such slow reads that we only needed two of them for long airplane rides. Through Finn’s love of Scarry books, I began searching for more books that delighted with detail. And when I did not see my family’s bicycle-rich lifestyle reflected in books, I created Cycle City.

I have always been drawn to community, meaning how people get together, live, love, and support each other. That love drew me into caring about cities, in all their various forms, because cities are places for people to gather and build lives together. This can be in an Italian hilltown from the 1000 AD, a 15th-century neighborhood in Barcelona, an elegant street on the Upper East Side of New York City, or a subdivision near a highway interchange in Phoenix. Once I started caring about cities, I started asking why these places are the way they are, and this produced my book.

In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.

Where Are Your Boys is the book I always wanted to write. Watching emo bands like My Chemical Romance and Paramore soar from suburbs to stardom during my high school years inspired me to take writing seriously, that a kid like me growing up in New Jersey with few connections to the media industry could find a backdoor in, because those bands did, too. With its dense population, adjacency to New York City, and a multitude of record stores and all-ages shows, New Jersey was the setting for much of emo's 2000s boom and the home of My Chemical Romance and many other important bands.